640:"Keith and I worked together on some etchings. There were these big metal plates. I would be working on one, and he would be working on one. Then we would switch and keep on drawing. I like drawing, because it's something you can do with someone else. I liked to draw with Keith, because he drew just like a kid. Now there won't be any more Keith Haring drawings. I wanted him to keep drawing for his whole life!" — Sean Kalish
606:"Keith was someone who was able to see beyond the usual criteria most of us use to define others. He was open to communication with the essential being regardless of their gender, race, age, etc... I listened to conversations he had with Sean on art ... and the creative process. Frankly, sometimes I was lost. I was thankful that Sean had found someone who he could have these conversations with.
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I was about six years old when I met Keith. I was acting at the time, and there was a casting studio a block or so away from the Pop Shop. Every time I had an audition at that studio, my mother would take me into the Pop Shop. Typically, we would stay there for over an hour. After I had been visiting
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Keith took the time to teach Sean about etching and then to teach him to etch. As part of this process, Keith gave Sean tools to do the etching. Sean was extremely excited after doing the etchings. We got to look at proofs with Keith on a visit to his studio. A lot of people were there that day. It
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Article 12.1 provides: "States
Parties shall assure to the child who is capable of forming his or her own views the right to express those views freely in all matters affecting the child, the views of the child being given due weight in accordance with the age and maturity of the
621:"When I was doing etchings with Keith, he let me draw anything I wanted to, and he made me feel that my drawings were very special. He made other children feel that way about their art. It was always fun to be with Keith because he knew how to have fun, just like a kid.
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The UNCRC protects the right of a child to participate in matters that affect them, including, for example, creative expression. However, Haring's collaboration was intended to champion the artistic value of children's creative expression and so actively counter
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I first met Keith in his studio. What I remember most about that meeting is that he did not talk down to or patronize me in any way, as adults always do with children. Rather, he spoke to me in perhaps the most honest way anyone ever had at the time.
1235:'Exhibition co-curator Ron Roth examines Haring's ardent social activism and utilization of the potential of art to enlarge public support and involvement in a variety of charitable causes, one of the definitive contributions of Haring's work'.
501:"What I like about children is their imagination. It's a combination of honesty and freedom they seem to have in expressing whatever is on their minds-and the fact that they have a really sophisticated sense of humor." — Keith Haring
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is established in 1986, by the
Foundation of Children's History, Art and Culture, which itself was established in 1980. The museum is a member of the Association of Norwegian Museums of Art and Social History, and
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Drawn by Haring and Kalish in New York City between 1989 and 1990. The two would pass preliminary works back and forth as they made progress, importantly with Haring offering as much credit to Kalish as to
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was before the holidays, and I remember that visit as one of the longest and happiest times we spent with Keith. No one wanted the visit to end. I think it was the last time we saw him ..."
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The United
Nations Convention on the Rights of the Child (UNCRC, 20 November 1989) formally enshrines the rights of children and young people to participate in matters that affect them:
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Keith Haring: Editions On Paper 1982–1990. Das
Druckgraphische Werk / The Complete Printed Works / L'oeuvre Imprimé Complet. From the Collection of the Estate of Keith Haring
1809:
Keith Haring: Editions On Paper 1982–1990. Das
Druckgraphische Werk / The Complete Printed Works / L'oeuvre Imprimé Complet. From the Collection of the Estate of Keith Haring
1220:'This catalog and exhibition document for the first time the unique body of work Haring completed through extraordinary collaborations with young friends and artists such as
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Produced and financed by Keith Haring in New York City in 1989, coinciding with the UN General
Assembly's adoption of the Convention on the Rights of the Child (UNCRC).
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16 February 1990, age 31. The United States of
America did not sign the convention until 16 February 1995, exactly five years later, and remains to the present day
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1585:"This series struck me. Like all people I'm familiar with his more iconic work, his pictograms. I like this because it also shows the influences of artists like
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1638:, it is a platform for children's art that advocates the importance of access to art, and the benefits of encouraging the arts, for children and young people.
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worldwide'. Curated by
Katharine J. Wright and organised in conjunction with Pan-Art Connections, Inc., touring to venues in the USA and Italy:
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444:(1857) encouraged artists to maintain an 'innocence of the eye', a freshness of vision that he called the 'condition of childhood'.
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589:" should be something that liberates the soul, provokes the imagination and encourages people to go further". — Keith Haring
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We always made art during our meetings. We would collaborate, or just work separately and share our art with one another."
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Part of the reason Keith chose etching as a medium for their collaboration was because Sean was not interested in color.
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2110:"Long Live the Legacy of Keith Haring: An Interview With Julia Gruen, Executive Director of the Keith Haring Foundation"
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promoted the idea that children could see the 'truth of nature' thanks to their "naive" perspective on the world.
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1811:(in German, English, and French) (2nd ed.). Ostfildern-Ruit, Stuttgart, Germany: Cantz. pp. 155–57.
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2473:"The Religious Right and the Opposition to U.S. Ratification of the Convention on the Rights of the Child"
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585:, by offering equal artistic credit and status to Kalish, whilst Haring was at the height of his career.
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is an untitled and unordered series of eleven untitled etchings, drawn between 1989 and 1990 by
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avidly collected, studied and in some instances took quite specific cues from children's art.
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1989:
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Children's Art has been admired by artists and used as inspiration recurrently, including:
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3082:(in German, English, and French) (2nd ed.). Ostfildern-Ruit, Stuttgart, Germany: Cantz.
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1577:"The results have surprisingly loose, refreshing edges and subjects." — William Jaeger,
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2881:"Keith Haring: Radiant VisionVilla Reale di Monza Orangerie – Pan Art Connections, Inc"
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undertaken at Haring's studio in New York City and coincided with the drafting of the
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The complete series of eleven etchings have featured in the following exhibitions:
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645:"Children are bearers of life in its simplest and most joyous form" — Keith Haring
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This was one of the final projects undertaken by Haring, and the last to involve
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The complete series of eleven etchings is held in the permanent collections of:
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1634:, for young artists aged 4–19 years studying in the UK. Modelled on the annual
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996:. Opposition to US ratification of the UNCRC comes from the 'religious right'.
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2797:"Keith Haring exhibition at Naples Art spans a brief, colorful, prolific life"
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881:, alongside Haring's use of his recently deceased friend Basquiat's (1960–88)
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motif, encircled by Haring's radiant lines (lines radiating from the motif).
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and opened it for signature on 20 November 1989 (the 30th anniversary of its
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A recurring theme throughout Haring's career is the value and engagement of
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1589:, who Haring said was a great influence. So besides contemporaries such as
2644:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2596:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2548:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2500:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2423:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2375:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2327:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2276:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2228:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2180:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
2132:"Keith Haring, Sean Kalish. Untitled from an untitled series. 1989 | MoMA"
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480:. Demonstrated by numerous murals assisted by local young people, such as
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496:"Children know something that most people have forgotten". — Keith Haring
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3063:
Keith Haring, Journey of the
Radiant Baby: February 18 – August 6, 2006.
2991:""Keith Haring: A Radiant Legacy" Is on View at the Michener Art Museum"
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1841:"Why we need to take child art seriously | Blog | Royal Academy of Arts"
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Includes Haring's rhythmic motion lines to express movement and energy.
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Includes Haring's rhythmic motion lines to express movement and energy.
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1877:. Piermont, New Hampshire: Bunker Hill Publishing Inc. pp. 48–49.
1875:
Keith Haring, Journey of the
Radiant Baby: February 18 – August 6, 2006
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1288:'. Described as a 'tribute to this iconic artist and his dedication to
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2947:"Keith Haring: A Radiant Legacy – James A. Michener Art Museum"
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the store for a few months, the manager suggested that I meet Keith.
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Explored 'how Haring fought for change, using art as a platform for
3168:
3061:
Haring, Keith; Reading Public Museum and Art Gallery, eds. (2006).
1933:"Keith Haring, Artist, Dies at 31; Career Began in Subway Graffiti"
1873:
Haring, Keith; Reading Public Museum and Art Gallery, eds. (2006).
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masters". . "He talked about how liberating he found the art of
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2017:(1st ed.). New York: Prentice Hall Editions. p. 113.
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U.S. ratification of the Convention on the Rights of the Child
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in collaboration with Sean Kalish, a 9-year-old patron of the
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viewed childhood as the 'primitive' prehistory of the adult.
348:, also in New York City. The UN General Assembly adopted the
3193:
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2696:"Haring exhibit at Fenimore a radiant splash frozen in time"
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the only country in the world not to have ratified the UNCRC
2771:"Keith Haring: Radiant Vision — Naples Art Institute"
510:
An exhibition of children's art from the classes of artist
404:, only becoming corrupted through experience of the world.
16:
1990 series of 11 etchings by Keith Haring with Sean Kalish
736:
to express the movement and energy of the dancing figure.
616:— Marta Kalish, mother of Sean. Interviewed November 2004.
407:
488:, or extensive collaborations with young people such as
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3484:
Collection of the Museum of Modern Art (New York City)
3065:
Piermont, New Hampshire: Bunker Hill Publishing Inc.
2725:"Keith Haring: Radiant Vision - Fenimore Art Museum"
408:
Children's perspective as inspiration in art history
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2903:"Keith Haring. Radiant Vision - Palazzo Tarasconi"
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1779:"Keith Haring, Sean Kalish. Untitled. 1989 | MoMA"
1630:, a free annual open submission exhibition at the
1093:Includes Kalish's drawing of Basquiat's (1960–88)
412:The unique perspective of children has influenced
2837:"Keith Haring. Radiant Vision - Reggia di Monza"
656:at his Wellington Studios in London, England.
551:. The museum receives an annual grant from the
3015:"קית' הרינג - האוסף המקורי | מתחם ארנה הרצליה"
667:(on the back) by Sean Kalish and Julia Gruen,
3215:
3099:(1st ed.). New York: Prentice Hall Editions.
8:
3385:Drawing the Line: A Portrait of Keith Haring
2795:Heithaus, Harriet Howard (7 November 2021).
2668:"Untitled (with Sean Kalish) | Keith Haring"
2620:"Untitled (with Sean Kalish) | Keith Haring"
2572:"Untitled (with Sean Kalish) | Keith Haring"
2524:"Untitled (with Sean Kalish) | Keith Haring"
2447:"Untitled (with Sean Kalish) | Keith Haring"
2399:"Untitled (with Sean Kalish) | Keith Haring"
2351:"Untitled (with Sean Kalish) | Keith Haring"
2303:"Untitled (with Sean Kalish) | Keith Haring"
2252:"Untitled (with Sean Kalish) | Keith Haring"
2204:"Untitled (with Sean Kalish) | Keith Haring"
2156:"Untitled (with Sean Kalish) | Keith Haring"
1913:. New York. 20 November 1989. Archived from
649:Proofed and printed in an edition of 33, by
1902:"11. CONVENTION ON THE RIGHTS OF THE CHILD"
992:male figure with small genitalia wearing a
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3208:
3200:
2043:The International Museum of Children's Art
686:
532:The International Museum of Children's Art
232:
29:
20:
3302:A Pile of Crowns for Jean-Michel Basquiat
2969:"Keith Haring: A Radiant Legacy - PANART"
1198:Keith Haring: Journey of the Radiant Baby
888:A Pile of Crowns for Jean-Michel Basquiat
738:Includes sonorous or energetic lines for
635:— Sean Kalish. Interviewed December 2004.
400:, and asserts that children are innately
2749:"CURATORIAL — Katharine J. Wright"
2925:"Keith Haring: Radiant Vision - PANART"
2859:"Keith Haring: Radiant Vision - PANART"
1765:
457:In the 20th century, artists including
216:
3097:Keith Haring: The Authorized Biography
2015:Keith Haring: the Authorized Biography
1931:Yarrow, Andrew L. (17 February 1990).
1130:The Keith Haring Foundation, New York.
885:motif. Echoing Haring's 1988 painting
659:Each print is stamped by the artist's
354:Declaration of the Rights of the Child
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1979:
1977:
1436: – 4 February 2024
1385: – 29 January 2023
1316: – 6 February 2022
1251: – 11 October 2021
870:Stylised female figure with Haring's
396:(1762) which rejects the doctrine of
342:Convention on the Rights of the Child
333:artistic collaboration was a form of
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1956:Reynolds, Kimberley (15 May 2014).
1187: – 6 August 2006
1127:The Museum of Modern Art, New York.
3334:Untitled Series (with Sean Kalish)
3310:Todos Juntos Podemos Parar el SIDA
3037:"Keith Haring "Untitled" - PANART"
1601:— Haring found inspiration in the
1520:Untitled Series (with Sean Kalish)
1480: – 31 July 2022
1354:Untitled Series (with Sean Kalish)
505:
307:Untitled Series (with Sean Kalish)
24:Untitled Series (with Sean Kalish)
14:
2694:Jaeger, William (2 August 2021).
1984:Haring, Keith (26 January 2010).
188:Plate: 12.5 × 15.5 cm (6 × 5 in.)
38:etching from the series (1989–90)
3419:Nakamura Keith Haring Collection
2084:"Keith's Kids | Sphere Magazine"
1145:
549:International Council of Museums
524:exhibited children's art at the
2815:"Keith Haring - Radiant Vision"
1839:Bretton, Molly (27 June 2022).
1636:Royal Academy Summer Exhibition
671:of the Keith Haring Estate and
346:United Nations General Assembly
1491:Keith Haring: A Radiant Legacy
1:
3078:Littmann, Klaus, ed. (1997).
1807:Littmann, Klaus, ed. (1997).
553:Norwegian Ministry of Culture
506:Children's art in art history
426:along with writers including
3401:The Universe of Keith Haring
2951:James A. Michener Art Museum
2108:Brito, Maria (22 May 2014).
1525:James A. Michener Art Museum
1447:Keith Haring: Radiant Vision
1396:Keith Haring: Radiant Vision
1327:Keith Haring: Radiant Vision
1262:Keith Haring: Radiant Vision
1228:, Sean Kalish, Zena Scharf,
450:From the late 19th century,
379:Background and collaboration
191:Sheet: 35.5 × 31.5 cm (14 ×
3155:The Keith Haring Foundation
3126:The Keith Haring Foundation
2673:The Keith Haring Foundation
2625:The Keith Haring Foundation
2577:The Keith Haring Foundation
2529:The Keith Haring Foundation
2452:The Keith Haring Foundation
2404:The Keith Haring Foundation
2356:The Keith Haring Foundation
2308:The Keith Haring Foundation
2257:The Keith Haring Foundation
2209:The Keith Haring Foundation
2161:The Keith Haring Foundation
2088:The Keith Haring Foundation
2082:Codrington, Andrea (1997).
1428:17 September 2023
1377:30 September 2022
1106:The Keith Haring Foundation
1067:The Keith Haring Foundation
1036:The Keith Haring Foundation
1004:The Keith Haring Foundation
961:The Keith Haring Foundation
930:The Keith Haring Foundation
899:The Keith Haring Foundation
846:The Keith Haring Foundation
815:The Keith Haring Foundation
784:The Keith Haring Foundation
753:The Keith Haring Foundation
732:Includes Haring's rhythmic
677:The Keith Haring Foundation
528:, London in 1917 and 1919.
273:Keith Haring, New York City
103:) in black ink on handmade
3500:
1958:"Perceptions of childhood"
1706:Positive youth development
1628:Young Artists' Summer Show
1179:18 February 2006
747:
722:
3182:Google Arts & Culture
2061:"Life Story – HaringKids"
1308:1 November 2021
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72:1990 (printed, published)
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2885:Pan Art Connections, Inc
2649:The Museum of Modern Art
2601:The Museum of Modern Art
2553:The Museum of Modern Art
2505:The Museum of Modern Art
2470:Gunn, T. Jeremy (2006).
2428:The Museum of Modern Art
2380:The Museum of Modern Art
2332:The Museum of Modern Art
2281:The Museum of Modern Art
2233:The Museum of Modern Art
2185:The Museum of Modern Art
2137:The Museum of Modern Art
1784:The Museum of Modern Art
1716:Developmental psychology
384:Perceptions of childhood
320:Untitled (w Sean Kalish)
1696:Youth-adult partnership
1552:Keith Haring "Untitled"
1472:12 March 2022
442:The Elements of Drawing
432:Samuel Taylor Coleridge
335:youth-adult partnership
143:youth-adult partnership
1619:
1582:
1533:9 March 2023
1528:
1362:
1292:and the betterment of
647:
642:
637:
618:
591:
570:
503:
498:
424:Caspar David Friedrich
394:Émile, or On Education
363:, before his death on
318:. Also referred to as
3479:20th-century etchings
3388:(1989 TV documentary)
3095:Gruen, John. (1991).
2781:on 22 September 2023.
2094:on 25 September 2023.
2071:on 22 September 2023.
2049:on 21 September 2023.
1986:Keith Haring Journals
1846:Royal Academy of Arts
1632:Royal Academy of Arts
1583:
1575:
1517:
1351:
1243:29 May 2021
1204:Reading Public Museum
643:
638:
619:
604:
587:
565:
499:
494:
390:Jean-Jacques Rousseau
259:Richard Spare, London
217:≥2 public collections
3139:Museum of Modern Art
2775:Naples Art Institute
2013:Gruen, John (1991).
1660:William S. Burroughs
1359:Naples Art Institute
1333:Naples Art Institute
1159:adding missing items
581:, especially within
516:Kunstschau Wien 1908
514:was included in the
3367:Christmas in Hollis
3326:Unfinished Painting
3246:Construction Fence
2891:on 3 February 2023.
2753:Katharine J. Wright
2730:Fenimore Art Museum
2708:on 3 February 2023.
1988:(Deluxe ed.).
1497:Michener Art Museum
1268:Fenimore Art Museum
1232:and Nina Clemente'.
663:, signed and dated
478:youth participation
3444:(1990 documentary)
3404:(2008 documentary)
3254:Keith Haring Mural
3047:on 18 August 2023.
3025:on 18 August 2023.
3003:on 18 August 2023.
2979:on 18 August 2023.
2957:on 18 August 2023.
2935:on 18 August 2023.
2913:on 18 August 2023.
2869:on 15 August 2023.
2847:on 15 August 2023.
2759:on 14 August 2023.
2737:on 14 August 2023.
2484:: 117 – via
2039:"About the Museum"
1970:on 31 August 2023.
1945:on 14 August 2023.
1938:The New York Times
1920:on 31 August 2023.
1853:on 14 August 2023.
1529:
1363:
1157:; you can help by
1119:Public collections
673:Executive director
428:William Wordsworth
3451:
3450:
3131:View All Artworks
3105:978-0-13-516113-5
3088:978-3-89322-555-2
3071:978-1-59373-052-9
2907:Palazzo Tarasconi
2801:Naples Daily News
2680:on 7 August 2023.
2656:on 2 August 2023.
2632:on 7 August 2023.
2608:on 2 August 2023.
2584:on 7 August 2023.
2560:on 2 August 2023.
2536:on 7 August 2023.
2512:on 2 August 2023.
2478:Emory Law Journal
2459:on 7 August 2023.
2435:on 2 August 2023.
2411:on 2 August 2023.
2387:on 2 August 2023.
2363:on 7 August 2023.
2339:on 2 August 2023.
2315:on 2 August 2023.
2288:on 2 August 2023.
2264:on 7 August 2023.
2240:on 2 August 2023.
2216:on 7 August 2023.
2192:on 2 August 2023.
2168:on 2 August 2023.
2144:on 2 August 2023.
2120:on 4 August 2023.
2024:978-0-13-516113-5
1999:978-1-101-19561-1
1884:978-1-59373-052-9
1818:978-3-89322-555-2
1791:on 2 August 2023.
1732:Related movements
1711:Youth empowerment
1607:Pierre Alechinsky
1453:Palazzo Tarasconi
1175:
1174:
1116:
1115:
740:flatulence humour
651:Master printmaker
459:Wassily Kandinsky
416:since Rousseau.
303:
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280:
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148:children's rights
3491:
3360:Someone like You
3224:
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3178:Artist's Profile
3169:Artist's Profile
3160:Artist's Profile
3049:
3048:
3043:. Archived from
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3027:
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3019:מתחם ארנה הרצליה
3011:
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2819:radiantvision.it
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1990:Penguin Classics
1981:
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1963:British Library
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344:(UNCRC) at the
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173:young people
105:cotton paper
51:Keith Haring
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3135:View Record
2701:Times Union
1753:Protest art
1691:Youth voice
1599:Walt Disney
1595:Andy Warhol
1579:Times Union
1272:Cooperstown
1230:Sean Lennon
1135:Exhibitions
1025:105.1991.9
982:105.1991.8
951:105.1991.7
920:105.1991.6
867:105.1991.5
836:105.1991.4
805:105.1991.3
774:105.1991.2
728:hard-ground
724:soft-ground
720:105.1991.1
577:within the
512:Franz Cižek
474:youth voice
438:John Ruskin
414:Art history
123:youth voice
101:hard-ground
97:soft-ground
55:Sean Kalish
3474:1990 works
3469:1989 works
3458:Categories
3318:Tuttomondo
3286:The Boxers
3270:Andy Mouse
2486:HeinOnline
1760:References
1673:Tuttomondo
1652:The Valley
1545:2023-08-26
1537:2023-03-09
1501:Doylestown
1484:2022-07-31
1476:2022-03-12
1440:2024-02-04
1432:2023-09-17
1389:2023-01-29
1381:2022-09-30
1320:2022-02-06
1312:2021-11-01
1255:2021-10-11
1247:2021-05-29
1191:2006-08-06
1183:2006-02-18
1155:incomplete
482:Tuttomondo
392:publishes
367:1990-02-16
350:Convention
236:Proofed by
182:Dimensions
3345:Cover art
3337:(1989–90)
3151:Biography
1743:Naïve art
1686:Child art
1622:Influence
1587:Paul Klee
1572:Reception
1402:Orangerie
579:art world
522:Roger Fry
463:Joan Miró
420:Romantics
267:Publisher
153:innocence
138:child art
128:urban art
80:Catalogue
3435:Pop Shop
3369:" (1987)
3362:" (1986)
3355:" (1983)
3238:Artworks
2114:HuffPost
1738:Artivism
1721:Adultism
1642:See also
1626:(2019–)
1564:, Israel
1562:Tel Aviv
1412:, Italy.
1286:activism
1276:New York
1079:Untitled
1048:Untitled
1016:Untitled
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911:Untitled
858:Untitled
827:Untitled
796:Untitled
765:Untitled
711:Untitled
669:Executor
602:himself.
583:high art
575:adultism
402:innocent
316:Pop Shop
295:Untitled
245:, London
213:Location
168:adultism
93:Etchings
36:Untitled
3428:Related
3412:Museums
3171:at the
3137:at the
1543: (
1535: (
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699:Medium
568:child."
440:in his
361:etching
289:Website
200:⁄
111:Subject
3329:(1989)
3321:(1989)
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3297:(1987)
3289:(1987)
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3249:(1983)
3145:Haring
3117:Series
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3041:PANART
2973:PANART
2929:PANART
2863:PANART
2021:
1996:
1881:
1815:
1680:Themes
1603:Modern
1527:, 2022
1361:, 2021
1337:Naples
986:Satire
872:motifs
690:Title
683:Prints
661:estate
545:UNESCO
540:Norway
88:Medium
44:Artist
3278:Tower
1918:(PDF)
1905:(PDF)
1507:, USA
1457:Parma
1410:Monza
1343:, USA
1294:youth
1278:, USA
1222:LA II
1214:, USA
1095:Crown
994:mitre
990:obese
988:, an
883:Crown
705:Ref.
702:Notes
693:View
665:verso
490:LA II
329:This
3164:MoMA
3133:and
3122:View
3101:ISBN
3084:ISBN
3067:ISBN
2019:ISBN
1994:ISBN
1879:ISBN
1813:ISBN
1613:and
1597:and
1084:MoMA
1053:MoMA
1021:MoMA
978:MoMA
947:MoMA
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877:and
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832:MoMA
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726:and
716:MoMA
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