Knowledge (XXG)

Minor sixth

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Any note will only appear in major scales from any of its minor sixth major scale notes (for example, C is the minor sixth note from E and E will only appear in C, D, E, F, G, A and B major scales).
203:, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. 625:. "The proportion 11:7, obtained by isolating one 35° angle from its complement within the 90° quadrant, similarly corresponds to an undecimal minor sixth (782.5 cents)." 1394: 355:. In the common practice period, sixths were considered interesting and dynamic consonances along with their inverses the thirds, but in 737: 706: 685: 664: 643: 622: 601: 580: 211:
sixths span the same number of staff positions, but consist of a different number of semitones (seven and ten respectively).
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they were considered dissonances unusable in a stable final sonority. In that period they were tuned to the
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which includes ratios such as 14:9 and 63:40. of 764.9 cents or 786.4 cents respectively.
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major and dominant seventh chords and second inversion minor chords. It is equal to eight
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International Institute for Advanced Studies in Systems Research and Cybernetics (2003).
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for more details), and is one of two commonly occurring sixths (the other one being the
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than the 12-ET-minor sixth. This is denoted with a "-" (minus) sign (see figure).
1613: 1444: 873: 842: 836: 518: 348: 192: 41: 132: 1646: 1540: 1038: 951: 617:: Music, Environmental Design, and the Choreography of Space, Volume 5, p.18. 1546: 1050: 558:
On the Sensations of Tone as a Physiological Basis for the Theory of Music
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because it is the smaller of the two: the minor sixth spans eight
150: 131: 239:, i.e. a ratio of 2:1 or simplified to 2:1 (about 1.587), or 800 281:, a minor sixth most often corresponds to a pitch ratio of 8:5 ( 719: 715: 56:
minor hexachord, hexachordon minus, lesser hexachord
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Hermann von Helmholtz and Alexander John Ellis (1912).
373:, the minor sixth of 8:5 is classed as a consonance. 678:
Sound and Light: La Monte Young & Marian Zazeela
1627: 1594: 1483: 1453: 1423: 1380: 1371: 1344: 1271: 1254: 1096: 1079: 1068: 1005: 950: 895: 858: 821: 786: 768: 753: 479: 469: 459: 452: 442: 432: 422: 417: 409: 404: 392: 120: 110: 103: 93: 83: 73: 68: 60: 52: 47: 35: 260:multiple definitions of a minor sixth can exist: 731: 8: 387: 30: 1672: 1377: 1268: 1093: 1076: 783: 765: 738: 724: 716: 331:The minor sixth is one of consonances of 657:The Mathematical Theory of Tone Systems 636:The Mathematical Theory of Tone Systems 540: 386: 29: 7: 167:, four Pythagorean perfect fifths. 25: 1671: 676:Duckworth & Fleming (1996). 293:) or 814 cents; i.e. 13.7 cents 594:Music: A Mathematical Offering 1: 155:Pythagorean minor sixth on C 615:Systems Research in the Arts 223:(12-ET), the minor sixth is 1293:septimal chromatic semitone 297:than the 12-ET-minor sixth. 1717: 1299:septimal diatonic semitone 1087:(Numbers in brackets refer 514:List of meantone intervals 366:minor sixth of 128:81. In 347:, major and minor thirds, 1669: 1089:to fractional semitones.) 1082:24-tone equal temperament 592:Benson, David J. (2006). 471:24-Tone equal temperament 461:12-Tone equal temperament 225:enharmonically equivalent 112:12-Tone equal temperament 697:Hewitt, Michael (2000). 264:In 3-limit tuning, i.e. 1677:List of pitch intervals 1415:Subminor and supermajor 1354:minor diatonic semitone 1264:refer to pitch ratios.) 646:. Septimal minor sixth. 173:Western classical music 1475:Undecimal quarter tone 569:Partch, Harry (1979). 335:music, along with the 195:). It is qualified as 168: 148: 1470:Septimal quarter tone 1281:septimal quarter tone 634:Haluska, Jan (2003). 547:Benson (2006), p.163. 320:undecimal minor sixth 231:. It occurs in first 154: 135: 18:Undecimal minor sixth 1657:Incomposite interval 1410:Pythagorean interval 1262:(Numbers in brackets 770:(Numbers in brackets 655:Jan Haluska (2003). 351:and (sometimes) the 1440:Pythagorean apotome 1287:septimal third tone 389: 32: 1553:Septimal semicomma 572:Genesis of a Music 266:Pythagorean tuning 169: 149: 1683: 1682: 1665: 1664: 1495:Pythagorean comma 1435:Pythagorean limma 1367: 1366: 1363: 1362: 1329:supermajor fourth 1305:supermajor second 1250: 1249: 1064: 1063: 1060: 1059: 772:are the number of 699:The Tonal Phoenix 497:subminor interval 491:In addition, the 489: 488: 221:equal temperament 215:Equal temperament 183:encompassing six 130: 129: 99:8:5, 128:81, 11:7 16:(Redirected from 1708: 1675: 1674: 1565:Septimal kleisma 1378: 1335:subminor seventh 1317:supermajor third 1269: 1257:Just intonations 1242: 1241: 1237: 1234: 1222: 1221: 1217: 1214: 1202: 1201: 1197: 1194: 1182: 1181: 1177: 1174: 1162: 1161: 1157: 1154: 1142: 1141: 1137: 1134: 1122: 1121: 1117: 1094: 1077: 784: 766: 740: 733: 726: 717: 710: 695: 689: 674: 668: 653: 647: 632: 626: 611: 605: 590: 584: 567: 561: 554: 548: 545: 399:supermajor third 390: 384:Musical interval 322:is 782.49 cents. 317: 316: 315: 313: 292: 291: 290: 288: 247:Just temperament 181:musical interval 166: 165: 164: 162: 147: 146: 145: 143: 33: 27:Musical interval 21: 1716: 1715: 1711: 1710: 1709: 1707: 1706: 1705: 1696:Minor intervals 1686: 1685: 1684: 1679: 1661: 1623: 1590: 1533:Septimal diesis 1479: 1449: 1419: 1373: 1359: 1340: 1263: 1260: 1246: 1239: 1235: 1232: 1230: 1219: 1215: 1212: 1210: 1199: 1195: 1192: 1190: 1179: 1175: 1172: 1170: 1159: 1155: 1152: 1150: 1139: 1135: 1132: 1130: 1119: 1115: 1114: 1104: 1103: 1102: 1098: 1088: 1085: 1072: 1070: 1056: 1001: 946: 891: 854: 817: 778: 773: 771: 761: 759: 756: 749: 744: 714: 713: 696: 692: 675: 671: 654: 650: 633: 629: 612: 608: 591: 587: 568: 564: 555: 551: 546: 542: 537: 530:= 833.09 cents) 524:833 cents scale 505: 481:Just intonation 385: 382: 371:just intonation 333:common practice 329: 311: 309: 308: 307: 304:11-limit tuning 286: 284: 283: 282: 258:just intonation 254: 249: 229:augmented fifth 217: 189:Interval number 185:staff positions 160: 158: 157: 156: 141: 139: 138: 137: 122:Just intonation 28: 23: 22: 15: 12: 11: 5: 1714: 1712: 1704: 1703: 1701:Sixths (music) 1698: 1688: 1687: 1681: 1680: 1670: 1667: 1666: 1663: 1662: 1660: 1659: 1654: 1649: 1644: 1639: 1633: 1631: 1625: 1624: 1622: 1621: 1616: 1611: 1606: 1600: 1598: 1592: 1591: 1589: 1588: 1582: 1576: 1569: 1568: 1562: 1556: 1550: 1544: 1537: 1536: 1530: 1527:Greater diesis 1524: 1517: 1516: 1513:Septimal comma 1510: 1507:Holdrian comma 1504: 1501:Syntonic comma 1498: 1491: 1489: 1481: 1480: 1478: 1477: 1472: 1467: 1461: 1459: 1451: 1450: 1448: 1447: 1442: 1437: 1431: 1429: 1421: 1420: 1418: 1417: 1412: 1407: 1402: 1397: 1392: 1386: 1384: 1375: 1369: 1368: 1365: 1364: 1361: 1360: 1358: 1357: 1350: 1348: 1342: 1341: 1339: 1338: 1332: 1326: 1323:subminor fifth 1320: 1314: 1311:subminor third 1308: 1302: 1296: 1290: 1284: 1277: 1275: 1266: 1252: 1251: 1248: 1247: 1245: 1244: 1224: 1204: 1184: 1164: 1144: 1124: 1107: 1105: 1097: 1091: 1074: 1066: 1065: 1062: 1061: 1058: 1057: 1055: 1054: 1048: 1042: 1036: 1030: 1024: 1018: 1011: 1009: 1003: 1002: 1000: 999: 993: 987: 981: 975: 969: 963: 956: 954: 948: 947: 945: 944: 938: 932: 926: 920: 914: 908: 901: 899: 893: 892: 890: 889: 883: 877: 871: 864: 862: 856: 855: 853: 852: 846: 840: 834: 827: 825: 819: 818: 816: 815: 809: 803: 797: 790: 788: 781: 763: 751: 750: 745: 743: 742: 735: 728: 720: 712: 711: 690: 669: 648: 627: 606: 585: 562: 549: 539: 538: 536: 533: 532: 531: 521: 516: 511: 509:Musical tuning 504: 501: 493:subminor sixth 487: 486: 483: 477: 476: 473: 467: 466: 463: 457: 456: 450: 449: 446: 440: 439: 436: 434:Interval class 430: 429: 426: 420: 419: 415: 414: 411: 407: 406: 402: 401: 396: 388:subminor sixth 383: 381: 380:Subminor sixth 378: 357:medieval times 353:perfect fourth 328: 325: 324: 323: 299: 298: 279:5-limit tuning 274: 273: 253: 250: 248: 245: 216: 213: 128: 127: 124: 118: 117: 114: 108: 107: 101: 100: 97: 91: 90: 87: 85:Interval class 81: 80: 77: 71: 70: 66: 65: 62: 58: 57: 54: 50: 49: 45: 44: 39: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1713: 1702: 1699: 1697: 1694: 1693: 1691: 1678: 1668: 1658: 1655: 1653: 1650: 1648: 1645: 1643: 1640: 1638: 1635: 1634: 1632: 1630: 1626: 1620: 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1601: 1599: 1597: 1593: 1586: 1583: 1580: 1577: 1574: 1571: 1570: 1566: 1563: 1560: 1557: 1554: 1551: 1548: 1545: 1542: 1539: 1538: 1534: 1531: 1528: 1525: 1522: 1521:Lesser diesis 1519: 1518: 1514: 1511: 1508: 1505: 1502: 1499: 1496: 1493: 1492: 1490: 1488: 1487: 1482: 1476: 1473: 1471: 1468: 1466: 1463: 1462: 1460: 1458: 1457: 1456:Quarter tones 1452: 1446: 1443: 1441: 1438: 1436: 1433: 1432: 1430: 1428: 1427: 1422: 1416: 1413: 1411: 1408: 1406: 1405:Pseudo-octave 1403: 1401: 1398: 1396: 1393: 1391: 1388: 1387: 1385: 1383: 1379: 1376: 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665:0-8247-4714-3 662: 658: 652: 649: 645: 644:0-8247-4714-3 641: 637: 631: 628: 624: 623:1-894613-32-5 620: 616: 610: 607: 603: 602:0-521-85387-7 599: 595: 589: 586: 582: 581:0-306-80106-X 578: 574: 573: 566: 563: 559: 553: 550: 544: 541: 534: 529: 525: 522: 520: 517: 515: 512: 510: 507: 506: 502: 500: 498: 494: 484: 482: 478: 474: 472: 468: 464: 462: 458: 455: 451: 448:14:9 or 63:40 447: 445: 444:Just interval 441: 437: 435: 431: 427: 425: 421: 416: 412: 408: 403: 400: 397: 395: 391: 379: 377: 374: 372: 369: 365: 362: 358: 354: 350: 346: 345:perfect fifth 342: 338: 334: 326: 321: 314: 305: 301: 300: 296: 289: 280: 276: 275: 271: 267: 263: 262: 261: 259: 251: 246: 244: 242: 238: 234: 230: 226: 222: 214: 212: 210: 206: 202: 198: 194: 190: 186: 182: 178: 174: 163: 153: 144: 134: 126:814, 792, 782 125: 123: 119: 115: 113: 109: 106: 102: 98: 96: 95:Just interval 92: 88: 86: 82: 78: 76: 72: 67: 63: 59: 55: 51: 46: 43: 40: 38: 34: 19: 1628: 1595: 1581:(0.72 cents) 1575:(1.95 cents) 1555:(13.8 cents) 1549:(10.1 cents) 1543:(19.5 cents) 1535:(35.7 cents) 1529:(62.6 cents) 1523:(41.1 cents) 1515:(27.3 cents) 1509:(22.6 cents) 1503:(21.5 cents) 1497:(23.5 cents) 1484: 1465:Quarter tone 1455: 1454: 1425: 1424: 1381: 1346:Higher-limit 1261: 1255: 1167:major fourth 1111:quarter tone 1086: 1080: 879: 769: 698: 693: 677: 672: 656: 651: 635: 630: 614: 609: 593: 588: 570: 565: 557: 552: 543: 528:golden ratio 492: 490: 410:Abbreviation 375: 360: 330: 319: 306:, the 11:7 ( 294: 269: 255: 218: 196: 176: 170: 136:Minor sixth 61:Abbreviation 1614:Millioctave 1596:Measurement 1587:(0.4 cents) 1567:(7.7 cents) 1561:(8.1 cents) 1445:Major limma 1187:minor fifth 659:, p.xxiii. 638:, p.xxiii. 519:Sixth chord 364:Pythagorean 349:major sixth 219:In 12-tone 193:major sixth 177:minor sixth 53:Other names 42:major third 31:minor sixth 1690:Categories 1647:Semiditone 1541:Diaschisma 1356:(17-limit) 1047:(22 or 23) 1045:fourteenth 1041:(20 or 21) 1039:thirteenth 1035:(18 or 19) 1029:(17 or 18) 1023:(15 or 16) 1017:(13 or 14) 952:Diminished 779:interval.) 760:(post-Bach 535:References 485:765 or 786 327:Consonance 252:Definition 205:Diminished 1609:Centitone 1547:Semicomma 1426:Semitones 1390:Microtone 1374:intervals 1051:fifteenth 897:Augmented 775:semitones 747:Intervals 701:, p.137. 680:, p.167. 596:, p.370. 424:Semitones 237:semitones 233:inversion 209:augmented 201:semitones 75:Semitones 1579:Breedsma 1027:eleventh 1007:Compound 762:Western) 757:semitone 575:, p.68. 560:, p.456. 503:See also 1585:Ragisma 1573:Schisma 1559:Kleisma 1395:5-limit 1301:(15:14) 1295:(21:20) 1289:(28:27) 1283:(36:35) 1273:7-limit 1238:⁄ 1227:seventh 1218:⁄ 1198:⁄ 1178:⁄ 1158:⁄ 1138:⁄ 1118:⁄ 1100:Neutral 1073:systems 1033:twelfth 990:seventh 941:seventh 886:seventh 849:seventh 787:Perfect 755:Twelve- 495:, is a 394:Inverse 368:5-limit 361:flatter 295:sharper 270:flatter 227:to the 37:Inverse 1642:Ditone 1629:Others 1619:Savart 1486:Commas 1382:Groups 1331:(10:7) 1127:second 1071:tuning 996:octave 972:fourth 960:second 923:fourth 911:second 905:unison 868:second 831:second 812:octave 800:fourth 794:unison 777:in the 705:  684:  663:  642:  621:  600:  579:  341:octave 337:unison 1652:Secor 1400:Comma 1372:Other 1337:(7:4) 1325:(7:5) 1319:(9:7) 1313:(7:6) 1307:(8:7) 1207:sixth 1147:third 1069:Other 1021:tenth 1015:ninth 984:sixth 978:fifth 966:third 935:sixth 929:fifth 917:third 880:sixth 874:third 860:Minor 843:sixth 837:third 823:Major 806:fifth 454:Cents 241:cents 197:minor 187:(see 179:is a 105:Cents 1637:Wolf 1604:Cent 1053:(24) 998:(11) 943:(12) 937:(10) 888:(10) 851:(11) 814:(12) 703:ISBN 682:ISBN 661:ISBN 640:ISBN 619:ISBN 598:ISBN 577:ISBN 418:Size 405:Name 312:Play 287:play 207:and 175:, a 161:Play 142:Play 69:Size 48:Name 992:(9) 986:(7) 980:(6) 974:(4) 968:(2) 962:(0) 931:(8) 925:(6) 919:(5) 913:(3) 907:(1) 882:(8) 876:(3) 870:(1) 845:(9) 839:(4) 833:(2) 808:(7) 802:(5) 796:(0) 475:750 465:800 302:In 277:In 256:In 171:In 116:800 1692:: 1231:10 413:m6 343:, 339:, 318:) 243:. 64:m6 1243:) 1240:2 1236:1 1233:+ 1229:( 1223:) 1220:2 1216:1 1213:+ 1211:8 1209:( 1203:) 1200:2 1196:1 1193:+ 1191:6 1189:( 1183:) 1180:2 1176:1 1173:+ 1171:5 1169:( 1163:) 1160:2 1156:1 1153:+ 1151:3 1149:( 1143:) 1140:2 1136:1 1133:+ 1131:1 1129:( 1123:) 1120:2 1116:1 1113:( 739:e 732:t 725:v 709:. 688:. 667:. 604:. 583:. 526:( 438:4 428:8 89:4 79:8 20:)

Index

Undecimal minor sixth
Inverse
major third
Semitones
Interval class
Just interval
Cents
12-Tone equal temperament
Just intonation

Play

Play
Western classical music
musical interval
staff positions
Interval number
major sixth
semitones
Diminished
augmented
equal temperament
enharmonically equivalent
augmented fifth
inversion
semitones
cents
just intonation
Pythagorean tuning
5-limit tuning

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