Knowledge (XXG)

Umrao Singh Sher-Gil

Source 📝

378: 362: 350: 338: 412:, who would later go on to become a visual artist, and Indira Sundaram (nĂŠe Sher-Gil), both of whom were extensive subjects of his photographic works. The family lived in Hungary through the first world war, and then returned in 1921 to India, where they lived in Shimla. The family returned to Europe in 1929 moving to France, living in Paris, where both his daughters studied. The family returned to India in 1934. 31: 283:
continued to do so after the family's return to India. These works spanned Paris, Budapest, Shimla, and Lahore, and presented a view into an aristocratic-bourgeois life across continents. His works were noted to have presented his family and himself as a "modern proto-postcolonial subject". His photographs have been posthumously exhibited in Canada, France, Spain, and UK, in addition to India.
279:, a format that he pioneered, with his home as the backdrop. Many of his works could be categorized as performative photography. His own self-portraits and the portraits of his family were noted for their residual sadness which further increased after the death of his daughter Amrita Sher-Gil in 1941 and the death of his wife in 1948. 282:
Gil experimented with various toning methods and left behind over 3,000 prints and negatives, including over 80 self-portraits, chronicling life across Europe and India in the early part of the twentieth century. Gil documented the family's life in Europe extensively through his photography and
176:(1870–1954) was an Indian aristocrat, scholar of Sanskrit and philosophy, and photographer. He was known as one of the pioneers of photography in India, leaving behind over 3,000 prints, including the hundreds of family portraits and over 80 self portraits staged in a 223:
was an industrialist and a politician, who was later knighted by the then British Indian government. Gil was 11 when his father died in 1881. Having inherited the title as the head of the Majitha family, he traveled to England in 1896, and again in 1897 to attend the
310:, shows his engagement with prominent scholars of the time. Gil was considered a reclusive, but he maintained detailed diaries and records of letters, some of which have him writing about his written manuscripts of philosophical scriptures including the 319:
A photography grant named after him was instituted by his family in 2015. In addition to photography and philosophy, Gil had varied interests including astronomy, carpentry, calligraphy, and yoga. An article in
267:, the subjects of his photographic works were largely his family – his wife and two daughters, and his own self portraits. He experimented with some of the then latest techniques including 243:, a revolutionary movement in the country, around 1915. When these links were identified his land holdings were confiscated by the then government. He was an admirer of Russian author and activist, 566: 393:
Gil married his first wife Narninder Kaur (1870s-1907) at the age of 13. They had three sons and a daughter; Balram, Satyavan (Vani), Vivek (Bikki), Prakash Kaur (Praki). Kaur died in 1907.
316:, both for his self-study and for his friends readings. In one of these notes, he wrote that despite his multiple readings it remains "unfathomable like an ocean of truth, which it is". 784: 1475: 1047: 1026: 691: 377: 361: 963: 1406: 638:"The journey in my head : cosmopolitanism and Indian male self-portraiture in 20th century India : Umrao Singh Sher-Gil, Bhupen Khakhar, Ragubhir Singh" 755: 669: 449:
The Journey in My Head: Cosmopolitanism and Indian Male Self-portraiture in 20th Century India : Umrao Singh Sher-Gil, Bhupen Khakhar, Ragubhir Singh
1207: 263:
Gil was one of the pioneers of photography in India, when he began photography in the early 1890s. After his marriage to the Hungarian opera singer,
1078: 851: 558: 496: 1348: 302:
in 1930 in Paris, where he had then relocated his family for his daughters to study in the city. A letter that he wrote to Hungarian scholar,
30: 1176: 1155: 1136: 1072: 701: 436: 1244: 1236: 1230: 776: 933: 299: 612: 225: 904: 349: 51: 415:
Gil died in 1954 at his daughter's home in New Delhi. He was aged 84. His wife had predeceased him in 1948, dying by suicide.
326:
many years after his death, called him "an eccentric polymath with a fondness for (and a startling resemblance to) Tolstoy".
1470: 1455: 1200: 955: 307: 1388: 337: 236: 726: 1356: 1300: 747: 661: 520: 208: 397: 264: 1460: 1193: 642: 1099: 829: 1332: 1292: 1465: 1316: 1252: 605:"sikhchic.com | The Art and Culture of the Diaspora | Umrao Singh Sher-Gil:His Misery and His Manuscript" 1276: 1260: 220: 164: 268: 1450: 1445: 492: 1268: 990: 604: 322: 312: 985: 303: 1372: 1340: 1172: 1151: 1132: 1068: 1041: 697: 432: 925: 207:
in then British India. He completed his early education in Amritsar and later studied at the
1380: 1284: 821: 401: 276: 216: 177: 86: 1364: 1216: 409: 405: 184: 143: 896: 400:, a Hungarian Opera singer in 1911, when she was visiting Punjab accompanying Princess 252: 291: 1439: 275:. He produced hundreds of photographs of his family which were intentionally staged 229: 1166: 1062: 447: 426: 272: 244: 240: 196: 154: 1324: 1308: 722: 286:
Gil was a scholar of Sanskrit, and one of his works include a manuscript on
66: 777:"Umrao Singh Sher-Gil's black and white self-portraits will mesmerise you" 248: 204: 187:. In India, a photography grant named after him was instituted in 2015. 295: 200: 47: 404:. The couple married in 1912. He moved with her to Hungary before the 235:
Gil was a scholar of Persian and Sanskrit. He was associated with the
212: 637: 1185: 825: 813: 852:"A Savage Garden: The Paris Photographs of Umrao Singh Sher-Gil" 1189: 1061:
Sher-Gil, Umrao Singh; Sundaram, Vivan; Ananth, Deepak (2008).
425:
Sher-Gil, Umrao Singh; Sundaram, Vivan; Ananth, Deepak (2008).
723:"Sher-Gil Sundaram Arts Foundation | Sher-Gil Sundaram Family" 1150:. Vol. 2. New Delhi: Tulika Books. pp. 418–821. 559:"Amrita Shergil As Seen Through Her Father's Photographs" 1148:
Amrita Sher-Gil: A Self-Portrait in Letters and Writings
1131:. Vol. 1. New Delhi: Tulika Books. pp. 1–417. 1129:
Amrita Sher-Gil: A Self-Portrait in Letters and Writings
290:
a treatise of Sanskrit phonetics which is attributed to
1027:"Remembering Umrao Singh Sher‑Gil - Better Photography" 477:
Dalmia, Yashodhara (2013). Hungarian memories, pp. 1-16
1029:. 2023-02-02. Archived from the original on 2023-02-02 493:"Sher-Gil Sundaram Arts Foundation | About the Grant" 251:
and even his looks. He was also a friend of the poet
1416: 1399: 1223: 1064:
Umrao Singh Sher-Gil: His Misery and His Manuscript
814:"A glimpse of Umraosingh Sher-Gil in Sanscrit 1145" 428:
Umrao Singh Sher-Gil: His Misery and His Manuscript
383:
Portrait of SherGil in Simla by his daughter (1935)
160: 150: 138: 93: 82: 74: 59: 40: 21: 1003: 1001: 585: 583: 748:"Moving Still: Performative Photography in India" 1046:: CS1 maint: bot: original URL status unknown ( 473: 471: 469: 467: 1201: 367:Daughter Amrita Sher-Gil with her paintings ( 16:Indian philosopher photographer (1870 – 1954) 8: 1476:People from Punjab Province (British India) 1208: 1194: 1186: 29: 18: 239:and was noted to have had links with the 690:Hall, Stuart; Sealy, Mark (2001-10-22). 247:, after whom he modeled his approach to 463: 333: 131: 1912; died 1948) 112: 1883; died 1907) 1349:South Indian Villagers going to Market 1039: 298:. The manuscript was published by the 35:Sher-Gil (self portrait, Shimla, 1924) 1407:Amrita Sher-Gil's paintings at Lahore 871: 869: 807: 805: 803: 801: 717: 715: 713: 7: 1100:"Amrita Sher-Gil: unseen brilliance" 655: 653: 631: 629: 599: 597: 595: 552: 550: 548: 546: 544: 542: 540: 515: 513: 487: 485: 483: 984:Becker, Alida (December 2, 2007). 118:Marie Antoinette Gottesmann-Baktay 14: 398:Marie Antoinette Gottesman-Baktay 265:Marie Antoinette Gottesman-Baktay 226:Diamond Jubilee of Queen Victoria 376: 360: 348: 336: 300:Bibliothèque nationale de France 1081:from the original on 2024-01-28 966:from the original on 2023-03-24 936:from the original on 2024-01-28 907:from the original on 2023-09-26 832:from the original on 2023-10-05 787:from the original on 2023-05-29 758:from the original on 2023-03-21 729:from the original on 2023-09-30 672:from the original on 2024-01-28 615:from the original on 2020-03-08 569:from the original on 2024-01-28 499:from the original on 2023-11-11 408:, where they had two daughters 355:Daughter Amrita Sher-Gil (1936) 343:Daughter Amrita Sher-Gil (1936) 128: 109: 636:Jhaveri, Shanay (2016-01-01). 78:Photographer and visual artist 1: 1245:Amrita Sher-Gil Self Portrait 1237:Amrita Sher-Gil Self-Portrait 308:Hungarian Academy of Sciences 174:Umrao Singh Sher-Gil Majithia 856:Marg: A Magazine of the Arts 237:Indian independence movement 183:His daughter was the artist 1301:Self-Portrait as a Tahitian 1171:. Gurugram: Penguin Books. 1165:Dalmia, Yashodhara (2013). 306:, which is now held at the 1492: 876:Singh, Kavita (2009). "". 812:Li, Charles (2020-11-29). 781:Architectural Digest India 660:d'Arles, Les Rencontres. 28: 1146:Sundaram, Vivan (2010). 1127:Sundaram, Vivan (2010). 850:Balaram, Rakhee (2017). 666:www.rencontres-arles.com 643:The Royal College of Art 521:"The Berardo Collection" 446:Jhaveri, Shanay (2016). 195:Gil was born in 1870 to 1293:The Little Girl in Blue 1168:Amrita Sher-Gil: A Life 986:"HOLIDAY BOOKS - India" 818:Texts Surrounding Texts 589:Sundaram, pp. xxiii-xli 452:. Royal College of Art. 228:. He also attended the 219:). His younger brother 662:"UMRAO SINGH SHER-GIL" 557:H, Sara (2021-06-08). 1261:Young Man with Apples 1104:www.spiked-online.com 1016:Sundaram, pp. 184-185 930:tst-project.github.io 525:berardocollection.com 232:in 1903 and in 1911. 1471:Indian photographers 1456:People from Amritsar 1424:Umrao Singh Sher-Gil 23:Umrao Singh Sher-Gil 273:stereoscope cameras 1269:Professional Model 991:The New York Times 323:The New York Times 313:Mandukya Upanishad 1433: 1432: 1373:The Village Scene 1231:List of paintings 1178:978-0-14-342026-2 1157:978-81-89487-59-1 1138:978-81-89487-59-1 1074:978-81-903911-1-5 703:978-0-7148-4014-7 696:. Phaidon Press. 438:978-81-903911-1-5 269:autochrome prints 209:Aitchison College 171: 170: 1483: 1381:Woman on Charpoy 1357:The Story Teller 1210: 1203: 1196: 1187: 1182: 1161: 1142: 1114: 1113: 1111: 1110: 1096: 1090: 1089: 1087: 1086: 1058: 1052: 1051: 1045: 1037: 1035: 1034: 1023: 1017: 1014: 1008: 1007:Sundaram, pp. xx 1005: 996: 995: 981: 975: 974: 972: 971: 951: 945: 944: 942: 941: 922: 916: 915: 913: 912: 892: 886: 885: 873: 864: 863: 847: 841: 840: 838: 837: 809: 796: 795: 793: 792: 773: 767: 766: 764: 763: 744: 738: 737: 735: 734: 719: 708: 707: 687: 681: 680: 678: 677: 657: 648: 647: 633: 624: 623: 621: 620: 609:www.sikhchic.com 601: 590: 587: 578: 577: 575: 574: 554: 535: 534: 532: 531: 517: 508: 507: 505: 504: 489: 478: 475: 453: 442: 402:Bamba Sutherland 380: 364: 352: 340: 217:undivided Punjab 132: 130: 113: 111: 33: 19: 1491: 1490: 1486: 1485: 1484: 1482: 1481: 1480: 1461:Majithia family 1436: 1435: 1434: 1429: 1412: 1395: 1365:The Vina Player 1219: 1217:Amrita Sher-Gil 1214: 1179: 1164: 1158: 1145: 1139: 1126: 1123: 1118: 1117: 1108: 1106: 1098: 1097: 1093: 1084: 1082: 1075: 1060: 1059: 1055: 1038: 1032: 1030: 1025: 1024: 1020: 1015: 1011: 1006: 999: 983: 982: 978: 969: 967: 953: 952: 948: 939: 937: 926:"PāṇinÄŤyaśikᚣā" 924: 923: 919: 910: 908: 894: 893: 889: 875: 874: 867: 849: 848: 844: 835: 833: 811: 810: 799: 790: 788: 775: 774: 770: 761: 759: 746: 745: 741: 732: 730: 721: 720: 711: 704: 689: 688: 684: 675: 673: 659: 658: 651: 635: 634: 627: 618: 616: 603: 602: 593: 588: 581: 572: 570: 556: 555: 538: 529: 527: 519: 518: 511: 502: 500: 491: 490: 481: 476: 465: 460: 445: 439: 424: 421: 410:Amrita Sher-Gil 406:First World War 391: 384: 381: 372: 365: 356: 353: 344: 341: 332: 304:IgnĂĄc Goldziher 261: 193: 185:Amrita Sher-Gil 144:Amrita Sher-Gil 134: 126: 122: 119: 115: 107: 103: 100: 70: 64: 55: 54:, British India 45: 36: 24: 17: 12: 11: 5: 1489: 1487: 1479: 1478: 1473: 1468: 1463: 1458: 1453: 1448: 1438: 1437: 1431: 1430: 1428: 1427: 1420: 1418: 1414: 1413: 1411: 1410: 1403: 1401: 1397: 1396: 1394: 1393: 1385: 1377: 1369: 1361: 1353: 1345: 1341:Bride's Toilet 1337: 1329: 1321: 1313: 1305: 1297: 1289: 1281: 1277:Reclining Nude 1273: 1265: 1257: 1249: 1241: 1233: 1227: 1225: 1221: 1220: 1215: 1213: 1212: 1205: 1198: 1190: 1184: 1183: 1177: 1162: 1156: 1143: 1137: 1122: 1119: 1116: 1115: 1091: 1073: 1053: 1018: 1009: 997: 976: 946: 917: 887: 865: 842: 797: 783:. 2018-12-27. 768: 754:. 2019-05-06. 739: 709: 702: 682: 649: 625: 591: 579: 536: 509: 479: 462: 461: 459: 456: 455: 454: 443: 437: 420: 417: 390: 387: 386: 385: 382: 375: 373: 366: 359: 357: 354: 347: 345: 342: 335: 331: 328: 288:PāṇinÄŤyaśikᚣā, 260: 257: 253:Muhammad Iqbal 192: 189: 169: 168: 162: 158: 157: 152: 148: 147: 140: 136: 135: 124: 120: 117: 116: 105: 101: 99:Narninder Kaur 98: 97: 95: 91: 90: 84: 83:Known for 80: 79: 76: 72: 71: 65: 63:1954 (aged 84) 61: 57: 56: 46: 42: 38: 37: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1488: 1477: 1474: 1472: 1469: 1467: 1466:Punjabi Sikhs 1464: 1462: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1443: 1441: 1425: 1422: 1421: 1419: 1415: 1408: 1405: 1404: 1402: 1398: 1391: 1390: 1386: 1383: 1382: 1378: 1375: 1374: 1370: 1367: 1366: 1362: 1359: 1358: 1354: 1351: 1350: 1346: 1343: 1342: 1338: 1335: 1334: 1330: 1327: 1326: 1322: 1319: 1318: 1314: 1311: 1310: 1306: 1303: 1302: 1298: 1295: 1294: 1290: 1287: 1286: 1282: 1279: 1278: 1274: 1271: 1270: 1266: 1263: 1262: 1258: 1255: 1254: 1250: 1247: 1246: 1242: 1239: 1238: 1234: 1232: 1229: 1228: 1226: 1222: 1218: 1211: 1206: 1204: 1199: 1197: 1192: 1191: 1188: 1180: 1174: 1170: 1169: 1163: 1159: 1153: 1149: 1144: 1140: 1134: 1130: 1125: 1124: 1120: 1105: 1101: 1095: 1092: 1080: 1076: 1070: 1066: 1065: 1057: 1054: 1049: 1043: 1028: 1022: 1019: 1013: 1010: 1004: 1002: 998: 993: 992: 987: 980: 977: 965: 961: 957: 950: 947: 935: 931: 927: 921: 918: 906: 902: 898: 891: 888: 884:(1): 131–132. 883: 879: 872: 870: 866: 861: 857: 853: 846: 843: 831: 827: 826:10.58079/uxz6 823: 819: 815: 808: 806: 804: 802: 798: 786: 782: 778: 772: 769: 757: 753: 749: 743: 740: 728: 724: 718: 716: 714: 710: 705: 699: 695: 694: 686: 683: 671: 667: 663: 656: 654: 650: 645: 644: 639: 632: 630: 626: 614: 610: 606: 600: 598: 596: 592: 586: 584: 580: 568: 564: 560: 553: 551: 549: 547: 545: 543: 541: 537: 526: 522: 516: 514: 510: 498: 494: 488: 486: 484: 480: 474: 472: 470: 468: 464: 457: 451: 450: 444: 440: 434: 430: 429: 423: 422: 418: 416: 413: 411: 407: 403: 399: 394: 389:Personal life 388: 379: 374: 370: 363: 358: 351: 346: 339: 334: 329: 327: 325: 324: 317: 315: 314: 309: 305: 301: 297: 296:Pingalacharya 293: 289: 284: 280: 278: 277:mise-en-scène 274: 270: 266: 258: 256: 254: 250: 246: 242: 238: 233: 231: 227: 222: 218: 214: 210: 206: 202: 198: 190: 188: 186: 181: 179: 178:mise-en-scène 175: 166: 163: 159: 156: 153: 149: 145: 142:6 (including 141: 137: 96: 92: 88: 87:Mise-en-scène 85: 81: 77: 75:Occupation(s) 73: 68: 62: 58: 53: 49: 43: 39: 32: 27: 20: 1423: 1387: 1379: 1371: 1363: 1355: 1347: 1339: 1333:Brahmacharis 1331: 1323: 1315: 1307: 1299: 1291: 1283: 1275: 1267: 1259: 1251: 1243: 1235: 1167: 1147: 1128: 1121:Bibliography 1107:. Retrieved 1103: 1094: 1083:. Retrieved 1067:. Photoink. 1063: 1056: 1031:. Retrieved 1021: 1012: 989: 979: 968:. Retrieved 959: 949: 938:. Retrieved 929: 920: 909:. Retrieved 900: 890: 881: 877: 859: 855: 845: 834:. Retrieved 817: 789:. Retrieved 780: 771: 760:. Retrieved 751: 742: 731:. Retrieved 692: 685: 674:. Retrieved 665: 641: 617:. Retrieved 608: 571:. Retrieved 562: 528:. Retrieved 524: 501:. Retrieved 448: 431:. Photoink. 427: 414: 395: 392: 369:year unknown 368: 321: 318: 311: 287: 285: 281: 262: 234: 230:Delhi Darbar 221:Sundar Singh 194: 182: 173: 172: 165:Sundar Singh 1451:1954 deaths 1446:1870 births 1400:Exhibitions 1389:On the Roof 1317:Three Girls 1253:Young Girls 862:(1): 48–57. 752:MONTECRISTO 245:Leo Tolstoy 241:Gadar party 197:Surat Singh 155:Surat Singh 1440:Categories 1325:Child Wife 1309:Hill Women 1109:2024-01-28 1085:2024-01-28 1033:2024-01-28 970:2024-01-28 956:"PHOTOINK" 954:PHOTOINK. 940:2024-01-28 911:2024-01-28 897:"PHOTOINK" 895:PHOTOINK. 836:2024-01-28 791:2024-01-28 762:2024-01-28 733:2024-01-28 676:2024-01-28 619:2024-01-28 573:2024-01-28 530:2024-01-28 503:2024-01-28 458:References 191:Early life 1224:Paintings 693:Different 563:Homegrown 215:(in then 167:(brother) 161:Relatives 89:portraits 67:New Delhi 1426:(father) 1079:Archived 1042:cite web 964:Archived 960:PHOTOINK 934:Archived 905:Archived 901:PHOTOINK 830:Archived 785:Archived 756:Archived 727:Archived 670:Archived 613:Archived 567:Archived 497:Archived 396:Gil met 249:humanism 205:Amritsar 139:Children 1417:Related 419:Book(s) 330:Gallery 203:, near 201:Majitha 180:style. 133:​ 125:​ 121:​ 114:​ 106:​ 102:​ 69:, India 48:Majitha 1409:(1937) 1392:(1941) 1384:(1940) 1376:(1938) 1368:(1937) 1360:(1937) 1352:(1937) 1344:(1937) 1336:(1937) 1328:(1936) 1320:(1935) 1312:(1935) 1304:(1934) 1296:(1934) 1288:(1933) 1280:(1933) 1272:(1933) 1264:(1932) 1256:(1932) 1248:(1931) 1240:(1930) 1175:  1154:  1135:  1071:  700:  435:  292:Pāṇini 213:Lahore 151:Father 94:Spouse 52:Punjab 1285:Sleep 259:Works 127:( 123: 108:( 104: 1173:ISBN 1152:ISBN 1133:ISBN 1069:ISBN 1048:link 878:Marg 698:ISBN 433:ISBN 294:and 271:and 60:Died 44:1870 41:Born 822:doi 211:in 199:of 1442:: 1102:. 1077:. 1044:}} 1040:{{ 1000:^ 988:. 962:. 958:. 932:. 928:. 903:. 899:. 882:61 880:. 868:^ 860:69 858:. 854:. 828:. 820:. 816:. 800:^ 779:. 750:. 725:. 712:^ 668:. 664:. 652:^ 640:. 628:^ 611:. 607:. 594:^ 582:^ 565:. 561:. 539:^ 523:. 512:^ 495:. 482:^ 466:^ 255:. 129:m. 110:m. 50:, 1209:e 1202:t 1195:v 1181:. 1160:. 1141:. 1112:. 1088:. 1050:) 1036:. 994:. 973:. 943:. 914:. 839:. 824:: 794:. 765:. 736:. 706:. 679:. 646:. 622:. 576:. 533:. 506:. 441:. 371:) 146:)

Index


Majitha
Punjab
New Delhi
Mise-en-scène
Amrita Sher-Gil
Surat Singh
Sundar Singh
mise-en-scène
Amrita Sher-Gil
Surat Singh
Majitha
Amritsar
Aitchison College
Lahore
undivided Punjab
Sundar Singh
Diamond Jubilee of Queen Victoria
Delhi Darbar
Indian independence movement
Gadar party
Leo Tolstoy
humanism
Muhammad Iqbal
Marie Antoinette Gottesman-Baktay
autochrome prints
stereoscope cameras
mise-en-scène
Pāṇini
Pingalacharya

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑