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Tommy Muñiz

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755:, which established a ratings record for the channel. The case took place in the mountain housing antennas that transmitted WKRIK's programming and one of the technicians was a witness, in the ensuing coverage the image of Romero Barceló was linked to the controversy. All foreign programming was suspended, while the channel's programming revolved around the event. The process extended for months and it brought political tension against those involved in the transmission leading to several bomb warnings being issued against the channel, while the Muñiz family was directly threatened along "Profe". In 1982, Muñiz sued MediaFax, the company responsible for registering television ratings, citing manipulation of the numbers. This eventually gained interest of the Senate, which launched its own investigation. However, the relation with advertisers was affected and Muñiz opted to sell the station in 1985 to avoid bankruptcy in exchange for the continuation of the original employees as part of an arrangement made by Pedro. The move ended the lawsuit, WKRIK-TV then became WSTE-TV and its commercial name became Súper Siete. The arrangement, however, limited Producciones Tommy Muñiz to the station until 1989. 289:
several siblings including Carmen, Marjorie, Nellie, Andy, Néstor and Nilza. Early in his life, Muñiz suffered from rickets. Despite this, he gained interest in eventually becoming a race jockey. His father Tómas Muñiz, Sr. had pursued several venues of substainance including real estate sales, while his mother Nena was sickly. He was an insecure child, which was reflected in issues at schools and a number of expulsions. Witnessing this, his uncle Félix Muñiz decided to take him to the West Indies Advertising Company (WIAC) where he worked. The institution would become a radio station in 1942, and when his uncle died, His father Tómas was selected to fill the vacancy. Since the age of 12, Muñiz would be the tasked with several functions within WIAC. Under José A. Torres Martinó, he learned to write scripts and wrote
442:, featuring the comedian debut of Shorty Castro and headlined by Muñiz and Luz María Font, who was recruited after casually stumbling upon the producer. The show climbed to the first spot in the ratings, remaining there for some time. During its peak, the script was modified to accommodate the pregnancy of Font, with the public responding strongly to the situation. Parallel to this, the couple had their first daughter, Luz Consuelo on October 18, 1957. However, two weeks later his mother died suddenly. Afterwards, the couple had its second daughter, Hilda María. Despite local television introducing more foreign programming, Producciones Tommy Muñiz continued unabated producing 494:(with the help of his father on character design) with Velda González as the titular character Azucena, a rude maid, and Jacobo Morales and Agrelot in supporting roles. Aimed at the middle class and originally conceived as a nighttime show, a pilot was filmed at WKAQ but problems with the station's protocol led to it being pitched to WAPA from its own studio. There, however, it was repurposed to avoid competing with the imported shows. During this time, his father also died, leaving him without his closest advisor in the business and personal confidant. Afterwards, Muñiz decided to leave La Casona behind and moved to Férnandez Juncos Avenue. With 159:- would consistently earn a strong following, as judged by the attendance to personal presentations of the artists featured in them. He was responsible for introducing more than a dozen new artists to the media. He bought Radio Luz 1600 (WLUZ-AM) a radio station in Bayamón, Puerto Rico During the first years of commercial television in Puerto Rico, and after a brief period during which revenues from his radio productions trickled down, Muñiz opted to start producing television programs as well. During the 1940s, when radios where ubiquitous in Puerto Rican households, Muñiz's radio scripts then became increasingly successful, beginning with 618:
it a bad investment, Nigaglioni refused to join Muñiz in the purchase of Rikavisión and both grew apart. With the death of a Ralph Pérez Perry, the channel began experiencing administrative and economic issues culminating the move after seven months. Eventually, these combined with the inability of WAPA-TV's new programming to compete with WKAQ-TV and led to a deal that was favorable for Muñiz's return. However, as the owner of a channel he was not allowed to work as a broker in both places and Producciones Tommy Muñiz sold material that was already filmed to the station. In this space, Muñiz aired
952:, with Muñiz as its host. García and López Neris completed the crew. Hosting a number of artists, politicians and civilians, the show traveled throughout the Puerto Rican archipelago, from which it was transmitted. The show was also responsible for filming the first surgeries to air in local television. A visit by the Guyanese prime minister was also hosted after the nation acquired its independence. Muñiz also became interested in developing several acres that he had inherited from his brother. By the summer of 1970, he had adapted a number of ideas and his ecological interests into a zoo known as 905:
create a small zoo from which they gained some income and entertainment and which is said to have been a precursor of sorts to the Monoloro park. Other activities to distract them included leading the local Girl Scouts. Muñiz himself acquired a house at Cayey, where he would relax and host parties. Rafo and Pedro are both well-known actors and producers and Toño currently is Production Manager for various promoters in Puerto Rico. In the 80s and 90s Toño was the producer of the yearly top Salsa event in the Caribbean, "Festival de Salsa Winston" ; Pedro directed a dramatic film,
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as APATE joined and people like Castro decided not to cross the protest lines, while others like Candal actively joined the protests. Morales in turn decided to quit on the air. Only Alida Arizmendi challenged the protests. WAPA-TV decided not to intervene and distanced itself from the issue. In the end, Muñiz granted the demands of the protestors, such as health coverage or six month contracts, but Reymundí was unable to benefit due to the cancellation of the production due to the strike. Producciones Tommy Muñiz was affected by it, with only productions like
220:. Also starring were William Gracia as Pepín, Gina Beveraggi as Gini, Edgardo Rubio as Junito, Manela Bustamante as Doña Tony, Emma Rosa Vincenty as Doňa Cayetana, and a number of additional actors in various roles. The show became the most successful television show in Puerto Rican history, having a mostly successful six-year run and staying for three of those years at the top of local television ratings. During the late 1970s and early 1980s, Muñiz was the owner of a radio station (Radio Luz WLUZ) and a television channel ( 302:
parents in law which served to produce eggs to sell and would also be sold themselves. The couple moved to Santa Rita in Río Piedras and had three children, Tómad Gerardo, Félix Antonio and Mario Andrés. Muñiz loaned a building at Santurce, which would serve as his workplace, the first local independent production entity known as Producciones Tommy Muñiz. The services provided grew to include representation and the hosting of activities by his artists, but focused on his radio productions. Among them was
768:, which was accepted and Morales was brought in to direct and as part of the cast. Agrelot was initially considered to lead the cast, but his issues with scripted work led to the reconciliation of Muñiz and Cordero after two decades of estrangement. The play was a hit and moved from Bellas Artes to Teatro Tapia and then left San Juan to be shown at Mayagüez and Ponce, totaling over 30 shows. Following the last show, Morales approached Muñiz about entering the film industry as the titular character in 706:, which introduced Héctor Marcano and Roberto Vigoreaux to television. After Channel 11 went bankrupt, Los Rayos Gamma moved to WRIK-TV, signaling the end of an estrangement with Morales. The group debuted on November 1, 1981. The arrangement with WAPA-TV was ended in February 1981, when all of the productions were relocated to reinforce WRIK-TV, which had become the only local channel in Puerto Rican hands with the bankruptcy of Channel 11. A new noon show named 948:, a thoroughbred stable, and a summer camp for children ("Camp Gualí"). He later delegated many of the administrative functions of his production company as to concentrate in scriptwriting and acting. Following the success of his shows, Muñiz incorporated Hernán Nigaglioni as the administrator of Producciones Tommy Muñiz. He joined Flavia García, who was serving as executive assistant. On July 10, 1968, Producciones Tommy Muñiz debuted the first local talk show, 347:
Muñiz decided to open a pet shop named Zoo Pet Shop. On April 19, 1955, the couple had its fifth child, Manuel Alberto. That same day, Muñiz received a call from WKAQ. Having practiced for the call in case that it came, he took the offer. His father had advised him to avoid appearing overly enthusiastic in his response in order to avoid appearing desperate. Producciones Tommy Muñiz was struggling Cordero and Agrelot were already involved in television shows
319:, a show that was a parody of the Archie comics and included a Diplo impersonator. The show would give birth to the Yoyo Boing character that defined the career of his interpreter, Luis Antonio Rivera. At the moment, Puerto Rican society was being forced to adapt to an industrial movement that replaced the agrarian economy that prevailed during the early years of American colonialism. It was, however, also a time of political unrest caused by the 1176: 605:, a sitcom reflecting the increasingly changing dynamic of Puerto Rican families during the ongoing industrial surge. This marked the first time since the strike that a new production was rolled by the producer and also marked his return to the screen as an actor. It also featured his son, Rafo Muñiz, in a supporting role. Within months, the show reached the top place in the ratings. 835:) were aired the following year. Pedro became responsible for Producciones Tommy Muñiz. When Malrite Communications sold channel 7, Muñiz (who still owned 20% of the stocks) filed a lawsuit due to not being informed of the move, winning it and ending his relationship with the station. On May 20, 1993, Muñiz returned to theatre in Rafo's play 179:, all of which featured him in some function. He was producer or executive producer for dozens of television programs and specials between 1955 and 1995. At one time in the early 1960s, five programs produced by Muñiz were in the top five television rankings in local audience surveys. One of the programs even spawned a 1967 film, 617:
requested voiding the auction where WRIK-TV acquired the rights so that the event could air through WIPR-TV, noting that otherwise they would be cancelled. Muñiz was unsatisfied with the request and filed an injunction and lawsuit, which was won three years after the Games had been held. Considering
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for WAPA-TV in 1973. However, this production actor José Reymundí began a strike against Producciones Tommy Muñiz and in particular against its administrator Hérnan Nigaglioni, claiming that he had been left out of a local production to favor foreigners. Soon afterwards, he was joined by more people
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along his mentor. In this, he performed as the effeminate titular character. In 1939, Muñiz met Luz María García de la Noceda while coursing high school. During the following five years he approached her, eventually convincing her after appearing at her house with a gift. They married in 1944, living
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and Félix Antonio (Toño). The birth of Rafael Emilio on September 13, 1956, served as comic relief for Muñiz, whose wife had been wanting a daughter for years. In their house, the couple also welcomed Ruby, the daughter of one of Muñiz cousins. Meanwhile, his children took several of their pets to
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surviving. Candal, Morales, Warrington, Carbia, Molina and García left to create Producciones Astra and joined Channel 7. This would only last for some years, since the company gained a reputation as supporting work syndicates and were avoided. On September 21, 1976, Producciones Tommy Muñiz debuted
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at risk of disappearing and the radio stations in turmoil over the loss of advertisement. The family had moved to Floral Park near his parents, while he was increasingly considering how to deal with his future in other ways. While radio stations loaned their facilities for other purposes to survive,
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was recorded, since he knew a member of the cast. The live performance of the radio scripts was popular and depending the nature of the work, required selective the public. However, his shows would be concurrent with Diplo, usually falling second to them. Muñoz would recruit Paquito Cordero to serve
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and Monserrate "Nena" Ramírez. His father, Don Tomás, was a marketing executive who later became the administrator (and eventual owner) of various radio stations, as well as a radio producer. Muñiz was born during the 1920s, the same decade when radio first arrived to Puerto Rico, to a household of
780:(along Rafo) for WAPA-TV, remaining invested in these projects for over a year. On February 14, 1990, the film became the first local project to be nominated to the Academy Awards, competing in the "Best Foreign Film" category. During the director's dinner, his work as an actor was complimented by 341:
Muñiz was concerned with the arrival of the new medium, assuming it would seriously hit radio and not expecting to have a role in it. The medium was received with some skepticism fueled by reports of losses abroad, but had a positive reception which eventually convinced most of its doubters. Radio
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and be hosted by Agrelot as well. On November 19, 1998, Muñiz sold Radio Luz. After suffering a heart attack on March 31, 1999, Muñiz underwent surgery. In May 1999, the Premios Quijote were dedicated to him and Agrelot. Three months later, Muñiz published a cautionary article about the misuse of
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When another foreign group purchased WAPA-TV, the new owners began implanting different moral standards that led to censoring some characters and modified the time slots. Unsatisfied with this, Producciones Tommy Muñiz moved his productions to Telecadena Pérez Perry. Muñiz then bought WRIK-TV, a
367:. Despite the family still living in poverty and he still selling animals for a living, Producciones Tommy Muñiz moved to Miramar in the large property that had been loaned by his parents years before, La Casona. While attending the pet shop, he received a call from WKAQ-TV to replace Agrelot at 301:
He started by being the messenger of the marketing firm where his father and uncle used to work, and eventually became a radio scriptwriter. Muñiz sold his car, a 1932 red Ford, and acquired an Underwood typewriter in which he wrote his scripts. Meanwhile, he survived by raising chickens for his
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after Rivero left the show. Américo Castellanos suggested to play the female character of Floripondia, a move that was considered in poor taste by the administration of WKAQ, but went ahead due to the producer's insistence. With the cast completed by regulars from other Producciones Tommy Muñiz
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television programming, his posture on the impact that this had on newer generations and how the overall quality had declined. Afterwards, he opted to retire and spend time with his family and friends. Almost three decades after their conflict, Muñiz and Nigaglioni put their differences aside.
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included the participation of Rivera, Agrelot, Cordero, Castro and Miró among others. He produced programs for both major stations at once, which benefited programs like the latter two, which were able to dominate in ratings despite moving. During this time, Muñiz kept his programs relevant by
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and the adoption of the Commonwealth and the reaction that the Nationalist Party had to it. This led to a focus in the local middle class, from which Muñiz drew inspiration in his scripts. He created characters based on the average working class and placed them in every day settings. The first
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for additional revenue. During these tours, the group became acquainted with several food establishments and where involved in several mishaps during the weekends, eventually adopting the name of "Caravana del Monte" gaining patronage from the Del Monte brand.
956:. The facility housed lions, tigers, gazelles, zebras, kangaroos, an hippopotamus, an elephant, bears, a number of large reptiles and exotic birds acquired with the collaboration of the Guyanese authorities, but was headlined by the male chimpanzee named 968:
winner in Guaybanex. The zoo was open for six years, with several of the animals eventually being transferred to the Mayagüez Zoo. Muñiz also acquired a beach house in Culebra. In June 1995, Muñiz and his sons inaugurated the theme park Camp Patricio.
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Disappointed at the status of the industry and the proliferation of what he regarded as lowbrow comedy, Muñiz entered a semi-retirement and spent most of his days at Culebra. Eventually, Rafo approached him about a return to theatre with a play named
670:, a novelty show first hosted by Muñiz and later by Agrelot and María Falcón, was a hit. A commentary show hosted by José Antonio "El Profe" Ortiz, was originally co-hosted by Mariano Artau and Carmen Jovet. Later, Jovet was moved to the news segment 506:
became the first daytime show to become a leader in ratings. The segment brought an increase in advertisers and despite Norma Candal taking over the role of maid as Petunia, its success continued and it lasted for 17 years. It also led to a spinoff,
874:. Despite resuming his work, Muñiz did not abandon this depression, selling his Culebra house and walked away of television for years. Eventually, Rafo Muñiz convinced his father to participate in another special, this one dedicated to him, titled 154:
Félix Muñíz, who also produced radio programs. Muñiz was a successful radio producer in Puerto Rico during the mid- to late 1940s. Five of his radio programs -comedies for which he was often the scriptwriter, sometimes with the assistance of
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peaked in the rating charts, which earned Muñiz personal congratulations from Ángel Ramos. It also won the recognition for "Best Comedy Show" and Yoyo Boing won "Best Comedian", while also serving to propel figures such as Helga Avilés and
371:, leaving the business in charge of his sister. Wondering what to create, Muñiz examined WKAQ's programming, consulted his father and summoned his co-workers to La Casona. Two shows where then created, a television adaptation of 977:
There is a statue of Muñiz at the Parque a los Caballeros de la Television (Park of the TV Gentlemen) in Bayamon, Puerto Rico. Several homages were held in 2022 to commemorate the 100th Anniversary of Muñiz's birthday.
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filmed for WAPA-TV on February 3, 1997, before a live audience that filled the venue. In it, both his family and former employees and colleagues played homage to his career. On September 7, 1998, WIPR-TV began airing
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small station but with good coverage, from United Artists on a $ 1.8 million offer. In order to establish the newly named Teleluz, he intended to dedicate it to sports and pursued the rights of transmission for the
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example was Violeta Flores, a representation of the jíbaros that were leaving the rural areas to settle in urban zones amidst the change and which was featured in a radio show in which he played a man named Tadeo.
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would take over the prime time slot Thursdays, and be host by a number of local talents including Agrelot, Morales, Olivo, Avellanet, Jovet and Logroño. Later, this space would be taken by the trova-centered
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In the late 1970s, Muñiz revived a comedy format that he had successfully used in three previous radio and television productions, the family sitcom. He produced and acted in a comedy series named
1267: 3174: 1218: 916:, Puerto Rico. Luz María García de la Noceda died a day after her 87th birthday, on 21 October 2011. ommy Muñiz's life is described in two books: an autobiography named 408:
to focus it on Agrelot's forte, giving rise to this adaptation. Producciones Tommy Muñiz also traveled Puerto Rico and made live presentations in a number of places and
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On July 1, 1995, Manuel Muñiz died, causing an emotional crisis in his father. It wasn't until September 3 that he made a return to the media in a special edition of
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remained his only show in the nighttime block, hosted by Agrelot, Castro and Osvaldo Seda as the titular "geniuses". Muñiz then debuted a 15-minute segment known as
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suffered an economic decline when most of its established figures left to work television and the sponsors followed them. His work soon lost its audience, with
847:, produced by Rafo Muñiz to commemorate the 40th anniversary of the medium, where he performed along his son. The following month, he hosted another special, 3272: 239: 800:. During the filming of the film, the improvisation of a court scene gathered the favor of director Thomas Schlamme. The film debuted on August 19, 1991. 138:
comedy and drama actor, media producer, businessman and network owner. He is considered to be one of the pioneering figures of the television business in
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followed, with the first airing on August 28, 1994, and the last on May 4, 1995. WIPR-TV displayed interest in reviving the series, but Muñiz declined.
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During the early 1990s, Muñiz was publicly critical of comedy shows that used war as a topic. In February 1991, Muñiz returned to WAPA-TV and produced
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in Bayamón, where he lived until his death several decades later. In 1972, Muñiz shifted its focus to raising race horses, a venture that gave him a
515:. In 1966, Efraín López Neris suggested a candid camera segment to Muñiz and Modestti. After being ignored, he filmed a pilot for the concept titled 3277: 3252: 3247: 772:. Pedro Muñiz was brought aboard as producer. Muñiz also made his return to Puerto Rican television in August 1989, producing family sitcom 694:. His son, Pedro Muñiz, was in charge of administrative duties. Rafo Muñiz was in charge of promotions for the station and produced two shows, 482:
Shorty Castro was part of the entertainment in this business with Googie Santana and others. By 1963, Muñiz dominated the daytime ratings, but
1264: 195:'s television programs during his career. He is also credited with discovering and promoting other television artists as well, particularly 523:
was the first hour-long noon show in local television. Tommy Muñiz produced the second and exploiting the lack of exclusivity, exported
3267: 3208: 807:, a compendium of his old shows with additional commentary that lasted for some months. He followed this with his first miniseries, 409: 1233:
García, Beba, ¡Juan, Juan, Juan! Crónicas de la televisión en los tiempos de don Tommy, Terranova Editores, San Juan, 2009; pg. 28
1215: 3124: 3242: 1088: 811:, which aired during the second week of May 1991. With Expo 92 being held in Spain, he and Rafo produced a special called 587:. Despite the latter facing issues with the increasingly successful telenovelas of WKAQ-TV, Muñiz went on to also produce 527:
to WAPA-TV (while dominating the ratings with several shows based at WKAQ-TV) on December 29, 1958, to replace Menéndez.
379:, which aired in a prime time slot on Wednesdays and was hosted by Yoyo Boing and Cordero. WAPA-TV responded by creating 3262: 244: 230: 224:). Both were named after his wife, Luz María. In 1988, he became one of the largest minority owners of another channel, 909:. Manolo was a businessman before his untimely death in July 1995. Muñiz was an aficionado of baseball and swimming. 738:, the latter of which marked the debut of José Vega as in shows directed towards that audience. With a loose concept 479:
for the nascent WKBM. Despite the introduction of taping during the 1960s, Muñiz continued producing his shows live.
425:. Muñiz, however, was annoyed by the involvement of the advertisers in his shows. On August 1, 1955, Muñiz took over 294:
in poverty for some time. Afterwards, Muñiz,Sr. loaned a large house from the owners of WIAC which became known as
511:, produced by González herself and which became the first comedy aired in color. Eventually, the show was renamed 789: 614: 1064:
Desafiando a los genios (comedy – various inceptions between 1959 and 2004. This was a personal favorite of
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was responsible for popularizing Lourdes Robles as a singer. Agrelot was placed in charge of the comedy
269: 143: 100: 965: 519:. Muñiz was convinced and the show would become his latest to succeed at the ratings chart. WAPA-TV's 3232: 3227: 630:. The original plan for WRIK-TV was abandoned and a variety of genres were seen in its first shows, 217: 111: 1181: 1157:
Marta (novela, 1973) Casting decisions caused the ASTRA strike against Muñiz's production company
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becoming the first and only Puerto Rican film so far to do so. As a consequence of his part in
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Muñíz was married to Luz María García de la Noceda and they had eight children: Rafael (aka
960:. The ape, however, managed to escape his cage and was eventually captured and sent to the 1271: 1222: 840: 719: 257: 253: 797: 261: 307: 285: 235: 146:
where he studied. Muñíz developed an interest in the entertainment business thanks to
3221: 3175:"Telemundo retransmitirá el programa "100 años de Tommy Muñiz" en honor a los padres" 1160: 1081: 1008: 897: 691: 683: 389: 303: 213: 208: 188: 156: 883:, where Muñiz introduced episodes of his past work. The show would later be renamed 730:. Children's programming was first in charge of Sandra Seiter, but later introduced 1065: 781: 682:
would gather a number of exclusives, including special programming surrounding the
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Agrelot returned to Puerto Rico during their peak and became the centerpiece of
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A reírse con Fab (first of four different names for the time slot – comedy)
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El Show de Shows (for which Muñiz produced the comedy section only – 1955)
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reprising his role. On October 19, another revival took place, this time
320: 142:. Although Muñíz was born in Ponce, he was raised in the capital city of 3201:¡Juan, Juan, Juan! Crónicas de la televisión en los tiempos de don Tommy 1027:
El Colegio de la Alegría (the radio comedy program, moved to television)
392:, while its music interludes served as the debut of Cortijo y su combo. 163:, in which he performed along José Miguel Agrelot. This was followed by 200: 35: 922:"¡Juan, Juan, Juan! Crónicas de la televisión en tiempos de don Tommy" 747:. The channel also acquired exclusivity of the investigation that the 475:
was the only program to survive this period. He also briefly produced
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changed names several times, twice due to branding in the cases of
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becoming popular and Agrelot also hosting the comedy news segment
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between 1956 and 1959. Initially supported by three advertisers,
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and Diviértase con Fab and once to highlight its characters in
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and Muñiz, among others. He is credited for producing most of
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El especial de Corona (variety specials; first appearance by
827:, a piece on the houses of historical Puerto Rican figures ( 823:, were also produced this year. A sequel to the first titled 1074:
Encabuya y Vuelve y Tira (comedy / news / community service)
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on fire as a protest. The movie was eventually broadcast by
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La Taberna India (variety show, based on the American show
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pitching them to the other channel, as was the case with
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La Cámara Cómica (comedy / reality television, based on
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At one time or another, Muñiz also owned a restaurant (
130:(4 February 1922 – 15 January 2009), better known as 1007:
Las Aventuras de Andy Tenorio (comedy, based on the
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De tal palo tal astilla, Rafo y don Tommy en Sevilla
117: 107: 89: 64: 57: 3125:"HORSE RACING; Horses Make Hurley a Winner Again" 1139:Borinquen Canta (folk music / variety show, 1971) 383:hosted by Myrta Silva. Conducted by Mario Pabón, 430:performers, the show became a hit. A reimagined 44: and the second or maternal family name is 900:), Ruby, Hilda, Mario, Luzie, Tomito, Manolo, 678:, would later complete the news programming. 547:Producciones Tommy Muñiz also began producing 310:would be among the public at WAPA Radio where 3107: 3105: 3080: 3078: 3041: 3039: 2918: 2916: 2903: 2901: 2899: 2850: 2848: 2799: 2797: 2700: 2698: 2649: 2647: 2574: 2572: 2547: 2545: 2543: 521:Panchito Menéndez y su gran show del mediodía 359:. Muñiz began working as a script writer for 8: 2478: 2476: 2463: 2461: 2424: 2422: 2397: 2395: 2370: 2368: 2331: 2329: 2316: 2314: 2289: 2287: 2178: 2176: 2163: 2161: 2159: 2157: 2120: 2118: 2116: 2055: 2053: 2040: 2038: 2001: 1999: 1997: 1984: 1982: 1921: 1919: 1882: 1880: 1855: 1853: 1058:Telefiesta de la Tarde (variety show – 1957) 1033:El profesor Colgate (amateur talent contest) 555:as its maiden project. This was followed by 306:, who also collaborated in writing scripts. 240:Academy Award for Best Foreign Language Film 1732: 1730: 1693: 1691: 1678: 1676: 1603: 1601: 1599: 1586: 1584: 1559: 1557: 1436: 1434: 1421: 1419: 1417: 1415: 1402: 1400: 1363: 1361: 1359: 1357: 1313: 1311: 1052:Garata Deportiva (sports commentary – 1956) 843:. In 1994, TeleOnce aired a special titled 1344: 1342: 1340: 1338: 1298: 1296: 1283: 1281: 1279: 1243: 1241: 1239: 54: 2507: 2505: 2503: 1133:Cuando los hijos condenan (novela – 1970) 3177:(in Spanish). El Nuevo Día. 15 June 2022 710:was complemented by the arriving comedy 1216:Article about his death in Primera Hora 1205: 1130:Historia de dos mujeres (novela – 1970) 1114:Caras y caretas de las mujeres (comedy) 1087:Esto no tiene nombre (comedy, based on 1049:Lotus lo divierte (variety show – 1956) 471:which returned to WKAQ-TV. Ultimately, 3161: 3149: 3111: 3096: 3084: 3069: 3057: 3045: 3030: 3018: 3006: 2994: 2982: 2970: 2958: 2946: 2934: 2922: 2907: 2890: 2878: 2866: 2854: 2839: 2827: 2815: 2803: 2788: 2776: 2764: 2752: 2740: 2728: 2716: 2704: 2689: 2677: 2665: 2653: 2638: 2626: 2614: 2602: 2590: 2578: 2563: 2551: 2534: 2522: 2511: 2494: 2482: 2467: 2452: 2440: 2428: 2413: 2401: 2386: 2374: 2359: 2347: 2335: 2320: 2305: 2293: 2278: 2266: 2254: 2242: 2230: 2218: 2206: 2194: 2182: 2167: 2148: 2136: 2124: 2107: 2095: 2083: 2071: 2059: 2044: 2029: 2017: 2005: 1988: 1973: 1961: 1949: 1937: 1925: 1910: 1898: 1886: 1871: 1859: 1844: 1832: 1820: 1808: 1796: 1784: 1772: 1760: 1748: 1736: 1721: 1709: 1697: 1682: 1667: 1655: 1643: 1631: 1619: 1607: 1590: 1575: 1563: 1548: 1536: 1524: 1512: 1500: 1488: 1476: 1464: 1452: 1440: 1425: 1406: 1391: 1379: 1367: 1348: 1329: 1317: 1302: 1287: 1247: 1145:El silencio nos condena (novela, 1972) 3238:Puerto Rican television personalities 1265:Chronicle of his life in Primera Hora 1211: 1209: 7: 1260: 1258: 1256: 1154:Llanto para una mujer (novela, 1973) 1120:Hello, Puerto Rico (variety special) 1061:Reina por un día (prize show – 1959) 924:by Puerto Rican author Beba García. 912:Tommy Muñíz died 15 January 2009 in 363:, a comedy segment of the half-hour 291:Francisquito Rosales y Miel de Aveja 3273:Male actors from Ponce, Puerto Rico 1071:El Show del Mediodía (varíety show) 199:. In the 1970s he was the owner of 1117:El show de Tommy Muñiz (talk show) 940:), a pet shop in San Juan, a zoo ( 920:("That's the way I've lived") and 851:. A series of special revivals of 121:Actor, comedian, Host, businessman 25: 3283:20th-century American male actors 3258:Puerto Rican television producers 1151:Claudia y Virginia (novela, 1973) 1036:Carnaval Del Monte (variety show) 992:El Colegio de la Alegría (comedy) 849:¿A quién no le falta un tornillo? 1174: 714:, and introduced others such as 539:, also completed similar moves. 212:together with his real-life son 3278:20th-century American comedians 1055:El chiste Camel (comedy – 1957) 998:Adelita, La Secretaria (comedy) 839:, performing along his son and 718:which debuted the character of 598:Ja-ja, ji-ji, jo-jo con Agrelot 543:Telenovelas and strike, WRIK-TV 270:Turner Network Television (TNT) 27:Puerto Rican actor and producer 825:Las otras islas de Puerto Rico 317:Las adventuras de Andy Tenorio 1: 3253:Puerto Rican male film actors 3248:Puerto Rican television hosts 3199:García, María "Beba" (2009). 1142:María del Mar (novela – 1971) 1089:Rowan & Martin's Laugh-In 1077:La Criada Malcriada (sitcom) 34:, the first or paternal 1123:Las Almas No Tienen Color ( 1094:Ja, Ja, Ji, Ji, Jo, Jo con 1046:Hogar, dulce hogar (sitcom) 831:) and a Christmas special ( 766:Los muchachos de la alegría 724:El show de Lourdes y Carlos 712:Encabuya... y vuelve y tira 624:Encabuya... y vuelve y tira 216:, and with longtime friend 3299: 1136:Los Juanes (novela – 1971) 776:and the comedy music show 652:El show de Carlos Busquets 280:Muñiz Ramírez was born in 29: 3268:Businesspeople from Ponce 1148:Mami santa (novela, 1972) 1104:Viernes de Gala (variety) 995:La Familia Pérez (comedy) 786:Lo que le pasó a Santiago 770:Lo que le pasó a Santiago 660:El show de Walter Mercado 638:, Cocina con Henry Corona 561:Cuando los hijos condenan 553:Las almas no tienen color 446:(his first for WAPA-TV), 337:Variety shows and sitcoms 286:Don Tomás Muñíz Souffront 245:Lo que le Pasó a Santiago 231:Lo que le Pasó a Santiago 128:Lucas Tomás Muñiz Ramírez 69:Lucas Tomás Muñiz Ramírez 1101:Gloria y Miguel (sitcom) 1004:¡Qué sirvienta! (comedy) 1001:Gloria y Miguel (comedy) 876:Los 75 años de don Tommy 864:Cuarenta años no son na' 860:El colegío de la alegría 845:40 Kilates de Televisión 833:La Navidad con don Tommy 628:El colegio de la alegría 533:El colegio de la alegría 500:Encabuya y vuelve y tira 402:El colegio de la alegría 373:El colegio de la alegría 161:El colegio de la alegría 817:Puerto Rico y sus islas 788:led to the interest of 753:Cerro Maravilla murders 674:. A morning segment, 611:1979 Pan American Games 573:El silencio nos condena 557:Historia de dos mujeres 484:Desafiando a los genios 477:Desafiando a los genios 284:on 4 February 1922, to 3243:Puerto Rican comedians 3203:. Terranova Editores. 1270:4 January 2016 at the 1019:Television productions 962:Parque de las Ciencias 815:. Two other specials, 504:Telefiesta en la tarde 492:Telefiesta de la tarde 464:Telefiesta de la tarde 456:Telefiesta de la tarde 169:Adelita, la secretaria 1190:List of Puerto Ricans 1091:– various inceptions) 1084:– various inceptions) 1014:La Novela Fab (drama) 868:Esto sigue sin nombre 784:. His performance in 778:Carcajadas y algo más 749:Senate of Puerto Rico 676:Despierta Puerto Rico 640:, ' 'Parece increible 615:Carlos Romero Barceló 613:. However, governor 585:Llanto para una mujer 181:"La Criada Malcriada" 150:and to his uncle and 101:Hato Rey, Puerto Rico 1221:4 March 2016 at the 1111:on television, 1967) 872:Esto no tiene nombre 794:Crazy from the Heart 732:Tamborito y Colorina 708:Mediodía en el Siete 636:Esto sí tiene nombre 594:Esto no tiene nombre 513:El show del mediodía 250:Crazy From The Heart 203:Channel 7 in Ponce. 3263:Television pioneers 1163:(sitcom, 1976–1981) 809:Nadie lo va a saber 740:Los siete del Siete 716:El derecho de lavar 686:and the arrival of 496:La criada malcriada 488:La criada malcriada 406:El profesor Colgate 332:Television producer 315:as Andy Tenorio in 193:José Miguel Agrelot 3129:The New York Times 1182:Puerto Rico portal 1098:(comedy / variety) 966:Clásico del Caribe 837:En un beso la vida 774:El papá de mi papá 745:La feria del Siete 688:Deborah Carthy-Deu 581:Claudia y Virginia 529:Hogar, dulce hogar 469:Hogar, dulce hogar 436:Hogar, dulce hogar 410:fiestas patronales 396:Adapting radio IPs 282:Ponce, Puerto Rico 83:Ponce, Puerto Rico 1109:Otilio Warrington 987:Radio productions 928:Other enterprises 728:Cosas del alcalde 668:Haciendo historia 509:Criada a la orden 444:Lotus lo divierte 440:Mímicas del Monte 423:A reírse con Yoyo 349:Mímicas del Monte 197:Otilio Warrington 125: 124: 16:(Redirected from 3290: 3214: 3187: 3186: 3184: 3182: 3171: 3165: 3159: 3153: 3147: 3141: 3140: 3138: 3136: 3121: 3115: 3109: 3100: 3094: 3088: 3082: 3073: 3067: 3061: 3055: 3049: 3043: 3034: 3028: 3022: 3016: 3010: 3004: 2998: 2992: 2986: 2980: 2974: 2968: 2962: 2956: 2950: 2944: 2938: 2932: 2926: 2920: 2911: 2905: 2894: 2888: 2882: 2876: 2870: 2864: 2858: 2852: 2843: 2837: 2831: 2825: 2819: 2813: 2807: 2801: 2792: 2786: 2780: 2774: 2768: 2762: 2756: 2750: 2744: 2738: 2732: 2726: 2720: 2714: 2708: 2702: 2693: 2687: 2681: 2675: 2669: 2663: 2657: 2651: 2642: 2636: 2630: 2624: 2618: 2612: 2606: 2600: 2594: 2588: 2582: 2576: 2567: 2561: 2555: 2549: 2538: 2532: 2526: 2520: 2514: 2509: 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1410: 1404: 1395: 1389: 1383: 1377: 1371: 1365: 1352: 1346: 1333: 1327: 1321: 1315: 1306: 1300: 1291: 1285: 1274: 1262: 1251: 1245: 1234: 1231: 1225: 1213: 1184: 1179: 1178: 1177: 950:El Show de Tommy 664:Parece increible 632:La cámara cómica 537:La taberna India 517:La cámara cómica 460:Reina por un día 448:Garata deportiva 432:La familia Pérez 427:La taberna India 419:A reírse con Fab 415:A reírse con Ola 385:A reirse con Ola 381:Una hora conmigo 377:A reirse con Ola 365:El show de shows 344:La familia Pérez 312:La familia Pérez 218:Gladys Rodríguez 165:La familia Pérez 148:his father Tomas 96: 78: 76: 55: 21: 3298: 3297: 3293: 3292: 3291: 3289: 3288: 3287: 3218: 3217: 3211: 3198: 3190: 3180: 3178: 3173: 3172: 3168: 3160: 3156: 3148: 3144: 3134: 3132: 3123: 3122: 3118: 3110: 3103: 3095: 3091: 3083: 3076: 3068: 3064: 3056: 3052: 3044: 3037: 3029: 3025: 3017: 3013: 3005: 3001: 2993: 2989: 2981: 2977: 2969: 2965: 2957: 2953: 2945: 2941: 2933: 2929: 2921: 2914: 2906: 2897: 2889: 2885: 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3275: 3270: 3265: 3260: 3255: 3250: 3245: 3240: 3235: 3230: 3220: 3219: 3216: 3215: 3209: 3189: 3188: 3166: 3164:, pp. 450 3154: 3152:, pp. 343 3142: 3131:. 9 March 2001 3116: 3114:, pp. 316 3101: 3099:, pp. 313 3089: 3087:, pp. 312 3074: 3072:, pp. 248 3062: 3060:, pp. 247 3050: 3048:, pp. 246 3035: 3033:, pp. 234 3023: 3021:, pp. 229 3011: 3009:, pp. 162 2999: 2997:, pp. 161 2987: 2985:, pp. 160 2975: 2973:, pp. 153 2963: 2961:, pp. 103 2951: 2949:, pp. 466 2939: 2937:, pp. 465 2927: 2925:, pp. 464 2912: 2910:, pp. 463 2895: 2893:, pp. 462 2883: 2881:, pp. 461 2871: 2869:, pp. 460 2859: 2857:, pp. 458 2844: 2842:, pp. 455 2832: 2830:, pp. 449 2820: 2818:, pp. 448 2808: 2806:, pp. 447 2793: 2791:, pp. 441 2781: 2779:, pp. 439 2769: 2767:, pp. 437 2757: 2755:, pp. 436 2745: 2743:, pp. 435 2733: 2731:, pp. 433 2721: 2719:, pp. 431 2709: 2707:, pp. 421 2694: 2692:, pp. 418 2682: 2680:, pp. 414 2670: 2668:, pp. 409 2658: 2656:, pp. 422 2643: 2641:, pp. 400 2631: 2629:, pp. 396 2619: 2617:, pp. 392 2607: 2605:, pp. 390 2595: 2593:, pp. 389 2583: 2581:, pp. 388 2568: 2566:, pp. 386 2556: 2554:, pp. 346 2539: 2537:, pp. 381 2527: 2525:, pp. 379 2515: 2499: 2497:, pp. 376 2487: 2485:, pp. 362 2472: 2470:, pp. 359 2457: 2455:, pp. 358 2445: 2443:, pp. 347 2433: 2431:, pp. 367 2418: 2416:, pp. 356 2406: 2404:, pp. 374 2391: 2389:, pp. 361 2379: 2377:, pp. 355 2364: 2362:, pp. 354 2352: 2350:, pp. 352 2340: 2338:, pp. 351 2325: 2323:, pp. 341 2310: 2308:, pp. 340 2298: 2296:, pp. 293 2283: 2281:, pp. 344 2271: 2269:, pp. 342 2259: 2257:, pp. 339 2247: 2245:, pp. 338 2235: 2233:, pp. 337 2223: 2221:, pp. 336 2211: 2209:, pp. 324 2199: 2197:, pp. 327 2187: 2185:, pp. 323 2172: 2170:, pp. 292 2153: 2151:, pp. 288 2141: 2139:, pp. 287 2129: 2127:, pp. 286 2112: 2110:, pp. 282 2100: 2098:, pp. 277 2088: 2086:, pp. 275 2076: 2074:, pp. 142 2064: 2062:, pp. 146 2049: 2047:, pp. 208 2034: 2032:, pp. 207 2022: 2020:, pp. 196 2010: 2008:, pp. 180 1993: 1991:, pp. 176 1978: 1976:, pp. 191 1966: 1964:, pp. 187 1954: 1952:, pp. 179 1942: 1940:, pp. 174 1930: 1928:, pp. 164 1915: 1913:, pp. 152 1903: 1901:, pp. 151 1891: 1889:, pp. 148 1876: 1874:, pp. 186 1864: 1862:, pp. 131 1849: 1847:, pp. 141 1837: 1835:, pp. 132 1825: 1823:, pp. 123 1813: 1811:, pp. 122 1801: 1799:, pp. 121 1789: 1787:, pp. 117 1777: 1775:, pp. 112 1765: 1763:, pp. 111 1753: 1751:, pp. 110 1741: 1726: 1714: 1702: 1687: 1672: 1660: 1648: 1636: 1624: 1612: 1595: 1580: 1568: 1553: 1541: 1529: 1517: 1505: 1493: 1481: 1469: 1457: 1445: 1430: 1411: 1396: 1384: 1372: 1353: 1334: 1322: 1320:, pp. 317 1307: 1292: 1275: 1252: 1235: 1226: 1204: 1197: 1194: 1193: 1192: 1186: 1185: 1169: 1166: 1165: 1164: 1158: 1155: 1152: 1149: 1146: 1143: 1140: 1137: 1134: 1131: 1128: 1121: 1118: 1115: 1112: 1105: 1102: 1099: 1092: 1085: 1078: 1075: 1072: 1069: 1062: 1059: 1056: 1053: 1050: 1047: 1044: 1041:Duffy's Tavern 1037: 1034: 1031: 1028: 1025: 1016: 1015: 1012: 1005: 1002: 999: 996: 993: 983: 980: 974: 971: 929: 926: 893: 890: 881:Noches de ayer 760: 757: 704:Son del Caribe 690:after winning 544: 541: 397: 394: 338: 335: 333: 330: 308:Jacobo Morales 277: 274: 256:and featuring 252:, directed by 236:Jacobo Morales 234:, directed by 185:Velda González 123: 122: 119: 118:Known for 115: 114: 109: 105: 104: 99: 97:(aged 86) 91: 87: 86: 81: 68: 66: 62: 61: 58: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3295: 3284: 3281: 3279: 3276: 3274: 3271: 3269: 3266: 3264: 3261: 3259: 3256: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3234: 3231: 3229: 3226: 3225: 3223: 3212: 3210:9781935163206 3206: 3202: 3197: 3196: 3195: 3194: 3176: 3170: 3167: 3163: 3158: 3155: 3151: 3146: 3143: 3130: 3126: 3120: 3117: 3113: 3108: 3106: 3102: 3098: 3093: 3090: 3086: 3081: 3079: 3075: 3071: 3066: 3063: 3059: 3054: 3051: 3047: 3042: 3040: 3036: 3032: 3027: 3024: 3020: 3015: 3012: 3008: 3003: 3000: 2996: 2991: 2988: 2984: 2979: 2976: 2972: 2967: 2964: 2960: 2955: 2952: 2948: 2943: 2940: 2936: 2931: 2928: 2924: 2919: 2917: 2913: 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36:surname 3207:  1125:novela 1009:Archie 973:Legacy 796:along 700:Latino 434:named 323:, the 944:) in 938:Cayey 936:) in 902:Pedro 620:Tommy 589:Marta 41:Muñiz 3205:ISBN 3183:2022 3137:2022 958:Yuyo 907:Cayo 898:Rafo 734:and 698:and 658:and 626:and 583:and 535:and 458:and 375:and 355:and 260:and 175:and 90:Died 65:Born 790:TNT 596:or 490:in 38:is 3224:: 3127:. 3104:^ 3077:^ 3038:^ 2915:^ 2898:^ 2847:^ 2796:^ 2697:^ 2646:^ 2571:^ 2542:^ 2502:^ 2475:^ 2460:^ 2421:^ 2394:^ 2367:^ 2328:^ 2313:^ 2286:^ 2175:^ 2156:^ 2115:^ 2052:^ 2037:^ 1996:^ 1981:^ 1918:^ 1879:^ 1852:^ 1729:^ 1690:^ 1675:^ 1598:^ 1583:^ 1556:^ 1433:^ 1414:^ 1399:^ 1356:^ 1337:^ 1310:^ 1295:^ 1278:^ 1255:^ 1238:^ 1208:^ 722:. 662:. 654:, 650:, 646:, 642:, 634:, 622:, 579:, 575:, 571:, 567:, 563:, 559:, 531:, 502:, 454:, 450:, 351:, 298:. 272:. 187:, 171:, 167:, 3213:. 3185:. 3139:. 1068:) 1043:) 77:) 73:( 50:. 20:)

Index

Tommy Muniz
Spanish name
surname
Ponce, Puerto Rico
Hato Rey, Puerto Rico
Puerto Rican
Puerto Rican
Puerto Rico
San Juan
his father Tomas
godfather
Sylvia Rexach
Velda González
Shorty Castro
José Miguel Agrelot
Otilio Warrington
WRIK-TV
Los García
Rafo Muñiz
Gladys Rodríguez
Teleluz
TeleOnce
Lo que le Pasó a Santiago
Jacobo Morales
Academy Award for Best Foreign Language Film
Lo que le Pasó a Santiago
Thomas Schlamme
Christine Lahti
Rubén Blades
billboards

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