546:"couldn't be more steeped in delightfully familiar American rock traditions. She added that they created an album "packed with enough hooks and melodies to make" their US contemporaries "green with envy." Molanphy said "for all the (not unfounded) comparisons Ash has drawn to the Buzzcocks, its better numbers ... display a formidable talent for weaving hummable tunes and picaresque lyrics in the sonic assault." Fay felt that the references to other bands were a "little overly deferential" and said that the lyrics were "too often trite and predictable".
412:, was enthusiastic about the group "from Day One," going as far to fly to the UK to watch the band perform twice. By May 1995, Ash had signed to Reprise; the deal only covered North and South America, which differed from typical major label contracts with indie labels in the UK. It was intentional on Infectious Records' part, who wanted to boost their brand by licensing their artists to labels for particular markets. Prior to the US release of
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these three guys’ confidence and musical acumen that they manage to transform such workaday ingredients into such a tasty and inspired brew." He said that the album "proves conclusively that, by any standards, Ash are a rock band of genuine stature", regardless of the members' ages. Imran Ahmed of
508:
Several critics complimented the songwriting. Heibutzki praised
Wheeler's "relentlessly catchy confections" for "stand up to the Britpop vanguard's finest hours", and mentioned that the band "emphasizes stripped-down velocity over finesse." Fay added to this, saying that it served as a "measure of
380:
The 'noise' at the end of the track "Get Out", when reversed, slowed down and the pitch altered, is a low quality demo version of the song "Intense Thing". This track wasn't discovered until June 2006 by 2 fans experimenting around with running different effects through Ash songs.
31:
519:
write Tim Mohr added to this, saying said it "yielded a catch of sloppy punk-pop songs, loud, fast, and fun ... certifying that the album was made by real teenagers and that certain songs were written in 5 minutes." Joachim Hiller of
338:(2000): "A hint of Brit-pop savvy, a dash of older Indy-American fuzz, beaten and blended into something which cites The Buzzcocks as an influence, but can also sound like Black Sabbath." Dialogue was culled from
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wrote: "Starting with a pleasant pop/punk formula similar to the
Buzzcocks and adding a flavoring of Dino Jr-esque guitar noise, Ireland’s Ash are a band on the move."
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had sold 7,162 copies in that territory. "Jack Names the
Planets" was released as a single there on August 15, 1995, to promote the soundtrack to the film
400:. One vinyl repressing of it was issued with a 7" containing BBC recordings of "Silver Surfer" and "Jazz 59". Around this, Marshall was attended a
404:
convention in New York City, looking for potential options for the band in the United States. Of the various labels, Marshall said Tim Carr, the
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359:, remarked that the group "shows admirable restraint by pulling back the feedback at key points and letting the pretty notes ring out."
349:, discusses the topics of love and suicide. Heibutzki said "Jack Names the Planets", alongside the bonus track "Punk Boy", "could give
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noted that they were "a bit punky, a bit noisy, but they can't hide the fact that they're just another boring band from the island."
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writer Liam Fay called "Petrol" an "unleaded geyser of melody, attitude and general weirdness". "Day of the
Triffids" is named after
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featuring their first three singles. An expanded edition also includes four B-sides. The album was released in
October 1994 through
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30:
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Tracks 8–11 only appear on the US and Japan versions of the album. "Different Today" and "Hulk Hogan
Bubblebath" appeared on the
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a run for its pop-punk roses". "Uncle Pat" details an exploration to a grave site via woods; Chris
Molanphy, writing in
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was released in the US on 12 September 1995. They re-recorded "Jack Names the
Planets" again for their 2011
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was produced by Mark
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917:"In honor of Ash Wednesday, here are five of the Northern Ireland band's most underrated songs"
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review Ralph
Heibutzki suggested listeners should "imagine classic punk maneuvers crossed with
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Other reviewers commented on it in the context of Ash's influences. Scott Hefflon of
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1317:. Third Ear: The Essential Listening Companion. San Francisco, California:
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of "Uncle Pat". "Day of the Triffids" originally appeared as a B-side of "
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said it offers a valuable snapshot of a growing songwriting talent."
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Cherly Botchick wrote that despite the band's geographical origins,
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604:"Hulk Hogan Bubblebath" (Hamilton, McMurray, Wheeler) – 5:05
960:"Rank Your Records: Tim Wheeler Ranks Ash's Eight Albums"
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1228:"Infectious Poised to Spread N. Ireland's Ash Worldwide"
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589:" - (lyrics: Wheeler; music: Hamilton, Wheeler) – 4:24
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was issued in October 1994, during the emergence of
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said the chorus section, which includes elements of
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993:/Home Grown. 1994. INFECT14LPX/INFECT14S.
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621:"Day of the Triffids" (Wheeler) – 3:33
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326:-style leanings, goosed by a bolt of
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1270:Ross, Sean, ed. (1 September 1995).
569:" (music and lyrics: Wheeler) – 3:10
793:Hefflon, Scott (1 November 1995).
607:"Different Today" (Wheeler) – 2:50
14:
1247:Molanphy, Chris (November 1995).
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1290:Ross, Sean, ed. (14 June 1996).
915:Kravitz, Kayley (5 March 2014).
758:/Home Grown. 1994. INFECT 14 CD.
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345:"Season", the opening track to
1352:(streamed copy where licensed)
1234:. Vol. 107, no. 19.
1036:"Rock: New Singles For August"
367:the 1963 film of the same name
1:
1126:Mohr, Tim (4 December 1995).
1098:Ahmed, Imran (27 July 2002).
703:Patrick the Brewer – dialogue
554:Writing credits per booklet.
958:Lindsay, Cam (22 May 2015).
558:"Season" (music and lyrics:
253:. The band considered it a "
18:1994 studio album by Ash
1226:Duffy, Thom (13 May 1995).
1034:Burt, Greg (28 July 1995).
873:Fay, Liam (10 April 2001).
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1762:Infectious Records albums
1462:Twilight of the Innocents
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706:Ade Britteon – sleeve art
597:US and Japan bonus tracks
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222:Released: 17 October 1994
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1157:Hiller, Joachim (1995).
715:Mark Waterman – producer
298:Musically, the sound of
209:Released: 15 August 1994
1519:Intergalactic Sonic 7″s
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196:Released: February 1994
1551:Jack Names the Planets
692:Production and artwork
644:Jack Names the Planets
567:Jack Names the Planets
191:Jack Names the Planets
1698:You Can't Have It All
1254:CMJ New Music Monthly
856:Thompson 2000, p. 162
718:Tim Russell – mixing
687:Rick McMurray – drums
633:" – (20 March 1995).
356:CMJ New Music Monthly
1607:A Life Less Ordinary
1319:Miller Freeman Books
1299:Rock Airplay Monitor
1279:Rock Airplay Monitor
1210:CMJ New Music Report
1185:Botchick 1995, p. 15
1065:Ross ed. 1995, p. 11
1024:Ross ed. 1996, p. 17
905:Molanphy 1995, p. 15
678:Mark Hamilton – bass
536:CMJ New Music Report
443:Professional ratings
398:new wave of new wave
264:" was featured in a
1417:Charlotte Hatherley
1138:on 15 November 2001
999:cite AV media notes
764:cite AV media notes
712:Smike – photography
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302:has been tagged as
1691:Renegade Cavalcade
1006:Unknown parameter
991:Infectious Records
828:Heibutzki, Ralph.
771:Unknown parameter
756:Infectious Records
720:(tracks 1 and 3–5)
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408:vice-president of
334:wrote in his book
251:Infectious Records
1767:1994 debut albums
1757:Ash (band) albums
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1586:Angel Interceptor
1132:Consumable Online
1100:"Underwater love"
948:Duffy 1995, p. 65
927:on 14 August 2023
799:Lollipop Magazine
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531:Lollipop Magazine
517:Consumable Online
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1722:Related articles
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1315:Alternative Rock
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1249:"Best New Music"
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1213:. No. 443.
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1159:"Ash Trailer CD"
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1134:. Archived from
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54:18 October 1994
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550:Track listing
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1136:the original
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1109:. Retrieved
1105:The Guardian
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925:the original
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245:by the band
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39:Studio album
15:
1735:Lost Domain
1729:Discography
1684:Starcrossed
1493:Mini-albums
1409:Tim Wheeler
1167:(in German)
989:(booklet).
754:(booklet).
698:Oscar Wilde
682:Tim Wheeler
560:Tim Wheeler
340:Oscar Wilde
304:groove rock
294:Composition
75:Groove rock
1751:Categories
1614:Jesus Says
1593:Goldfinger
1526:A–Z Series
1202:"Jackpot!"
1164:Ox-Fanzine
726:References
700:– dialogue
616:Helen Love
523:Ox-Fanzine
330:". Author
308:noise rock
283:Background
243:mini album
134:chronology
115:Infectious
80:noise rock
1649:Sometimes
1628:Numbskull
1565:Uncle Pat
1469:Kablammo!
1263:1074-6978
1240:0006-2510
1232:Billboard
1219:0890-0795
1171:4 October
1142:4 October
1111:4 October
1083:4 October
1053:0277-4860
1010:ignored (
971:4 October
931:4 October
921:Vanyaland
886:4 October
880:Hot Press
875:"Trailer"
839:4 October
804:4 October
775:ignored (
731:Citations
665:Personnel
658:Uncle Pat
577:Uncle Pat
438:Reception
371:Vanyaland
362:Hot Press
351:Green Day
262:Uncle Pat
217:Uncle Pat
1621:Wildsurf
1455:Meltdown
1313:(2000).
834:AllMusic
612:Punk Boy
562:) – 3:00
462:AllMusic
426:(1995).
316:AllMusic
312:pop-punk
266:Heineken
178:Trailer
122:Producer
85:pop-punk
59:Recorded
51:Released
41: by
1705:Polaris
1677:Orpheus
1600:Oh Yeah
1572:Kung Fu
1543:Singles
1501:Trailer
1476:Islands
1350:YouTube
1345:Trailer
1193:Sources
1044:R&R
987:Trailer
752:Trailer
637:Singles
631:Kung Fu
544:Trailer
428:Trailer
418:Trailer
406:A&R
394:Britpop
390:Trailer
385:Release
375:doo-wop
347:Trailer
320:Nirvana
300:Trailer
288:Trailer
277:Britain
273:Ireland
255:trailer
238:Trailer
174:Singles
160:(1996)
151:(1994)
147:Trailer
24:Trailer
1558:Petrol
1325:
1261:
1238:
1217:
1051:
965:Noisey
651:Petrol
627:B-side
587:Petrol
540:'s
456:Rating
453:Source
322:- and
269:advert
204:Petrol
93:Length
1656:Candy
1305:(25).
1295:(PDF)
1285:(36).
1275:(PDF)
1205:(PDF)
1039:(PDF)
795:"Ash"
423:Angus
241:is a
176:from
110:Label
68:Genre
1670:Envy
1434:1977
1323:ISBN
1259:ISSN
1236:ISSN
1215:ISSN
1173:2023
1144:2023
1113:2023
1085:2023
1049:ISSN
1012:help
973:2023
933:2023
888:2023
841:2023
806:2023
777:help
502:6/10
414:1977
310:and
275:and
156:1977
1387:Ash
1348:at
673:Ash
614:" (
402:CMJ
247:Ash
132:Ash
44:Ash
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