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Tony Slydini

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534:". His subtle magical gestures made it clear that he knew something not known, and probably unknowable, to his audience. Audiences saw an elfin quality in him that was unlikely to be duplicated. He created an ambiguous persona which allowed one to believe that maybe he was an elf and that maybe he really did have magical powers. As a close-up performer, he was considered nonpareil by his peers. His almost casual manner of performing made the magical effects he offered those of true magic. His style of close-up was something that had never been seen before. He was one of the first to show close-up magic as an art in itself, rather than as a lead-in to bigger and grander illusions. Slydini's magic was impromptu and rather than follow a set sequence of tricks as most magicians did, he allowed his audience and the situation to dictate his show. 346:, landing a job for $ 15 a day for a three-day-a-week show. The agent recognized his skills and flawless sleight of hand which he performed with playing cards, coins and two ordinary white silks. Slydini was an expert in timing and misdirection and it showed. Unlike the performing magicians of the time, it was audience reactions that guided his performances. He remained in Boston for nearly seven years before moving back to New York. It was there, in 1947, that Slydini opened his magic studio located at 341 West 45th Street. Magicians from around the world came to that location for more than fifty years seeking instruction and guidance. 387:
lessons were also given on this tour, and many club dates as well, in the large cities on the route. Along the way, the performances and demonstrations at magic gatherings captured even more attention from his fellow magicians. Eventually, Europe and Asia requested his presence and he complied. While there he performed publicly, made televised appearances and gave numerous lectures and private instruction to inquiring magicians wanting to learn his new form of close-up magic and misdirection. In 1958, he headlined the
395:’s Magic Monthly, wrote, "There is no doubt who was the star of the Convention. It was Slydini, whose close-up work, lecture and Gala Show act were in every detail flawless. Reports from up, down and around the British Isles praised the lecture Tony gave on the tour." Thereafter, Slydini would focus almost exclusively on teaching and lecturing, illustrating to others his original performing techniques and unique methods of misdirection. 359:, that Slydini was brought before the local magic fans, eventually going on their public shows and more, in New York, Boston and Hartford. From there, he was quickly grabbed to appear on the well known Barbizon Plaza show in New York City where he made an instant hit with his different style of magic. His fame spread and soon other well-known magicians from around the world sought out his company and expertise including the legendary 469:. Tony Slydini presented three solid hours of shows and lectures, plus additional semi-private lessons available to the 90 magicians in attendance and began a tradition of educational offerings to magicians, expanding the number and nature of lectures with an emphasis on variety and versatility. Slydini attended and lectured at the event originally named for him until his health no longer permitted travel. 25: 92: 222:, he continually demonstrated an extraordinary performing ability and during his lifetime was responsible for a long series of books, films and publications highlighting his mastery of the magical crafts. For his work, he received the highest honors that his profession could bestow, including both the coveted 262:. It was there that he began to experiment more seriously with magic. He had no access to books on magic, nor personal instruction or magical performing apparatus of any kind. Without help or guidance, he reinvented much of the popular magic of the time, along with developing many new effects and illusions. 273:. He was inspired by the relationship between a magician and his audience, which fueled his desire to be a close-up artist who would work intimately with the spectators. He became so good at it that he continually fooled the magicians for whom he performed, so much so that the famous dean of magicians, 354:
Slydini continued to gain popularity through his public performances, including many private club and party dates, and would travel the United States from New York to California, playing scattered engagements in museums, carnivals, side shows, etc., while remaining practically unknown to the world of
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Throughout the war, Slydini entertained thousands of soldiers in camps, hospitals and recreation centers. Between 1949 and 1950, he toured the United States under the direction of Ralph W. Read, who booked him to give his famous "Lecture Demonstrations" before over 30 magical organizations. Private
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remarked, "There is no question that Slydini is the most influential figure in Close-Up Magic in the 20th Century. His theories and concepts, his ingenious use of psychology and misdirection, combine to produce natural magic of the highest order. To see him work is to see the nearest thing yet, to
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column, "Doug Henning said to me, 'Tony's doing a special demonstration for some magicians tomorrow night at Vesuvio restaurant. Come.' Tomorrow night finally came. For the magicians, sitting for nearly two hours at that table, sudden gasps and intakes of breath abounded. It was like seeing a man
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In 1935, while Slydini was playing a museum in Paterson, New Jersey, the manager billed him as "Tony Foolem", in the absence of any better suggestion by Marucci (as Slydini was still known). The other acts on the bill became friendly with the magician and told him that they thought the name Tony
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Over his lifetime, many books were written about Slydini, his sleight-of-hand techniques, the psychology behind his performance and his clever methods of misdirection. In 1976, Slydini wrote a personal authorization letter to all magic societies and associations in North America, sponsoring his
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magic, earned him a legendary reputation in the magic world. He traveled the world performing for the public as well as performing and lecturing fellow magicians. As a result, he served as an inspiration to generations of well-known magicians, celebrities and entertainers, including
308:, where many immigrants settled, they provided popular and inexpensive entertainment. Hubert's provided the young magician with a grand platform, on which he could experiment and continue to enhance and develop his already sharpened skills. From there, Slydini found work in 488:
There were also films, videos and countless articles on his methods and philosophies. The scientific professions also took an interest and more than ten feature articles were written about his psychological methods for distraction and in particular, willful misdirection.
485:. These two book sets are considered to be must-read standard classics in magical literature. Wisch lectured on Slydini's methods and techniques, as well as his own, to thousands of magicians in 74 cities across the United States and Canada in 1976 and 1978. 444:
and other popular broadcast venues of his time, but this was not his forte. It had become teaching, training and an increased research and development of the art of misdirection. He was willing to teach and the magicians he served were willing to learn.
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Foolem was a poor choice and between them, they worked out the "Tony Slydini" stage name – the "sly" for being slick, and the "Dini" to follow the vogue for having something akin to the well known name of the successful
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Tony Slydini died of heart failure on January 15, 1991, following a lengthy illness and several years of confinement in a New Jersey nursing home. Howard Bauman, the editor of the International Brotherhood of Magician's publication,
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walk up a wall. Nothing prepared you for it. Right at the start, a solid, heavy silver dollar, held before my eyes, vanished into thinnest air. And by no method I knew of. Certainly no sleeves. The two hours flew too quickly."
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Best known as a master of showmanship, misdirection and close-up artistry, Slydini served as inspiration to generations of magicians, including many thousands of the famous and not-so-famous practitioners of the art.
1554: 515:. Slydini was a dedicated student of magic and developed his own style of misdirection and timing that was certainly regarded as truly artistic. Tony Slydini will be missed especially by his legion of friends." 316:
throughout the country. He was entertaining everyday workers and their families, but gaining valuable experience, knowledge and psychological expertise, while traveling and meeting people from coast to coast.
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Slydini was buried in Union, New Jersey. New memorials, books, video and film presentations about the man who changed magic continue to be written and produced more than 25 years after his death.
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Cavett and Slydini became friends and soon afterwards the talk show host featured the magician in a televised special, which was so well received that a second broadcast followed.
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Slydini was largely unknown to the public but became a legend to those in the magic profession. He was constantly featured in the magic magazines and publications.
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Slydini is considered by many magicians to be one of the two finest 20th-century performers, teachers, lecturers and creators of artistic sleight-of-hand magic;
511:, wrote, "A magical light went out on January 15, when Slydini died. For more than 40 years he had brightened the horizons of magic with his special kind of 1517: 1218: 2419: 457:, organized a gathering of magicians in Las Vegas in March 1978. The event, attended mostly by professional magicians was a first and it was called 2404: 567: 410: 388: 453:
Slydini's influence spread across the magic spectrum such that by 1975, his fame led to a major event in the field of magic. Joe Stevens, of
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protégé, Bill Wisch, to represent him and take his place introducing, demonstrating and marketing his long awaited, two-volume, book sets,
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Wisch, Bill. "Bill Wisch Talks About Slydini and More," The Magic Word, Scott Wells, Producer, New Jersey, April 19, 2012
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aspects of his art, which would continually show itself in his magic in the form of precise and expert use of timing and
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Bell, John Bower and Whaley, Barton, Cheating and Deception, Transaction Publishers, New Brunswick, NY 1982, p. 143.
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before a national conclave of magicians and from there, his reputation as a "Magician’s Magician" was cemented.
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Fleischer, Adam, Slydini Cover Feature, Tannen’s Magic Manuscript, (Vol. 6, Issue 6), June/July 1982, pp. 4–12
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published a 2015 research article entitled "The Neuroscience of Slydini's Paper Balls-to-Hat Magic Trick".
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Goodman, Rowland, The Slydini Lecture, Linking Ring Vol.30, No. 11, Kenton, Ohio, January 1951, pp 2830.
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Over his lifetime, Slydini received countless awards and honors from around the world including the
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Jay, Ricky, "Magician Mentors and Inspirations", American Masters, PBS Television, January 9, 2015
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Slydini's second appearance on the Dick Cavett show (Mar. 8, 1978) from Dick Cavett's NYTimes blog
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Slydini's first appearance on the Dick Cavett show (Nov. 7, 1977) from Dick Cavett's NYTimes blog
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Fulves, Karl. The Magical World of Slydini, Lou Tannen Publishing, Inc., New York, 1979, pp. 5–16
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Stevens, Personally Speaking, World Magic Seminar XXXIV 2011 – Summary Review, March 6, 2011.
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Stevens, Personally Speaking, World Magic Seminar XXXIV 2011 – Summary Review, March 6, 2011.
330:. Tony was a shortened name for his given name Quintino and so, thus was "Tony Slydini" born. 1532: 705:
Genii Forum, Post entitled "Slydini Protege Bill Wisch Visits Slydini's Final Resting Place"
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Nathanson, Leon, M.D., Slydini Encores, Slydini Studio of Magic, New York, 1966, pp. 11–13.
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The Magical World of Slydini (text), Fulves, Karl; Lou Tannen, Inc., New York, 1979 pp. 1–17
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Genii Forum, Post titled "Slydini Protege Bill Wisch Visits Slydini's Final Resting Place"
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Nathanson, Leon, M.D., Slydini Encores, Slydini Studio of Magic, New York, 1966, pp. 11–13.
304:. The Dime museum was designed as a center for entertainment for the working class, and in 2366: 2145: 1829: 1585: 512: 356: 1213:
Conde, Susana Martinez. "The Neuroscience of Slydini's Paper Balls-to-Hat Magic Trick".
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Matsuura, Gene, Tony Slydini, Actor, The Linking Ring Vol. 95, No. 3, March 1991, p. 43
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Starke, George. "Stars of Magic," Lou Tannen Publishing, New York, 1960, pp. 115–128.
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The Magic Word Podcast 537: Late Bloomers – Finding Magic Later in Life, Scott Wells
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The magician who taught himself continued to teach others well into his eighties.
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Ganson, Lewis. The Magic of Slydini, Harry Stanley; First edition, 1960, pp. 2–5.
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An Education in Magic – watching Tony Slydini for the first time
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An Education in Magic – watching Tony Slydini for the first time
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magicians. It was finally through magician Herman Hanson, a close associate of
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Bill Wisch, "Slydini Protege Visits Slydini's Final Resting Place / Grave"
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Bill Wisch, "Slydini Protege Visits Slydini's Final Resting Place / Grave"
755: 1693: 313: 952:, The Linking Ring Vol. 92, No. 8, St. Charles, Mo., August 2012, p. 112 930:, The Linking Ring Vol. 92, No. 8, St. Charles, Mo., August 2012, p. 112 813:, The Linking Ring Vol. 92, No. 8, St. Charles, Mo., August 2012, p. 112 799: 277:, once remarked, "Slydini is the only magician who could ever fool me." 2042: 1617: 978:, The Linking Ring Vol. 30, No. 12, Kenton, Ohio, February 1950, p. 16. 906:, The Linking Ring Vol. 30, No. 12, Kenton, Ohio, February 1950, p. 16. 566:
award given by New York's Magic Ring and was an inducted member of the
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real magic." "That sentiment," said former television talk show host
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struck that continent and work became scarce. In 1930, he moved to
1189:, Vantage Books, a division of Random House, Inc. 1992, pp. 69–71. 368: 182: 147: 45: 733:. Kingfisher – a Houghton Mifflin Company, New York, 1997, p. 32. 193:. His mastery, expertise, originality and innovative approach to 878:, New York University Press, New York and London, 1997, pp. 1–14 218:
and countless others. Although he was best known as a master of
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Ring 26, The Linking Ring, Kenton, Ohio, February 2002, p. 139
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When performing, Slydini never enunciated a magic word, e.g. "
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British Ring's magic convention. Frank Joglar, reporting for
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The Neuroscience of Slydini's Paper Balls-to-Hat Magic Trick
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30 Years of Magic and Fun In the Desert World Magic Seminar
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inductee. He also was awarded the Academy of Magical Arts’
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Wisch, Bill. "Bill Wisch Talks About Slydini and More,"
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during the 1930s, Slydini attracted the attention of an
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Academy of Magical Arts Performing Fellowship winners
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Arthur Leroy, Out of My Profonde, Sly, Sly, Slydini,
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1986: Will Rock, Tom & Liz Tucker, Eddie Tullock
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The Slydini Letter, Tony Slydini Protege Bill Wisch
1132:, Film – Stevens Magic Emporium, February 18, 2007. 164: 156: 143: 124: 98: 82: 2430:Academy of Magical Arts Masters Fellowship winners 1447:Slydini, a legendary magician, performs for Cavett 889:Slydini, a legendary magician, performs for Cavett 1063:Slydini on Dick Cavett Show, PBS Television 1977 562:. In 1952, he became the recipient of the first 421:wrote about his first meeting with Slydini in a 413:, highlighted him in their 1951 February issue. 965:, Editions d'Organisation; France, 2006, p. 32. 876:Weird and Wonderful: The Dime Museum in America 1291:Slydini Expert Bill Wisch Lectures to Ring 122 658:In writing of Slydini's life, magician-author 2001: 1548: 1086:The Great Slydini Makes Magic for Dick Cavett 449:Seminars, publications, and the closing years 250:Tony Slydini was born as Quintino Marucci in 8: 773:, Lou Tannen, Inc. New York, 1976, pp. 5–17. 1088:, Epublishers Weekly, April 14, 2009. p. 4. 556:Hall of Fame – Living Legend 2008: 1994: 1986: 1555: 1541: 1533: 963:grands secrets du monde de l'illusionnisme 646:by Ricky Jay (American Masters PBS series) 90: 79: 48:. Please do not remove this message until 1436:. Lou Tannen, Inc., New York, 1979, p. 5. 1381:"The World Famous Hollywood Magic Castle" 731:Presenting the World’s Greatest Magicians 68:Learn how and when to remove this message 2410:Argentine emigrants to the United States 2237:1998: Goldfinger & Dove, Martin Nash 839:, Remarkable Magic, March 4, 2013, p. 1. 44:Relevant discussion may be found on the 1232:, L&L Publishing, Tahoma, CA, 2011. 1164:Bill Wisch, Biography –January 31, 2020 786:, Volume 37, Number 12, December, 1973. 687: 265:Early on, Slydini was attracted to the 1523:Conjuring Slydini – The New York Times 568:International Brotherhood of Magicians 411:International Brotherhood of Magicians 389:International Brotherhood of Magicians 280:As a young man, Slydini had worked in 185:– January 15, 1991), simply known as 2312:2008: Celeste Evans, Howie Schwarzman 398: 7: 1374:The Academy of Magical Arts Awards, 1018:, Vol. XVI, No. 1, June 1958, p. 42. 976:Slydini – The Master of Misdirection 904:Slydini – The Master of Misdirection 168:Originality, Skill, and Misdirection 1049:Cavett, Dick. "Conjuring Slydini", 371:, The Great Virgil, Bert Allerton, 2139:1984: Carl Ballantine, Bert Easley 1202:, Remarkable Magic, March 4, 2013 14: 2102:1978: Johnny Platt, Russell Swann 744:Magician Mentors and Inspirations 644:Magician Mentors and Inspirations 552:The Society of American Magicians 434:Slydini would go on to appear on 16:Italian-born magician (1900–1991) 2289:2005: Bobby Baxter, Flip Hallema 604:by Lewis Ganson and Tony Slydini 321:Name change and move to New York 23: 2420:Entertainers from New York City 2317:2009: Pat Thompson, J.C. Wagner 1854:Cesareo Pelaez (Marco the Magi) 826:, Cometa Magico, 2010, pp. 1–2. 296:, finding a job in at Hubert's 2405:Italian emigrants to Argentina 1230:The Annotated Magic of Slydini 771:The Best of Slydini … And More 632:The Annotated Magic of Slydini 1: 2374:2017: Ray Anderson, Eric Mead 796:Society of American Magicians 399:Magic's teacher and the media 379:. Eventually, he appeared in 236:Society of American Magicians 2144:1985: Mardoni & Louise, 2075:1974: Marvyn & Carol Roy 1434:The Magical World of Slydini 638:The Best of Slydini and More 617:The Magical World of Slydini 578:Publications, video and film 479:The Magical World of Slydini 475:The Best of Slydini and More 338:On a visit to his sister in 2276:2003: Walter "Zaney" Blaney 2199:1994: Chuck & Jan Jones 2097:1977: Leon Mandrake, Tihany 1666:MacDonald & Mabel Birch 228:Performing Fellowship Award 50:conditions to do so are met 2451: 1363:Slydini, Master of Closeup 1329:Slydini, Master of Closeup 1074:Slydini, Master of Closeup 602:Annotated Magic of Slydini 288:for a time. But soon, the 2115:1980: Suzy Wandas Bennett 2024: 1571: 1474:, Wisch-Craft, 2014, p. 1 822:White, Ted. Biographies, 592:by Tony Slydini (DVD Set) 89: 1650:Werner "Dorny" Dornfield 224:Masters Fellowship Award 2246:, Ed & Nancy Keener 2017:Academy of Magical Arts 1564:Academy of Magical Arts 961:Paget, Jacques H., Les 548:Academy of Magical Arts 409:, a publication of the 232:Academy of Magical Arts 189:, was a world-renowned 2157:1987: Milo & Roger 1528:Slydini by Mark Sicher 1498:Thoughts about Slydini 1228:Matsuura, Gene, Ph.D. 1187:The Heart of the World 1016:Hugard’s Magic Monthly 634:by Gene Matsuura, 2011 455:Stevens Magic Emporium 2070:1973: Maurice Rooklyn 2019:Performing Fellowship 560:Performing Fellowship 2251:2000: Richard Ross, 2187:Harry Blackstone Jr. 2041:1969: Jose Frakson, 1782:Harry Blackstone Jr. 782:Larsen, William W., 718:The Magic of Slydini 626:The Magic of Slydini 596:The Magic of Slydini 463:Desert Magic Seminar 177:(September 1, 1900, 2259:2001: Earl Nelson, 2167:1989: Topper Martyn 1766:Siegfried & Roy 1351:Magical Arts Awards 1349:Larsen, William W. 1215:Scientific American 608:The Best of Slydini 492:Scientific American 459:The Slydini Seminar 37:of this article is 2425:People from Foggia 2194:1993: Norm Neilson 2125:1982: John Calvert 1594:Virgil & Julie 1566:Masters Fellowship 1449:, March 27, 2009. 1276:Mazza, Raymond B. 584:The Stars of Magic 544:Masters Fellowship 481:, both written by 467:World Magic Summit 238:Hall of Fame as a 136:Orange, New Jersey 2415:Italian magicians 2382: 2381: 2360:2015: Greg Frewin 2305:Penn & Teller 2189:, Terry Seabrooke 1983: 1982: 1974:David Copperfield 1503:Conjuring Slydini 1217:, April 27, 2015 1053:, March 27, 2009. 891:, March 27, 2009. 874:Dennett, Andrea. 824:Slydini Biography 538:Awards and honors 220:close-up artistry 216:David Copperfield 195:close-up artistry 172: 171: 113:September 1, 1900 78: 77: 70: 2442: 2375: 2370: 2361: 2356: 2348: 2340: 2338:David Williamson 2332: 2327: 2318: 2313: 2308: 2299: 2290: 2285: 2277: 2272: 2263: 2255: 2247: 2238: 2233: 2224: 2212: 2200: 2195: 2190: 2181: 2173: 2168: 2163: 2158: 2153: 2148: 2140: 2135: 2126: 2121: 2120:1981: Andre Kole 2116: 2111: 2103: 2098: 2093: 2084: 2082:Channing Pollock 2076: 2071: 2066: 2058: 2050: 2045: 2037: 2010: 2003: 1996: 1987: 1976: 1968: 1960: 1952: 1944: 1936: 1928: 1920: 1912: 1904: 1896: 1888: 1880: 1872: 1864: 1856: 1848: 1840: 1832: 1824: 1816: 1808: 1800: 1792: 1784: 1776: 1768: 1760: 1758:Channing Pollock 1752: 1744: 1736: 1728: 1720: 1712: 1704: 1696: 1688: 1680: 1672: 1660: 1658:Walter R. 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1445:Haskell, Kari, 1444: 1440: 1431: 1427: 1416: 1412: 1403: 1399: 1390: 1388: 1379: 1373: 1369: 1361: 1357: 1348: 1344: 1339: 1335: 1327: 1323: 1314: 1310: 1301: 1297: 1289:Natale, Chris. 1288: 1284: 1275: 1271: 1264: 1260: 1253: 1249: 1240: 1236: 1227: 1223: 1212: 1208: 1197: 1193: 1184: 1180: 1173: 1169: 1162: 1158: 1151: 1147: 1142: 1138: 1128:Stevens, Mark, 1127: 1123: 1116: 1112: 1105: 1101: 1096: 1092: 1084: 1080: 1072: 1068: 1061: 1057: 1048: 1044: 1039: 1035: 1027:Joglar, Frank, 1026: 1022: 1013: 1009: 1004: 1000: 995: 991: 986: 982: 974:Read, Ralph W. 973: 969: 960: 956: 948:Frank, Gary R. 947: 943: 938: 934: 926:Frank, Gary R. 925: 921: 914: 910: 902:Read, Ralph W. 901: 897: 887:Haskell, Kari, 886: 882: 873: 869: 860: 856: 849: 845: 834: 830: 821: 817: 809:Frank, Gary R. 808: 804: 794: 790: 781: 777: 768: 764: 758:Totally History 756:Henning, Doug. 754: 750: 741: 737: 728: 724: 716:Ganson, Lewis. 715: 711: 704: 700: 693: 689: 684: 656: 628:by Lewis Ganson 620:(books 1 and 2) 611:(books 1 and 2) 598:by Lewis Ganson 580: 572:Order of Merlin 540: 524: 504: 451: 401: 357:Howard Thurston 352: 350:Traveling years 336: 323: 248: 139: 138:, United States 133: 129: 120: 114: 108: 106: 105: 104: 85: 74: 63: 57: 54: 43: 28: 24: 17: 12: 11: 5: 2448: 2446: 2438: 2437: 2432: 2427: 2422: 2417: 2412: 2407: 2402: 2397: 2387: 2386: 2380: 2379: 2377: 2376: 2371: 2362: 2357: 2349: 2341: 2333: 2331:2011: Finn Jon 2328: 2319: 2314: 2309: 2300: 2291: 2286: 2278: 2273: 2264: 2261:The Pendragons 2256: 2248: 2239: 2234: 2232:, Peter Reveen 2225: 2213: 2201: 2196: 2191: 2182: 2174: 2169: 2164: 2159: 2154: 2149: 2141: 2136: 2134:, The Morettis 2127: 2122: 2117: 2112: 2104: 2099: 2094: 2085: 2077: 2072: 2067: 2059: 2051: 2049:1970: Kuda Bux 2046: 2038: 2025: 2022: 2021: 2015: 2013: 2012: 2005: 1998: 1990: 1981: 1980: 1978: 1977: 1969: 1961: 1953: 1945: 1937: 1929: 1921: 1913: 1905: 1897: 1889: 1881: 1873: 1865: 1857: 1849: 1841: 1833: 1825: 1817: 1809: 1801: 1793: 1785: 1777: 1769: 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447: 424:New York Times 400: 397: 351: 348: 335: 332: 322: 319: 284:'s version of 247: 244: 170: 169: 166: 165:Known for 162: 161: 158: 154: 153: 145: 141: 140: 134: 132:(aged 90) 126: 122: 121: 115: 102: 100: 96: 95: 87: 86: 83: 76: 75: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 2447: 2436: 2433: 2431: 2428: 2426: 2423: 2421: 2418: 2416: 2413: 2411: 2408: 2406: 2403: 2401: 2398: 2396: 2393: 2392: 2390: 2372: 2368: 2363: 2358: 2355: 2350: 2347: 2342: 2339: 2334: 2329: 2325: 2320: 2315: 2310: 2306: 2301: 2297: 2296:Eugene Burger 2292: 2287: 2284: 2279: 2274: 2271:, Alan Shaxon 2270: 2269:Harry Lorayne 2265: 2262: 2257: 2254: 2249: 2245: 2240: 2235: 2231: 2226: 2223: 2219: 2214: 2211: 2207: 2202: 2197: 2192: 2188: 2183: 2180: 2175: 2172:1990: Del Ray 2170: 2165: 2162:1988: Shimada 2160: 2155: 2150: 2147: 2142: 2137: 2133: 2128: 2123: 2118: 2113: 2110: 2105: 2100: 2095: 2092:, Neil Foster 2091: 2086: 2083: 2078: 2073: 2068: 2065: 2060: 2057: 2052: 2047: 2044: 2039: 2036: 2035:Harry Willard 2032: 2027: 2026: 2023: 2018: 2011: 2006: 2004: 1999: 1997: 1992: 1991: 1988: 1975: 1970: 1967: 1962: 1959: 1954: 1951: 1946: 1943: 1938: 1935: 1930: 1927: 1922: 1919: 1914: 1911: 1906: 1903: 1898: 1895: 1890: 1887: 1882: 1879: 1874: 1871: 1870:David Berglas 1866: 1863: 1858: 1855: 1850: 1847: 1842: 1839: 1834: 1831: 1826: 1823: 1818: 1815: 1810: 1807: 1802: 1799: 1794: 1791: 1786: 1783: 1778: 1775: 1770: 1767: 1762: 1759: 1754: 1751: 1750:Peter Warlock 1746: 1743: 1738: 1735: 1730: 1727: 1722: 1719: 1714: 1711: 1706: 1703: 1698: 1695: 1690: 1687: 1682: 1679: 1674: 1671: 1667: 1662: 1659: 1654: 1651: 1646: 1643: 1638: 1635: 1634:Robert Harbin 1630: 1627: 1622: 1619: 1614: 1611: 1606: 1603: 1598: 1595: 1590: 1587: 1582: 1579: 1574: 1573: 1570: 1565: 1558: 1553: 1551: 1546: 1544: 1539: 1538: 1535: 1529: 1526: 1524: 1521: 1519: 1516: 1514: 1511: 1509: 1506: 1504: 1501: 1499: 1496: 1495: 1491: 1481: 1478: 1475: 1473: 1470:Wilsh, Bill. 1466: 1463: 1457: 1454: 1451: 1448: 1442: 1439: 1435: 1429: 1426: 1423: 1420: 1414: 1411: 1407: 1401: 1398: 1387:on 2010-09-17 1386: 1382: 1377: 1371: 1368: 1364: 1359: 1356: 1352: 1346: 1343: 1337: 1334: 1330: 1325: 1322: 1318: 1312: 1309: 1305: 1299: 1296: 1292: 1286: 1283: 1279: 1278:Slydini Award 1273: 1270: 1267: 1262: 1259: 1256: 1251: 1248: 1244: 1238: 1235: 1231: 1225: 1222: 1219: 1216: 1210: 1207: 1204: 1201: 1198:Lewin, Rick. 1195: 1192: 1188: 1182: 1179: 1176: 1171: 1168: 1165: 1160: 1157: 1154: 1149: 1146: 1140: 1137: 1134: 1131: 1125: 1122: 1119: 1114: 1111: 1108: 1103: 1100: 1094: 1091: 1087: 1082: 1079: 1075: 1070: 1067: 1064: 1059: 1056: 1052: 1046: 1043: 1037: 1034: 1030: 1024: 1021: 1017: 1011: 1008: 1002: 999: 993: 990: 984: 981: 977: 971: 968: 964: 958: 955: 951: 945: 942: 936: 933: 929: 923: 920: 917: 912: 909: 905: 899: 896: 893: 890: 884: 881: 877: 871: 868: 864: 858: 855: 852: 847: 844: 841: 838: 835:Lewin, Rick. 832: 829: 825: 819: 816: 812: 806: 803: 800: 798:Hall of Fame 797: 792: 789: 785: 779: 776: 772: 766: 763: 760: 759: 752: 749: 745: 739: 736: 732: 726: 723: 719: 713: 710: 707: 702: 699: 696: 691: 688: 681: 679: 677: 672: 668: 666: 661: 653: 648: 645: 642: 640:by Lou Tannen 639: 636: 633: 630: 627: 624: 621: 618: 615: 612: 609: 606: 603: 600: 597: 594: 591: 588: 586:by Lou Tannen 585: 582: 581: 577: 575: 573: 569: 565: 564:Star of Magic 561: 557: 553: 549: 545: 537: 535: 533: 529: 521: 519: 516: 514: 510: 501: 499: 496: 494: 493: 486: 484: 480: 476: 470: 468: 464: 460: 456: 448: 446: 443: 442:Johnny Carson 439: 438: 432: 429: 426: 425: 420: 416: 412: 408: 407: 396: 394: 390: 384: 382: 381:Atlantic City 378: 374: 370: 366: 362: 358: 349: 347: 345: 341: 333: 331: 329: 320: 318: 315: 311: 307: 306:New York City 303: 299: 295: 294:New York City 291: 287: 283: 282:South America 278: 276: 272: 268: 267:psychological 263: 261: 257: 253: 245: 243: 241: 240:Living Legend 237: 233: 229: 225: 221: 217: 213: 209: 205: 201: 196: 192: 188: 184: 180: 176: 167: 163: 159: 155: 152: 149: 146: 142: 137: 127: 123: 118: 101: 97: 93: 88: 81: 72: 69: 61: 51: 47: 41: 40: 36: 30: 21: 20: 2324:Franz Harary 2253:Juan Tamariz 2244:Bruce Cervon 2222:Tommy Wonder 2206:Doug Henning 2132:Billy McComb 2109:Jimmy Grippo 2056:Richiardi Jr 1958:John Gaughan 1934:Juan Tamariz 1918:Lance Burton 1910:Norm Nielsen 1894:Patrick Page 1886:Paul Potassy 1878:Paul Daniels 1846:Billy McComb 1814:The Morettis 1742:John Calvert 1686:Jay Marshall 1602:Jose Frakson 1480: 1471: 1465: 1456: 1446: 1441: 1433: 1428: 1418: 1413: 1405: 1400: 1389:. Retrieved 1385:the original 1370: 1362: 1358: 1350: 1345: 1336: 1328: 1324: 1316: 1311: 1303: 1298: 1290: 1285: 1277: 1272: 1261: 1250: 1242: 1237: 1229: 1224: 1214: 1209: 1199: 1194: 1186: 1181: 1170: 1159: 1148: 1139: 1129: 1124: 1113: 1102: 1093: 1085: 1081: 1073: 1069: 1058: 1050: 1045: 1036: 1028: 1023: 1015: 1010: 1001: 992: 983: 975: 970: 962: 957: 949: 944: 935: 927: 922: 911: 903: 898: 888: 883: 875: 870: 862: 857: 846: 836: 831: 823: 818: 810: 805: 791: 778: 770: 765: 757: 751: 743: 742:Jay, Ricky. 738: 730: 725: 717: 712: 701: 690: 673: 669: 657: 643: 637: 631: 625: 619: 616: 610: 607: 601: 595: 589: 583: 571: 563: 559: 555: 543: 541: 525: 517: 508: 505: 497: 490: 487: 478: 474: 471: 466: 462: 458: 454: 452: 435: 433: 430: 422: 404: 402: 385: 353: 337: 324: 279: 271:misdirection 264: 256:Buenos Aires 249: 239: 227: 223: 200:Doug Henning 186: 175:Tony Slydini 174: 173: 130:(1991-01-15) 84:Tony Slydini 64: 55: 33: 2400:1991 deaths 2395:1900 births 2354:John Carney 2326:, Bob White 2230:RenĂ© Lavand 2210:Jack Kodell 2064:Les Levante 1926:RenĂ© Lavand 1806:Karrell Fox 1734:Mark Wilson 1678:Gene Gordon 1642:Les Levante 1185:Cohn, Nik, 665:Dick Cavett 660:Karl Fulves 590:As I Recall 554:made him a 532:hocus pocus 528:abracadabra 483:Karl Fulves 419:Dick Cavett 393:Jean Hugard 377:Jack Gwynne 302:42nd Street 298:Dime museum 204:Dick Cavett 151:Argentinian 144:Nationality 58:August 2020 2389:Categories 2346:David Kaye 2307:, Dr. Sawa 2298:, Chen Kai 2090:Roy Benson 1966:Ger Copper 1838:John Booth 1822:Marvyn Roy 1790:Lee Grabel 1710:Eric Lewis 1578:Dai Vernon 1391:2011-05-06 682:References 676:Dai Vernon 365:Dai Vernon 286:vaudeville 275:Dai Vernon 246:Early life 208:Bill Bixby 157:Occupation 109:1900-09-01 35:neutrality 1902:Dominique 1774:Ali Bongo 1670:Fred Kaps 550:in 1974. 546:from the 415:Talk show 373:Al Flosso 314:sideshows 310:carnivals 260:Argentina 230:from the 212:Ricky Jay 46:talk page 2179:Don Alan 1942:Fantasio 1694:Joe Berg 1302:Goulet, 191:magician 160:Magician 39:disputed 2043:Slydini 1618:Slydini 1472:Slydini 1029:Slydini 950:Slydini 928:Slydini 811:Slydini 361:Cardini 328:Houdini 187:Slydini 148:Italian 119:, Italy 2365:2016: 2352:2014: 2344:2013: 2336:2012: 2322:2010: 2303:2007: 2294:2006: 2281:2004: 2267:2002: 2242:1999: 2228:1997: 2216:1996: 2204:1995: 2185:1992: 2177:1991: 2130:1983: 2107:1979: 2088:1976: 2080:1975: 2062:1972: 2054:1971: 2029:1968: 1972:2017: 1964:2016: 1956:2015: 1950:Silvan 1948:2014: 1940:2013: 1932:2012: 1924:2011: 1916:2010: 1908:2009: 1900:2008: 1892:2007: 1884:2006: 1876:2005: 1868:2004: 1860:2003: 1852:2002: 1844:2001: 1836:2000: 1828:1999: 1820:1998: 1812:1997: 1804:1996: 1796:1995: 1788:1994: 1780:1993: 1772:1992: 1764:1991: 1756:1990: 1748:1989: 1740:1988: 1732:1987: 1726:Tihany 1724:1986: 1718:Murray 1716:1985: 1708:1984: 1700:1983: 1692:1982: 1684:1981: 1676:1980: 1664:1979: 1656:1978: 1648:1977: 1640:1976: 1632:1975: 1624:1974: 1616:1973: 1608:1972: 1600:1971: 1592:1970: 1584:1969: 1576:1968: 654:Legacy 530:" or " 340:Boston 334:Career 252:Foggia 179:Foggia 117:Foggia 1798:Borra 522:Style 502:Death 440:with 417:host 369:Okito 344:agent 183:Italy 477:and 375:and 312:and 226:and 125:Died 99:Born 32:The 300:on 2391:: 2220:, 2208:, 2033:, 1668:, 574:. 570:’ 367:, 363:, 258:, 242:. 214:, 210:, 206:, 202:, 181:, 2009:e 2002:t 1995:v 1556:e 1549:t 1542:v 1394:. 111:) 107:( 71:) 65:( 60:) 56:( 52:. 42:.

Index

neutrality
disputed
talk page
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Foggia
Orange, New Jersey
Italian
Argentinian
Foggia
Italy
magician
close-up artistry
Doug Henning
Dick Cavett
Bill Bixby
Ricky Jay
David Copperfield
close-up artistry
Academy of Magical Arts
Society of American Magicians
Foggia
Buenos Aires
Argentina
psychological
misdirection
Dai Vernon
South America
vaudeville

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