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it!)...Though a minor film noir, it relates to the ambitions the middle-class had during the postwar period to better their life materially and socially. Jane's drive for wealth was so extreme that she will not stop at murder to rise above her impoverished middle-class circumstances, and her warped character is used to show how money can't buy one happiness. The husky-voiced winsome smiling
Lizabeth Scott turns in a finely tuned performance as the femme fatale; while Dan Duryea is in his element as the alcoholic weak-kneed cad, who shows he doesn't have as much stomach for his criminal mischief as does his lady accomplice.
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bag and Fuller tells her the money is his payment to remain silent over an insurance scam. Jane tricks him into fatally drinking the poison intended for Kathy. Jane escapes with the money to Mexico. Don tracks Jane to her hotel room and blackmails her into confessing she killed Alan. Don reveals he is really the brother of Jane’s first husband, whom he suspects she murdered, too. Mexican police breach the room and, cornered, Jane accidentally falls to her death from the balcony. Don returns to the hotel lobby where he and Kathy, now married, decide to end their honeymoon early and return to the United States.
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Don Blake, claiming to be Alan’s war buddy, arrives to help find him. Don and Kathy are attracted to each other. Jane discovers Kathy has the claim ticket and pressures Fuller to buy poison to kill her. Jane unmasks Don as an imposter, knocks him out and retrieves the claim ticket. Jane retrieves the
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Interviewed in 2001, Scott commented on the role: "Obviously, there was a softness and an inordinate amount of feminine qualities in ... When a woman like this is corrupted, she would surrender to that corruption. Money would become her delight and her total obsession, and she would then kill
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wrote upon the film's 2016 Blu-ray release: "Modern audiences now recognize it as a darkly satisfying and atmospheric meditation on the covetous societal and materialistic ambitions of postwar middle-class
America." Film critic and writer Eddie Muller cites the film as "The best un-known American
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Los
Angeles couple Jane and Alan Palmer are returning from a party when the driver in an oncoming car tosses a bag of cash into their car. The Palmers elude another car that pursues them, and in a compromise between Jane wanting to keep the money and Alan wanting to contact police, they agree to
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and tells Fuller to meet her there. After killing Alan, she and Fuller sink the body. Jane next attempts to kill Fuller, but he escapes. Jane devises a scheme to appear that Alan ran off to Mexico with the money by reporting him missing. Alan’s sister, Kathy, lives in the apartment next to the
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serial, herein have fashioned an effective melodramatic elaboration of that theme. Despite an involved plot and an occasional overabundance of palaver, not all of which is bright, this yarn about a cash-hungry dame who doesn't let men or conscience stand in her way, is an adult and generally
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was unimpressed by Scott's performance, writing: "She produces a characterization which is without explanation or belief... Miss Scott appears terribly tired in the film. Her acting has the same quality. All of which leaves what should have been an exciting movie in a somewhat rundown
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Byron Haskin's low-budget film noir makes good use of its Los
Angeles locale and its lady bluebeard is fun to watch as she does her nasty gun thing with her nice guy hubby and rotten poison thing with her boyfriend (she took care of her first hubby off camera, so we're not sure how he got
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244:, its plot follows a ruthless woman who resorts to multiple murders in an attempt to retain a suitcase containing US$ 60,000 ($ 609,000 in 2023) that does not belong to her. The screenplay was written by
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conceded that Scott "gives the role everything she does have with a growling, unvarying intensity," but felt that overall the film was "a routine specimen of crime melodrama." A review published by the
358:. When Alan is at work, a man named Danny Fuller comes to the Palmer apartment and tells Jane the money was intended for him. Jane says the money is not there and proposes to split it.
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which came to the
Mayfair on Saturday, is proof positive. For producer Hunt Stromberg, director Byron Haskin and scenarist Roy Huggins, who adapted his own
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and Film Noir
Foundation undertook extensive restoration of the film, combining elements sourced from France with additional material from the surviving
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character in the film has been noted as one of the most merciless and avaricious in film noir, and marked a departure from her previous performances in
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If proof be needed at this point that money is the root of all evil—a theme, incidentally, which has been the root of more than one motion picture—then
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293:. In the years since its release, it has been noted for featuring one of Scott's strongest performances, and her character one of the most vicious
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Alan decides to turn the bag over to authorities, and Jane devises a plan to kill him. Jane suggests she and Alan take a pedal boat ride at
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described the film as "dramatic and tragic" and "an action-packed film which has its good moments." Alternately, a reviewer for the
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On
January 25, 2014, the restored 35 mm print was premiered by the Film Noir Foundation at Noir City 12 at the
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in the decades after its release, owing to the dissolution of its corporate holders who failed to renew its
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952:"The Screen In Review; 'Too Late for Tears,' Adult and Suspenseful Adventure Film, Is New Bill at Mayfair"
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that, "Like few other femmes, she appears unstoppable, ready to do anything to achieve her object."
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723:. Because of this, the film's original English-language opening title had to be reconstructed via
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print of the film. The film's closing titles also had to be reconstructed using the same method.
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768:(1948), which featured elements of character vulnerability. Film scholar Fabio Vighi notes in
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Scott's performance in the film is regarded by several critics as among her best work. Her
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the film since its inception in 2006, but were unable to locate quality prints. In 2011,
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released the restored print in a DVD and Blu-ray set through their Arrow
Academy label.
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490:(1947). Don DeFore and Dan Duryea were ultimately cast as Don and Danny, respectively.
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and the Film Noir
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The Film Noir
Foundation, dedicated to preserving film noirs, had sought to
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set by Flicker Alley in May 2016. The following month, British distributor
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Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period
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Astor Pictures: A Filmography and History of the Reissue King, 1933-1965
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Film Noir Production: The Whodunit of the Classic American Mystery Film
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in the summer of 1949, the film was reissued under the alternate title
1074:"Lizabeth Scott, Dan Duryea, Don De Fore Star in 'Too Late for Tears'"
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in San Francisco. The restored print of the film was released in a
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print of the film that had allegedly been sold to a collector on the
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The film was adapted for the screen by Roy Huggins, based on his own
1177:, film review, February 22, 2005. Last accessed: February 15, 2011.
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prints. The restored version of the film was released in 2016 on
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in 1955. It received mixed reviews from critics. The film was a
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Critical Theory and Film: Rethinking Ideology Through Film Noir
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Critical Theory and Film: Rethinking Ideology Through Film Noir
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Palmers, becomes suspicious and finds the bag’s claim ticket.
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in the decades since its original release. Todd Weiner of the
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Film critic Dennis Schwartz in 2005 wrote a favorable review:
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As of May 2023, the film holds a 100% approval rating on the
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1314:"Too Late for Tears Blu-ray (Arrow Academy / Blu-ray + DVD)"
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The Chance of a Lifetime: The Making of 'Too Late for Tears'
543:(1948), which they reissued under the alternative title
1082:. July 3, 1949. p. 3-B – via Newspapers.com.
891:
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List of films in the public domain in the United States
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and matching the fonts as they appeared on an inferior
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1062:. June 29, 1949. p. 3 – via Newspapers.com.
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at the time of its release, sending its producer into
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novel of the same name, which had been published by
1463:. Inside Film. New York City, New York: Routledge.
821:"Archived Review: Roy Huggins – Too Late for Tears"
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1570:is available for free viewing and download at the
661:. The original camera negatives were subsequently
1110:"Housewife Turns 'Tiger' in 'Too Late for Tears'"
327:in the United Kingdom. The film has developed a
1444:. New York City, New York: Limelight Editions.
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588:
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692:. Muller tracked the print to a collector in
8:
1482:. New York City, New York: Continuum Books.
1292:"Too Late for Tears Blu-ray (Blu-ray + DVD)"
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522:It was re-released in August 1955 under the
307:and available in varying cuts. In 2015, the
1152:"Lizabeth Scott Finds Murder a Tiring Task"
448:, had a successful film career working for
323:by Flicker Alley in the United States, and
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1215:"Too Late for Tears: Formats and Editions"
1028:Tiger Hunt: Restoring 'Too Late for Tears'
452:, had left the studio and began producing
27:
18:
1054:"'Too Late for Tears' to play at Saenger"
1034:documentary short). Flicker Alley. 2016.
991:documentary short). Flicker Alley. 2016.
1417:. Jefferson, North Carolina: McFarland.
1160:. p. 16 – via Newspapers.com.
1139:. p. 22 – via Newspapers.com.
1118:. p. 21 – via Newspapers.com.
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1396:The Historical Dictionary of Film Noir
1379:. New York City, New York: Routledge.
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419:as Youth at Union Station (uncredited)
1967:English-language crime thriller films
1398:. Lanham, Maryland: Scarecrow Press.
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1249:University of California, Los Angeles
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578:received mixed reviews from critics.
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1255:from the original on April 10, 2023.
1108:Scheuer, Philip K. (July 28, 1949).
673:by numerous distribution companies.
964:from the original on July 10, 2012.
713:Hollywood Foreign Press Association
1359:Porfirio, Silver & Ursini 2001
1324:from the original on May 29, 2023.
1302:from the original on May 29, 2023.
1280:from the original on May 29, 2023.
1244:UCLA Film & Television Archive
1227:from the original on May 30, 2023.
933:from the original on May 29, 2023.
927:UCLA Film & Television Archive
831:from the original on May 30, 2023.
788:UCLA Film & Television Archive
642:, based on five critical reviews.
468:for the lead role of Jane Palmer,
14:
1239:"Too Late for Tears / The Guilty"
709:UCLA Film and Television Archive
331:in the years since its release.
309:UCLA Film and Television Archive
791:film noir of the classic era."
502:Promotional advertisement from
1917:Films directed by Byron Haskin
1877:American black-and-white films
1:
1872:American crime thriller films
1957:1940s English-language films
1882:American films about revenge
1660:Action in the North Atlantic
1544:AFI Catalog of Feature Films
1131:"Greedy Woman Theme of Film"
851:AFI Catalog of Feature Films
1268:"Too Late for Tears (1949)"
574:Upon its original release,
464:Stromberg initially sought
1983:
1952:1940s crime thriller films
1887:American independent films
1788:From the Earth to the Moon
1413:Pitts, Michael R. (2019).
665:. It has been released on
153:Hunt Stromberg Productions
1630:
1175:Ozus' World Movie Reviews
1150:N. K. (August 12, 1949).
603:Philip K. Scheuer of the
441:The Saturday Evening Post
255:The Saturday Evening Post
33:Theatrical release poster
26:
16:1949 film by Byron Haskin
1932:Fiction about mariticide
1922:Films set in Los Angeles
1912:Films about social class
1902:Films about embezzlement
1962:1940s independent films
1907:Films about mass murder
1836:Robinson Crusoe on Mars
1459:Spicer, Andrew (2018).
1129:B. F. (July 14, 1949).
1079:The Owensboro Messenger
856:American Film Institute
476:as Don Blake. Instead,
444:. The film's producer,
273:Originally released by
1937:Films about poisonings
1375:Landau, David (2016).
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601:
599:suspenseful adventure.
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389:as Don Blake/Blanchard
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177:July 3, 1949
1804:Jet Over the Atlantic
1732:The War of the Worlds
1724:Denver and Rio Grande
1478:Vighi, Fabio (2012).
1394:Mayer, Geoff (2012).
1273:Turner Classic Movies
596:Saturday Evening Post
501:
472:as Danny Fuller, and
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303:has long been in the
1947:1940s American films
1942:United Artists films
1892:Astor Pictures films
1188:"Too Late for Tears"
919:"Too Late For Tears"
846:"Too Late for Tears"
699:After a 35 mm print
413:as Lieutenant Breach
1927:Films set in Mexico
1740:His Majesty O'Keefe
1676:Man-Eater of Kumaon
950:(August 15, 1949).
592:Too Late for Tears,
515:was distributed by
450:Metro-Goldwyn-Mayer
270:appear in support.
248:, developed from a
224:is a 1949 American
1684:Too Late for Tears
1663:(1943, uncredited)
1622:Films directed by
1579:Too Late For Tears
1567:Too Late for Tears
1551:Too Late for Tears
1538:Too Late For Tears
1532:TCM Movie Database
1527:Too Late for Tears
1516:Too Late For Tears
1505:Too Late For Tears
1432:Porfirio, Robert;
1157:Detroit Free Press
957:The New York Times
780:Too Late for Tears
651:Too Late for Tears
619:Detroit Free Press
584:The New York Times
576:Too Late for Tears
556:Too Late for Tears
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1796:The Little Savage
1764:Conquest of Space
1489:978-1-441-13912-2
1470:978-1-317-87503-1
1451:978-0-879-10961-5
1424:978-1-476-63628-3
1405:978-0-810-86769-7
1386:978-1-315-51172-6
1136:Spokane Chronicle
1115:Los Angeles Times
827:. March 2, 2013.
637:review aggregator
613:Spokane Chronicle
606:Los Angeles Times
570:Critical response
454:independent films
354:check the bag at
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348:Lizabeth Scott
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466:Joan Crawford
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295:femme fatales
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252:he wrote for
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140:R. Dale Butts
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49:Screenplay by
47:
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37:
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1668:I Walk Alone
1666:
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1644:Irish Hearts
1642:
1634:
1624:Byron Haskin
1578:
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1197:. Retrieved
1191:
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1113:
1103:
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922:
859:. Retrieved
849:
825:Mystery File
824:
815:
779:
778:
774:
769:
763:
760:femme fatale
757:
733:
720:
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682:Eddie Muller
675:
653:fell in the
650:
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634:
629:
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623:condition."
617:
611:
604:
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583:
580:A. H. Weiler
575:
573:
555:
554:
545:Boy's Prison
544:
538:
526:
521:
512:
511:
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487:I Walk Alone
485:
482:Byron Haskin
470:Kirk Douglas
463:
439:
433:
411:Barry Kelley
368:
360:
352:
300:
299:
278:
272:
268:Barry Kelley
253:
242:Byron Haskin
220:
219:
218:
193:Running time
170:Release date
131:Harry Keller
62:
43:Byron Haskin
1716:Silver City
1318:Blu-ray.com
1296:Blu-ray.com
896:Spicer 2018
881:Landau 2016
748:Arrow Films
725:rotoscoping
721:Killer Bait
717:Le Tigresse
646:Restoration
527:Killer Bait
430:Development
417:Denver Pyle
325:Arrow Films
279:Killer Bait
246:Roy Huggins
197:100 minutes
71:Produced by
53:Roy Huggins
39:Directed by
1867:1949 films
1861:Categories
1588:(complete)
1347:Vighi 2012
1335:Mayer 2012
1096:Pitts 2019
807:References
690:East Coast
564:bankruptcy
551:Box office
436:serialized
425:Production
393:Dan Duryea
387:Don DeFore
344:Don DeFore
291:bankruptcy
238:Dan Duryea
234:Don DeFore
181:1949-07-03
146:Production
98:Dan Duryea
93:Don DeFore
1897:Film noir
1844:The Power
1652:The Siren
1461:Film Noir
1059:Hope Star
1040:949932389
997:949932389
776:for it."
694:Baltimore
659:copyright
505:Photoplay
289:, filing
228:starring
226:film noir
127:Edited by
1780:The Boss
1521:AllMovie
1322:Archived
1300:Archived
1278:Archived
1253:Archived
1251:. 2015.
1225:Archived
1220:WorldCat
962:Archived
931:Archived
829:Archived
795:See also
210:Language
137:Music by
81:Starring
59:Based on
1708:Warpath
1586:YouTube
1541:at the
1530:at the
1369:Sources
1199:May 29,
1032:Blu-ray
989:Blu-ray
861:May 29,
765:Pitfall
744:Blu-ray
678:restore
586:wrote:
494:Release
460:Casting
321:Blu-ray
213:English
202:Country
179: (
148:company
1847:(1968)
1839:(1964)
1831:(1963)
1823:(1961)
1815:(1960)
1807:(1959)
1799:(1959)
1791:(1958)
1783:(1956)
1775:(1956)
1767:(1955)
1759:(1954)
1751:(1954)
1743:(1954)
1735:(1953)
1727:(1952)
1719:(1951)
1711:(1951)
1703:(1951)
1695:(1950)
1687:(1949)
1679:(1948)
1671:(1947)
1655:(1927)
1647:(1927)
1639:(1927)
1486:
1467:
1448:
1421:
1402:
1383:
1038:
995:
754:Legacy
707:, the
705:France
558:was a
508:, 1949
266:, and
250:serial
236:, and
729:16 mm
686:35 mm
537:with
317:16 mm
313:35 mm
1581:film
1510:IMDb
1484:ISBN
1465:ISBN
1446:ISBN
1419:ISBN
1400:ISBN
1381:ISBN
1201:2023
1036:OCLC
993:OCLC
863:2023
742:and
669:and
663:lost
374:Cast
346:and
335:Plot
315:and
1584:on
1554:at
1519:at
1508:at
1173:.
740:DVD
671:DVD
667:VHS
582:of
529:by
456:.
232:,
1863::
1436:;
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1190:.
1154:.
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1112:.
1088:^
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1056:.
1005:^
970:^
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954:.
939:^
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921:.
903:^
888:^
871:^
854:.
848:.
837:^
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566:.
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262:,
258:.
1615:e
1608:t
1601:v
1492:.
1473:.
1454:.
1427:.
1408:.
1389:.
1203:.
1042:.
1030:(
999:.
987:(
865:.
183:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
