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Union Station (film)

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gang, and sees a third kidnapper, Vince Marley. Beacom drives away (though Joyce memorizes the license plate number), but the police arrest Marley. When he refuses to talk, Donnelly tells Bill to kill him and make his death look accidental. When the policemen pretend to prepare to throw Marley in front of an arriving train, he breaks and tells them where Lorna is being held. However, Beacom and his girlfriend Marge Wrighter have already taken Lorna somewhere else by the time they break in.
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sticking out of it. Bill tries to apprehend Beacom, but is shot in the shoulder. Beacom flees to the municipal tunnel underneath the station, where he left Lorna, with Bill in hot pursuit. Bill manages to shoot and kill Beacom and rescue Lorna. Afterward, Joyce (who has developed an attraction to Bill, and vice versa) notices Bill's wound.
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does not want the police to get involved as they might endanger his daughter's life. Bill and his boss, Inspector Donnelly, persuade him to accept their help. The railway station where Calhoun works has been chosen as the location to pay off the ransom. Bill and Donnelly race against time to save Lorna and bring the kidnappers to justice.
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outlook is belied by the fact that the police play as rough as the bad guys, blurring the lines of good and evil. Audiences are used to seeing Barry Fitzgerald as a kindly Irish priest in most roles; during the scene on the empty platform, though, Fitzgerald's Inspector Donnelly tells the cops in his
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Beacom, dressed as an employee, forces a parcel clerk at gunpoint to accept the suitcase with the ransom money and switch it with another one that looks just like it. The clerk tells the messenger who brought the ransom to take the second suitcase somewhere else. However, Joyce notices part of a coat
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When the kidnappers make contact with Murchison at the station, Joyce recognizes them. The police trail one of them, Gus Hadder, but he spots them and runs, only to die in an accident. The police prevent his death from being reported in the newspapers. Later, Joyce spots Joe Beacom, the leader of the
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When a patrolman spots Beacom's car, a gunfight breaks out. The policeman is killed, and Wrighter is fatally wounded in the crossfire. In the hospital, she tells Bill and Donnelly that Beacom intends to kill Lorna after he gets the ransom. She also reveals that Beacom used to work at the station.
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The two men deposit a suitcase in a storage locker. When Bill retrieves it, Joyce recognizes the clothing as belonging to Lorna Murchison, the blind daughter of wealthy Henry Murchison, Joyce's employer. When Mr. Murchison is brought in, he admits Lorna has been kidnapped and held for ransom, but
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gave actor William Holden a good review, writing, "William Holden, while youthful in appearance to head up the railway policing department of a metropolitan terminal, is in good form."
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but it shares the same mean spirit. Maté capitalizes on the story's setting by using innocent passengers and the station's dramatic spaces to heighten the feverish atmosphere."
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was the actual filming location), and changing the kidnap victim from a little boy to a blind, teen-aged girl, the script was quite faithful to its source material.
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is a fairly routine action film for 1950, with its high level of suspense, strong-arm police procedural tactics, and caper-film trappings. However, a definite
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Channel 4's film review notes, "Despite the barely believable plot, the film has a real edge. Made in 1950, it obviously can't push to the extremes of
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script for the film version was nominated for an Edgar in the screenplay category. Aside from changing the setting from
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most charming Father O'Flaherty voice, 'Make it look accidental.' That's one of the more chilling moments of
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Critic Jerry Renshaw lauded the film and wrote, "On the surface,
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than Fifties Hollywood. Director Maté also helmed the classic
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film review, 1999. Last accessed: January 16, 2008.
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January 3, 1951. p. 58. 1: 970:American crime thriller films 1015:1950s English-language films 844:The Black Shield of Falworth 660:AFI Catalog of Feature Films 423:Filming locations include: 331:as Detective Eddie Shattuck 161:September 8, 1950 1046: 1010:1950s crime thriller films 965:American crime drama films 772:The Prince Who Was a Thief 325:Fred Graff as Vince Marley 718: 404:Los Angeles Union Station 322:Don Dunning as Gus Hadder 253:Los Angeles Union Station 26: 1000:Paramount Pictures films 812:The Mississippi Gambler 400:Chicago's Union Station 364:as Hackett (uncredited) 960:1950 crime drama films 381:Nightmare in Manhattan 379:The film was based on 283:as Lt. William Calhoun 63:Nightmare in Manhattan 501:"Top Grosses of 1950" 396:Grand Central Station 319:as Henry L. Murchison 295:as Inspector Donnelly 249:Chicago Union Station 1020:1950s American films 995:Films set in Chicago 990:Rail transport films 932:Seven Seas to Calais 892:Three Violent People 796:Sally and Saint Anne 603:The Austin Chronicle 429:Downtown Los Angeles 868:Miracle in the Rain 780:When Worlds Collide 748:No Sad Songs for Me 289:as Joyce Willecombe 908:For the First Time 836:Siege at Red River 710:Films directed by 648:TCM Movie Database 313:as Lorna Murchison 251:(though filmed at 148:Paramount Pictures 138:Paramount Pictures 113:Ellsworth Hoagland 942: 941: 876:The Rawhide Years 543:Los Angeles Times 419:Filming locations 307:as Marge Wrighter 209: 208: 1037: 924:The 300 Spartans 860:The Far Horizons 724:It Had to Be You 704: 697: 690: 681: 671: 608: 595: 589: 583: 577: 569: 563: 560: 554: 553: 552: 550: 533: 527: 515: 509: 508: 497: 412:Sunset Boulevard 343:as Detective Fay 293:Barry Fitzgerald 237:Barry Fitzgerald 168: 166: 93:Barry Fitzgerald 31: 19: 1045: 1044: 1040: 1039: 1038: 1036: 1035: 1034: 945: 944: 943: 938: 916:Revak the Rebel 852:The Violent Men 788:The Green Glove 714: 708: 666: 616: 611: 596: 592: 584: 580: 570: 566: 561: 557: 548: 546: 535: 534: 530: 516: 512: 499: 498: 494: 490: 474:more suited to 441: 421: 415:the same year. 393:New York City's 377: 277: 245: 178: 171: 164: 162: 155: 140: 133: 131: 91: 87: 68:by Thomas Walsh 67: 65: 34: 17: 12: 11: 5: 1043: 1041: 1033: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 992: 987: 982: 977: 972: 967: 962: 957: 947: 946: 940: 939: 937: 936: 928: 920: 912: 904: 896: 888: 880: 872: 864: 856: 848: 840: 832: 824: 816: 808: 800: 792: 784: 776: 768: 760: 752: 744: 736: 728: 719: 716: 715: 709: 707: 706: 699: 692: 684: 678: 677: 663: 662: 650: 639: 628: 615: 614:External links 612: 610: 609: 598:Renshaw, Jerry 590: 578: 564: 555: 528: 510: 491: 489: 486: 440: 437: 420: 417: 389:Sydney Boehm's 376: 373: 372: 371: 365: 359: 358:as Pretty Girl 353: 350: 347: 344: 338: 332: 326: 323: 320: 314: 311:Allene Roberts 308: 302: 296: 290: 284: 281:William Holden 276: 273: 244: 241: 229:William Holden 207: 206: 203: 199: 198: 195: 191: 190: 187: 183: 182: 179: 176: 173: 172: 170: 169: 158: 156: 153: 150: 149: 146: 145:Distributed by 142: 141: 136: 134: 129: 126: 125: 123:Heinz Roemheld 120: 116: 115: 110: 106: 105: 103:Daniel L. Fapp 100: 99:Cinematography 96: 95: 85:William Holden 82: 78: 77: 76:Jules Schermer 74: 70: 69: 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1042: 1031: 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 952: 950: 934: 933: 929: 926: 925: 921: 918: 917: 913: 910: 909: 905: 902: 901: 897: 894: 893: 889: 886: 885: 881: 878: 877: 873: 870: 869: 865: 862: 861: 857: 854: 853: 849: 846: 845: 841: 838: 837: 833: 830: 829: 825: 822: 821: 820:Second Chance 817: 814: 813: 809: 806: 805: 801: 798: 797: 793: 790: 789: 785: 782: 781: 777: 774: 773: 769: 766: 765: 761: 758: 757: 756:Union Station 753: 750: 749: 745: 742: 741: 737: 734: 733: 732:The Dark Past 729: 726: 725: 721: 720: 717: 713: 705: 700: 698: 693: 691: 686: 685: 682: 676: 672: 669: 668:Union Station 664: 661: 658: 656: 655: 654:Union Station 651: 649: 645: 644: 643:Union Station 640: 638: 634: 633: 632:Union Station 629: 627: 623: 622: 621:Union Station 618: 617: 613: 606: 604: 599: 594: 591: 587: 582: 579: 575: 574: 568: 565: 559: 556: 545: 544: 539: 532: 529: 525: 521: 520: 519:Union Station 514: 511: 506: 502: 496: 493: 487: 485: 483: 482: 477: 473: 468: 464: 463:Union Station 459: 457: 456: 450: 448: 447: 443:The staff at 438: 436: 434: 430: 426: 425:Union Station 418: 416: 414: 413: 407: 405: 401: 397: 394: 390: 386: 382: 374: 369: 366: 363: 362:John Crawford 360: 357: 354: 351: 348: 345: 342: 341:Ralph Sanford 339: 336: 333: 330: 327: 324: 321: 318: 317:Herbert Heyes 315: 312: 309: 306: 303: 301:as Joe Beacom 300: 297: 294: 291: 288: 285: 282: 279: 278: 274: 272: 268: 264: 260: 256: 254: 250: 242: 240: 238: 234: 230: 227:and starring 226: 222: 219: 215: 214: 213:Union Station 204: 200: 196: 192: 189:United states 188: 184: 180: 174: 160: 159: 157: 151: 147: 143: 139: 135: 127: 124: 121: 117: 114: 111: 107: 104: 101: 97: 94: 90: 86: 83: 79: 75: 71: 64: 61: 57: 54: 51: 49:Screenplay by 47: 44: 41: 37: 30: 25: 22:Union Station 20: 930: 922: 914: 906: 900:The Deep Six 898: 890: 884:Port Afrique 882: 874: 866: 858: 850: 842: 834: 826: 818: 810: 802: 794: 786: 778: 770: 762: 755: 754: 746: 738: 730: 722: 712:Rudolph MatĂ© 670:film trailer 667: 653: 642: 631: 620: 601: 593: 581: 572: 567: 558: 547:, retrieved 541: 531: 518: 513: 504: 495: 479: 476:James Ellroy 471: 466: 462: 460: 453: 451: 444: 442: 422: 410: 408: 402:(though the 380: 378: 305:Jan Sterling 299:Lyle Bettger 269: 265: 261: 257: 246: 225:Rudolph MatĂ© 223:directed by 212: 211: 210: 177:Running time 154:Release date 62: 53:Sydney Boehm 43:Rudolph MatĂ© 455:Dirty Harry 368:George Lynn 335:Parley Baer 287:Nancy Olson 233:Nancy Olson 218:crime drama 205:$ 1,425,000 89:Nancy Olson 73:Produced by 39:Directed by 955:1950 films 949:Categories 488:References 484:in 1950." 433:California 375:Background 329:James Seay 216:is a 1950 202:Box office 181:80 minutes 165:1950-09-08 130:Production 66:1950 novel 980:Film noir 828:Forbidden 586:Channel 4 549:April 12, 439:Reception 356:Jean Ruth 221:film noir 109:Edited by 637:AllMovie 194:Language 119:Music by 81:Starring 59:Based on 764:Branded 675:YouTube 657:at the 646:at the 573:Variety 505:Variety 446:Variety 197:English 186:Country 163: ( 132:company 935:(1962) 927:(1962) 919:(1960) 911:(1959) 903:(1958) 895:(1956) 887:(1956) 879:(1956) 871:(1956) 863:(1955) 855:(1955) 847:(1954) 839:(1954) 831:(1953) 823:(1953) 815:(1953) 807:(1952) 799:(1952) 791:(1952) 783:(1951) 775:(1951) 767:(1950) 759:(1950) 751:(1950) 743:(1949) 740:D.O.A. 735:(1948) 727:(1947) 481:D.O.A. 804:Paula 472:noir, 385:Edgar 383:, an 626:IMDb 551:2014 524:IMDb 467:noir 275:Cast 243:Plot 235:and 673:on 635:at 624:at 522:at 398:to 247:At 951:: 600:. 540:, 503:. 431:, 427:, 239:. 231:, 703:e 696:t 689:v 605:, 526:. 167:)

Index


Rudolph Maté
Sydney Boehm
William Holden
Nancy Olson
Barry Fitzgerald
Daniel L. Fapp
Ellsworth Hoagland
Heinz Roemheld
Paramount Pictures
crime drama
film noir
Rudolph Maté
William Holden
Nancy Olson
Barry Fitzgerald
Chicago Union Station
Los Angeles Union Station
William Holden
Nancy Olson
Barry Fitzgerald
Lyle Bettger
Jan Sterling
Allene Roberts
Herbert Heyes
James Seay
Parley Baer
Ralph Sanford
Jean Ruth
John Crawford

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