Knowledge (XXG)

Tony Dudley-Evans

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109:. In Birmingham alone he has promoted around 1000 jazz events since 1985. A popular promotion is the weekly free Friday evening session, now known as the Jazzlines Free Gigs, held in Symphony Hall Café Bar showcasing emerging and established jazz musicians to regular audiences of hundreds. 120:
dynamic programme of live jazz performances and education projects across the city. Tony became Jazz Adviser and works closely with Jazzlines Programme Manager, Mary Wakelam-Sloan. Jazzlines is now the major jazz promoter in Birmingham and a key national jazz organisation.
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Tony has been involved with the Cheltenham Jazz Festival since its beginnings 20 years ago, initially as Chair of the Jazz Advisory Group, then as artistic director and, finally, for the last three years as Programme Advisor, working closely with
277: 195:'s BMus Jazz course and has until recently co-ordinated the Performance Platform class for third year and final-year students. Tony has also been a member of the 267: 282: 272: 262: 49: 19:
is Jazz Adviser to the Jazzlines programme at Town Hall/Symphony Hall Birmingham and Programme Adviser to the Cheltenham Jazz Festival.
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as Jazz Managers. This programming team has built Cheltenham Jazz Festival up into one of the leading jazz festivals in Europe.
30: 227: 145: 64:), Tony pursued a career as a researcher and lecturer until his retirement in 2001. Among his best-known books are 211: 117: 84: 200: 192: 149: 125: 61: 106: 252: 102: 257: 157: 210:
He is married to Maggie Jo St. John, and has two grown up children, Stephanie and Adrian. He supports
153: 113: 53: 57: 26: 207:. He is now a member of Jazz Services Touring Panel and is widely consulted about jazz promotion. 42: 92: 204: 172:
in 2005 for services to jazz. He is also an honorary Fellow of the Birmingham Conservatoire.
97: 73: 169: 165: 80: 23: 237: 246: 133: 215: 196: 141: 137: 33:. One of the most influential authors in the development of the modern notion of 161: 88: 38: 232: 129: 22:
He now sees himself as a jazz promoter, but he was for many years a
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In 2012 the work of Birmingham Jazz was transferred to Jazzlines,
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Despite the demands of his 'day-job', he was from 1985, chair of
83:, an organisation which promoted up to 100 concerts a year at 124:
As a promoter Tony has commissioned composers including
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as the driving force behind recent developments in ESP.
56:), a PGCE in teaching English as a Foreign Language ( 66:Developments in English for Specific Purposes 8: 199:'s Music Panel and was on the Board of both 52:, Birmingham. Having gained a BA in Arabic ( 60:) and an MA in Applied English Linguistic ( 238:Jazzfuel interview with Tony Dudley Evans 68:, authored with Maggie Jo St John, and 278:Alumni of the University of Birmingham 168:and many more. He received one of the 37:, he is usually grouped together with 7: 268:Alumni of the University of London 48:Tony Dudley-Evans was educated at 14: 283:Linguists from the United Kingdom 273:Alumni of the University of Wales 233:Cheltenham Jazz Festival Website 105:, the Fiddle and Bone and the 1: 31:English for Specific Purposes 191:Tony has also supported the 184:and for the last two years 72:, co-edited with economist 299: 263:Artistic directors (music) 212:West Bromwich Albion F.C. 201:Birmingham Arts Marketing 70:The Language of Economics 193:Birmingham Conservatoire 180:, Director, and firstly 62:University of Birmingham 154:Mark-Anthony Turnage 54:University of London 50:King Edward's School 58:University of Wales 93:Adrian Boult Hall 17:Tony Dudley-Evans 290: 146:Barbara Thompson 74:Willie Henderson 298: 297: 293: 292: 291: 289: 288: 287: 243: 242: 224: 170:BBC Jazz Awards 166:Ingrid Laubrock 118:Symphony Hall's 81:Birmingham Jazz 12: 11: 5: 296: 294: 286: 285: 280: 275: 270: 265: 260: 255: 245: 244: 241: 240: 235: 230: 223: 222:External links 220: 29:and expert in 13: 10: 9: 6: 4: 3: 2: 295: 284: 281: 279: 276: 274: 271: 269: 266: 264: 261: 259: 256: 254: 253:Living people 251: 250: 248: 239: 236: 234: 231: 229: 226: 225: 221: 219: 217: 213: 208: 206: 202: 198: 194: 189: 187: 183: 179: 173: 171: 167: 163: 159: 155: 151: 150:Billy Jenkins 147: 143: 139: 135: 134:Julian Joseph 131: 127: 122: 119: 115: 110: 108: 104: 100: 99: 94: 90: 86: 85:Symphony Hall 82: 77: 75: 71: 67: 63: 59: 55: 51: 46: 44: 40: 36: 32: 28: 25: 20: 18: 258:British jazz 216:Leeds Rhinos 209: 197:Arts Council 190: 185: 182:Philip Woods 181: 177: 174: 142:Tom Bancroft 138:Iain Ballamy 123: 111: 96: 78: 69: 65: 47: 43:Vijay Bhatia 21: 16: 15: 186:Emily Jones 162:Hans Koller 89:CBSO Centre 39:John Swales 247:Categories 178:Ian George 158:Liam Noble 126:Mike Gibbs 228:Jazzlines 130:Tim Berne 114:Town Hall 107:Glee Club 103:The Drum 27:linguist 205:JazzDev 24:British 91:, the 87:, the 35:genre 214:and 203:and 116:and 41:and 98:mac 249:: 218:. 164:, 160:, 156:, 152:, 148:, 144:, 140:, 136:, 132:, 128:, 101:, 95:, 76:.

Index

British
linguist
English for Specific Purposes
genre
John Swales
Vijay Bhatia
King Edward's School
University of London
University of Wales
University of Birmingham
Willie Henderson
Birmingham Jazz
Symphony Hall
CBSO Centre
Adrian Boult Hall
mac
The Drum
Glee Club
Town Hall
Symphony Hall's
Mike Gibbs
Tim Berne
Julian Joseph
Iain Ballamy
Tom Bancroft
Barbara Thompson
Billy Jenkins
Mark-Anthony Turnage
Liam Noble
Hans Koller

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