132:, the play focuses on the Berniers sisters, two middle-aged spinsters who have sacrificed their own ambitions to look after their ne'er-do-well younger brother Julian, whose grandiose dreams repeatedly lead to financial disasters. When he unexpectedly returns home accompanied by his emotionally unstable, childlike young bride Lily, her aloof, aristocratic mother Albertine, and an unexplained large sum of money, Carrie and Anna suddenly find that the position of power they have always held has become unbalanced, leaving their lives in chaos.
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172:, who later recalled the rehearsal period was difficult. "Actors were fearful of Lillian. She was very judgmental." The playwright would sit in the darkened theater, coughing whenever she disapproved of something. Penn finally told her, "Go home and fire us all if you don’t like it. But don’t sit there coughing. It scares the hell out of them." Not helping the situation was the fact "both
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148:, most of which eventually was abandoned. Julian is based on Hellman's father Max, who was adored by his two sisters and became a successful salesman after his first business failed. Carrie has an
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thought although it was "not the greatest play in the world, it is head and shoulders above the level of the season, and it provides opportunities for some extraordinary acting."
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said the play "binds us to it with a cold, serpentine grace that is born of a clear head, a level eye, and a fierce respect for the unchanging color of the precisely used word."
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infatuation with her brother, similar to the strong sexual attraction
Hellman felt for an uncle when she was an adolescent, and one of her aunts had an affair with an
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said the play "has no patience for nostalgia and nothing but judgments for the obsessive attachments of family. It yearns, remarkably, for room and reason."
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on
February 25, 1960 and closed on April 8, 1961 after 456 performances. The production included "French Lessons in Songs" and "Bernier Day" by
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directed a revival of the play for a limited run mounted by the
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Tony Award for Best
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Tony Award for Best
Performance by a Leading Actress in a Play
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Tony Award for Best
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play, which evolved from a plot suggested by her lover
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434:Conversations with Lillian Hellman
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583:American plays adapted into films
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538:Internet Off-Broadway Database
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408:Pearl Theater Company in the
180:were drinking considerably."
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412:. Ginia Bellafante of the
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578:Plays set in New Orleans
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283:New York Herald Tribune
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473:Drama Critics archives
304:Awards and nominations
83:A dysfunctional family
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367:Howard Bay
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136:Background
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