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for its editorial positions, OMGUS cut the magazine's paper allotment by one-half and began to look for new editors. An internal ICD memo clearly delineates the motive. "Orders have been issued to reduce by one-half the paper allocation given to the magazine
Ulenspiegel as a preliminary step toward
514:
first began publishing, circulation was 120,000; later it dropped to 50,000, although it later recovered somewhat to 75,000. From
December 24, 1945, to the tenth 1948 issue, the magazine appeared under license by the American military; from April 1948 to 1950, it was under license by the Soviet
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was a forum for writers, illustrators, caricaturists, and graphic artists of various cultural and political orientation, where they could freely satirize, comment on, and join in the political, cultural, and economic development of
Germany. For example, Weisenborn was a member of the
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is published every other Friday by
Ulenspiegel Verlag Haueisen & Co. G.m.b.H. Berlin-Dahlem PĂĽcklerstr. 22... The Ulenspiegel Verlag is accredited by the Information Control Division of the American Military Government."
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480:. Artists, writers, exiles, editors, and graphic designers met and had heated discussions about the present and future of Germany. The publishers were able to help some people acquire a
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continued to appear, censored by the
Soviets, until August 1950, when its publishing license was rescinded for being too modern and "lacking a basis in the Masses". A competitor in the
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217:", and then after the magazine moved to the Soviet sector of Berlin, ran afoul of the Communists in 1950. The remaining publisher, Sandberg, lost his license to publish in 1950.
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as a half-hearted, failed exercise, and mockingly criticized the German-American partnership as an unequal and unholy alliance between ex-Nazis and dollar-wielding
Americans.
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inducing a change in editorial orientation of this magazine or its replacement with a more effective medium." The result was a significant drop in circulation. When
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280:, which is hunter's jargon for "hind parts" or "backside", so that in the original Plattdeutsch, his surname means "wipe my ass", in essence, "kiss my ass".
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was also a satirical weekly magazine briefly published by
Ulenspiegel Verlag in 1949. Just 20 issues were printed. The company also published a few books.
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910:. Satire – Kunst. Deutschland vor der Teilung". Stiftung Ludwig Institut Schloß Oberhausen. Exhibition catalogue, Oberhausen o.J (1994), 158 pages
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Frank
Wilhelm, "Literarische Satire in der SBZ/DDR 1945–1961: Autoren, institutionelle Rahmenbedingungen und kulturpolitische Leitlinien",
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becoming more antagonistic, the journal began to portray them as two giants battling for domination of
Germany and the world. It described
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becoming editor-in-chief in 1947. Its success was stymied by politics, as the editors first clashed with the
American authorities in
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began to directly counter Soviet propaganda with its "Operation Talk Back", using the mass media to relay its message and bringing
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This article is about the defunct postwar German satirical magazine. For the contemporary German humor and satirical magazine, see
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and crimes in its artwork, and declaring the complicity of the German people. By 1948, however, with the United States and the
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189:. The magazine was an important cultural outlet in the new era of democracy and freedom following the fall of the
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was unrelated to the postwar satirical journal; it was the in-house magazine of the German publishing house
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into direct conflict with the Americans over its criticism of their policies in Germany. In an attempt to
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new era, a burst of optimism before the polarization of the Cold War and the division of Germany. Many of
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Cora Sol Goldstein, "The Ulenspiegel and anti-American discourse in the American sector of Berlin",
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means "owl mirror", but he respected no authority and played practical jokes, thus acting out the
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and other classic humor and satire publications and was a precursor of later magazines, such as
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and hero from German folklore. His name is both innocuous and indicative of his character. In
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and Berlin, moving to Hamburg. The Cold War was intensifying; the Americans had instituted a
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353:(OMGUS), and Carlebach acted as founding sponsors. The publishing information from a 1946
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University of Hull, Scarborough Campus (24–25 August 2004). Retrieved 7 February 2012
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1327:"Permissiveness and Censorship in Occupied Germany: The Ulenspiegel Case" (Abstract)
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Ulenspiegel, Wespennest und Simpl. Drei Satirische Zeitschriften der Nachkriegszeit
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was on. Sandberg returned his license to the Americans, accepted an offer from the
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Ulenspiegel – Zeitschrift für Literatur, Kunst und Satire. Eine Auswahl 1945–1950.
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The rebirth of the West: the Americanization of the democratic world, 1945–1958
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became an editor in 1945 or 1946. Karl Schnog became editor-in-chief in 1947.
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University of California Press (1998), p. 155. Retrieved 7 February 2012
877:
Herbert Sandberg and Günther Weisenborn, Ulenspiegelverlag Berlin (1946–1950)
739:
313:
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17:
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Berlin-Pankow press release (20 February 2009). Retrieved 23 January 2012
1153:"Weyrauch, Wolfgang," Jean Albert Bédé and William Benbow Edgerton, eds.,
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469:
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contributors influenced the cultural face of both East and West Germany.
312:, and playwright and literary critic GĂĽnter Weisenborn, newly freed from
284:
193:. Its first issue was published on 24 December 1945. The publishers were
1298:"Buchpremiere Lothar Kusche "Ich bin tot, und das kam so" am 19.03.2009"
1002:
Capturing the German eye: American visual propaganda in occupied Germany
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452:—like no other magazine in postwar Germany—symbolized the democratic,
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In a Cold Crater: Cultural and Intellectual Life in Berlin, 1945–1948
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was a leftist-oriented political satire magazine in the tradition of
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Eulenspiegel-Verlag, Berlin, Carl Hanser, Munich (1978). 256 pages.
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makes the intent and purpose clear: "The independent and uncensored
1419:"Nachruf: Christa Reinig—Ich träume von meiner Verkommenheit"
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486:. This was the denazification certificate one needed to receive a
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The University of Chicago Press (2009), p. 167, footnote 19.
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Wissen Media Verlag GmbH, GĂĽtersloh/Munich (2007), p. 713.
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Rowman & Littlefield Publishers, Inc. (1996), p. 587.
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at Buchenwald and had been granted a license as editor for the
889:. Lothar Kusche (Ed). Ulenspiegel-Verlag, Berlin (1949), 1-20
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Schwarzweiss und Farbe: DEFA-Dokumentarfilme 1946–92
921:. Frankfurter Kunstverein. Elefanten Press, Berlin (1980)
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artists, who had been ostracized, their work smeared as
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among others. They also supported the re-discovery of
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German National Library. Retrieved January 23, 2012.
1276:, Zeithistorische Studien 30, Cologne: Böhlau, 2006,
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In June 1945, Herbert Sandberg, newly liberated from
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Satire und Macht: Film, Zeitung, Kabarett in der DDR
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Frank Cass Publishers (2003), pp. 294–96.
1461:German National Library. Retrieved 23 January 2012
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987:The cultural Cold War in Western Europe, 1945–1960
568:in 1954, it continues to publish today in Berlin.
1155:Columbia Dictionary of Modern European Literature
365:Sandberg and Weisenborn became the publishers.
1439:"Lakonische Lyrikerin: Christa Reinig ist tot"
1182:Berlin: Filmmuseum Potsdam & Jovis, 1996,
1123:Herbert-Sandberg.de Retrieved 21 January 2012
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1213:(1 April 1991). Retrieved 7 February 2012
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1387:(31 May 2007). Retrieved 7 February 2012
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875:Ulenspiegel / Literatur – Kunst – Satire.
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34:. For the opera by Walter Braunfels, see
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1024:eulenwelt.de Retrieved January 23, 2012
341:introduced Sandberg to officials at the
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283:During the postwar period, a number of
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468:From the early postwar days until the
377:In the early days of the postwar era,
1178:GĂĽnter Jordan and Ralf Schenk, eds.,
887:Fuffzehn für Vergnügte und Verärgerte
542:Fuffzehn für Vergnügte und Verärgerte
7:
1138:, Literaturland Hessen, HR2 Kultur,
984:Giles Scott-Smith, Hans Krabbendam,
1400:"Der Dichter GĂĽnter Kunert wird 80"
883:, Ulenspiegel Verlag, Berlin (1950)
390:. In their journal, satire, humor,
327:of a satirical magazine with him.
25:
892:Herbert Sandberg, GĂĽnter Kunert,
291:during 1946 in what later became
1551:Magazines disestablished in 1950
1234:Scott-Smith, Krabbendam (2003)
213:in 1948, accused of being too "
1526:1945 establishments in Germany
1246:Peter Duignan, Lewis H. Gann,
946:, published from 1934 to 1941.
518:In July 1948, Weisenborn left
1:
1556:Magazines published in Berlin
1546:Magazines established in 1945
1382:"Uncle Sam teilt Bonbons aus"
310:Buchenwald concentration camp
276:, "to sweep" or "clean", and
863:List of magazines in Germany
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343:Information Control Division
1475:Zwischen Krieg und Frieden
1206:Gestorben: Herbert Sandberg
1093:. Retrieved 24 January 2012
1087:German Politics and Society
580:The contributors included:
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1121:Herbert Sandberg biography
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331:, who had been Sandberg's
113:24 December 1945
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1536:German-language magazines
1260:Retrieved 7 February 2012
54:
1342:, Hamburg: KovaÄŤ, 1998,
1061:Sandberg, Kunert (1978)
438:Nazi concentration camps
1508:German National Library
1102:Wolfgang Schivelbusch,
1036:Wolf-Eckhard Gudemann,
790:Robert Wolfgang Schnell
418:, reproducing works by
384:Social Democratic Party
177:was a bi-weekly German
32:Eulenspiegel (magazine)
1286:p. 24 and notes 19, 20
181:magazine published in
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272:version of his name:
1458:Ulenspiegel-Kalender
999:Cora Sol Goldstein,
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515:occupational force.
464:Cold War and closure
347:Peter de Mendelssohn
1140:Hessischer Rundfunk
1022:"Till Eulenspiegel"
906:Herbert Sandberg, "
780:Albert Schaefer-Ast
474:division of Germany
289:Cabaret Ulenspiegel
201:; editors included
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36:Ulenspiegel (opera)
1365:Goldstein (2009),
840:GĂĽnther Weisenborn
590:Johannes R. Becher
199:GĂĽnther Weisenborn
136:Ulenspiegel-Verlag
97:GĂĽnther Weisenborn
1561:Till Eulenspiegel
1348:978-3-86064-709-7
1282:978-3-412-15005-1
1188:978-3-931321-51-2
1163:978-0-231-03717-4
1048:978-3-577-10292-6
1039:Ich sag dir alles
919:Krieg und Frieden
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493:In October 1947,
367:Wolfgang Weyrauch
323:. Sandberg had a
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820:Walter Trier
795:Anna Seghers
705:Alfred Kubin
650:Hannes Hegen
640:George Grosz
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575:contributors
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565:Eulenspiegel
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400:Alfred Kubin
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266:Eulenspiegel
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187:World War II
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1511:(in German)
1503:Ulenspiegel
1487:(in German)
1463:(in German)
1446:(in German)
1442:Der Spiegel
1428:(in German)
1408:(in German)
1389:(in German)
1355:(in German)
1302:(in German)
1215:(in German)
1210:Der Spiegel
1195:(in German)
1143:(in German)
1125:(in German)
1091:at Highbeam
1066:(in German)
1051:(in German)
1026:(in German)
940:Ulenspiegel
908:Ulenspiegel
745:Henry Moore
725:Max Lingner
685:Hannah Höch
635:René Graetz
585:Bele Bachem
552:Ulenspiegel
536:East Berlin
520:Ulenspiegel
512:Ulenspiegel
507:Ulenspiegel
505:and punish
499:Ulenspiegel
488:work permit
450:Ulenspiegel
434:Ulenspiegel
428:Third Reich
412:avant-garde
379:Ulenspiegel
359:Ulenspiegel
293:West Berlin
262:High German
226:Ulenspiegel
207:Karl Schnog
191:Third Reich
172:Ulenspiegel
128:August 1950
125:Final issue
110:First issue
65:Ulenspiegel
47:Ulenspiegel
18:Ulenspiegel
1520:Categories
1340:Poetica 30
954:References
770:Paul Rosié
680:Karl Holtz
675:Karl Hofer
625:Jean Effel
416:degenerate
404:Karl Hofer
396:caricature
304:Foundation
117:1945-12-24
74:Categories
1312:Klötzer,
1136:Darmstadt
926:Footnotes
740:Arno Mohr
538:in 1948.
388:Communist
314:Zuchthaus
285:Kabaretts
215:left-wing
179:satirical
92:Publisher
87:Bi-weekly
84:Frequency
1385:Die Welt
857:See also
610:Otto Dix
526:and the
470:Cold War
392:cartoons
355:masthead
159:Language
149:Based in
1506:in the
869:Sources
345:(ICD).
299:History
278:Spiegel
243:Titanic
205:, with
144:Germany
141:Country
133:Company
115: (
102:Founded
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503:censor
406:, and
394:, and
317:Luckau
258:jester
246:, and
237:Pardon
185:after
183:Berlin
162:German
153:Berlin
78:Satire
1402:OE1,
1352:p. 69
1314:p. 25
1192:p. 45
495:OMGUS
1480:ISBN
1344:ISBN
1278:ISBN
1254:ISBN
1184:ISBN
1159:ISBN
1063:p. 5
1044:ISBN
1007:ISBN
898:ISBN
472:and
274:ulen
197:and
105:1945
1404:Ă–RF
1522::
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