Knowledge (XXG)

Unsound Methods

Source πŸ“

270: 236: 265: 260: 255: 250: 231: 226: 221: 216: 31: 480:– Lead vocals on "Red River Cargo" and "Last Breath", background vocals on "Incubus" and "Control Freak", (also uncredited background vocals on "Missing Piece–Night Dissolves") 622:'s Capt. Benjamin L. Willard. The album title also comes from a quote from Willard: "They told me that you had gone totally insane, and that your methods were unsound." 490:
solo on "Missing Piece", talking on "Drifting" and "Last Breath", background vocals on "Incubus", "Control Freak", and "Shunt", assistance and coordination
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The music was very different from previous Recoil offerings. According to Wilder, "...he sound relates much more to the approach taken on Depeche Mode's
300:, and additional production and engineering by Steve Lyon. The album was mixed by Wilder (with assistance from Paul Stevens and Simon Shazell). 296:, during sessions that lasted from September 1996 to March 1997. The album was produced by Alan Wilder, with assistance and coordination by 334:
utilizing all the available technology, to hopefully achieve something more interesting than the sound of a band playing together."
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Siobhan Lynch – Lead vocals on "Drifting" and "Missing Piece", background vocals on "Control Freak" and "Stalker"–Punished Mix
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Maggie Estep – Lead vocals on "Luscious Apparatus" and "Control Freak", background vocals on "Stalker"–Punished Mix
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is the only collaborator to sing lead vocals on two Recoil albums. He also sang the single "Faith Healer" on the
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Hildia Cambell was tapped to sing on the album after joining Depeche Mode as a touring singer during the
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Pat Boone and Ernest Gold are listed as a co-writer of "Last Breath" because an
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Tour. She also sings on the song "Get Right with Me" on the Depeche Mode album
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is listed as a co-writer of "Incubus" as the song is filled with quotes from
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of their song "Exodus (This Land Is Mine)", from the 1960 film
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In "Control Freak", there is an interpolation of part of the
691:). The words are changed to "You're all I need to get high". 439: 359:
Hildia Campbell and Siobhan Lynch were all vocalists. The
762: 596:"Missing Piece"–Night Dissolves (by Wilder and PK) 306:
was Alan Wilder's fourth Recoil release (after three
593:"Stalker"–Punished Mix (by Alan Wilder and PK) 886: 868: 815: 310:), and his first since his departure from his band 142: 132: 97: 81: 69: 58: 50: 37: 23: 503:Steve Lyon – Additional production and programming 778: 62:September 1996 – March 1997 at The Thin Line 8: 247: 213: 445:Alan Wilder – All music (except as noted), 785: 771: 763: 754:"SHUNT | the Official Recoil Website" 188: 29: 20: 700: 599:"Red River Cargo"–(album version) 564:"Drifting"–Poison Dub (by Wilder) 288:, released in 1997. It was recorded at 561:"Drifting"–Radio Mix (by Wilder) 618:. Douglas McCarthy even sounds like 194: 7: 374:, Finland remixed the song "Shunt". 386:"Incubus" (Words: Douglas McCarthy/ 661:"Red River Cargo" is based on the 530:"Shunt (Pansonic Mix)" remixed by 292:'s home studio, The Thin Line, in 14: 730:Lastsigh.com interview, June 1998 393:"Drifting" (Words: Siobhan Lynch) 382:All music written by Alan Wilder 249: 215: 740:From Recoil's official website: 518:House (at Intro) – Sleeve design 500:on "Stalker" and "Control Freak" 268: 263: 258: 253: 248: 234: 229: 224: 219: 214: 18:1997 studio album by Recoil 461:on "Missing Piece" and "Shunt" 416:"Missing Piece" (Words: Lynch) 413:"Control Freak" (Words: Estep) 284:is the fourth studio album by 1: 509:Simon Shazell – Mix assistant 396:"Luscious Apparatus" (Words: 506:Paul Stevens – Mix assistant 681:You're All I Need to Get By 670:Take My Hand, Precious Lord 645:Songs of Faith and Devotion 588:CD: Mute / CD MUTE 214 (UK) 556:CD: Mute / CD MUTE 209 (UK) 403:"Stalker" (Words: McCarthy) 354:Songs of Faith and Devotion 320:Songs of Faith and Devotion 951: 468:on "Incubus" and "Stalker" 406:"Red River Cargo" (Words: 800: 202: 199: 150: 28: 512:Ian Cooper – Metropolis 583:"Stalker/Missing Piece" 430:"Shunt" (Words: Wilder) 390:(listed as F. Copolla)) 935:Reprise Records albums 567:"Control Freak"– 419:"Last Breath" (Words: 677:Ashford & Simpson 435:Credits and personnel 930:Recoil (band) albums 610:Francis Ford Coppola 388:Francis Ford Coppola 190:Professional ratings 925:Mute Records albums 683:" (made popular by 672:", written in 1932. 464:Douglas McCarthy – 191: 869:Compilation albums 189: 907: 906: 542: 541: 459:background vocals 277: 276: 187: 186: 183: 182: 125: 112: 64:(Sussex, England) 942: 887:Related articles 787: 780: 773: 764: 758: 757: 750: 744: 738: 732: 727: 721: 716: 710: 705: 663:Thomas A. Dorsey 652:Douglas McCarthy 440: 408:Thomas A. Dorsey 350:Douglas McCarthy 273: 272: 271: 267: 266: 262: 261: 257: 256: 252: 251: 239: 238: 237: 233: 232: 228: 227: 223: 222: 218: 217: 192: 152: 151: 123: 110: 93: 92: 88: 65: 33: 21: 950: 949: 945: 944: 943: 941: 940: 939: 910: 909: 908: 903: 882: 864: 845:Unsound Methods 811: 796: 791: 761: 752: 751: 747: 739: 735: 728: 724: 717: 713: 708:Allmusic review 706: 702: 698: 606: 590: 585: 558: 553: 548: 543: 478:Hildia Campbell 437: 380: 304:Unsound Methods 281:Unsound Methods 269: 264: 259: 254: 235: 230: 225: 220: 178: 169: 166:Unsound Methods 160: 128: 90: 86: 85: 63: 54:27 October 1997 46: 24:Unsound Methods 19: 12: 11: 5: 948: 946: 938: 937: 932: 927: 922: 912: 911: 905: 904: 902: 901: 896: 890: 888: 884: 883: 881: 880: 872: 870: 866: 865: 863: 862: 855: 848: 841: 834: 827: 819: 817: 813: 812: 810: 809: 801: 798: 797: 792: 790: 789: 782: 775: 767: 760: 759: 745: 733: 722: 719:babysue review 711: 699: 697: 694: 693: 692: 673: 659: 649: 636: 623: 615:Apocalypse Now 605: 602: 601: 600: 597: 594: 589: 586: 584: 581: 580: 579: 574:"Shunt"– 572: 565: 562: 557: 554: 552: 549: 547: 544: 540: 539: 535: 534: 528: 522:Merton Gauster 519: 516: 510: 507: 504: 501: 491: 484:Hepzibah Sessa 481: 475: 472: 469: 462: 438: 436: 433: 432: 431: 428: 417: 414: 411: 404: 401: 394: 391: 379: 376: 357:back-up singer 314:in June 1995. 308:extended plays 298:Hepzibah Sessa 275: 274: 245: 241: 240: 211: 205: 204: 201: 197: 196: 185: 184: 181: 180: 171: 162: 148: 147: 140: 139: 136: 130: 129: 127: 126: 113: 103: 101: 95: 94: 83: 79: 78: 73: 67: 66: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 947: 936: 933: 931: 928: 926: 923: 921: 918: 917: 915: 900: 897: 895: 892: 891: 889: 885: 879: 878: 874: 873: 871: 867: 861: 860: 856: 854: 853: 849: 847: 846: 842: 840: 839: 835: 833: 832: 828: 826: 825: 821: 820: 818: 816:Studio albums 814: 808: 807: 803: 802: 799: 795: 788: 783: 781: 776: 774: 769: 768: 765: 755: 749: 746: 743: 737: 734: 731: 726: 723: 720: 715: 712: 709: 704: 701: 695: 690: 689:Tammi Terrell 686: 682: 678: 674: 671: 667: 664: 660: 657: 653: 650: 647: 646: 641: 637: 634: 633: 628: 627:interpolation 624: 621: 617: 616: 611: 608: 607: 603: 598: 595: 592: 591: 587: 582: 577: 573: 570: 569:Barry Adamson 566: 563: 560: 559: 555: 550: 545: 538: 533: 529: 527: 523: 520: 517: 515: 511: 508: 505: 502: 499: 495: 492: 489: 485: 482: 479: 476: 473: 470: 467: 463: 460: 456: 452: 448: 444: 443: 442: 441: 434: 429: 426: 422: 418: 415: 412: 409: 405: 402: 399: 395: 392: 389: 385: 384: 383: 378:Track listing 377: 375: 373: 369: 365: 362: 358: 355: 351: 347: 343: 339: 335: 333: 329: 325: 322: 321: 315: 313: 309: 305: 301: 299: 295: 291: 287: 283: 282: 246: 243: 242: 212: 210: 207: 206: 198: 195:Review scores 193: 177: 176: 172: 168: 167: 163: 159: 158: 154: 153: 149: 145: 141: 137: 135: 131: 121: 117: 114: 108: 105: 104: 102: 100: 96: 84: 80: 77: 74: 72: 68: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 894:Depeche Mode 875: 857: 850: 844: 843: 836: 829: 822: 804: 748: 736: 725: 714: 703: 655: 643: 630: 620:Martin Sheen 613: 536: 494:Oliver Kraus 398:Maggie Estep 381: 353: 342:Maggie Estep 336: 318: 316: 312:Depeche Mode 303: 302: 280: 279: 278: 173: 165: 164: 155: 120:Warner Bros. 39:Studio album 15: 920:1997 albums 806:Alan Wilder 685:Marvin Gaye 666:gospel song 526:Photography 466:Lead vocals 421:Ernest Gold 361:avant-garde 338:Spoken word 290:Alan Wilder 138:Alan Wilder 76:Electronica 914:Categories 899:The Hitmen 640:Devotional 635:, is used. 551:"Drifting" 451:programmer 364:electronic 346:Nitzer Ebb 146:chronology 838:Bloodline 831:Hydrology 656:Bloodline 532:Pan Sonic 514:mastering 425:Pat Boone 368:Pan Sonic 348:vocalist 332:sequenced 157:Bloodline 111:STUMM 159 877:Selected 859:subHuman 576:Pansonic 447:producer 209:AllMusic 134:Producer 122:– 109:– 59:Recorded 51:Released 41: by 546:Singles 340:artist 328:sampled 244:babysue 179:(2000) 170:(1997) 161:(1992) 116:Reprise 852:Liquid 794:Recoil 679:song " 658:album. 632:Exodus 604:Trivia 537: 488:Violin 457:, and 294:Sussex 286:Recoil 203:Rating 200:Source 175:Liquid 144:Recoil 82:Length 44:Recoil 824:1 + 2 742:Shunt 696:Notes 498:Cello 455:mixer 372:Turku 370:from 124:46820 99:Label 71:Genre 687:and 366:duo 330:and 107:Mute 578:Mix 571:Mix 916:: 524:– 496:– 486:– 453:, 449:, 352:, 344:, 324:LP 91:58 87:58 786:e 779:t 772:v 756:. 668:" 648:. 427:) 423:/ 410:) 400:) 118:/ 89::

Index


Studio album
Recoil
Genre
Electronica
Label
Mute
Reprise
Warner Bros.
Producer
Recoil
Bloodline
Liquid
AllMusic
Recoil
Alan Wilder
Sussex
Hepzibah Sessa
extended plays
Depeche Mode
Songs of Faith and Devotion
LP
sampled
sequenced
Spoken word
Maggie Estep
Nitzer Ebb
Douglas McCarthy
back-up singer
avant-garde

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