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great professionalism and usefulness. Her colleagues admired her versatility and concentration, and the audience loved her comical talent. She was highly recommended for her way of identifying herself with the part, and it was said that she became the part she played from the moment she entered the stage until she left it.
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She was a very versatile actor; because of the shortage, she was given all sorts of parts and was very well used up until her death. As she was the eldest of the actresses, she was also given many supporting parts as elder females in plays, which were numerous; in 1752, she was recognized for her
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She was married to the Polish actor Adam
Lenkiewitz (1723–1783) from 1749 until her death. He was 12 years her junior, and she had met him in the Qvoten-troupe, but they had no children. Her husband could not speak Danish well enough to be an actor at the Royal Theatre, but he didbecome an
122:, and Lenkiewitz is believed to have been a part of the Qvoten-troupe. The actors from the troupes of these temporary theatres were then employed as staff when the Royal Danish Theatre was opened in 1748, with Thielo as director.
160:. The profession of acting was despised in this age, especially for women, but she herself became respected as an artist. Her last ever parts were the leading roles of Flaminia in
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Together with the other members of these troupes, Lenkiewitz belonged to
Denmark's first wave of 'native' actors, and together with her female colleagues of 1747, such as
168:, in the 1769–70 season. She died of tuberculosis before the theatre opened again after the summer break of 1770. She used to say: "Nature is what makes people laugh."
106:, she was a part of one of the two native theatre troupes created when public theatrical activity became legal in Denmark in 1746, following a ban. The organist
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was short of actresses because of the bad reputation of the profession; in 1753, there were only five in employment in
Denmark.
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was the first to be given a theatre privilege, and he opened a theatre at Store
Kongensgade in 1747; the same year,
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she was also her country's first professional actress; during the 18th century, the theatre of
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144:Among her most notable parts were Magdelone in
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83:) (1711 – September 23, 1770) was a
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70:Adam Lenkiewitz, 1749 - her death
114:opened one which played in both
188:Dansk Kvindebiografisk Leksikon
56:September 23, 1770 (aged c. 59)
177:administrator in the theatre.
102:Born the child of the painter
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231:18th-century Danish actresses
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112:Julius Henrik von Qvoten
148:, and Donna Olympia in
246:Danish stage actresses
92:Royal Danish Theatre
212:Litteraturpriser.dk
164:, and Duraminte in
127:Anna Dorothea Lund
108:Carl August Thielo
162:Den coquette Enke
154:Den indbildt syge
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77:Utilia Lenkiewitz
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204:Bjoerna.dk
181:References
150:Don Ranudo
146:Maskeraden
135:Copenhagen
67:Spouse(s)
158:Molière
88:actress
60:Denmark
46:Denmark
120:German
116:Danish
85:Danish
156:, by
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53:Died
42:1711
35:Born
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