34:
in ports as well as on board. His art shows the interiors of East End bars, where you get acquainted with the dark side of life. His art however isn't any 'social' art of the arrogant, placarding character there was so much of especially during the 1920s and 30s. It's social, not in attitude or trend, but with objectivity and revealing sharpness in the human portrayal that sometimes seems almost brutal - repulsive, but sadly true. Yet it's, however always carried by compassion. Never by sentimentality. This involves a simple statement of: 'Such is man'. But from the ravaged features, and the gout-ridden limbs stiff from work there's still a notion emanating of how man should look like and could look like."
79:. 1909 they moved, with their three-year-old daughter Ingegerd (b. 1906), to Kullavik (south of Gothenburg). In Kullavik Frans Billman opened his own tailor shop. Frans wished that Torsten also should become a tailor; so Torsten's artistic interest lay dormant after he finished school in 1924. Torsten also understood that the father got fewer and fewer customers, as more and more hand-tailors in the mid-1920s were knocked out by the expanding clothing industry. So for good reasons Torsten had no desire to become a tailor - he longed out, away! What he looked for was both freedom and contact with human beings, work communion.
60:"After the teacher had inspected the pictures produced by the class, Torsten was called to his desk. He expected a sympathetic judgment from the teacher; yes, he also hoped that he might impress a certain girl in the class. So he stepped forward fearlessly. He had hardly reached the plattform when he received such a box on the ear that he fell to the floor. As he crestfallen rose to return to his own desk he was further rebuked by the teacher, who ordered him immediately to fling the drawing in the red-hot stove." "It was my first vernissage", said Torsten Billman.
38:
99:, in 1928, a bigger long-distance runner plying the Far East. With white school chalk he drew caricatures of his fellow seamen and officers on the soot-blackened walls and bulkheads of the stokehole. Drawings that evoked encouragement from the men in the forecastle and also from the officers. "That ship put my slumbering pictoral talent in motion. I documented and I stored images - this I understood afterwards", Billman recalls. After the next ship SS
266:(1936/37) the artist said: "I remember the first scene I got inspiration from. It was when the watch came up and the boat was filled with water and there they stood up to their necks in water, so to speak. That I thought, I would try to portray. But it took many years. I had stored such motifs." "I've experienced all my images myself", Torsten Billman often underlined.
142:(1930) as an unemployed stoker. Billman had not been to any art museum or anything like that and he know nothing about woodcut technique, so his first wood engravings was cut out of the wood of a margarine case with an ordinary carpenter's knife. Artistically he was "the complete savage", but he became interested when he saw reproductions of
429:
wrote about the grisaille woodcuts: "Billman concentrates the expression of a picture with remarkable assurance - with a few jabs of his iron he can summerize a face which speaks the poet's own language, an interior that breathes a hopeless misery, or a suggestion of a wintry street scene so that one
33:
wrote about
Torsten Billman: "To those, who with the word art visualise large, magnificent, 'striking' canvases Torsten Billman doesn't have not much to offer. His art serves the simple, neglected, homeless of existence. It features the fellows from the Nippon and other ships, marked by the hard life
464:(1944) in Seamen's Home in Gothenburg. Billman depicts coal trimmer and stoker down in coal bunkers and stokeholes with self-perceived realism, which has not been previously seen in buon frescoes. There are also events from World War II, for example when Nazi aircraft attacking a merchant ship etc.
59:
Born in
Kullavik, Sweden, Torsten Billman disliked school, with the drawing lessons as the only exception. During a drawing lesson with a substitute teacher Torsten had on a piece of blotting paper drawn a detailed composition, which was supposed to represent an Indian with his tent and utensils.
293:
In mid-August 1939 Billman biked to Paris (from
Gothenburg) to try to persuade Kristina to return to Sweden, when a major war in Europe seemed to be coming closer by the day. After a week in Paris World War II breaks out. The 10 September 700 Swedes were transported by train from Paris to
516:(outside Jönköping/Sweden) is Torsten Billman's work to the honour of labour. With realism, poetry and local colour Billman portrays a recognizable everyday work among the foundry workers in Norrahammar. In the 1950s Billman studied buon fresco painting during his travels in Italy.
443:
with 24 woodcuts - another high point among his literary illustrations. Woyzeck the little man who is completely at the mercy of his capricious and cruel masters. "Billman squarely places social responsibility on himself as an artist: He clearly sides with the underdog."
233:
in
Gothenburg. The teacher Sigfrid Ullman (1886–1960) early discovered Torsten Billman. Under Sigfrid Ullman's direction he was able to work according to his own intuition, and here he came on an even keel again. Torsten Billman left Valand 1934, after only three terms.
1210:
Sjöberg, Leif, New York, 1973, p. 168. "In 1967 the writer (Leif Sjöberg) sent a number of
Billman's illustrations to Traven's wife, and received in return a letter of appreciation. 'Mr. Traven', she wrote, 'found Mr. Billman's illustrations of his,
343:
restricts his expression - too brutal contrasts between black and white surfaces. It was not until 1940 he was able to present a woodcut with several grey tones, developed from the ordinary black printing ink. Jungmarker called this type of woodcut:
279:. The impressions from the journeys through Nazi Germany by train was a confirmation that a new major European war was imminent. During the visit in September he realized that their relationship was over – Kristina's intention was to stay in Paris.
254:. The journey gave inspiration for new motifs. But above all had the harbour environments strongly reminded him of his years as a sailor. Within a year after the trip he made some of his classic black and white woodcuts with sailor motifs such as:
460:, if he wanted to carry out a buon fresco on two walls of 20 metres in the New Seamen Homes ceremonial room, Billman had just worked with woodcuts and small ink illustrations. But 1943 Billman start to work on his first buon fresco painting
274:
Torsten
Billman's girlfriend since 1933 (Valand School of Fine Art), Kristina Hedenström (b. 1910), traveled to Paris in March 1938 to study art. Billman visited Paris in May and September 1938, and he met Swedes who had participated in the
567:
uncovers, in the condensed black satire, complex links people only could sense but, then, couldn't put into words. Two pictures – made when it happened – who went against the grain of mainstream media and which today has a prophetic force.
430:
feels the pull of
Dostoevsky's prose." The publisher, collector and art connoisseur Gerard Bonnier (1917-1987) said about Billman's Dostoevsky-images: "I find them to be some of the best book illustrations made in Sweden during the 1900s."
75:. Frans Billman's great talent for tailoring allowed him, despite only 14 days of elementary school, go to Copenhagen and London to train himself to become a fine tailor. In the 1890s Frans and Maria moved to workingclass suburb
356:". A time-consuming printing process, exclusively for handprinting, with several grey-wood blocks (1-4) aside from the black and white key block. These first free grisaille woodcuts (made before the work with Dostoevsky's novel
941:, has been made by curator KĂĽllike Montgomery at Gothenburg Museum of Art and later also at Nationalmuseum's graphics department, Stockholm. The list is published in: Lennervald, Dan, Kungsbacka, 2010, s. 424 - 431.
1020:. Nils Ryndel, art historian, author and curator at Gothenburg Museum of Art, interviewing Torsten Billman in his studio in Norbyvallda, outside Kungsbacka. Film by Sveriges Television (SVT), Stockholm, 1974.
491:(1849–1922) in the center of the fresco as a criticism to the labour movement's establishment about their forgotten history and heritage. The two other main figures in the Gävle-fresco is the author
360:, in 1945) are based on self-perceived events for example from Billman's sailor years 1926–32, European travels 1936-39 and trips around Sweden during the war years. Some shining grisaille woodcuts are
221:
Torsten
Billman had no money left for the studies. One morning in April 1932, on the train from Kullavik to art school, Billman wrote to his sister about expensive water colours he can't afford to buy.
899:
ILO: Co 15 - Minimum Age (Trimmers and
Stokers), 1921 (No. 15). Convention Fixing the Minimum Age for the Admission of Young Persons to Employment as Trimmers or Stokers. Entry into force: 20 Nov 1922.
298:. From Dieppe they were evacuated by two Swedish hired boats – over mined waters – to Gothenburg. Kristina Hedenström never returned to Sweden. She died in Paris in November 1943 only 33 years old.
316:(1876–1945), which made the newspaper internationally known for his uncompromising anti-Nazi stance. Billman would later cooperate with Torgny Segerstedt's daughter the journalist and politician
103:, early in 1929, he told his sister, Ingegerd, that he wanted to become an artist. He worked on five different merchant ships 1926-1929 and 1932 as a deckhand (1926–27), coal trimmer and
91:; a cargo-boat plying the Mediterranean. He first worked as a deckhand; too young to sign up for a job in the engine department (under 18 years old). In 1927 he became a
1313:
214:(unpublished illustrations). A sympathy for the little fellow and the underprivileged is a pervading characteristic of all his graphic work from that time on.
456:, in scope and artistic quality. When Billman 1943 was asked, by the ombudsman Knut Ring at Swedish Seafarers' Union and the art historian Carl Nordenfalk at
1033:. Kristian Romare, art critic and art-program producer at SVT, interviewing Torsten Billman in his studio. Film by Sveriges Television (SVT), Stockholm 1984.
426:
308:
67:. Here Torsten Billman's grandfather had worn himself out in the hell of a crofter's holding. Torsten's mother Maria (1870–1953), born Hultgren, came from
1318:
190:
in
Gothenburg, with Hjalmar Eldh as a teacher. Billman studied book illustration at the school. A good example of woodcut making from this period is
1273:
972:
Lennervald, Dan, Kungsbacka, 2010, p. 23. The reproductions of Frans Masereel, Käthe Kollowitz and Honoré Daumier were from the Swedish journals
425:. Billman's illustrations was published by Bonniers in 1948 and 1980. This consist of some 40 grisaille woodcuts. Art critic Tord Baeckström in
323:
From 1936 until 1945 Billman made images (inkdrawings and woodcuts) against fascism and Nazism. Not many newspapers dared to publish them. See:
1268:
408:
in 1974, like Billman had been through the mill and worked as a seaman. The illustrated edition, with some new poems, was published in 1943 by
1060:
Lennervald, Dan, Kungsbacka, 2010, p. 436, 132. Letter to Gunnar Jungmarker from Torsten Billman 1937-10-27 and 1937-11-03. (Nationalmuseum).
772:
798:
229:, he had bought some sketchbooks so that he could draw during the trip. With these drawings he was accepted, in 1933, as a student at
528:. Billman had not made any "political" pictures since World War II. Billman use his developed grisaille-technique in prints such as:
1237:
739:
690:
665:
645:
627:
998:
Lennervald, Dan, Kungsbacka, 2010, p. 28, 438. Letter to Ingegerd Billman from Torsten Billman 1932-04-19 (Torsten Billman estate).
1323:
1298:
1293:
1278:
1245:
1122:
Lennervald, Dan, Kungsbacka, 2010, p. 443. Letter to Torsten Billman from Gerard Bonnier 1946-10-02 (Torsten Billman estate).
787:
290:. In London he entered a planned marriage of convenience with a Jewish woman from Germany who intended to flee via Sweden.
1283:
162:
Torsten Billman's first published images (an ink drawing) was published in the November 1930 issue of the union magazine
1263:
217:
When Frans Billman died in 1930 the family had received some money on Frans' life insurance. During the second term at
822:
119:, in Stockholm 1920–29. During Torsten's visit in Stockholm in the autumn of 1929, Nils explained a little about the
250:
1934–1936, organizes a scholarship to Billman. Billman was given the opportunity to study art in March and April in
1288:
230:
37:
115:
Torsten Billman's cousin on his mother's side Nils Svahn (1890–1936) was an editorial cartoonist at the newspaper
497:
409:
405:
767:). Published by Halland Art Museum and The Workers' Educational Association in Sweden. Kungsbacka, Sweden 2010.
457:
317:
877:, published by Halland Art Museum and The Workers' Educational Association in Sweden, Kungsbacka, 2010, p. 12.
563:
Torsten Billman incisively commented events in the wake of the assassination of president John F. Kennedy.
730:
247:
282:
In March 1939 Billman traveled to London. He made drawings for newspapers in Gothenburg and also visited
1308:
1303:
681:
421:
225:
Billman tried to get work on a ship again. When he in the summer of 1932 signed on his last ship, SS
696:
484:
104:
72:
656:
396:
Torsten Billman made a name for himself with the ink drawings he made in 1941–1943 to illustrate
1170:(1819). This sought after grisaille woodcut was printed by Torsten Billman only in a few copies.
797:. The American Scandinavian Review pp. 163–171, Vol. LXI, No. 2, June 1973, New York, N.Y.
1241:
1233:
783:
768:
735:
686:
676:
661:
641:
633:
623:
502:
492:
480:
416:
313:
276:
243:
151:
147:
116:
22:(6 May 1909 – 6 April 1989) was a Swedish artist who worked as a printmaker, illustrator, and
713:
569:
434:
76:
30:
593:
397:
851:, The American Scandinavian Review, Vol. LXI, No. 2, June 1973, New York, N.Y., p. 163.
618:
472:
336:
287:
207:
143:
186:
Upon the recommendation of a German woman in Kullavik he gained admittance in 1931 to
1257:
483:
in Gävle. The buon fresco portrays key processes in Swedish history, from the 1870s (
199:
128:
339:
in Stockholm, Billman reveals that he is in an artistic crisis. The black and white
335:
In a letter of November 1937, to art historian Gunnar Jungmarker (1902–1983) at the
725:
283:
92:
1188:
Ryndel, Nils & Röhlander, Bengt, Sveriges Television (SVT), Stockholm, 1974.
701:
651:
603:
513:
488:
453:
23:
963:, P. & D. Colnaghi & Co. Ltd., 14 Old Bond Street, London, 1946, p. 16.
1215:, highly artistic and realistically projecting the true essence of the book.'"
890:, Folket i Bilds Konstklubb, Svenska Mästargrafiker IV, Stockholm, 1956, p. 6.
576:
124:
1166:(1965) is Torsten Billman's paraphrase of Pierre-Roch Vigneron's (1789-1872)
613:
572:
wrote appreciatively to Torsten Billman about these two grisaille woodcuts.
64:
63:
The father, Frans Ludwig Billman (1862–1930), was born in Berg' parish near
68:
487:) to the end of World War II. Billman have placed the socialist agitator
262:(1936), which is one of Billman's best-known woodcuts. About the woodcut
1162:
Lennervald, Dan, Kungsbacka, 2010, pp. 279 - 284. The grisaille woodcut
756:. Folket i Builds Konstklubb, Svenska Mästargrafiker IV, Stockholm 1956.
26:
painter. He counts as one of the 20th century's premier wood-engravers.
718:
439:
340:
251:
203:
123:
for Torsten. Returned to Kullavik from military service in the Navy in
120:
295:
475:
major competition for public art in conjunction with the exhibition
306:
After the Valand period Billman worked sporadically as a drawer for
1232:
Translated by Peter Kaaij. Meulenhoff Editie 523, Amsterdam, 1978.
312:
1934–1940. The newspaper was led by the legendary editor-in-chief
87:
Billman was 17 years old when he in Stockholm, 1926, signed on SS
415:
Most impressive are his penetrating studies of the characters in
178:). His very last work of art was the Christmas 1988 issue cover.
685:. Albert Bonniers förlag, Stockholm 1948 and 1980 (new edition)
479:
in Stockholm 1945. In 1947 the buon fresco was completed in The
916:
914:
610:(poetry collection). Albert Bonniers förlag, Stockholm 1945.
600:(poetry collection). Albert Bonniers förlag, Stockholm 1943.
256:
Through the Red Sea - Changing of the guard in the stokehole
1230:
Het dodenschip: de geschiedenis van een Amerikaanse zeeman.
71:. Both parents had grown up under very poor conditions in
1016:
Ryndel, Nils (editor) & Röhlander, Bengt (producer),
1224:
Torsten Billman's illustrations to B. Traven's novel
989:
Lennervald, Dan, Kungsbacka, 2010, p. 104, 108, 111.
194:(1931), inspired by a poem from collection of verse
170:). He also made a few covers for the union magazine
1095:, Konstrevy, No. 1-2, Stockholm, 1944, pp. 59 - 60.
980:, that his sister Ingegerd Billman had sent to him.
524:In 1963 Billman returns with his political satires
1144:, Konstrevy No. 5–6, Stockholm, 1944, pp. 227–232.
320:, which resulted in a buon fresco and a book etc.
1179:Lennervald, Dan, Kungsbacka, 2010, pp. 286 - 287.
1142:Torsten Billman, monumentalmålare och illustratör
1104:Lennervald, Dan, Kungsbacka, 2010, pp. 162 - 167.
864:, Bildförlaget Öppna Ögon, Stockholm, 1986, p. 9.
734:. Sällskapet Bokvännerna no. 96, Stockholm 1975.
1078:Hoppe, Ragnar & Wettergren, Erik (editors),
959:Hoppe, Ragnar & Wettergren, Erik (editors),
722:. Sällskapet Bokvännerna no. 88, Stockholm 1970.
705:. Sällskapet Bokvännerna no. 54, Stockholm 1961.
1153:Nordenfalk, Carl, Stockholm, 1944, p. 230, 232.
1093:Nya illustrerade böcker (New illustrated books)
1042:Lennervald, Dan, Kungsbacka, 2010, pp. 36 - 39.
1007:Lennervald, Dan, Kungsbacka, 2010, pp. 29 - 32.
452:Between 1943 and 1949 Billman made his largest
1051:Lennervald, Dan, Kungsbacka, 2010, p. 66, 71.
838:, Konstrevy No. 5-6, Stockholm, 1942, p. 227.
8:
238:Woodcuts made after the trip to Antwerp 1936
1069:Jungmarker, Gunnar, Stockholm, 1956, p. 26.
849:Torsten Billman and the Wood Engraver's Art
795:Torsten Billman and the Wood Engraver's Art
782:. Bildförlaget Öppna Ögon, Stockholm 1986.
242:In the spring of 1936 the Swedish composer
1018:Bilder med sälta (Pictures with Saltiness)
41:Torsten Billman restoring his buon fresco
950:Lennervald, Dan, Kungsbacka, 2010, p. 23.
929:Lennervald, Dan, Kungsbacka, 2010, p. 21.
908:Lennervald, Dan, Kungsbacka, 2010, p. 19.
825:, satirarkivet.se, retrieved 28 June 2014
1228:is also published in Dutch: Traven, B.,
640:. Bokförlaget Atlantis, Stockholm 1979.
622:. Bokförlaget Atlantis, Stockholm 1978.
264:Stoker watch goes over deck in the storm
36:
815:
404:(1931). Harry Martinson, winner of the
1131:Sjöberg, Leif, New York, 1973, p. 170.
1113:Leif, Sjöberg, New York, 1973, p. 168.
920:Sjöberg, Leif, New York, 1973, p. 164.
660:. Carlsson Bokförlag, Stockholm 1990.
427:Göteborgs Handels- och Sjöfartstidning
309:Göteborgs Handels- och Sjöfartstidning
154:it was a stirring experience for him.
134:1929–1930, he made his first woodcuts
150:and when he later saw lithographs by
7:
1314:Recipients of the Prince Eugen Medal
799:The American-Scandinavian Foundation
477:Good Art in Homes and Assembly Halls
1197:Lennervald, Dan, Kungsbacka, 2010,
202:. He also made five linoleum cuts (
95:. His artistic awakening was on SS
1240:. Second edition, Amsterdam, 1983
14:
1319:20th-century Swedish male artists
939:List of graphic artwork 1930-1988
495:, next to a scene from his novel
765:Torsten Billman, The Image Maker
512:(1949) in The People's House in
1274:20th-century Swiss male artists
467:Billman's fresco sketches for
1:
1269:20th-century Swedish painters
520:Grisaille woodcuts after 1963
382:Stormy Day, Dieppe sept. 1939
875:Torsten Billman, bildmakaren
761:Torsten Billman, bildmakaren
583:Major literary illustrations
433:In 1970 Billman illustrated
206:) with which he illustrated
1080:Graphic Art In Sweden Today
1029:Romare, Kristian (editor),
961:Graphic Art In Sweden Today
575:He died on 6 April 1989 in
510:In Front of SmĂĄlands Taberg
471:was awarded first prize in
462:To Sailors - Workers at Sea
260:The newly signed on sailors
1340:
1199:List of Book Illustrations
331:Grisaille woodcuts 1940–45
231:Valand School of Fine Arts
219:The Industrial Arts School
188:The Industrial Arts School
16:Swedish artist (1909–1989)
538:Indian Appeals to Lincoln
498:The Red Room (Strindberg)
406:Nobel Prize in Literature
1031:Tidsbilder (Time Images)
565:The Murder of Lee Oswald
557:The Murder of Lee Oswald
530:The Murder of Lee Oswald
458:Gothenburg Museum of Art
318:Ingrid Segerstedt Wiberg
158:Images to union magazine
1324:20th-century engravers
1299:People from Kungsbacka
1294:Swedish wood engravers
1082:, London, 1946, p. 17.
731:The Silence of the Sea
469:Development of Society
410:Albert Bonniers förlag
374:Around a Guitar Player
246:, that was curator at
46:
43:Development of Society
20:Torsten Edvard Billman
1279:Swedish male painters
860:Montgomery, KĂĽllike,
561:The Warren Commission
534:The Warren Commission
400:'s poetry collection
378:Stairway in the South
45:(1947) in Gävle, 1983
40:
1284:Swedish illustrators
886:Jungmarker, Gunnar,
778:KĂĽllike Montgomery,
682:Crime and Punishment
422:Crime and Punishment
358:Crime and Punishment
198:by the Swedish poet
1264:Swedish printmakers
1168:Le Convoi du Pauvre
752:Gunnar Jungmarker,
672:Grisaille woodcut:
485:Modern Breakthrough
448:Buon fresco painter
352:" from French for "
248:Göteborgs Konsthall
1140:Nordenfalk, Carl,
657:The Castle (novel)
501:and the publicist
370:Wilderness Kitchen
47:
1289:Swedish engravers
873:Lennervald, Dan,
773:978-91-633-7644-3
677:Fyodor Dostoevsky
634:August Strindberg
550:Tear Gas in Paris
503:Torgny Segerstedt
493:August Strindberg
417:Fyodor Dostoevsky
362:French Restaurant
346:grisaille woodcut
314:Torgny Segerstedt
277:Spanish Civil War
270:At the crossroads
192:A Fiddlers Burial
127:, as a stoker on
117:Social-Demokraten
1331:
1249:
1222:
1216:
1208:
1202:
1201:, pp. 412 - 419.
1195:
1189:
1186:
1180:
1177:
1171:
1164:Mozart's funeral
1160:
1154:
1151:
1145:
1138:
1132:
1129:
1123:
1120:
1114:
1111:
1105:
1102:
1096:
1091:Jaensson, Knut,
1089:
1083:
1076:
1070:
1067:
1061:
1058:
1052:
1049:
1043:
1040:
1034:
1027:
1021:
1014:
1008:
1005:
999:
996:
990:
987:
981:
970:
964:
957:
951:
948:
942:
936:
930:
927:
921:
918:
909:
906:
900:
897:
891:
884:
878:
871:
865:
858:
852:
845:
839:
834:Ekelöf, Gunnar,
832:
826:
820:
759:Dan Lennervald,
697:Honoré de Balzac
570:Bertrand Russell
542:Mozart's funeral
508:The buon fresco
392:Book illustrator
386:Tropical Harbour
302:Anti-Nazi images
77:Haga, Gothenburg
1339:
1338:
1334:
1333:
1332:
1330:
1329:
1328:
1254:
1253:
1252:
1223:
1219:
1209:
1205:
1196:
1192:
1187:
1183:
1178:
1174:
1161:
1157:
1152:
1148:
1139:
1135:
1130:
1126:
1121:
1117:
1112:
1108:
1103:
1099:
1090:
1086:
1077:
1073:
1068:
1064:
1059:
1055:
1050:
1046:
1041:
1037:
1028:
1024:
1015:
1011:
1006:
1002:
997:
993:
988:
984:
971:
967:
958:
954:
949:
945:
937:
933:
928:
924:
919:
912:
907:
903:
898:
894:
888:Torsten Billman
885:
881:
872:
868:
862:Torsten Billman
859:
855:
847:Sjöberg, Leif,
846:
842:
836:Torsten Billman
833:
829:
823:Torsten Billman
821:
817:
813:
808:
780:Torsten Billman
754:Torsten Billman
749:
594:Harry Martinson
585:
522:
473:Nationalmuseums
450:
398:Harry Martinson
394:
333:
304:
272:
240:
184:
160:
113:
85:
57:
52:
17:
12:
11:
5:
1337:
1335:
1327:
1326:
1321:
1316:
1311:
1306:
1301:
1296:
1291:
1286:
1281:
1276:
1271:
1266:
1256:
1255:
1251:
1250:
1226:The Death Ship
1217:
1213:The Death Ship
1203:
1190:
1181:
1172:
1155:
1146:
1133:
1124:
1115:
1106:
1097:
1084:
1071:
1062:
1053:
1044:
1035:
1022:
1009:
1000:
991:
982:
965:
952:
943:
931:
922:
910:
901:
892:
879:
866:
853:
840:
827:
814:
812:
809:
807:
804:
803:
802:
793:Leif Sjöberg,
791:
776:
757:
748:
745:
744:
743:
723:
707:
706:
694:
670:
669:
649:
631:
619:The Death Ship
611:
601:
589:Ink drawings:
584:
581:
521:
518:
481:People's House
449:
446:
412:in Stockholm.
393:
390:
337:Nationalmuseum
332:
329:
303:
300:
288:British Museum
271:
268:
244:Gösta Nystroem
239:
236:
212:Jimmie Higgins
208:Upton Sinclair
196:Black Ballades
183:
180:
159:
156:
152:Honoré Daumier
148:Käthe Kollwitz
144:Frans Masereel
112:
109:
84:
81:
56:
53:
51:
48:
15:
13:
10:
9:
6:
4:
3:
2:
1336:
1325:
1322:
1320:
1317:
1315:
1312:
1310:
1307:
1305:
1302:
1300:
1297:
1295:
1292:
1290:
1287:
1285:
1282:
1280:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1261:
1259:
1247:
1243:
1239:
1238:9789029008976
1235:
1231:
1227:
1221:
1218:
1214:
1207:
1204:
1200:
1194:
1191:
1185:
1182:
1176:
1173:
1169:
1165:
1159:
1156:
1150:
1147:
1143:
1137:
1134:
1128:
1125:
1119:
1116:
1110:
1107:
1101:
1098:
1094:
1088:
1085:
1081:
1075:
1072:
1066:
1063:
1057:
1054:
1048:
1045:
1039:
1036:
1032:
1026:
1023:
1019:
1013:
1010:
1004:
1001:
995:
992:
986:
983:
979:
975:
969:
966:
962:
956:
953:
947:
944:
940:
935:
932:
926:
923:
917:
915:
911:
905:
902:
896:
893:
889:
883:
880:
876:
870:
867:
863:
857:
854:
850:
844:
841:
837:
831:
828:
824:
819:
816:
810:
805:
800:
796:
792:
789:
785:
781:
777:
774:
770:
766:
762:
758:
755:
751:
750:
746:
741:
740:91-7022-070-0
737:
733:
732:
727:
724:
721:
720:
715:
714:Georg BĂĽchner
712:
711:
710:
704:
703:
698:
695:
692:
691:91-0-044968-7
688:
684:
683:
678:
675:
674:
673:
667:
666:91-7798-330-0
663:
659:
658:
653:
650:
647:
646:91-7486-081-X
643:
639:
635:
632:
629:
628:91-7486-002-X
625:
621:
620:
615:
612:
609:
605:
602:
599:
595:
592:
591:
590:
587:
582:
580:
578:
573:
571:
566:
562:
558:
553:
551:
547:
543:
539:
535:
531:
527:
519:
517:
515:
511:
506:
504:
500:
499:
494:
490:
486:
482:
478:
474:
470:
465:
463:
459:
455:
454:buon frescoes
447:
445:
442:
441:
436:
435:Georg BĂĽchner
431:
428:
424:
423:
418:
413:
411:
407:
403:
399:
391:
389:
387:
383:
379:
375:
371:
367:
366:Artist Family
363:
359:
355:
351:
347:
342:
338:
330:
328:
326:
321:
319:
315:
311:
310:
301:
299:
297:
291:
289:
285:
280:
278:
269:
267:
265:
261:
257:
253:
249:
245:
237:
235:
232:
228:
223:
220:
215:
213:
209:
205:
201:
200:Dan Andersson
197:
193:
189:
181:
179:
177:
173:
169:
165:
157:
155:
153:
149:
145:
141:
137:
133:
132:
126:
122:
118:
111:First woodcut
110:
108:
106:
102:
98:
94:
90:
82:
80:
78:
74:
73:Västergötland
70:
66:
61:
54:
49:
44:
39:
35:
32:
31:Gunnar Ekelöf
27:
25:
21:
1229:
1225:
1220:
1212:
1206:
1198:
1193:
1184:
1175:
1167:
1163:
1158:
1149:
1141:
1136:
1127:
1118:
1109:
1100:
1092:
1087:
1079:
1074:
1065:
1056:
1047:
1038:
1030:
1025:
1017:
1012:
1003:
994:
985:
977:
973:
968:
960:
955:
946:
938:
934:
925:
904:
895:
887:
882:
874:
869:
861:
856:
848:
843:
835:
830:
818:
794:
779:
764:
760:
753:
729:
726:Jean Bruller
717:
708:
700:
680:
671:
655:
637:
617:
607:
597:
588:
586:
574:
564:
560:
556:
554:
549:
545:
541:
537:
533:
529:
525:
523:
509:
507:
496:
476:
468:
466:
461:
451:
438:
432:
420:
414:
401:
395:
385:
381:
377:
373:
369:
365:
361:
357:
353:
349:
345:
334:
325:Satirarkivet
324:
322:
307:
305:
292:
284:Tate Gallery
281:
273:
263:
259:
255:
241:
226:
224:
218:
216:
211:
195:
191:
187:
185:
175:
171:
167:
163:
161:
139:
135:
130:
114:
100:
96:
93:coal trimmer
88:
86:
83:Years at sea
62:
58:
42:
28:
19:
18:
1309:1989 deaths
1304:1909 births
728:(Vercors),
702:Cousin Pons
652:Franz Kafka
604:Nils Ferlin
548:(1967) and
526:Time Images
514:Norrahammar
489:August Palm
437:'s tragedy
258:(1936) and
182:Art studies
138:(1930) and
129:HSwMS
55:Early years
24:buon fresco
1258:Categories
1246:9029008970
974:Tidevarvet
806:References
788:9185906433
579:, Sweden.
577:Kungsbacka
384:(1944) or
327:, note 1.
176:The Sailor
168:The Stoker
125:Karlskrona
709:Woodcut:
614:B. Traven
419:'s novel
210:'s novel
172:Sjömannen
65:Billingen
50:Biography
29:The poet
978:Fönstret
552:(1968).
544:(1965),
540:(1965),
536:(1964),
532:(1964),
388:(1945).
380:(1942),
376:(1942),
372:(1942),
368:(1941),
364:(1940),
286:and The
89:Valencia
747:Sources
719:Woyzeck
608:Goggles
440:Woyzeck
341:woodcut
252:Antwerp
204:linocut
164:Eldaren
131:Sverige
121:woodcut
1244:
1236:
786:
771:
738:
689:
664:
644:
626:
296:Dieppe
140:Thirst
105:stoker
101:Nordic
97:Nippon
69:Skövde
811:Notes
638:Tales
598:Nomad
546:Party
402:Nomad
227:Marie
136:Hands
1242:ISBN
1234:ISBN
976:and
784:ISBN
769:ISBN
736:ISBN
687:ISBN
662:ISBN
642:ISBN
624:ISBN
559:and
354:grey
350:Gris
146:and
555:In
348:. "
1260::
913:^
716:,
699:,
679:,
654:,
636:,
616:,
606:,
596:,
505:.
107:.
1248:.
801:.
790:.
775:.
763:(
742:.
693:.
668:.
648:.
630:.
174:(
166:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
