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On his
American debut, director Henry Koster stood in the lobby waiting to see if the audience would laugh at his film. If they laughed, he knew he could make a career for himself. If they didn't, he'd have to return to Europe, where he could be killed by the Nazis. The audience laughed
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The documentary points to both the cruelty and irony of anti-Semitism. Talent that was “unwanted” in Europe because of prejudice was celebrated on the other side of the ocean. The charming clips interspersed throughout the documentary prove the injustice of rejecting Jewish talent.
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began to spread, it threatened not only their celebrity but also their lives. Filmmakers and actors moved to Vienna and
Budapest where their “unwanted cinema” was produced independently. Later, in hopes of escaping war-torn Europe, many Jews involved in cinema traveled to
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profiles Koster and other Jews who were involved in the movie business before and during World War II, as they struggled to preserve both their careers and their lives.
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by Petrus van der Let and Armin
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Until the dawn of Hitler, Jewish actors and producers throughout
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Documentary films about film directors and producers
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285:. You can help Knowledge (XXG) by
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188:Louis B. Mayer, King of Hollywood
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68:Running time
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16:2005 film
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158:Hollywood
115:features
182:See also
176:refugees
135:Synopsis
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77:Language
80:English
72:60 min.
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172:Oscars
149:Europe
105:Vienna
97:Jewish
281:is a
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231:2008
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52:2005
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