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480:β Lead vocals on "Red River Cargo" and "Last Breath", background vocals on "Incubus" and "Control Freak", (also uncredited background vocals on "Missing Piece–Night Dissolves")
622:'s Capt. Benjamin L. Willard. The album title also comes from a quote from Willard: "They told me that you had gone totally insane, and that your methods were unsound."
490:
solo on "Missing Piece", talking on "Drifting" and "Last Breath", background vocals on "Incubus", "Control Freak", and "Shunt", assistance and coordination
317:
The music was very different from previous Recoil offerings. According to Wilder, "...he sound relates much more to the approach taken on
Depeche Mode's
300:, and additional production and engineering by Steve Lyon. The album was mixed by Wilder (with assistance from Paul Stevens and Simon Shazell).
296:, during sessions that lasted from September 1996 to March 1997. The album was produced by Alan Wilder, with assistance and coordination by
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utilizing all the available technology, to hopefully achieve something more interesting than the sound of a band playing together."
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Siobhan Lynch β Lead vocals on "Drifting" and "Missing Piece", background vocals on "Control Freak" and "Stalker"βPunished Mix
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319:
326:, which featured and combined lots of snatches of performance (with all their inherent feel). These parts were then
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Maggie Estep β Lead vocals on "Luscious
Apparatus" and "Control Freak", background vocals on "Stalker"βPunished Mix
898:
654:
is the only collaborator to sing lead vocals on two Recoil albums. He also sang the single "Faith Healer" on the
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Hildia
Cambell was tapped to sing on the album after joining Depeche Mode as a touring singer during the
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Pat Boone and Ernest Gold are listed as a co-writer of "Last Breath" because an
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Tour. She also sings on the song "Get Right with Me" on the
Depeche Mode album
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is listed as a co-writer of "Incubus" as the song is filled with quotes from
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of their song "Exodus (This Land Is Mine)", from the 1960 film
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In "Control Freak", there is an interpolation of part of the
691:). The words are changed to "You're all I need to get high".
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Hildia
Campbell and Siobhan Lynch were all vocalists. The
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596:"Missing Piece"–Night Dissolves (by Wilder and PK)
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was Alan Wilder's fourth Recoil release (after three
593:"Stalker"–Punished Mix (by Alan Wilder and PK)
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310:), and his first since his departure from his band
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503:Steve Lyon β Additional production and programming
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62:September 1996 β March 1997 at The Thin Line
8:
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445:Alan Wilder β All music (except as noted),
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754:"SHUNT | the Official Recoil Website"
188:
29:
20:
700:
599:"Red River Cargo"–(album version)
564:"Drifting"–Poison Dub (by Wilder)
288:, released in 1997. It was recorded at
561:"Drifting"–Radio Mix (by Wilder)
618:. Douglas McCarthy even sounds like
194:
7:
374:, Finland remixed the song "Shunt".
386:"Incubus" (Words: Douglas McCarthy/
661:"Red River Cargo" is based on the
530:"Shunt (Pansonic Mix)" remixed by
292:'s home studio, The Thin Line, in
14:
730:Lastsigh.com interview, June 1998
393:"Drifting" (Words: Siobhan Lynch)
382:All music written by Alan Wilder
249:
215:
740:From Recoil's official website:
518:House (at Intro) β Sleeve design
500:on "Stalker" and "Control Freak"
268:
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18:1997 studio album by Recoil
461:on "Missing Piece" and "Shunt"
416:"Missing Piece" (Words: Lynch)
413:"Control Freak" (Words: Estep)
284:is the fourth studio album by
1:
509:Simon Shazell β Mix assistant
396:"Luscious Apparatus" (Words:
506:Paul Stevens β Mix assistant
681:You're All I Need to Get By
670:Take My Hand, Precious Lord
645:Songs of Faith and Devotion
588:CD: Mute / CD MUTE 214 (UK)
556:CD: Mute / CD MUTE 209 (UK)
403:"Stalker" (Words: McCarthy)
354:Songs of Faith and Devotion
320:Songs of Faith and Devotion
951:
468:on "Incubus" and "Stalker"
406:"Red River Cargo" (Words:
800:
202:
199:
150:
28:
512:Ian Cooper β Metropolis
583:"Stalker/Missing Piece"
430:"Shunt" (Words: Wilder)
390:(listed as F. Copolla))
935:Reprise Records albums
567:"Control Freak"–
419:"Last Breath" (Words:
677:Ashford & Simpson
435:Credits and personnel
930:Recoil (band) albums
610:Francis Ford Coppola
388:Francis Ford Coppola
190:Professional ratings
925:Mute Records albums
683:" (made popular by
672:", written in 1932.
464:Douglas McCarthy β
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869:Compilation albums
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459:background vocals
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64:(Sussex, England)
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304:Unsound Methods
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54:27 October 1997
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24:Unsound Methods
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719:babysue review
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615:Apocalypse Now
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574:"Shunt"–
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357:back-up singer
314:in June 1995.
308:extended plays
298:Hepzibah Sessa
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689:Tammi Terrell
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627:interpolation
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569:Barry Adamson
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378:Track listing
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195:Review scores
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894:Depeche Mode
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620:Martin Sheen
613:
536:
494:Oliver Kraus
398:Maggie Estep
381:
353:
342:Maggie Estep
336:
318:
316:
312:Depeche Mode
303:
302:
280:
279:
278:
173:
165:
164:
155:
120:Warner Bros.
39:Studio album
15:
920:1997 albums
806:Alan Wilder
685:Marvin Gaye
666:gospel song
526:Photography
466:Lead vocals
421:Ernest Gold
361:avant-garde
338:Spoken word
290:Alan Wilder
138:Alan Wilder
76:Electronica
914:Categories
899:The Hitmen
640:Devotional
635:, is used.
551:"Drifting"
451:programmer
364:electronic
346:Nitzer Ebb
146:chronology
838:Bloodline
831:Hydrology
656:Bloodline
532:Pan Sonic
514:mastering
425:Pat Boone
368:Pan Sonic
348:vocalist
332:sequenced
157:Bloodline
111:STUMM 159
877:Selected
859:subHuman
576:Pansonic
447:producer
209:AllMusic
134:Producer
122:–
109:–
59:Recorded
51:Released
41: by
546:Singles
340:artist
328:sampled
244:babysue
179:(2000)
170:(1997)
161:(1992)
116:Reprise
852:Liquid
794:Recoil
679:song "
658:album.
632:Exodus
604:Trivia
537:
488:Violin
457:, and
294:Sussex
286:Recoil
203:Rating
200:Source
175:Liquid
144:Recoil
82:Length
44:Recoil
824:1 + 2
742:Shunt
696:Notes
498:Cello
455:mixer
372:Turku
370:from
124:46820
99:Label
71:Genre
687:and
366:duo
330:and
107:Mute
578:Mix
571:Mix
916::
524:β
496:β
486:β
453:,
449:,
352:,
344:,
324:LP
91:58
87:58
786:e
779:t
772:v
756:.
668:"
648:.
427:)
423:/
410:)
400:)
118:/
89::
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