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370:-styled album Hutcherson and Land recorded together that was released at the time; though they're all high-quality, this remains perhaps the best of the lot." Huey went on to praise Land's playing, writing that his "solo lines are fluid and lengthy, assimilating some of Coltrane's innovations while remaining accessibly soulful" and that his "rounded, echoing tone is a nice contrast for the coolly cerebral post-bop that fills
340:"I was experimenting with moving intervals in my playing, doing seconds and thirds to fourths and fifths. It was creating a different sound instead of typical jazz lines. The intervals were opened up. The idea was to try to make it sound simple even though it was music that was hard to figure out. Harold started playing the intervals, too, so that we could bounce off each other. Actually, I got a lot of my ideas from
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entered into the exploratory zone. The album dips in and out of
Hutcherson's daredevil sensibility, with inventive vibe romps and pure elation." Ouellette described Hutcherson's composition "Pompeian" as "a questing voyage with a whimsical open and close and a complex middle section that is
361:
reviewer Steve Huey agreed that "Pompeian" was an "ambitious piece," but thought that "overall...the album foreshadows
Hutcherson's move away from his explicit avant-garde leanings and into a still-advanced but more structured modernist framework. For some reason,
966:
305:, who would become a regular collaborator with Hutcherson throughout the early 1970s. Four of the five tracks are Hutcherson compositions, the exception being
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344:, who was always trying to change the recipe. 'Pompeian' is full of the intervals playing--which actually reflected the scene that was going on in
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336:-leaning and charged as Hutcherson paints dark colors on the marimbas."
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label in 1969. It features
Hutcherson's first recordings with
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Bobby
Hutcherson – vibraphone, marimba, orchestra bells
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All compositions by
Hutcherson except as indicated.
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21:
583:The year(s) indicated apply to the recording(s),
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327:was a "marquee outing for the group, where
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16:1969 studio album by Bobby Hutcherson
532:Ouellette, Dan. "California Dreaming."
458:Schwann Monthly Guide to Stereo Records
450:
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468:
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195:
7:
921:
919:
498:The Penguin Guide to Jazz Recordings
317:In a 2013 profile of Hutcherson for
939:. You can help Knowledge (XXG) by
313:Composition and critical reception
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878:Bobby Hutcherson Live at Montreux
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1001:Albums produced by Francis Wolff
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1006:Albums produced by Duke Pearson
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777:Conception: The Gift of Love
935:album-related article is a
323:, Dan Ouellette wrote that
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536:80.4 (2013): 30-33. Print.
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580:
247:The Penguin Guide to Jazz
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151:
26:
991:Blue Note Records albums
753:The View from the Inside
422:– tenor saxophone, flute
996:Bobby Hutcherson albums
1011:1960s jazz album stubs
393:"Total Eclipse" – 8:54
356:
585:not the first release
68:Plaza Sound Studios,
191:Professional ratings
403:"Same Shame" – 9:28
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825:Cruisin' the 'Bird
294:, released on the
190:
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886:Farewell Keystone
705:Natural Illusions
512:978-0-141-03401-0
406:"Pompeian" – 8:50
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574:Bobby Hutcherson
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501:(9th ed.).
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353:Bobby Hutcherson
292:Bobby Hutcherson
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42:Bobby Hutcherson
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894:In the Vanguard
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505:. p. 740.
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477:AllMusic Review
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390:"Herzog" – 6:36
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284:is an album by
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849:Enjoy the View
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817:Color Schemes
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689:San Francisco
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657:Total Eclipse
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593:Studio albums
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378:Track listing
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372:Total Eclipse
369:
366:was the only
365:
364:Total Eclipse
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349:
348:at the time."
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346:San Francisco
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325:Total Eclipse
322:
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309:'s "Matrix".
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281:Total Eclipse
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196:Review scores
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167:Total Eclipse
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138:Francis Wolff
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70:New York City
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60:July 12, 1968
59:
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52:February 1969
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34:
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22:Total Eclipse
20:
941:expanding it
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833:Ambos Mundos
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801:Four Seasons
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785:Un Poco Loco
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438:Joe Chambers
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342:Joe Chambers
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289:vibraphonist
280:
279:
278:
245:
174:
166:
165:
156:
134:Duke Pearson
37:Studio album
986:1969 albums
931:This 1960s
907:Discography
769:Highway One
761:Knucklebean
721:Linger Lane
426:Chick Corea
420:Harold Land
307:Chick Corea
303:Harold Land
300:saxophonist
980:Categories
729:Inner Glow
625:Happenings
617:Components
601:The Kicker
445:References
396:"Matrix" (
147:chronology
90:modal jazz
809:Good Bait
633:Stick-Up!
411:Personnel
320:Down Beat
296:Blue Note
122:BST 84291
118:Blue Note
649:Patterns
609:Dialogue
534:DownBeat
495:(2008).
400:) – 6:44
368:post-bop
359:AllMusic
351:—
329:hard-bop
210:AllMusic
158:Patterns
129:Producer
86:post-bop
57:Recorded
49:Released
39: by
870:Blow Up
745:Waiting
737:Montara
697:Head On
641:Oblique
503:Penguin
440:– drums
428:– piano
180:(1979)
171:(1969)
162:(1980)
897:(1986)
889:(1982)
881:(1973)
873:(1969)
862:albums
852:(2014)
844:(1991)
841:Mirage
836:(1989)
828:(1988)
820:(1985)
812:(1984)
804:(1983)
796:(1982)
788:(1979)
780:(1979)
772:(1978)
764:(1977)
756:(1976)
748:(1976)
740:(1975)
732:(1975)
724:(1974)
716:(1974)
713:Cirrus
708:(1972)
700:(1971)
692:(1970)
684:(1969)
676:(1969)
673:Medina
668:(1968)
665:Spiral
660:(1968)
652:(1968)
644:(1967)
636:(1966)
628:(1966)
620:(1965)
612:(1965)
604:(1963)
509:
460:, 1970
434:– bass
204:Rating
201:Source
176:Spiral
96:Length
65:Studio
398:Corea
334:avant
113:Label
77:Genre
937:stub
933:jazz
860:Live
681:Now!
507:ISBN
286:jazz
82:Jazz
374:."
982::
521:^
491:;
465:^
136:,
105:32
101:40
88:,
84:,
968:e
961:t
954:v
943:.
587:.
566:e
559:t
552:v
515:.
103::
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