357:... is a record of high spirits and lively, colliding ideas, like the raucous cross talk of a Mississippi roadhouse combo and the breathless locomotion of an African high-life orchestra. For all of the old free-jazz notions attached to Coleman's music since the late '50s, he and Prime Time now cook with a force akin to that of George Clinton and P-Funk's: jamming in tongues with unity of spirit... despite almost 40 years of rejection and misunderstanding of his music, even by old fans who consider the Prime Time concept a sellout to electric pop, Coleman is still... dancing in his head. There's plenty of room for the rest of us."
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Basically, what you are doing in harmolodics is relying on the basic information that goes into composing, playing, and improvising on forms... Your information may be limited, but the way you use the information doesn't have to be limited. Your tone will cause you to change any note to the way you hear it. Your relationship to your tone is based on your emotions. If it wasn't, everybody would sound the same. When you play something and you hear you own tone, that's tone dialing. That's you. If you create music just from the concept of your own tone, you will be doing something no one else has discovered."
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Regarding the album title, Coleman, in an interview, commented: "Information comes to people in the form of tone dialing. When you speak of something you speak in the tone of what it means to you. Sending a fax is tone dialing. When someone reads something you wrote, that's tone dialing... These
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In a separate interview, Coleman stated: "When you hear the guitar, the bass, and everyone else play what is called their tone dialing sounds, they are not so much playing different notes as they are playing their own tones, a form of the notes they have been given in the clef that they read.
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364:... is just plain fun... if you have any interest in Ornette's music, this album is a great place to start... it is complex, challenging and sometimes chaotic. But it is also – more so – just fresh fun funky jazz."
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awarded the album 4 stars, stating, "despite the inclusion of one obnoxious rap, this free funk set is well worth picking up by open-minded listeners".
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songs were written so that the musicians would be able to express their views about the information they were using."
208:. It was the Harmolodic label's first release, and "the first disc fully devoted to Coleman's music in eight years."
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is an album recorded in 1995 by the
American jazz composer and saxophonist
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This article is about the album. For telecommunications signaling, see
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408:"If I Knew as Much About You (As You Know About Me)" – 2:36
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ensemble. It was released in
September 1995 by Coleman's
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All compositions by
Ornette Coleman except as indicated
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1091:Friends and Neighbors: Live at Prince Street
360:Writing for Jelly, Glenn Brooks commented: "
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574:"Musical Tone Dialing With Ornette Coleman"
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34:1995 studio album by Ornette Coleman
641:"Robert Christgau: CG: Ornette Coleman"
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1067:At the "Golden Circle" Vol. 1 & 2
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490:Avenda Khadija, Moishe Nalm – vocals
456:Chris Rosenberg, Ken Wessel – guitar
697:Fricke, David (December 14, 1995).
572:Zwerin, Mike (September 29, 1995).
29:Dual-tone multi-frequency signaling
725:"Ornette Coleman & Prime Time"
538:"Harmolodic Label Is Pure Coleman"
536:Macnie, Jim (September 16, 1995).
411:"When Will I See You Again" – 2:46
200:record label, in partnership with
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1107:Opening the Caravan of Dreams
670:"Jazz (1940–50s) (Reference)"
598:Shoemaker, Bill (July 2006).
546:. BPI Communications: 1, 84.
509:"Ornette Coleman discography"
396:"Sound Is Everywhere" – 3:34
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1024:To Whom Who Keeps a Record
1008:The Art of the Improvisers
630:accessed November 28, 2011
414:"Kathelin Gray" (Coleman,
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280:Christgau's Consumer Guide
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1123:Colors: Live from Leipzig
989:Sound Museum: Three Women
821:The Shape of Jazz to Come
813:Tomorrow Is the Question!
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399:"Miguel's Fortune" – 6:04
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169:Colors: Live from Leipzig
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1115:Prime Design/Time Design
981:Sound Museum: Hidden Man
513:Jazz Discography Project
383:"Search for Life" – 7:32
353:, David Fricke stated: "
453:Dave Bryant – keyboards
430:"Local Instinct" – 2:56
427:"Family Reunion" – 4:07
1201:Ornette Coleman albums
1040:Beauty Is a Rare Thing
829:Change of the Century
424:"Tone Dialing" – 1:45
391:Johann Sebastian Bach
380:"Street Blues" – 4:58
1206:Verve Records albums
1099:The Belgrade Concert
917:Dancing in Your Head
600:"Dialing Up Ornette"
225:Professional ratings
18:Tone Dialing (album)
645:robertchristgau.com
402:"La Capella" – 4:32
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1000:Compilation albums
933:Soapsuds, Soapsuds
805:Something Else!!!!
604:Point of Departure
433:"Ying Yang" – 2:56
386:"Guadalupe" – 4:10
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70:September 26, 1995
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941:Of Human Feelings
877:The Empty Foxhole
837:This Is Our Music
471:– bass, keyboards
462:, Al MacDowell –
450:, trumpet, violin
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16:(Redirected from
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1142:Related articles
957:In All Languages
909:Skies of America
885:New York Is Now!
861:Ornette on Tenor
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389:"Bach Prelude" (
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869:Chappaqua Suite
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405:"O.A.C." – 2:47
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132:Denardo Coleman
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1075:Ornette at 12
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797:Studio albums
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368:Track listing
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351:Rolling Stone
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302:Rolling Stone
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151:Virgin Beauty
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1149:Jayne Cortez
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973:Tone Dialing
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734:February 19,
732:. Retrieved
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708:February 19,
706:. Retrieved
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677:. Retrieved
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609:February 19,
607:. Retrieved
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583:February 19,
581:. Retrieved
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518:November 28,
516:. Retrieved
512:
503:
487:, percussion
469:Chris Walker
373:
362:Tone Dialing
361:
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355:Tone Dialing
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185:Tone Dialing
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160:Tone Dialing
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55:Studio album
40:Tone Dialing
1196:1995 albums
1051:Live albums
788:Discography
674:tomhull.com
416:Pat Metheny
344:Scott Yanow
1190:Categories
1161:Prime Time
626:Yanow, S.
557:August 10,
495:References
342:review by
198:Harmolodic
194:Prime Time
140:chronology
117:Harmolodic
1151:(ex-wife)
925:Body Meta
893:Love Call
845:Free Jazz
666:Hull, Tom
552:0006-2510
543:Billboard
481:Badal Roy
438:Personnel
220:Reception
853:Ornette!
679:March 4,
668:(n.d.).
418:) – 4:41
393:) – 5:40
340:AllMusic
292:Tom Hull
244:AllMusic
206:PolyGram
192:and his
128:Producer
75:Recorded
67:Released
57: by
650:24 July
477:– drums
173:(1996)
164:(1995)
155:(1988)
1134:(2006)
1126:(1997)
1118:(1986)
1110:(1985)
1102:(1971)
1094:(1970)
1086:(1969)
1083:Crisis
1078:(1968)
1070:(1966)
1062:(1965)
1043:(1995)
1035:(1982)
1027:(1975)
1019:(1971)
1011:(1970)
992:(1996)
984:(1996)
976:(1995)
968:(1988)
960:(1987)
952:(1986)
949:Song X
944:(1982)
936:(1977)
928:(1976)
920:(1976)
912:(1972)
904:(1971)
896:(1968)
888:(1968)
880:(1966)
872:(1965)
864:(1962)
856:(1962)
848:(1961)
840:(1961)
832:(1960)
824:(1959)
816:(1959)
808:(1958)
550:
238:Rating
235:Source
95:Length
1157:(son)
1016:Twins
729:Jelly
485:tabla
202:Verve
121:Verve
112:Label
84:Genre
736:2022
710:2022
681:2020
652:2019
611:2022
585:2022
559:2012
548:ISSN
520:2011
464:bass
338:The
89:Jazz
78:1995
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727:.
701:.
689:^
672:.
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619:^
602:.
576:.
540:.
528:^
511:.
483:–
446:–
296:B+
285:A−
104:01
100:66
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20:)
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