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112:, and the actor who was to play the harlequin Pasquino fell ill. Instead of closing the theatre for the night his father asked the young Salvini to play the role. In his autobiography, he writes that "when I perceived that some of Pasquino's lines were amusing the audience, I took courage, and, like a little bird making his first flight, I arrived at the goal, and was eager to try again … It is certain that from that time I began to feel that I was somebody."
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222:. The core of his acting method came from his studies. While visiting Gibraltar, for example, he spent time studying the Moors and found one particular man whom he based his Othello on. Instead of relying on a mustache, which was the traditional way of depicting a Moor, he tried to copy "gestures, movements, and carriage" to depict the character.
169:. Rossi, who was to play the part of Lancelotto, felt himself ill-suited to the smaller part and Salvini, who had the grand role of Paolo, graciously exchanged with him, and made a memorable performance of it. Grateful for his display of urbanity, the government of Florence presented Salvini with a statuette of Dante.
233:(27 October 1885), "had he spoke Greek or Chocaw, it would have been much the same. There was that about him that was universal, and had he remained mute and contented himself with acting alone his audience could scarcely have failed to understand, so faithful was his portraiture of human instincts and their action"
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229:. He always delivered his lines in Italian while the rest of the company spoke English (except during his first tour, when he had an Italian company). According to the New York
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to parents who were both actors, his mother being the popular actress
Guglielmina Zocchi. Finding the boy had a talent for acting, his father organised tuition for him under
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Salvini retired from the stage in 1890, but in
January 1902 took part in the celebration in Rome of Ristori's eightieth birthday. Salvini published a volume entitled
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Salvini acted frequently in
England, and made five visits to the United States, his first in 1873 and his last in 1889. In 1886, he played Othello to the Iago of
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In 1853, however, he took a year off because "he rarely felt adequately prepared for a role". During this time, he prepared roles in great depth.
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Salvini was so confident in his talents as an actor that he was once quoted as saying, "I can make an audience weep by reading them a menu."
119:, who was then at the beginning of her career. It was with her as Elettra that he won his first success in tragedy, playing the title role in
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307:(1893–1965). Alessandro acted in movies dating back to silent pictures and Guido directed and wrote for films in the sound era.
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in the history of theatre. Stanislavski wrote that
Salvini was the "finest representative" of his own approach to acting.
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in 1902 of "Il sogno" from Saul, which is listed in a recently-found contemporary
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Ricordi, aneddoti ed impressioni. Milano
Fratelli Dumolard editori 1895 Internet Archive University of Toronto
244:, who saw Salvini perform in Moscow in 1882 and who would, himself, go on to become one of the most important
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104:, who took a liking to the boy. His father was involved in the Bon and Berlaffa Company who were presenting
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Carlson, Marvin. The
Italian Shakespearians. Washington: the Folger Shakespeare Library. 1985. Print.
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Iles, George, ed. 19th
Century Actor Autobiographies – Tommaso Salvini. n.d. Web. 29 January 2013.
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Cole, Tony, and Helen Crich Chinoy. Actors on Acting. New York: Crown
Publishers. 1949. Print.
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299:. Another son, Gustavo Salvini, was a stage actor. Gustavo's sons, Tommaso's grandsons, were
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James, Henry. The Scenic Art. New
Brunswick: Rutgers University Press. 1948. Print.
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Salvini's most famous role was Othello, which he played for the first time at
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88:(1 January 1829 – 31 December 1915) was an Italian actor.
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Tommaso Salvini portrait gallery NY Public Library Billy Rose Collection
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431:. Revised edition. Original edition published in 1988. London: Methuen.
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This article incorporates text from a publication now in the
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291:) (1861–1896), also an actor, had several notable successes in
266:(Milan, 1895). Some idea of his career may be gathered from
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in June 1856. His other important roles included Conrad in
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Trans. and ed. Jean Benedetti. London: Routledge, 2008.
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134:in 1849, but otherwise devoted his life to acting.
414:Stanislavski (1938, 19) and Benedetti (1999, 18).
365:Leaves from the autobiography of Tommaso Salvini
268:Leaves from the Autobiography of Tommaso Salvini
590:People of the First Italian War of Independence
404:. Washington: The Folger Shakespeare Library.
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509:. New York: Greenwood Press. 1924. Print.
240:greatly inspired the young Russian actor
37:Tommaso Salvini at the age of twenty-nine
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280:Salvini made at least one recording for
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115:In 1847 Salvini joined the company of
270:(London, 1893). He died, aged 86, in
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492:An Actor's Work: A Student's Diary.
258:(1861–1896), son of Tommaso Salvini
163:, which is based on an incident in
139:1865 was the 600th anniversary of
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132:First Italian War of Independence
570:19th-century Italian male actors
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429:Stanislavski: His Life and Art
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537:Alexander(Alessandro)Salivini
127:at the Teatro Valle in Rome.
335:Ovens and Murray Advertiser
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402:The Italian Shakespearians
16:19th century Italian actor
565:Italian male stage actors
362:Salvini, Tommaso (1893).
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488:Stanislavski, Constantin
400:Carlson, Marvin (1985).
287:His son Alessandro (aka
469:Encyclopædia Britannica
427:Benedetti, Jean. 1999.
242:Constantin Stanislavski
585:Male actors from Milan
507:On Playing Shakespeare
330:"Biography of Salvini"
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214:'s play of that name,
184:, Egisto in Alfieri's
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368:. NY: The Century Co.
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246:theatre practitioners
528:at Wikimedia Commons
297:The Three Musketeers
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580:1915 deaths
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227:Edwin Booth
196:, Paolo in
559:Categories
311:References
49:1829-01-01
220:King Lear
212:Niccolini
490:. 1938.
342:14 March
282:Zonofono
272:Florence
153:Majeroni
76:Florence
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422:Sources
293:America
238:Othello
216:Macbeth
208:Oedipus
174:Vicenza
145:Ristori
121:Alfieri
106:Goldoni
78:, Italy
59:, Italy
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125:Oreste
231:World
149:Rossi
141:Dante
98:Milan
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496:ISBN
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193:Saul
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65:Died
43:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
