993:. In his essay "Fontierless Decade", in the magazine's final issue, Jolas reflected that “all the new painters, photographers, and sculptors were reproduced , beginning in 1927, when many of them were unknown outside of a small circle on the continent.” While Jolas's program for his magazine was outwardly focused on literature, his comments in his essay "A New Vocabulary" indicate that he considered visual art's inventiveness to be a model for the possibilities of the poetic word. He wrote, “While painting . . . has proceeded to rid itself of the descriptive, done away with classical perspective, has tried more and more to attain a purity of abstract idealism, should the art of the word remain static?” Much of the visual art in
322:
nature and human experience. The tangible link between the centuries is that of art. It joins distant continents in to a mysterious unit, long before the inhabitants are aware of the universality of their impulses....We should like to think of the readers as a homogeneous group of friends, united by a common appreciation of the beautiful, – idealists of a sort, – and to share with them what has seemed significant to us.
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Tired of the spectacle of short stories, novels, poems and plays still under the hegemony of the banal word, monotonous syntax, static psychology, descriptive naturalism, and desirous of crystallizing a viewpoint... Narrative is not mere anecdote, but the projection of a metamorphosis of reality" and
321:
Of all the values conceived by the mind of man throughout the ages, the artistic have proven the most enduring. Primitive people and the most thoroughly civilized have always had, in common, a thirst for beauty and an appreciation of the attempts of the other to recreate the wonders suggested by
1030:, who Jolas admired and included in his magazine, wrote text the catalog to the 1927 exhibition of Marie Monnier's embroidery. Similarly, Jolas obtained a number of the reproductions of Surrealist paintings and objects that appeared in the magazine's first two years–including work by
280:
While it originally almost exclusively featured poetic experimentalists, it later accepted contributions from sculptors, civil rights activists, carvers, critics, and cartoonists. Editors who joined the journal later on were
1021:
no. 4, highlight Jolas's interest in both new and re-invented means of expression as well as marking the milieu in which he and his co-editors worked and socialized. For instance, Jolas knew Marie
Monnier's sister,
941:. While the periodical's cover initially bore only textual elements, commencing with the thirteenth issue Jolas began to feature art on the outside of his publication as well–much of it created specifically for
331:
The journal gained notoriety in 1929 when Jolas issued a manifesto about writing. He personally asked writers to sign "The
Revolution of the Word Proclamation" which appeared in issue 16/17 of
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929:
While transition was foremost a literary review, it also featured avant-garde visual art beginning with its inaugural issue (April 1927), which included reproductions of paintings by
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1143:, draft A, "New Orleans - Founding of transition". Eugene and Maria Jolas Papers (Box 6, folder 146). Beinecke Rare Book and Manuscript Library, New Haven CT.
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1034:, who was little known at the time–by way of his friend Marcel Noll, who was director of the Galerie Surréaliste until it closed in 1928.
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900:; Bulgarian, Czech, Hungarian, Italian, Polish, Russian, Serbian, Swedish, Yiddish, and Native American texts were also translated.
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belongs to a small number of avant-garde moments that later became a part of the
Modernist canon, especially (but not exclusively)
340:
that "The literary creator has the right to disintegrate the primal matter of words imposed on him by textbooks and dictionaries.
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1318:
1026:, proprietor of the bookstore La Maison des Amis des Livres, where Marie's work was exhibited in 1927. Moreover, the writer
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1362:. With an introduction by Noel Riley Fitch. New York, London, Toronto, Sydney, Auckland: Anchor Books, Doubleday, 1990.
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269:. It ran until spring 1938. A total of 27 issues were produced. It was distributed primarily through
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was given to translations, some of which done by Maria McDonald Jolas; French writers included:
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Repression and
Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910–1945.
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293:. Maeve Sage acted as secretary for the magazine during a portion of its Paris-based run.
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The literary journal was intended as an outlet for experimental writing and featured
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Travis
Kurowski (2008). "Some Notes on the History of the Literary Magazine".
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229:(June 1936 – May 1938). After the Second World War, the publishing license of
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Ed. Andreas Kramer and Rainer Rumold. New Haven: Yale
University Press, 1998.
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917:. Many segments of the unfinished novel were published under the name of
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Davidson
College, Davidson, North Carolina. Retrieved October 5, 2005.
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and other linguistically innovative writing and also contributions by
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La revue transition (1927–1938): le modernisme historique en devenir
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art. In an introduction to the first issue, Eugene Jolas wrote:
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Ed. Eugene Jolas and Robert Sage. New York: W. V. McKee, 1929.
29:
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was featured in the Spring 1928 issue. No. 26, 1937, with a
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and published in Paris. They were later assisted by editors
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The Virgin
Corrects the Child Jesus before Three Witnesses
1387:
Transition
Stories, Twenty-three Stories from transition.
1376:. Rennes, France: Presses Universitaires de Rennes, 2009.
1256:
Jolas, Eugene (April–May 1938). "Frontierless Decade".
1240:
Eugene Jolas and the
Translation Policies of transition
872: ; German and Austrian poets and writers included
1271:Jolas, Eugene (February 1929). "A New Vocabulary".
563:Some other artists, authors and works published in
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1346:The Little Magazine: a History and a Bibliography.
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1339:transition: The History of a Literary Era 1927–38
233:was transferred from the Jolases and McDonald to
1309:. New Haven CT: Yale University Press. pp.
856:A third to half the space in the early years of
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319:
1440:Defunct literary magazines published in Europe
1383:Madison: University of Wisconsin Press, 1989.
8:
1348:Princeton: Princeton University Press, 1947.
1286:Fargue, Léon-Paul (June 1927). "Broderies".
69:
1411:partial magazine scans (1927–1930 and 1938)
209:art and artists. It was founded in 1927 by
1356:: A Paris anthology. Writing and art from
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1205:
1203:
903:Perhaps the most famous work to appear in
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68:
1108:
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46:Transition (literary journal) (1948–1950)
715:A Note on the Recent Work of James Joyce
1470:Quarterly magazines published in France
1139:Jolas, Eugene. (undated) Typescript of
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83:Cover of Issue 8 of literary magazine
1465:Monthly magazines published in France
1445:Defunct magazines published in France
7:
1341:. New York: George Brazillier, 1976.
118:Quarterly (April 1928-Spring 1938)
116:Monthly (April 1927 – March 1928)
25:
1087:"Index to Samuel Beckett Letters"
1455:Magazines disestablished in 1938
1435:1938 disestablishments in France
1091:chercherbeckettletters.emory.edu
613:Jeune Filles en des Belles Poses
558:As a Wife Has a Cow a Love Story
225:(October 1927 – Fall 1928), and
34:
691:The Life and Death of Juan Gris
344:The Proclamation was signed by
1:
1450:Magazines established in 1927
1430:1927 establishments in France
754:Abraham Lincoln Gillespie Jr.
625:The Aeolus Episode in Ulysses
273:, the Paris bookstore run by
237:who capitalized the title to
27:Experimental literary journal
1460:Magazines published in Paris
1153:Jolas, Eugene (April 1927).
465:A Day in the Life of a Robot
1290:. 165 (14th année): 711–19.
1288:La Nouvelle Revue Française
530:Georges Ribemont-Dessaignes
221:(April 1927 – March 1928),
43:It has been suggested that
1486:
1048:List of literary magazines
653:Hills like White Elephants
633:Joyce Thesaurus Minusculus
180:
1214:"transition Contributors"
581:Dedicated to Guy Urquhart
510:Lustgarten and Christkind
435:), Emily Holmes Coleman (
166:Colombey-les-deux-Eglises
76:
60:Proposed since July 2024.
181:Not to be confused with
1212:Neumann, Alice (2004).
1113:Neumann, Alice (2004).
703:William Carlos Williams
477:Walk through Cosmopolis
271:Shakespeare and Company
241:and changed its focus.
1344:Hoffman, Frederick J.
1301:Jolas, Eugene (1998).
1180:Jolas, Eugene (1929).
425:Polar Bears and Others
342:
324:
1115:"transition Synopsis"
445:William Closson Emory
301:Published quarterly,
227:James Johnson Sweeney
18:Transition (magazine)
727:A Voyage to Paraguay
577:For Future Reference
374:A. Lincoln Gillespie
193:was an experimental
53:into this article. (
1337:McMillan, Dougald.
685:), Gertrude Stein (
675:Petite Fille Lisant
667:Manhattan Anthology
433:Conversations No. 7
267:political activists
183:Transition Magazine
73:
1372:Mansanti, Céline.
1360:magazine 1927–1930
1069:Mississippi Review
971:Sophie Taeuber-Arp
957:, Gretchen Powel,
886:Rainer Maria Rilke
843:László Moholy-Nagy
485:Lionel and Camilla
413:Transition stories
398:Harold J. Salemson
87:from November 1927
991:Wassily Kandinsky
939:Pavel Tchelitchew
868:and the Peruvian
774:Archibald McLeish
711:The Somnambulists
658:The Metamorphosis
629:Function of Words
550:Philippe Soupault
538:Spectral Moorings
481:Matthew Josephson
475:), Eugene Jolas (
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178:
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66:
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1028:Léon-Paul Fargue
1024:Adrienne Monnier
925:Featured artists
919:Work in Progress
851:Alexander Calder
829:cover, featured
823:Picasso à Dinard
819:Christian Zervos
785:Morley Callaghan
742:Kathleen Cannell
699:Made a Mile Away
663:Alfred Kreymborg
655:), Franz Kafka (
645:Ernest Hemingway
494:), Franz Kafka (
491:Work in Progress
487:), James Joyce (
457:Konstantin Fedin
453:Léon-Paul Fargue
449:Love in the West
429:Robert M. Coates
408:Featured writers
213:and her husband
195:literary journal
107:Literary journal
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1367:Man from Babel.
1365:Jolas, Eugene.
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1332:Further reading
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542:Kurt Schwitters
437:The Wren's Nest
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1011:Constructivism
987:Marcel Duchamp
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910:Finnegans Wake
890:René Schickele
827:Marcel Duchamp
801:Robie Macauley
770:Robert McAlmon
746:Malcolm Cowley
723:Improvisations
695:Tender Buttons
687:An Elucidation
621:Stuart Gilbert
579:), Kay Boyle (
569:Samuel Beckett
554:Gertrude Stein
502:Vladimir Lidin
489:A Muster from
461:Murray Goodwin
417:Gottfried Benn
409:
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370:Stuart Gilbert
358:Caresse Crosby
328:
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305:also featured
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283:Stuart Gilbert
259:visual artists
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1222:. Retrieved
1218:the original
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951:Stuart Davis
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870:Victor Llona
862:André Breton
857:
855:
853:and others.
822:
817:
813:Dylan Thomas
805:Laura Riding
761:
758:Eugene Jolas
756:(on music),
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366:Martha Foley
362:Harry Crosby
350:Whit Burnett
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291:Harry Crosby
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275:Sylvia Beach
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215:Eugene Jolas
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164:Paris, then
97:Eugene Jolas
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59:
44:
1358:transition
1155:"Manifesto"
1032:Yves Tanguy
915:James Joyce
898:Georg Trakl
797:Sidney Hunt
789:Rhys Davies
766:Marius Lyle
734:Paul Bowles
534:Robert Sage
522:Elliot Paul
514:Peter Negoe
473:Catastrophe
386:Elliot Paul
223:Robert Sage
219:Elliot Paul
146:Spring 1938
141:Final issue
133:First issue
124:Circulation
1424:Categories
1409:transition
1401:transition
1354:transition
1320:0300075367
1275:(15): 172.
1273:Transition
1258:Transition
1096:2024-03-01
1054:References
1036:Transition
1019:transition
1003:Surrealism
995:transition
943:transition
905:transition
866:André Gide
858:transition
821:' article
777:Allen Tate
762:Theo Rutra
750:Hart Crane
641:Still Life
573:Assumption
565:transition
546:Revolution
394:Theo Rutra
354:Hart Crane
333:transition
307:Surrealist
303:transition
255:surrealist
239:Transition
231:transition
199:surrealist
190:transition
136:April 1927
103:Categories
85:transition
71:transition
983:Joan Miró
975:Paul Klee
963:Eli Lotar
931:Max Ernst
882:Yvan Goll
874:Hugo Ball
760:(also as
738:Bob Brown
637:Juan Gris
609:Max Ernst
567:included
421:Kay Boyle
346:Kay Boyle
327:Manifesto
251:modernist
113:Frequency
1260:(27): 7.
1224:June 14,
1192:June 14,
1165:June 14,
1125:June 14,
1042:See also
967:Jean Arp
831:Hans Arp
605:Socratic
172:Language
161:Based in
1415:Gallica
955:Man Ray
835:Man Ray
665:(from:
297:Purpose
263:critics
245:Origins
175:English
153:Country
55:Discuss
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1244:Mosaic
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1009:, and
1007:Cubism
989:, and
937:, and
781:Bryher
719:Winter
593:Psyche
400:, and
313:, and
265:, and
205:, and
156:France
143:Number
93:Editor
51:merged
1017:, in
1015:Birth
913:, by
732:Also
597:Dream
585:H. D.
128:1000+
1315:ISBN
1226:2010
1194:2010
1167:2010
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999:Dada
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589:Gift
315:Dada
289:and
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