28:
302:, becoming the first climbers to reach the summit using the west face. Descending down the north ridge tragedy struck as Simpson slipped down an ice cliff, breaking his right leg. With Simpson incapacitated Yates lowered Simpson off the North Ridge by tying two 150-foot lengths of rope together to make one rope. With worsening conditions,
309:
Simpson could not climb up the rope, Yates could not pull him back up, the cliff was too high for
Simpson to be lowered down, and they could not communicate. Yates had to make the hard decision to cut the rope in order to save his own life. Yates cut the rope, plummeting Simpson down the cliff into a
325:
Simpson, however, was still alive. He had survived the 150-foot fall despite his broken leg and had landed on a small ledge inside the crevasse. When
Simpson regained consciousness, he discovered that the rope had been cut and realized that Yates would presume that he was dead. He therefore had to
326:
save himself. It was impossible for
Simpson to climb up to the entrance of the crevasse, therefore his only choice was to lower himself deeper into the crevasse and hope that there was another way out. After lowering himself, Simpson found another small entrance and climbed back onto the
333:
In all
Simpson spent three days without food and with almost no water, crawling and hopping five miles back to their base camp. Exhausted and almost completely delirious, he reached base camp only a few hours before Yates intended to leave the base camp and return to civilisation.
179:
on 8 September 2018, with an official opening night on 18 September, booking for a limited period until 6 October. The production marked the reopening of the venue following refurbishment.
776:
190:, lighting design by Chris Davey and composition and sound design by Jon Nicholls. Following its premiere production Touching the Void embarked on a tour to the
306:
and complications with the knots Yates inadvertently lowered
Simpson off a cliff and Simpson accidentally dropped one of the cords required to ascend the rope.
627:
920:
509:
449:
567:
419:
890:
537:
715:
657:
802:
1183:
175:
in 2003. On 8 November 2017, it was announced the play would receive its world premiere the following year and would begin previews at the
864:
835:
976:
271:
from 26 to 29 May 2021, where performances will be presented live to both a socially distanced audience as well as broadcast online.
1118:
1093:
950:
479:
1178:
597:
1028:
206:
with whom it was a coproduction. Following its opening night in
Bristol it was announced the play would also tour to
372:
362:
295:
291:
238:
165:
135:
131:
123:
130:
in
September 2018, before embarking on a short UK and international tour. The play centres on the true story of
119:
538:"Touching the Void, Bristol Old Vic, review: a stirring testament to human fortitude and the power of theatre"
891:"Touching the Void designer Ti Green: 'This job is not just choosing the chairs, it's shaping the narrative'"
1188:
1173:
161:
115:
38:
427:
183:
322:
to wait out the storm. Assuming
Simpson was dead Yates carried on descending the mountain by himself.
1142:
191:
1168:
545:
398:
207:
199:
223:
658:"David Greig on Local Hero, Touching the Void and the rest of the Royal Lyceum's 2018/19 season"
1054:
687:
1134:
1114:
1089:
264:
921:"Touching the Void review at Bristol Old Vic – 'gripping, inventively staged survival story'"
836:"Bristol Old Vic and Edinburgh Lyceum announce casts for Touching the Void and Twelfth Night"
230:. A typical performance runs two hours and forty minutes, including one interval of 30 mins.
246:
73:
1062:
754:
746:
268:
257:
219:
176:
127:
63:
716:"Bristol Old Vic announces Touching the Void and The Cherry Orchard adaptations for 2018"
27:
111:
1162:
1002:
810:
377:
215:
172:
803:"Bristol Old Vic £26m facelift lets audience play with 18th century Thunder Machine"
692:
665:
635:
605:
514:
299:
280:
139:
510:"'We need to hear bone splintering!' – Touching the Void crashes on to the stage"
315:
203:
568:"'Putting on a popular play won't cut it in the Netflix age. We must do more'"
303:
450:"Touching the Void: Joe Simpson on how his struggle with death became a play"
928:
898:
575:
487:
457:
319:
227:
211:
195:
169:
83:
977:"New Tour Dates Announced For Tom Morris' Production Of Touching The Void"
777:"New Tour Dates Announced For Tom Morris' Production Of TOUCHING THE VOID"
311:
284:
187:
143:
94:
249:
for a limited run, running from 9 November 2019 until 29 February 2020.
598:"Touching the Void is the Old Vic at the peak of its theatrical powers"
327:
242:
287:
146:
97:
182:
The play is directed by the
Artistic Director of Bristol Old Vic
865:"Touching the Void on stage: theatre climbing to new heights"
186:, with movement direction by Sasha Milavic Davies, design by
628:"Touching the Void to be brought to the stage in Edinburgh"
1029:"Touching the Void stage play to transfer to the West End"
347:
89:
79:
69:
59:
44:
34:
20:
263:Following the closure of the theatre due to the
420:"Real life survival tale aims for new heights"
164:, based on the 1988 book of the same name by
8:
138:, climb of the 6,344-metre west face of the
26:
17:
168:. The book was previously adapted into a
859:
857:
741:
739:
737:
397:
389:
376:
366:
341:
830:
828:
411:
480:"Touching the Void at Bristol Old Vic"
951:"Touching the Void (Bristol Old Vic)"
7:
126:. It made its world premiere at the
983:. Theatre Weekly. 18 September 2018
957:. Whats On Stage. 19 September 2018
783:. Broadway World. 18 September 2018
298:as they climb the west face of the
267:, the play will be revived at the
160:has been adapted for the stage by
14:
1109:Greig, David (3 September 2018).
1084:Greig, David (3 September 2018).
722:. Whats On Stage. 8 November 2017
338:Principal roles and original cast
233:Following completion of the tour
1009:. Fuel Theatre. 8 September 2018
871:. Whats On Stage. 24 August 2018
314:. Exhausted and suffering from
1113:. Faber and Faber. p. 1.
842:. Whats On Stage. 24 July 2018
1:
1035:. Whats On Stage. 13 May 2019
357:Bristol & broadcast 2021
1184:Plays based on actual events
279:The play is set in 1985, on
424:edinburghnews.scotsman.com/
48:18 September 2018
1205:
394:
386:
381:
371:
361:
344:
25:
1135:"Touching the Void Cast"
688:"Return to Siula Grande"
330:via a steep snow slope.
428:Edinburgh Evening News
318:, Yates dug himself a
239:Duke of York's Theatre
1179:Plays based on novels
260:on 6 September 2018.
120:book of the same name
1143:Royal Lyceum Theatre
751:bristololdvic.org.uk
200:Royal & Derngate
192:Royal Lyceum Theatre
1088:. Faber and Faber.
1055:"Touching the Void"
1003:"Touching the Void"
931:. 19 September 2018
901:. 24 September 2018
813:. 17 September 2018
747:"Touching the Void"
608:. 19 September 2018
548:. 20 September 2018
490:. 20 September 2018
460:. 20 September 2018
237:transferred to the
208:Hong Kong City Hall
1065:. 6 September 2018
757:. 8 September 2018
696:. 21 November 2003
578:. 8 September 2018
518:. 5 September 2018
430:. 14 December 2018
224:Eden Court Theatre
153:Production history
1111:Touching the Void
1086:Touching the Void
981:theatreweekly.com
781:broadwayworld.com
638:. 8 November 2017
602:bristolpost.co.uk
404:
403:
382:Angus Yellowlees
265:COVID-19 pandemic
256:was published by
254:Touching the Void
235:Touching the Void
158:Touching the Void
107:Touching the Void
103:
102:
70:Original language
21:Touching the Void
1196:
1154:
1153:
1151:
1149:
1131:
1125:
1124:
1106:
1100:
1099:
1081:
1075:
1074:
1072:
1070:
1051:
1045:
1044:
1042:
1040:
1033:whatsonstage.com
1025:
1019:
1018:
1016:
1014:
999:
993:
992:
990:
988:
973:
967:
966:
964:
962:
955:whatsonstage.com
947:
941:
940:
938:
936:
917:
911:
910:
908:
906:
887:
881:
880:
878:
876:
869:whatsonstage.com
861:
852:
851:
849:
847:
840:whatsonstage.com
832:
823:
822:
820:
818:
799:
793:
792:
790:
788:
773:
767:
766:
764:
762:
743:
732:
731:
729:
727:
720:whatsonstage.com
712:
706:
705:
703:
701:
684:
678:
677:
675:
673:
654:
648:
647:
645:
643:
624:
618:
617:
615:
613:
594:
588:
587:
585:
583:
564:
558:
557:
555:
553:
534:
528:
527:
525:
523:
506:
500:
499:
497:
495:
476:
470:
469:
467:
465:
446:
440:
439:
437:
435:
416:
390:Patrick McNamee
342:
55:
53:
30:
18:
1204:
1203:
1199:
1198:
1197:
1195:
1194:
1193:
1159:
1158:
1157:
1147:
1145:
1133:
1132:
1128:
1121:
1108:
1107:
1103:
1096:
1083:
1082:
1078:
1068:
1066:
1063:Faber and Faber
1053:
1052:
1048:
1038:
1036:
1027:
1026:
1022:
1012:
1010:
1007:fueltheatre.com
1001:
1000:
996:
986:
984:
975:
974:
970:
960:
958:
949:
948:
944:
934:
932:
919:
918:
914:
904:
902:
889:
888:
884:
874:
872:
863:
862:
855:
845:
843:
834:
833:
826:
816:
814:
801:
800:
796:
786:
784:
775:
774:
770:
760:
758:
755:Bristol Old Vic
745:
744:
735:
725:
723:
714:
713:
709:
699:
697:
686:
685:
681:
671:
669:
656:
655:
651:
641:
639:
626:
625:
621:
611:
609:
596:
595:
591:
581:
579:
566:
565:
561:
551:
549:
542:telegraph.co.uk
536:
535:
531:
521:
519:
508:
507:
503:
493:
491:
478:
477:
473:
463:
461:
448:
447:
443:
433:
431:
418:
417:
413:
409:
340:
277:
269:Bristol Old Vic
258:Faber and Faber
177:Bristol Old Vic
155:
128:Bristol Old Vic
118:, based on the
64:Bristol Old Vic
60:Place premiered
51:
49:
12:
11:
5:
1202:
1200:
1192:
1191:
1189:West End plays
1186:
1181:
1176:
1174:Scottish plays
1171:
1161:
1160:
1156:
1155:
1126:
1119:
1101:
1094:
1076:
1046:
1020:
994:
968:
942:
925:thestage.co.uk
912:
895:thestage.co.uk
882:
853:
824:
794:
768:
733:
707:
679:
649:
619:
589:
572:thetimes.co.uk
559:
529:
501:
484:thetimes.co.uk
471:
454:thetimes.co.uk
441:
410:
408:
405:
402:
401:
396:
392:
391:
388:
384:
383:
380:
375:
369:
368:
367:Josh Williams
365:
359:
358:
355:
354:West End 2019
352:
349:
346:
339:
336:
276:
273:
252:The script of
154:
151:
101:
100:
91:
87:
86:
81:
77:
76:
71:
67:
66:
61:
57:
56:
46:
45:Date premiered
42:
41:
36:
32:
31:
23:
22:
13:
10:
9:
6:
4:
3:
2:
1201:
1190:
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1167:
1166:
1164:
1144:
1140:
1139:lyceum.org.uk
1136:
1130:
1127:
1122:
1120:9780571352241
1116:
1112:
1105:
1102:
1097:
1095:9780571352241
1091:
1087:
1080:
1077:
1064:
1060:
1056:
1050:
1047:
1034:
1030:
1024:
1021:
1008:
1004:
998:
995:
982:
978:
972:
969:
956:
952:
946:
943:
930:
926:
922:
916:
913:
900:
896:
892:
886:
883:
870:
866:
860:
858:
854:
841:
837:
831:
829:
825:
812:
808:
804:
798:
795:
782:
778:
772:
769:
756:
752:
748:
742:
740:
738:
734:
721:
717:
711:
708:
695:
694:
689:
683:
680:
667:
663:
659:
653:
650:
637:
633:
629:
623:
620:
607:
603:
599:
593:
590:
577:
573:
569:
563:
560:
547:
546:The Telegraph
543:
539:
533:
530:
517:
516:
511:
505:
502:
489:
485:
481:
475:
472:
459:
455:
451:
445:
442:
429:
425:
421:
415:
412:
406:
400:
399:Fiona Hampton
393:
385:
379:
378:Edward Hayter
374:
370:
364:
360:
356:
353:
350:
348:Bristol 2018
343:
337:
335:
331:
329:
323:
321:
317:
313:
307:
305:
301:
297:
293:
290:. It follows
289:
286:
282:
274:
272:
270:
266:
261:
259:
255:
250:
248:
244:
240:
236:
231:
229:
225:
221:
217:
216:Perth Theatre
213:
209:
205:
201:
197:
193:
189:
185:
180:
178:
174:
173:survival film
171:
167:
163:
159:
152:
150:
148:
145:
141:
137:
133:
129:
125:
121:
117:
113:
109:
108:
99:
96:
92:
88:
85:
82:
78:
75:
72:
68:
65:
62:
58:
47:
43:
40:
37:
33:
29:
24:
19:
16:
1146:. Retrieved
1138:
1129:
1110:
1104:
1085:
1079:
1067:. Retrieved
1058:
1049:
1037:. Retrieved
1032:
1023:
1013:23 September
1011:. Retrieved
1006:
997:
987:23 September
985:. Retrieved
980:
971:
959:. Retrieved
954:
945:
933:. Retrieved
924:
915:
903:. Retrieved
894:
885:
875:20 September
873:. Retrieved
868:
846:20 September
844:. Retrieved
839:
817:20 September
815:. Retrieved
806:
797:
785:. Retrieved
780:
771:
761:23 September
759:. Retrieved
750:
726:20 September
724:. Retrieved
719:
710:
698:. Retrieved
693:The Guardian
691:
682:
672:20 September
670:. Retrieved
668:. 7 May 2018
666:The Scotsman
662:scotsman.com
661:
652:
642:20 September
640:. Retrieved
636:The Scotsman
632:scotsman.com
631:
622:
610:. Retrieved
606:Bristol Post
601:
592:
582:20 September
580:. Retrieved
571:
562:
552:20 September
550:. Retrieved
541:
532:
522:20 September
520:. Retrieved
515:The Guardian
513:
504:
494:20 September
492:. Retrieved
483:
474:
464:20 September
462:. Retrieved
453:
444:
432:. Retrieved
423:
414:
332:
324:
308:
300:Siula Grande
281:Siula Grande
278:
262:
253:
251:
234:
232:
181:
157:
156:
140:Siula Grande
106:
105:
104:
15:
1059:faber.co.uk
807:inews.co.uk
434:14 December
373:Simon Yates
363:Joe Simpson
316:hypothermia
296:Simon Yates
292:Joe Simpson
204:Northampton
166:Joe Simpson
162:David Greig
136:Simon Yates
132:Joe Simpson
124:Joe Simpson
116:David Greig
114:written by
39:David Greig
1169:2018 plays
1163:Categories
1148:18 October
1069:14 October
612:22 October
407:References
351:2018 tour
345:Character
304:frost bite
184:Tom Morris
52:2018-09-18
35:Written by
961:7 October
935:7 October
929:The Stage
905:7 October
899:The Stage
787:7 October
700:7 October
576:The Times
488:The Times
458:The Times
320:snow cave
228:Inverness
212:Hong Kong
196:Edinburgh
170:docudrama
149:in 1985.
387:Richard
312:crevasse
285:Peruvian
275:Synopsis
247:West End
188:Ti Green
144:Peruvian
95:Peruvian
84:Survival
328:glacier
283:in the
142:in the
90:Setting
80:Subject
74:English
50: (
1117:
1092:
1039:24 May
395:Sarah
243:London
93:1985,
310:deep
288:Andes
220:Perth
147:Andes
110:is a
98:Andes
1150:2018
1115:ISBN
1090:ISBN
1071:2018
1041:2019
1015:2018
989:2018
963:2018
937:2018
907:2018
877:2018
848:2018
819:2018
789:2018
763:2018
728:2018
702:2018
674:2018
644:2018
614:2018
584:2018
554:2018
524:2018
496:2018
466:2018
436:2018
294:and
222:and
198:and
134:and
112:play
245:'s
241:in
122:by
1165::
1141:.
1137:.
1061:.
1057:.
1031:.
1005:.
979:.
953:.
927:.
923:.
897:.
893:.
867:.
856:^
838:.
827:^
809:.
805:.
779:.
753:.
749:.
736:^
718:.
690:.
664:.
660:.
634:.
630:.
604:.
600:.
574:.
570:.
544:.
540:.
512:.
486:.
482:.
456:.
452:.
426:.
422:.
226:,
218:,
214:,
210:,
202:,
194:,
1152:.
1123:.
1098:.
1073:.
1043:.
1017:.
991:.
965:.
939:.
909:.
879:.
850:.
821:.
811:i
791:.
765:.
730:.
704:.
676:.
646:.
616:.
586:.
556:.
526:.
498:.
468:.
438:.
54:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.