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della
Mercede until 1852. Per Bernini's last will and testament, the statue was to remain in perpetual custody of his family, “because by seeing it, all my descendants will be reminded that truth is the most beautiful virtue in the world inasmuch as it is eventually revealed by time.” Subsequently the sculpture was placed in Palazzo Bernini on Via del Corso until 1924. After 1924, the sculpture was held in storage at the Galleria Borghese until it was acquired in 1958 by the Italian government.
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252:. While this is certainly plausible, historians are unsure of the validity of Domenico's claims relating to his father's reasoning. Cracks had appeared in the facade due to the inability of the foundations to support the towers and Bernini's architectural expansion received the blame. What many fail to mention is that most of the blame lies with
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has already been stripped of her garments. The strategically placed drapery of the statue is suggestive and not as blatant as truly profane scenes. Her bare chest and stomach are visible while her groin is covered by some of the flowing drapery. There is a sense of movement, emotion, and vigor in her
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Sometime in 1647 Bernini designed and began executing the larger-than-life-size marble group. The sculpture was referred to in a letter sent by the duke of
Bracciano, Paolo Giordano II Orsini to Cardinal Mazzarino on July 6, 1647. After his death the sculpture was situated in Bernini’s home on Via
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was never begun and the project remained incomplete. It has been suggested by historian Franco
Mormando that Bernini's return to public favor after Innocent's death might have made the sculptural piece lose the emotional urgency it had previously possessed, which would make sense considering he had
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While
Bernini was certainly not the first artist to touch on this subject matter, as the theme was already popular in literature and art, he managed to create an original interpretation beyond those previously made by others. The originality and source of distinction in Bernini's rendition is its
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was one of the projects done for
Innocent. He still maintained his position as the architect of St. Peter's despite his removal from the papal court and, after Innocent's death in 1655, was immediately given two major commissions at St. Peter's: decorating the
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of France. It remained in the family (displayed on a tilted stucco block during the 19th century) until 1924, when it was purchased by the
Italian government and transferred to its current home on a plinth in room VI of the
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During the difficult time after Urban's death, Bernini was able to find peace and serenity in his overwhelming confidence that one day he would be vindicated. So strong was this conviction that he created
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holds a representation of the Sun in her right hand at shoulder level as she rests her left leg on the Earth. She gazes upward beyond the Sun with a look of peace and comfort, perhaps even joy.
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in Rome where
Bernini might have seen it. Within traditional iconographical conventions, the specific positioning of the legs was also a means of communicating sexual messages to the viewer.
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In creating this work, Bernini intended to give visual representation to a familiar saying used to console victims of injustice: Fear not, for sooner or later time will reveal the truth.
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The placement of a maiden on a boulder who holds a sun in the right hand while resting the left leg on the Earth is in accordance with the popular canonical iconography detailed by
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literal nature – that is, making the action of unveiling the primary focus of representation. Where previous works of literature and art were more concerned with the subjects of
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is a white marble sculpture that is 280 cm in height, which includes the 17 cm pedestal it rests upon. Seated on a boulder with dramatic, flowing drapes behind her, the maiden
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Bernini enjoyed great success during his time as the principal artist for the papal court but, after Urban's death in 1644, he was removed by the incoming pope,
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was, according to his son
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215:"It is your great fortune to see Cardinal Maffeo Barberini Pope, but our fortune is far greater in that Cavalier Bernini lives during our pontificate."
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being, and the cold marble appears to be as supple as real flesh. According to
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to express this confidence in his eventual vindication. Despite this conviction, the sculpture of Father
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353:(Italian for Iconology). Many drawings for the planned sculptural group are known, and in the figure of
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The completed work as envisioned by
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746:. Translated by Catherine Enggass. University Park: Pennsylvania State University Press.
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Upon his election to the papacy in 1623, Maffeo Vincenzo Barberini took the name
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been reinstated to his previous place in the upper echelons of society.
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in 1645, during the critical period after the death of his main patron
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in the act of stripping clothing from the much younger figure of Lady
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was largely complete by 1652. Despite never completing the figure of
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and appointed Bernini as the principal artist for the papal court in
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Bernini was more concerned with their actions and what that meant.
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Sculptures by Gian Lorenzo Bernini in the Borghese Collection
633:"Truth Unveiled by Time by Bernini in the Galleria Borghese"
572:"Truth Unveiled by Time by Bernini in the Galleria Borghese"
541:. Chicago: University of Chicago Press. pp. 136–137.
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Gian Lorenzo Bernini: the sculptor of the Roman Baroque
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Despite not completing the companion figure of Father
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as a naked young woman being unveiled by a figure of
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The Goat Amalthea with the Infant Jupiter and a Faun
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779:Bernini, Domenico (2011) . Franco Mormando (ed.).
783:. University Park: Penn State University Press.
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331:more upright as it was originally displayed.
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842:Bernini. I Percorsi Nell'arte. Ediz. Inglese
1268:Busts of Paolo Giordano and Isabella Orsini
241:and building a colonnade round the piazza.
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430:Time Saving Truth from Falsehood and Envy
825:. Chicago: University of Chicago Press.
709:. Chicago: University of Chicago Press.
667:. Chicago: University of Chicago Press.
506:. Chicago: University of Chicago Press.
176:is a marble sculpture by Italian artist
1240:Two Busts of Cardinal Scipione Borghese
1121:Bust of Monsignor Pedro de Foix Montoya
753:Vita del cavaliere Gio. Lorenzo Bernino
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302:Bernini began the preparatory work for
1142:Bust of Cardinal Escoubleau de Sourdis
1100:Bust of Alessandro Peretti di Montalto
853:(4th ed.). London: Phaidon Press.
769:Vita del Cavalier Gio. Lorenzo Bernino
755:. Firenze: Stamperia di V. Vangelisti.
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439:List of works by Gian Lorenzo Bernini
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706:Bernini : his life and his Rome
664:Bernini : his life and his Rome
631:Bernini, Gian Lorenzo (2022-06-28).
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570:Bernini, Gian Lorenzo (2022-06-28).
538:Bernini : his life and his Rome
503:Bernini : his life and his Rome
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357:one can recognize similarities with
1518:Equestrian Statue of King Louis XIV
1342:Confessio of Santa Francesca Romana
1247:Tomb of Countess Matilda of Tuscany
1128:Bust of Cardinal Roberto Bellarmine
1774:Sculptures by Gian Lorenzo Bernini
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1476:Statue of King Philip IV of Spain
956:Bust of Giovanni Battista Santoni
881:Truth unveiled by Time by Bernini
781:The Life of Giano Lorenzo Bernini
244:Bernini's rationale for creating
16:Sculpture by Gian Lorenzo Bernini
1135:Bust of Cardinal Giovanni Dolfin
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1614:Fountains of St. Peter's Square
1444:Saints Jerome and Mary Magdalen
1321:Memorial to Alessandro Valtrini
1156:Bust of Cardinal Melchior Klesl
1044:Bust of Carlo Antonio del Pozzo
977:The Martyrdom of Saint Lawrence
1490:Angel with the Crown of Thorns
998:Aeneas, Anchises, and Ascanius
823:Bernini: His Life and His Rome
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1685:Self-Portrait as a Mature Man
1678:Saint Andrew and Saint Thomas
1497:Angel with the Superscription
191:above her, but the figure of
88:277 cm (109 in)
1779:Sculptures of women in Italy
1664:Self-Portrait as a Young Man
1328:Memorial to Ippolito Merenda
751:Baldinucci, Filippo (1682).
742:Baldinucci, Filippo (1966).
1671:Portrait of Pope Urban VIII
1191:Memorial to Carlo Barberini
1170:Bust of Francesco Barberini
1163:Two Angels in Sant'Agostino
597:, Oxford University Press,
473:, Oxford University Press,
230:Fountain of the Four Rivers
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1769:Marble sculptures in Italy
1604:Palazzo di Propaganda Fide
1543:Tomb of Pope Alexander VII
1536:Blessed Ludovica Albertoni
1402:Bust of Francesco I d'Este
1314:Bust of Cardinal Richilieu
1261:Bust of Costanza Bonarelli
1149:Bust of Antonio Cepparelli
1086:Charity with Four Children
849:Wittkower, Rudolf (1997).
767:Bernini, Domenico (1713).
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1634:Fontana dei Quattro Fiumi
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1416:The Vision of Constantine
1275:Statue of Pope Urban VIII
1233:Statue of Carlo Barberini
1177:Bust of Antonio Barberini
1026:Bust of Camilla Barbadoni
1005:Bust of Giovanni Vigevano
963:A Faun Teased by Children
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821:Mormando, Franco (2011).
703:Mormando, Franco (2011).
661:Mormando, Franco (2011).
535:Mormando, Franco (2011).
500:Mormando, Franco (2011).
425:Giovanni Battista Tiepolo
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1589:Sant'Andrea al Quirinale
1550:Statue of Pope Clement X
1504:Bust of Gabriele Fonseca
1395:Busts of Pope Innocent X
1114:Busts of Pope Urban VIII
798:Hibbard, Howard (1990).
423:, 1745-1750 painting by
164:Busts of Pope Innocent X
1734:Luigi Bernini (brother)
1729:Pietro Bernini (father)
1619:Fontana della Barcaccia
1462:Statue of Alexander VII
1370:Ecstasy of Saint Teresa
1335:Memorial to Maria Raggi
1212:Sleeping Hermaphroditus
1198:Tomb of Pope Urban VIII
1072:Bust of Pope Gregory XV
840:Pinton, Daniel (2009).
771:. Rome: Rocco Bernabò.
369:Galleria Doria Pamphilj
367:which is housed in the
153:Ecstasy of Saint Teresa
132:41.914000°N 12.492000°E
1724:Domenico Bernini (son)
1469:Busts of Alexander VII
1430:Habakkuk and the Angel
1356:Truth Unveiled by Time
1282:Bust of King Charles I
1058:The Rape of Proserpina
844:. ATS Italia Editrice.
591:"Bernini, Gianlorenzo"
467:"Bernini, Gianlorenzo"
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304:Truth Unveiled by Time
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278:Truth Unveiled by Time
262:Truth Unveiled by Time
246:Truth Unveiled by Time
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173:Truth Unveiled by Time
22:Truth Unveiled by Time
1079:St. Peter's Baldachin
650:G Galleria Borghese 2
620:G Galleria Borghese 2
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199:Historical background
1483:Elephant and Obelisk
1437:Chair of Saint Peter
1289:Bust of Thomas Baker
918:Gian Lorenzo Bernini
883:at Wikimedia Commons
420:Time Unveiling Truth
310:, and the figure of
250:St. Peter's Basilica
195:was never executed.
178:Gian Lorenzo Bernini
137:41.914000; 12.492000
40:Gian Lorenzo Bernini
1624:Fontana del Tritone
1557:Bust of the Saviour
1423:Daniel and the Lion
991:Bust of Pope Paul V
870:Galleria Borghese 2
806:. London: Penguin.
744:The life of Bernini
347:in his famous book
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1594:Lateran Baptistery
1584:St. Peter's Square
1363:Bust of Pope Leo X
1051:Neptune and Triton
364:Allegory of Virtue
273:Visual description
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1692:Portrait of a Boy
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1065:Apollo and Daphne
970:Boy with a Dragon
879:Media related to
865:Galleria Borghese
716:978-0-226-53852-5
674:978-0-226-53852-5
604:978-1-884446-05-4
595:Oxford Art Online
548:978-0-226-53852-5
513:978-0-226-53852-5
480:978-1-884446-05-4
471:Oxford Art Online
325:Galleria Borghese
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123:12°29′31.2″E
120:41°54′50.4″N
1012:Damned Soul
345:Cesare Ripa
135: /
109:Coordinates
1784:Sun in art
1753:Categories
1216:(mattress)
445:References
350:Iconologia
339:Influences
298:Provenance
221:Innocent X
85:Dimensions
1652:Paintings
934:Sculpture
725:711050929
683:711050929
557:711050929
522:711050929
359:Correggio
72:Sculpture
61:Catalogue
53:1645–1652
49:1645–1652
413:See also
93:Location
1713:Related
802:Bernini
225:Algardi
51: (
1409:Corpus
1296:Medusa
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80:Marble
77:Medium
36:Artist
1528:1670s
1454:1660s
1387:1650s
1306:1640s
1225:1630s
1093:David
1036:1620s
941:1610s
389:Time,
385:Truth
355:Truth
329:Truth
312:Truth
286:Truth
282:Truth
182:Truth
827:ISBN
808:ISBN
785:ISBN
773:Copy
758:Copy
721:OCLC
711:ISBN
679:OCLC
669:ISBN
599:ISBN
553:OCLC
543:ISBN
518:OCLC
508:ISBN
475:ISBN
407:Time
403:Time
396:Time
387:and
316:Time
266:Time
209:Rome
193:Time
189:Time
101:Rome
69:Type
46:Year
760:at
432:by
1755::
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