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423:" and works best when Ashlyn experiments with additions of noise or subtle glitching sounds, which she only leans into occasionally but those moments are among the album's most powerful. Stasis concluded by calling the album "overall interesting" and revealing of Ashlyn's "further potential".
29:
252:. The album was preceded by one single, "The Martyr", which was released on August 22. The album name came from Ashlyn's belief that the album speaks to "trying to process what a surreal world feels like in the wake of such a reality".
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Though the album comes after Askew's death, the lyrics are noted as uplifting and celebratory, with Ashlyn sounding "utterly grateful" to have known Askew and offering hope while honoring Askew's memory.
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s Larry
Fitzmaurice noted that while the layers of "incantatory spoken-word" and "high-register vocal acrobatics" would typically be called "otherworldly", Ashlyn's have a "lovely human imperfection".
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Critics consistently praised Ashlyn's vocals, calling them "astounding" and the "singular center of the record" with which she delivers "an unbelievable performance."
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Ashlyn went into the album knowing its sound would be informed by her work with Them Are Us Too, and that its fundamental aspects will always be connected to Askew.
197:, her duo with Cash Askew, after Askew died in 2016. It was preceded by one single, "The Martyr". The album was received positively by critics, who compared its
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308:. The album has also been said to continue the musical direction of Ashlyn's former duo Them Are Us Too, though with "an added level of poignancy".
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237:, Ashlyn moved on to her solo career as SRSQ, which had started with her first live performance under the name in May 2017.
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with Cash Askew. The duo formed in 2012 and released one EP and one album together in 2015. Askew died in the
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The album was first announced on August 24, 2018, and released on
October 26 by
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288:-minded kin". Ashlyn's vocals have been compared to Cocteau Twins vocalist
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in 2016. Ashlyn subsequently completed Them Are Us Too's second album,
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s Spyros Stasis said the album "feels a bit downgraded in terms of
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276:. It has been compared to the output of the English record label
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107:
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798:"The Debut Record of SRSQ Arrives With a Dark '80s Nostalgia"
619:"After devastating loss, Them Are Us Too prepare final album
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is the debut solo album by
Kennedy Ashlyn under the alias
654:"Them Are Us Too's Kennedy Ashlyn Speaks on Bringing
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205:and called its lyrics uplifting and celebratory.
189:. The album was released on October 26, 2018, by
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410:an "immensely beautiful, affecting record."
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683:"Kennedy Ashlyn's Post-Tragedy Renaissance"
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213:Prior to SRSQ, Ashlyn was one half of the
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193:. The project came after Ashlyn retired
863:Fitzmaurice, Larry (October 29, 2018).
826:"SRSQ's "The Martyr" feels like flying"
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7:
960:Albums in memory of deceased persons
796:Stasis, Spyros (October 24, 2018).
652:Maril, Madge (September 19, 2018).
268:while also including influences of
824:Kameir, Rawiya (August 22, 2018).
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721:Mines Grief You Can't Talk About"
715:Schube, Will (October 22, 2018).
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617:Vera, Vicente (May 30, 2018).
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1:
16:2018 studio album by SRSQ
748:"SRSQ Announces Debut Album
717:"SRSQ's Floating, Abstract
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444:All tracks are written by
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592:Matia Simovich – producer
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166:Released: August 22, 2018
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201:sound to bands such as
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633:on February 20, 2023
292:and fellow 4AD alum
955:Dais Records albums
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757:New Noise Magazine
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274:neoclassical music
266:ethereal dark wave
199:ethereal dark wave
63:Ethereal dark wave
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760:. August 24, 2018
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629:. Archived from
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691:. March 1, 2019
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627:The Bay Bridged
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869:Album Review"
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282:Cocteau Twins
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131:Ever Crashing
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921:. Retrieved
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835:. Retrieved
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807:. Retrieved
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762:. Retrieved
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730:. Retrieved
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695:February 20,
693:. Retrieved
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667:February 20,
665:. Retrieved
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637:February 20,
635:. Retrieved
631:the original
626:
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584:synthesizers
542:"Permission"
520:"Mixed Tide"
509:"Procession"
487:"The Martyr"
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298:Lisa Gerrard
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191:Dais Records
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163:"The Martyr"
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37:Studio album
950:SRSQ albums
531:"No Reason"
302:David Bowie
284:and their "
939:Categories
803:PopMatters
597:References
588:sequencing
582:– vocals,
553:"Only One"
413:PopMatters
392:PopMatters
306:Zola Jesus
209:Background
152:Unreality
110:chronology
910:Unreality
874:Pitchfork
867:Unreality
831:The Fader
750:Unreality
719:Unreality
658:to Light"
574:Personnel
498:"Cherish"
476:"Prelude"
453:Unreality
429:Pitchfork
408:Unreality
380:Pitchfork
322:Unreality
316:Reception
270:post-punk
262:Unreality
219:dark wave
215:dream pop
182:Unreality
123:Unreality
22:Unreality
917:AllMusic
908:"SRSQ -
404:AllMusic
343:AllMusic
98:Producer
49:Released
39: by
923:May 10,
880:May 10,
865:"SRSQ:
732:May 10,
421:texture
324:ratings
244:Release
148:Singles
134:(2022)
127:(2018)
837:May 7,
809:May 7,
764:May 7,
656:Amends
621:Amends
468:Length
385:6.9/10
337:Rating
334:Source
235:Amends
231:Amends
69:Length
566:39:21
465:Title
433:'
417:'
256:Style
150:from
86:Label
58:Genre
925:2023
882:2023
839:2023
811:2023
766:2023
734:2023
726:Vice
697:2023
669:2023
639:2023
556:7:15
545:5:32
534:2:31
523:6:45
512:5:43
501:4:50
490:4:22
479:2:23
397:7/10
304:and
286:goth
272:and
221:duo
217:and
187:SRSQ
108:SRSQ
91:Dais
42:SRSQ
461:No.
296:'s
278:4AD
941::
914:.
890:^
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752:"
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688:V
671:.
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623:"
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76::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
