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described it in a new, central position in the Cesi garden in 1550, with the
Silenus standing inside the bowl of the vase; this revision was probably carried out for Cardinal Francesco Cesi. The Flemish artist Pieter Perret created an engraving of the Fountain with Silenus in the Garden of the Cesi
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The whereabouts of the vase can be traced through the interest it incited in artists, starting in the 16th century, when the vase was drilled to serve as a garden fountain. The earliest visual documentation is a drawing by
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Palace in 1581. Towards the end of the 16th century the contents of the Cesi garden began to be dispersed, and no further artistic record of the vase was made until the 18th century, when both the vase and the
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A comparable neo-Attic marble vase was unearthed in fragmented condition near the
Ospedale Santo Spirito, on the Lungotevere in Sassia, Rome, in 1929. It is conserved in the
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Roman white marble vase, 1.8 m (5 ft 11 in) tall, made in the 1st century BCE, which has passed through several prominent collections of
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The history of the vase is described in
Leoncini 1991, with illustrations of numerous artists' representations of the vase and bibliography.
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Museo
Torlonia, inv. 174. Luca Leoncini, "The Torlonia Vase: History and Visual Records from the Fifteenth to the Nineteenth Centuries",
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When the Albani collection was eventually inherited by the
Castelbarco family, the vase was resited in the villa's casina. In 1869
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emptying water from a wineskin into the vase, which had been drilled for use as a fountain, was associated with it.
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The engraving is part of the print collection in the
Chicago Art Institute and can be viewed online.
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base imitative of metalwork. It has three handles, joined to the body with bearded
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composed of various antique fragments and modern elements created by
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in the 1530s the vase had been erected in the garden of
Cardinal
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also made a drawing of the vase, but giving a location
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255:800 meters distant, according to Leoncini 1991.
204:Journal of the Warburg and Courtauld Institutes
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131:In 1760 Albani moved it to his newly built
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55:shape, with a high frieze carved with a
264:Aldrovandi quoted in Leoncini 1991:103.
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348:Hellenistic and Roman sculptural vases
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353:Hellenistic-style Roman sculptures
59:and an everted rim, standing on a
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343:1st-century BC Roman sculptures
99:, on the northern slope of the
89:a santo francesco in tristeuaro
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32:is a colossal and celebrated
318:Plant Pots & Flower Pots
81:Santa Cecilia in Trastevere
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156:Prince Alessandro Torlonia
149:Giovanni Battista Piranesi
30:Cesi-Albani-Torlonia Vase
75:in the Barberini Codex,
291:Where it was drawn by
167:Museo Nazionale Romano
93:Maarten van Heemskerck
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162:at the Villa Albani.
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333:Sculptures of satyrs
73:Giuliano da Sangallo
293:Pierre-Adrien Pâris
105:St Peter's Basilica
304:Leoncini 1991:100f
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120:were purchased by
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246:Inv. Latino 4424.
219:Leoncini 1991:99.
122:Alessandro Albani
113:Ulisse Aldrovandi
97:Paolo Emilio Cesi
57:Bacchic symposium
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38:antiquities
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190:References
101:Janiculum
61:gadrooned
34:neo-Attic
173:See also
145:pastiche
83:, Rome.
160:Silenus
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109:Silenus
65:satyrs
137:caffè
103:near
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24:The
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