33:
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lover to her family for the first time, it proves unsuccessful and Sylvia unintentionally forgets her best friend's birthday party. Through this unrelenting day, the womxn experience street harassment, police violence, and isolation before meeting at the
Stonewall Inn to celebrate Marsha's birthday. The night ends differently than expected, causing the two to face difficult decisions that change history.
493:, Tourmaline herself is the subject and she's seen up in the blue sky, wearing white clothing in solidarity with Black trans lives. Tiana Reid of 4Columns gives a vivid description of this portrait, "She is holding a helmet on her head, ready for movement. But it’s unclear if her bare feet are perching or springing, if she’s going up or down."
335:
In 2013, Tourmaline was awarded the BCRW Activist
Fellowship for her work at the intersections of trans justice and prison abolition, and to support her work to document and elevate the histories and legacies of trans women of color. She also served as the 2016–2018 Activist-in-Residence at
1327:
Happy
Birthday, Marsha! Explores the story of Marsha "Pay it No Mind" Johnson and Sylvia Rivera, two best friends at the cusp of the 1969 stonewall riots. It begins after a disappointing day when Marsha attempts to celebrate her birthday and no one attends all while Sylvia tries to introduce her
551:, the autonomous community where Black and Irish people lived and stayed together between 1825 and 1827. The second being Black-owned Pleasure Gardens, havens on periphery of Lower Manhattan where the Black community went to enjoy fresh air, alcohol, and music in the 1820s given that white-owned
303:, observing how archives and repositories rarely prioritize saving transgender artist materials. Instead, Tourmaline has stated that these materials are typically "accidentally archived." Tourmaline has combated this with contemporary trans focused projects, including
559:
is a counter-monument that celebrates and amplifies the historic existence of Black space beyond ownership or sovereignty. While this project hasn't come to fruition, Tourmaline wanted to be a part of creating a blueprint for possibility.
542:
In summer of 2020, Tourmaline was one of five artists asked to imagine a different kind of monument, one that embodies the current moment of reckoning alongside the crimes of the past, in light of the debate surrounding the
448:
exonerated France and concluded that
Gossett's allegations against him were without merit. The debate has brought up questions of artistic integrity, who owns archival footage, and what constitutes a valid accusation.
251:
correctional institution. While at
Columbia University, she served on the President's Council on Student Affairs amidst a Middle East and Asian Languages and Cultures Departmental Scandal. In addition, she was also a
497:
comes from a body of five photographs by
Tourmaline, all of which are self-portraits and all of which are named after a different kind of butterfly. The photographs were displayed at Tourmaline's first solo show,
350:. For this film she gathered oral histories form LGBTQ New Yorkers on the challenges faced accessing affordable housing, medical care, and social services. In 2016 she directed her first film
264:
Tourmaline has worked at various organizations dealing with transgender activism, economic justice, and prison abolition. She served as the
Membership Coordinator for Queers for Economic Justice. At the
547:
in the United States. To replace The Rikers Island Prison
Complex in New York City, Tourmaline drew from two historic New York sites. One site being Nanny Goat Hill, an outcrop of
1213:
622:
646:"Tourmaline on Instagram: "Had my portrait taken by the deeply talented Texas Isaiah who also happens to be my birthday twin (today's our birthday!). We met up…""
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where "the teachers were abusive," and later attended suburban schools where they "went from living in poverty to going to school with wealthy people like
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Tourmaline was featured in Brave Spaces: Perspectives on Faith and LGBT Justice (2015), which was produced by Marc
Smolowitz and screened as a
285:
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2020:
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718:
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Hampshire
College, which couldn't get Beyonce, President Obama or Bernie Sanders, replaces commencement speaker to address student gripes
2065:
2030:
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on October 6. Tourmaline and collaborator Sasha Wortzel were applying for a grant for financial assistance to release their short film,
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https://filmmakermagazine.com/87120-kickstarting-trans-visibility-on-screen-sasha-wortzel-on-funding-happy-birthday-marsha/
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Tourmaline has also performed work as a community historian for drag queens and transgender individuals around the
817:
1188:"In Films That Bring Underacknowledged Histories to the Fore, Tourmaline Fills in Gaps in the Historical Archive"
1162:"In Films That Bring Underacknowledged Histories to the Fore, Tourmaline Fills in Gaps in the Historical Archive"
266:
170:
1593:"ICYMI: Filmmaker Reina Gossett Says 'Death and Life of Marsha P. Johnson' Director Stole Her Work | ColorLines"
1477:"ICYMI: Filmmaker Reina Gossett Says 'Death and Life of Marsha P. Johnson' Director Stole Her Work | ColorLines"
1423:"Netflix Doc 'The Death and Life of Marsha P. Johnson': Did Director David France Steal a Filmmaker's Research?"
894:
1900:
688:
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355:
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910:"New staff member Tiq Milan joins Kye Allums, Laverne Cox and Reina Gossett at GLAAD trans visibility panel"
589:
443:
428:
397:
32:
2005:
1978:
1849:
1449:"Trans filmmaker Reina Gossett accuses 'The Death and Life of Marsha P. Johnson' creator of stealing work"
405:. Trans women played every major role in the film and queer and trans activists volunteered at the event.
1395:""The Death and Life of Marsha P. Johnson" Creator Accused of Stealing Work from Filmmaker Reina Gossett"
1214:"Crowdfunder's Forum: A New Film Celebrates and Honors The Legacy of Marsha P. Johnson and Sylvia Rivera"
1985:
1801:
610:
409:
318:
269:, she served as the Director of Membership. She has been a featured speaker about transgender issues at
292:
work through a video series, titled No One is Disposable: Everyday Practices of Prison Abolition, with
1959:
Knowledge (XXG) Edit-a-thon: Conversation with Orit Gat, Reina Gossett, Jenna Wortham, and Fiona Romeo
485:
Tourmaline works in various different mediums in her artwork. In 2020, she created her self-portrait,
2000:
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91:
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1035:. Tourmaline,, Stanley, Eric A.,, Burton, Johanna. Cambridge, Massachusetts. 2017. p. 380.
597:
and awarded a fellowship with Sach's Queer/Art/Mentorship program for the 2012–2013 school year.
1953:
1694:"In 'Before Yesterday We Could Fly,' Visions of a Fictive Black Future Take Flight at the Met"
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with co-editors Eric A. Stanley and Johanna Burton. The book is part of a series called
232:
Tourmaline moved to New York City to attend Columbia University in 2002, and received a
201:
and her father is a self-defense instructor and anti-imprisonment advocate. Her sibling
548:
237:
1994:
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982:. Tourmaline,, Stanley, Eric A.,, Burton, Johanna. Cambridge, Massachusetts. 2017.
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1268:"'Happy Birthday Marsha' Shows What the Gay Rights Movement Owes Trans People"
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Tourmaline began her film career in 2010 when she worked on Kagendo Murungi’s
293:
138:
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436:. France denied the allegation. Independent investigations launched by both
358:, who reflects on her life as an activist. In 2017 Tourmaline was awarded a
654:
256:'s associate and a member of Students Promoting Empowerment and Knowledge.
1974:
1827:
1033:
Trap door : trans cultural production and the politics of visibility
980:
Trap door : trans cultural production and the politics of visibility
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1981:
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502:, at Chapter NY from December 2020-January 2021. In all of the photos,
423:
359:
146:
1968:
1369:"Review: 'The Death and Life of Marsha P. Johnson' Explores a Mystery"
304:
288:
from building a $ 375 million jail in the Bronx. Tourmaline has done
150:
134:
326:
Trap Door: Trans Cultural Production and the Politics of Visibility,
1969:
Happy Birthday, Marsha! Directed by Reina Gossett and Sasha Wortzel
1772:"A Resplendent Self-portrait by Tourmaline Enters Getty Collection"
1085:
Trap door: trans cultural production and the politics of visibility
865:
Captive Genders: Trans Embodiment and the Prison Industrial Complex
309:
1244:
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362:
for her work in on this film. Tourmaline also worked on the
270:
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1962:
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38:
954:"No One is Disposable: Everyday Practices of Prison Abolition"
210:
893:. Barnard Center for Research on Women. September 25, 2017.
570:
216:
Tourmaline and Che went to a bilingual elementary school in
741:"Tourmaline is Fighting for the Unruly Queers of the World"
684:"Gay Man Says Millennial Term 'Queer' Is Like the 'N' Word"
83:
BA in comparative ethnic studies, Columbia University, 2006
840:"Pay Me What You Owe Me: Reina Gossett Wants Her Just Due"
536:
Before Yesterday We Could Fly: An Afrofuturist Period Room
1796:"WHOSE HISTORY? WHOSE MEMORY? WHOSE LAND? WHO MATTERS?".
1110:"Critical Anthologies in Art and Culture | The MIT Press"
1082:
Gossett, Reina; Stanley, Eric A; Burton, Johanna (2017).
522:, Tourmaline looks directly at the camera. In 2021, The
379:
Tourmaline has made numerous films about trans activism.
489:, which went on display at the Getty Museum in 2021. In
189:
Tourmaline was born on July 20, 1983, and grew up in a
101:
Activist • filmmaker • writer • artist • photographer
1720:"Summer Azure (The J. Paul Getty Museum Collection)"
452:
Also in 2017, Tourmaline’s work was featured at the
711:"Tourmaline | Barnard Center for Research on Women"
432:. This claim was supported by transgender activist
408:In October 2017, Tourmaline alleged that filmmaker
113:
105:
97:
87:
79:
71:
46:
23:
773:
653:
280:, Tourmaline organized a campaign with low income
1570:"Inside the Fight for Marsha P. Johnson's Legacy"
1523:"Inside the Fight for Marsha P. Johnson's Legacy"
623:List of transgender film and television directors
393:STAR (Street Transvestite Action Revolutionaries)
177:and Queers for Economic Justice. She is based in
1901:"Is This Year's Time 100 List the Queerest Yet?"
780:Bitch Magazine: Feminist Response to Pop Culture
1926:"John Simon Guggenheim Foundation | Tourmaline"
677:
675:
673:
395:. Her next work, also co-produced with Wortzel,
1669:"Anything We Want to Be: Tourmaline's Salacia"
803:
801:
799:
797:
545:removal of confederate monuments and memorials
1027:
1025:
161:. Tourmaline is most notable for her work in
8:
1241:"Filmmakers share 'Happy Birthday, Marsha!'"
682:James, Susan Donaldson (November 12, 2013).
526:acquired two works by the artist, including
1063:: CS1 maint: location missing publisher (
1010:: CS1 maint: location missing publisher (
31:
20:
247:, she taught creative writing classes at
1618:"Trigger: Gender as a Tool and a Weapon"
412:plagiarized her grant submission to the
634:
419:The Death and Life of Marsha P. Johnson
330:Critical Anthologies in Art and Culture
1447:Anderson, Tre'vell (October 9, 2017).
1056:
1003:
908:Heffernan, Dani (September 26, 2013).
459:Trigger: Gender as a Tool and a Weapon
336:Barnard Center for Research on Women.
2071:American women civil rights activists
1770:Packard, Cassie (September 2, 2021).
1545:"Who Owns Marsha P. Johnson's Story?"
1502:"Who Owns Marsha P. Johnson's Story?"
897:from the original on October 7, 2017.
867:. Edinburgh: AK Press, 2015. p. 359.
7:
2081:20th-century African-American people
1899:Manzella, Sam (September 23, 2020).
1800:. August 30, 2020. pp. 96–101.
1212:Brandão, Rodrigo (August 14, 2014).
1186:Williams, Kiyan (January 14, 2020).
1160:Williams, Kiyan (January 14, 2020).
1139:Barnard Center for Research on Women
958:Barnard Center for Research on Women
890:Barnard Center for Research on Women
719:Barnard Center for Research on Women
640:
638:
456:in New York in an exhibition titled
2086:20th-century African-American women
2076:21st-century African-American women
1724:The J. Paul Getty Museum Collection
1393:Weiss, Suzannah (October 8, 2017).
1367:Jaworowski, Ken (October 5, 2017).
1294:Dunham, Grace (November 19, 2015).
960:. Barnard College. February 7, 2014
2011:Columbia College (New York) alumni
1421:Marotta, Jenna (October 7, 2017).
14:
1798:The New York Times Style Magazine
1342:"Reina Gossett and Sasha Wortzel"
863:Stanley, Eric A., and Nat Smith.
477:, for its permanent collection.
387:, documents the life and work of
1667:Lax, Thomas J. (June 25, 2020).
1591:Rao, Sameer (October 10, 2017).
1521:Ennis, Dawn (January 23, 2018).
1475:Rao, Sameer (October 10, 2017).
557:Nanny Goat Hill Pleasure Gardens
401:, explores the life of activist
381:STAR People Are Beautiful People
243:Through a school program called
1266:Ryan, Hug (December 19, 2015).
75:Formerly Known as Reina Gossett
2036:LGBT people from Massachusetts
1854:www.opensocietyfoundations.org
577:Stonewall Community Foundation
129:(born 1983; formerly known as
1:
324:In 2017, she edited the book
286:NYC Department of Corrections
2061:African-American LGBT people
2046:Transgender rights activists
2026:American transgender artists
2021:American transgender writers
593:was recognized by filmmaker
372:as an assistant director to
169:, through her work with the
16:American artist and activist
1850:"Soros Justice Fellowships"
1643:"Tourmaline. Salacia. 2019"
808:Marks, Jenny (April 2015).
354:which features trans elder
2107:
2066:African-American activists
2031:American transgender women
524:Metropolitan Museum of Art
416:to create the documentary
2056:Transgender women artists
2051:Transgender women writers
775:"Bitch In: Reina Gossett"
383:(2009), co-produced with
267:Sylvia Rivera Law Project
171:Sylvia Rivera Law Project
30:
1673:The Museum of Modern Art
1647:The Museum of Modern Art
772:Meronek, Toshio (2015).
571:Queer Art Prize Finalist
555:excluded Black patrons.
356:Miss Major Griffin-Gracy
810:"Che and Reina Gossett"
590:Happy Birthday, Marsha!
469:acquired her 2019 film
429:Happy Birthday, Marsha!
398:Happy Birthday, Marsha!
301:Stonewall Inn rebellion
213:criminalization work.
1067:) CS1 maint: others (
1014:) CS1 maint: others (
611:Guggenheim Fellowship
512:Sleepy Orange Sulphur
319:Human Rights Campaign
2041:American queer women
1296:"Stuck in Stonewall"
1141:. September 25, 2017
721:. September 25, 2017
658:on December 25, 2021
467:Museum of Modern Art
163:transgender activism
1510:. October 13, 2017.
481:Visual Art Projects
422:, which debuted on
352:The personal Things
347:Taking Freedom Home
284:that prevented the
278:Critical Resistance
175:Critical Resistance
92:Columbia University
2016:American feminists
1700:. November 2, 2021
1572:. January 23, 2018
1373:The New York Times
1247:. December 4, 2015
935:Lederman, Diane. "
820:on January 7, 2017
585:Justice Fellowship
209:activism and anti
197:. Her mother is a
157:who identifies as
1820:"| Reina Gossett"
1622:www.newmuseum.org
1454:Los Angeles Times
1042:978-0-262-03660-3
989:978-0-262-03660-3
403:Marsha P. Johnson
310:The Spirit Was...
155:transgender woman
133:) is an American
124:
123:
106:Years active
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1348:. March 20, 2018
1346:www.artforum.com
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816:. Archived from
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652:. Archived from
642:
553:pleasure gardens
508:Coral Hairstreak
500:Pleasure Gardens
414:Arcus Foundation
290:prison abolition
234:Bachelor of Arts
167:economic justice
72:Other names
60:
56:
54:
35:
21:
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1965:, March 5, 2016
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1830:on July 2, 2018
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1543:Juzwiak, Rich.
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753:. June 21, 2018
739:
738:
734:
724:
722:
717:, barnard.edu.
715:Barnard College
709:
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694:
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681:
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671:
661:
659:
644:
643:
636:
631:
619:
566:
533:for display in
483:
366:nominated film
360:Queer Art Prize
342:
332:by MIT Press.
307:blogs, such as
262:
236:in Comparative
230:
205:is involved in
199:union organizer
187:
88:Alma mater
67:
61:
58:
52:
50:
42:
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11:
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2091:Transfeminists
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2013:
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2003:
1993:
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1989:
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1973:Social Media:
1971:
1966:
1961:discussion at
1956:
1945:
1944:External links
1942:
1939:
1938:
1917:
1891:
1875:"| Mentorship"
1866:
1841:
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1320:
1300:The New Yorker
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988:
971:
945:
943:, May 4, 2016.
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