198:“I thought about a concept that could represent the true diversity the population of Indianapolis. The method I chose to do was by exploring textile patterns to engage in a much broader dialogue about the movement of ideas, cultures, and people. My works were inspired by the 1914 Wayman Adams project in which he created 20 portraits of children from different ethnicities for the pediatric unit. The prints I created utilize textile patterns from Asia to Africa and the Americas. They are both explorative and familiar. I wanted these works to reflect the diversity of the population of Indianapolis in the 21st century. The end result is a set of prints that are feminine, energetic and contrasting.” -Artur Silva
286:. Silva’s work has earned both local and regional awards, including an individual artist grant from the Indiana Arts Commission, a Creative Renewal Fellowship from the Arts Council of Indianapolis, a grant from the National Association of Latino Arts and Culture, an Efroymson Contemporary Art Fellowship and a Midwest Visions grant for residency at the
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in 2013. In response to its nationwide request for proposals, Eskenazi Health received more than 500 submissions from 39 states, which were then narrowed to 54 finalists by an independent jury. Each of the 54 proposals was assigned an area of the new hospital by
Eskenazi Health's art committee and
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is a digital inkjet print created by artist Artur Silva, which features a single image composed of colors, images, and patterns derived from existing textile patterns. These works include an array of references from across the globe, including representations of
American textile patterns from the
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publicly displayed in the existing
Wishard Hospital and online for public comment; more than 3,000 public comments on the final proposals were collected and analyzed in the final selection.
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is currently displayed in the Women's
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and Big Car
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in 2001. Silva’s work has been exhibited at
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402:"Wishard Announces First Group of Artists Selected for Eskenazi Health Art Program"
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121 cm × 212 cm (47.5 in × 83.5 in)
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and to support "the sense of optimism, vitality and energy" of its new
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1960s, official states’ quilts, and
African patterns. Together with
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365:"More Hospitals Use the Healing Powers of Public Art"
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340:"Untitled #77 | Public Art Archive"
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606:Forever (For Old Lady Sally)
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627:It was just last year...
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262:and then to
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711:Untitled 78
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690:The Arrival
578:Calm Waters
207:Acquisition
171:Description
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88:Coordinates
39:Artur Silva
752:2013 works
741:Categories
718:Vegetation
599:Fig Houses
592:Crossroads
464:2017-08-20
435:2017-08-18
411:2017-08-18
382:2017-08-18
349:2017-08-20
315:References
102:86°11′03″W
99:39°46′41″N
60:Dimensions
697:Two Moons
377:0099-9660
298:See also
292:Michigan
282:and the
242:campus.
231:Location
68:Location
662:Sew Low
613:Friends
564:Balance
276:Chicago
161:Indiana
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246:Artist
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35:Artist
571:Blues
557:Arbor
145:print
127:Owner
373:ISSN
52:2012
48:2012
45:Year
290:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
