Up to Our Hips - Knowledge

1080:, known for his work in the 1950s and 1960s. Though Wills credits Blunt for this idea, Burgess said he came up with it. The cover is a two-colour shot of Michel, a hairdresser, and Giselle, a model, both of whom were friends of the band. While the hairdresser in Morley's photo was shirtless, the hairdresser in the band wanted to keep his shirt on. Blunt wanted to prove that the band were "more than just haircuts, more than just bowl-heads on the make". The cover would become a point of contention within the band in the ensuing years: people in the US, who were aware that Collins had gone to prison, thought the cover was of a new keyboardist; others assumed it was a new release from the American Charlatans since the Charlatans UK moniker had been dropped. Burgess later expressed regret for the re-creation, wishing that they had used Morley's original photograph instead. The back cover artwork features a shot of a 600:, Wales. They spent some time demoing material with Charles and another engineer, Simon Dawson, until Hillage arrived at the studio two weeks later. They played back the 20 demos they had to Hillage, who opined that the band was losing the original feeling for the songs and set about recording their live energy. Rob Collins proposed that the band should "stop trying so hard and loosen up again", which Hillage claimed he could help them achieve. Collins took charge during the recording process; Brookes explained that Collins would "throw himself into his playing or his singing, let himself become really open". Collins' trial started on 23 August 1993 at the 1037:, Val Azzoli, said the decision to release it to these kinds of stations was intended to show the difference between the new album's direction and the house and techno styles of their previous releases. "I Never Want an Easy Life If Me and He Were Ever to Get There" was released as the album's second single on 7 March 1994. "Only a Boho", "Subterranean", and a demo version of "Can't Get Out of Bed" were released as its B-sides. The music video for "I Never Want an Easy Life If Me and He Were Ever to Get There" consisted of live footage from the European tour earlier in the year. Coinciding with this, the band played a BBC Radio 1 session for DJ 772:

felt that the album had a "sense of urgency but also a sense of hatred" to it, which he attributed to worrying about Collins going to prison. They were "thinking we had to rush the LP, finish it before he went down, because if we didn't there wasn't going to be an LP and there wasn't going to be a Charlatans anymore." Collins' stint in prison served as lyrical inspiration for Burgess, who had wanted to inquire about Collins' frame of mind during the trial proceedings. Burgess was concerned about the term

687: 366:, some complaining about the album's sound while others found it to be an underrated release. It peaked at number eight in the UK and number ten in Scotland. "Can't Get Out of Bed" and "I Never Want an Easy Life If Me and He Were Ever to Get There" reached the top 40 in the UK, while "Jesus Hairdo" sat outside this range. "I Never Want an Easy Life If Me and He Were Ever to Get There" and "Jesus Hairdo" fared better in Scotland, with the former reaching the top 30 in that territory. 768:(1998), highlighted "Can't Get Out of Bed" and said Burgess "sneered the vocal line in a far more confident drawl" than the "whispier vocal outings" heard on the previous two albums. He added that Mark Collins' guitarwork signalled a change in the band's sound as they "moved into the business of writing tuffer 6-string pop and into the world of being a great rock & roll band", as they explored with the rest of the album. 944:. The title of "Inside-Looking Out" was taken from a letter Collins had sent the band and their manager. Blunt came up with the guitar riff for it, which he felt could be done with an accompanying keyboard part. As Rob Collins was in prison at the time, Blunt spent three days learning how to write and play this part. It opens with a guitar part similar to the one heard in " 356:, the same day that Collins was released from prison. It was followed by a tour of mainland Europe and the second single, "I Never Want an Easy Life If Me and He Were Ever to Get There", in March 1994. The band went on a tour of the United States, which ended early when Collins grew tired of touring. "Jesus Hairdo" was released as the album's third single in June 1994. 1335: 1330: 1297: 1292: 1249: 1325: 1320: 1315: 1287: 1282: 1277: 1244: 1239: 1234: 1229: 1122:. Around this time, the American Charlatans threatened to sue the UK band, as their albums were being re-released, for $ 3.5 million if they tried promoting themselves as simply the Charlatans in the US. The UK band promptly re-started using the Charlatans UK name, which resulted in tour posters needing to be altered and dates rescheduled. 31: 1125:

The Charlatans later learned that some of the posters had only been plastered up a week before the shows, resulting in low ticket sales. This trek covered the East Coast and was intended to be followed by a stint on the West Coast, until Collins voiced his refusal, having grown tired of the touring.

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Describing the title, Burgess said the band felt they were "up to our hips in shit", alluding to Rob Collins' trial and prison sentence. Mark Collins said as the year progressed, "we felt we were up to our hips coming out of the water. It was probably the most optimistic year for the band." Burgess

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allowed the band to use some of Collins' keyboard parts that he had recorded prior. Burgess said that John Collins had played on "Inside Looking-Out" and did overdubs for "Jesus Hairdo" and "Patrol". Blunt had a keyboardist, known only as Nigel, contribute to "Feel Flows"; Burgess estimated that the

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and a psychiatrist's evaluation of Collins' mental state followed. The charges were then reduced to "assisting an offender after a crime", and the trial was adjourned for further consideration. Upon hearing that the trial was on pause, Burgess remarked, "Brilliant, let's get back in the studio". The

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and at the Sound City festival in Glasgow, prior to a tour of the US. Because of Collins' criminal record, the band was worried that he might be denied entry into the country and toyed with the idea of drafting James Taylor, formerly of the Prisoners. Collins and the band's lawyer spent two days at

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track "Can't Get Out of Bed", Burgess said he wrote from the perspective of Collins and what was going through his head during the robbery. The title referred to how Burgess and Collins would often be awake early working on song ideas, while the rest of the band did not wake until midday. The song

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remix of "Patrol", and a Van Basten remix of "Feel Flows" as its B-sides, while the other featured the three songs from the Lamacq and Whiley radio session. The "Jesus Hairdo" music video featured Burgess painting the British and American flags on himself; it was directed by Wiz, who had made the

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was released on 21 March 1994 through Beggars Banquet. Its US release occurred the following day through Beggars Banquet and Atlantic Records; the latter wanted to establish the band as a new act in that territory. As such, it saw the band drop The Charlatans UK moniker that their previous albums

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remaining six songs had keyboard parts from Rob Collins. At one point, Hillage went on a break from recording to return to London, leaving Charles in the role. Recording wrapped up while Collins was still in prison, with Burgess finishing vocals for "Patrol" and "Inside Looking-Out at The Mill in

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radio stations in the US the following month. The music video for it was filmed on a rooftop in London and in a rehearsal room. Collins' sentence was shortened by four months for good behaviour, resulting in his release occurring on 3 February 1994. A car was sent to collect him; the band played

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This method of working allowed them to have a pool of material to choose from when it came time to record their next album. Burgess and guitarist Mark Collins wrote traditionally structured songs, while bassist Martin Blunt and drummer Jon Brookes opted for material that mixed

2809:"Can't get out of bed is a reference to Mark, Martin and Jon. Me and Rob [at this point] were always up at 7 out plotting new song ideas at 8 and ready to start at 11. Rest of the band didn't wake up til 1 and were ready to work at 3 [it was always very tense]" 780:: "People think that because we call songs things like 'Can't Get Out of Bed' and 'Easy Life' that we're a lazy bunch of miserable bastards, but 'Easy Life' is about not wanting an easy life. There's got to be excitement". Burgess said the making of the album reminded him of 1499:(BPI) in July 2013. "Can't Get Out of Bed" charted at number 24 in the UK. "I Never Want an Easy Life If Me and He Were Ever to Get There" charted at number 23 in Scotland and number 38 in the UK. "Jesus Hairdo" charted at number 37 in Scotland and number 48 in the UK. 1456:

reviewer Ned Raggett noted that the "production was a touch more straightforward" compared to the band's previous album, Hillage, "otherwise let the Charlatans be the Charlatans; where changes are apparent, it's more in the name of atmosphere than attention-getting."

2155:"We had been writing at each other's houses. I remember me and Martin going to Rob's for a couple of days and pretty much had Come in Number 21 completed and a little bit of Stir It up [b -side of Jesus Hairdo] Rob called it that, he was a big Bob Marley fan" 479:, where they felt forced to write and record tracks, any of the members were allowed to veto any suggestions for new material. The members would write songs either individually or in pairs to show to the rest of the band when they would work on them as a unit. 3439:"Jesus Hairdo Video by Wiz who had just made Weekender by Flowered Up – he was a Wiz, I love this video. Rob wasn't in the video for Cant get Out of Bed because he was in Jail. He lookd absolutely amazing in this ideo. Like Phil Manzanera of Roxy Music" 861:. Burgess was impressed by the other members' contributions to the song; he convinced them to remove his vocal track from the song, leaving it as an instrumental. He had come up with lyrics for it but felt his singing was not to his satisfaction. 1395:

writer Craig McLean felt that the band "mooch through an album that is almost totally bereft of colour and spirit", adding that the music seems "lost in a sludge of muted guitars and wobbling bass and organ doodles". Doug Brod and Ira Robbins of

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felt that the album "yielded lackluster results" with its "sluggish tempos and a general lack of dynamic juice". They highlighted four songs where the band "sounds as if it misread the speed limit and is going as slow as humanly possible".

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His legal team tried persuading the judge with a variety of pressing clips about the band, trying to argue that since the band reached number one previously, Collins would have no reason to help rob an off licence for a small sum of money.

717:– we didn't ask to be included, but it certainly helped." Wills said the band was only retroactively being categorised as such "by virtue of being a British band", with Burgess nowadays being "accused of ripping off Liam Gallagher" from 526:

Though Flood was considered to produce the band's next album, he was unable to schedule time for the band. With what they learned working with him, the band set about finding a new producer and engineer. In April 1993, they met up with

408:. The band promoted the album with two tours of the United States, a stint in mainland Europe, and a short trek to Japan, running into September 1992. They then spent the following months writing material, wanting to move away from the 3006:"Title inspired by David Lynch song inspired by David Crosby and some parts by the faces it was mine and marks first attempt at writing together. I love that song I found my feet in the chorus and I think that's become my style" 3770: 2418:"Inside Looking Out Title came from a letter Rob had written to the band / manager. We had to write the song without Rob. Mark's brother John played the keys. Also think he did some overdubs on Jesus Hairdo and Patrol too" 451:. His bail was set at £25,000, which was paid for by his father. The incident saw him lose his passport, which angered the rest of the Charlatans, as if Collins was found guilty, he could face five years in prison. 936:. "Another Rider Up in Flames", which was originally titled "Set Your Hair on Fire", is the first piece of music that Burgess wrote, co-writing it with Mark Collins. The title was inspired by the work of director 1430:

said the band continued with the same sound they had before, namely, "cheesy guitar embellishment, guitar solos, alternately on flange and wah wah, whiny vocals, etc.", but conceded "it's actually not half bad".

589:(1976) was a favourite of Burgess and Collins'. Hillage had been repeatedly asking Harrison for a chance to record the band. He was adamant about being able to accurately capture their live sound in recordings. 637:. Burgess said the rest of the band got a call from Harrison, "and he's going, 'All right Tim, it's over.' So we're like 'What time are you getting back?' and he replied, 'We're not, it's over. Rob's in prison. 810:. "I Never Want an Easy Life If Me and He Were Ever to Get There" was inspired by disagreements and tense situations that Burgess would be in with Collins. The chorus sections were influenced by the Beatles' " 760:. Under the direction of Blunt, the album had more of an emphasis on bass. The album places more of an emphasis on organic acoustic instrumentation, as keyboards are relegated to a background role. Journalist 2862:"Autograph Written with Emma Forrest in mind. At 16 she was the youngest person to write for the NME causing ripples in a mostly male music journo world, she was a big Manics fan and we really liked her..." 2306:"We demoed with Simon Dawson and Dave Charles both amazing engineers from Rockfield studios, which was just up the road. We recorded early instrumental versions of everything while I worked on the lyrics" 475:

at the Reading Festival the previous year. The shows were intended to bring the Charlatans' name back into mainstream consciousness. As the band wanted to avoid a situation similar to the making of

2225:"at this time we decided we really wanted to work with Steve Hillage L was a favourite album of mine and Mark's. Mark said he wanted to work with Steve because he had kind eyes. It worked out well" 1041:, performing "Jesus Hairdo", "Autograph", "I Never Want an Easy Life If Me and He Were Ever to Get There", and "Feel Flows". The band then performed another BBC Radio 1 session, this time for DJs 914:; while reading it, Burgess said the words "Jesus" and "hairdo" stood out to him. "Up to Our Hips" was the first song written after Rob Collins' arrest and features keyboard parts in the vein of 644:

With Collins incarcerated, Blunt took charge of recording. Mark Collins' brother John contributed some keyboard parts during the process. After six weeks, Rob Collins was relocated to an

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were more supportive of the album but said some of the "odder" songs ruined its prospects, such as "Autograph" and "Up to Our Hips", saying that these songs offered "sluggish boredom".

3762: 4160: 30: 4299: 2897:"she now lives in Hollywood and is a big time writer. Me & Mark tried to make it sound like Plastic Ono Band and it became Emma'z favourite Charlatans song. She loved the line 499:, he wanted to have more creative control with its follow-up. His ideas for that album were overshadowed by Collins' contributions. Demos were then recorded at Jacobs Studios in 1142:

growing on Blunt's buttocks. "Jesus Hairdo" was released as the album's third and final single on 20 June 1994. Two versions were released on CD: the first with "Stir It Up", a

669:. All of the songs were produced by Hillage, bar "Jesus Hairdo", which was produced by Charles and the band. The recordings were then mixed at The Mill. Author Dominic Wills in 309:. During the sessions, Collins went to trial before being subsequently imprisoned in September 1993. The band finished recording sometime after, with overdubs at The Mill in 1170:

in 2017. "I Never Want an Easy Life If Me and He Were Ever to Get There", "Can't Get Out of Bed", and "Jesus Hairdo" were included on the band's first compilation album,

948:" (1968) by Hendrix. Burgess said the song was his "perception of what it'd be like being stuck in a confined area thinking about your friends are doing on the outside". 1190:

event, "I Never Want an Easy Life If Me and He Were Ever to Get There", "Can't Get Out of Bed", and "Jesus Hairdo" were released as part of the seven-inch vinyl box set

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with Beggars Banquet. Azzoli said one of Atlantic's reasons for the deal was getting to work with the Charlatans. Burgess liked the arrangement, as he was fond of the

3729: 1475:(2000), wrote that Hillage's work "does lose some mystery with the cobwebs, but the songs stand up regardless." In comparing the trajectory of the Charlatans with 880: 673:(1999) said Blunt had doubts about the album's sound during this process, noting the use of drugs taking place, "believ this had reduced its sense of urgency". 4718: 3999: 1100:

sorting out the potential until he was given the go-ahead. Their month-long US trek began on 16 April 1994, having previously declined invitations to tour with

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Stephen Hill called it a "deeply unfocused and rambling set of psych-rock bumbling, saved by the excellently summery "Can't Get Out of Bed". Kevin Gibson of

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music that Atlantic had released in the 1960s. The band had convinced the staff at Atlantic that the issue with the American Charlatans had been resolved.

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in early 1992; by the year's end, they were working on material for its follow-up. Keyboardist Rob Collins was arrested for participating in an attempted

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writer Jon Harris was disappointed with the album, saying it had a constant feeling of "almost but not quite" throughout its length. Sian Pattenden of

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Doug Iverson considered the band's attempt to switch to acoustic instrumentation successful, "adding grace and texture", but negatively compared it to

1387:. Wills said despite successful shows in the UK, reviews of the album were "dreadful; the singles weren't scoring, and America was having none of it." 4733: 3836: 4424: 1444:

said that "aybe the best thing about this band is that they never lose their cool – that is, they never seem to take things too far." The staff at

507:; early versions of "Can't Get Out of Bed", "Feel Flows", and "I Never Want an Easy Life If Me and He Were Ever to Get There" were worked on here. 4728: 1112:, the last of which annoyed Atlantic Records. The label had difficulty selling the album to the US market, despite getting the band a special on 522:(pictured in 1974) had constantly asked the band's manager for the opportunity to record them, confident that he could capture their live sound. 443:. He heard a gunshot and saw Whitehouse, who had a prop gun, fleeing the shop. Collins managed to get Whitehouse into the car and drove them to 1922: 2777: 4574: 4256: 4154: 4056: 4033: 1097: 4120: 4262: 3793: 3667: 3438: 3005: 2970: 2896: 2861: 2808: 2543: 2487: 2452: 2417: 2305: 2224: 2154: 4592: 3508: 1869: 1172: 1038: 4532: 4373: 4354: 4331: 4293: 4229: 4192: 2026: 1306: 1268: 4546: 1118: 1489:(1989) were both "flawed masterpieces but had set the groups up for critical and commercial success" with their later releases. 782: 335: 1049:, playing "I Never Want an Easy Life If Me and He Were Ever to Get There", "Another Rider Up in Flames" and "Up to Our Hips". 3264: 1062: 3354: 802:

Robb theorised that the title of the album's opening track, "Come in Number 21", referred to a chart position. It features

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editor Bob Gajarsky added to this, stating that it was a return to their earlier sound, heard on their debut studio album

278: 168: 43: 4417: 3739: 3628: 3593: 3558: 3517: 3480: 3410: 3197: 3141: 2277: 1148: 3107: 2488:"Rob played on at least 6 tracks on Up To Our Hips. This wasn't one of them. Dave Charles on Congas, Mark on Harmonica" 4511: 199: 4690: 4624: 2614: 4390: 825: 571:

and had previously worked with Charles in the 1980s. The Charlatans, meanwhile, knew of him from his other band,

4107: 1405: 945: 576: 495:. Burgess and Blunt spent some time writing at Rob Collins' house. As Blunt was withdrawn during the making of 4457: 4410: 4048: 3964: 3886: 2269: 2022: 1888: 1873: 1734: 1512: 585: 385: 282: 137: 3960: 3912: 4696: 4470: 4450: 4315: 4020: 3832: 1740: 1728: 1516: 1508: 1468: 967: 733:

and Gallagher. Brookes explained that each member was widening their music tastes, consuming the works of

432: 330: 4497: 4285: 4136: 1143: 376: 287: 181: 2785: 295:. After being bailed out, the band continued writing, splitting into pairs or working alone on songs. 4723: 4599: 4323: 4176: 4072: 3545: 3442: 3009: 2974: 2904: 2865: 2812: 2547: 2491: 2456: 2421: 2309: 2228: 2158: 1178: 1135: 761: 691: 634: 601: 593: 428: 302: 72: 4617: 4221: 1022: 850: 552: 448: 392:

lambasted upon its release and showed a drop in album sales due to the public backlash towards the

2544:"We took a weekend off but me and Rob stayed at the studio. Steve Hillage went back to London too" 1182:(2006). "Can't Get Out of Bed" and "Jesus Hairdo" were included on their fifth compilation album, 3951:

N.B. The High Point number in the NAT column represents the release's peak on the national chart.

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in 1993. According to Robb, the Charlatans navigated a landscape that was also opening up to the

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charted at number eight in the UK and number ten in Scotland. It was certified silver by the

965:, the musical landscape has shifted away from Madchester towards Britpop with the release of 629:. The trial recommenced on 20 September 1993, with the judge giving Whitehouse and Collins a 612:, claiming that Whitehouse had not planned to go through with it until he had heard a noise. 4184: 1384: 1187: 1127: 1030: 903: 893: 657: 468: 409: 405: 389: 363: 1130:

in the Netherlands in May 1994, followed by three shows in the UK, which were supported by

447:, where they were arrested. After five days in custody, Collins was charged with being the 4211: 4207: 3980: 3641: 3606: 3571: 3530: 3493: 3423: 3210: 3154: 2290: 1884: 1105: 1088: 1014: 992: 907: 811: 605: 572: 464: 435:

was arrested, along with his friend Michael Whitehouse, for participating in an attempted

397: 352: 144: 2018: 922:" (1969) by the Beatles. Burgess said "Patrol", which employs imagery of police officers 471:

in Blackpool. The idea for these events came from Burgess having discussions with Ride's

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on 24 January 1994 through Beggars Banquet Records, with "Withdrawn" and "Out" as its

857:. The song began under the name "It's Only the Music" and evokes the music of Can and 791: 4712: 4645: 4567: 4490: 4146: 4025: 3259: 1753: 1554: 1463: 1398: 995:

bands with bowl cuts and casual clobber." "Can't Get Out of Bed" was released as the

919: 849:. "Feel Flows" evolved from a drum pattern from Brookes; its name is a reference to " 560: 556: 544: 519: 472: 420: 381: 298: 151: 4652: 4560: 4346: 4248: 3734: 2453:"Martin sorted out a keyboard player for Feel Flows The rest was recorded with Rob" 1777: 1629: 1476: 1446: 1433: 1413: 1077: 1042: 1026: 976: 941: 869: 773: 757: 742: 721:, a band who would not find success until later in 1994. Steve Taylor, in his book 718: 633:; the former received four years while the latter got eight months and was sent to 528: 440: 156: 132: 3254: 2899:

can I have your autograph, it's not for what you are… its for only what you're not

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as it appropriates the "plodding style" of that band across several of the songs.

686: 1134:. After this, all touring engagements were cancelled, including an appearance at 1065:

owned the original moniker. The new album marked the first project of Atlantic's

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the same day. Later that month, the band embarked on a tour of mainland Europe.

1008: 996: 988: 980: 972: 937: 915: 838: 820: 753: 645: 568: 540: 536: 484: 460: 347: 95: 3228: 515: 1176:(1998). "Can't Get Out of Bed" was featured on their third compilation album, 1070: 987:

scenes. Alongside this, the band was posed for success amongst the burgeoning

933: 746: 738: 444: 393: 274: 4116: 4081: 3111: 1081: 1046: 911: 885: 830: 730: 706: 666: 564: 563:'s name was then suggested as a potential producer by a friend of the band, 492: 424: 322: 314: 102: 86: 4322:. Third Ear: The Essential Listening Companion. San Francisco, California: 4045:

One Two Another: Line by Line – Lyrics from the Charlatans, Solo and Beyond

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rest of the band thought Collins would face a severe reprimand, such as a

3663: 2971:"Influenced by De La Soul's Bahloone Mindstate album. I love that record" 1453: 1221: 984: 865: 842: 834: 815: 649: 597: 306: 76: 2606: 459:

In March 1993, the Charlatans co-headlined the Daytripper festival with

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The band then played at the Apollo Rock Festival in Brussels and the

1004: 923: 504: 714: 685: 514: 329:; Collins' bout in prison acted as lyric inspiration for frontman 38: 4402: 892:. Burgess and Mark Collins wanted it to emulate the sound of the 823:-indebted instrumental, evoking the material on their 1968 album 1139: 1109: 609: 488: 4406: 3134:"I Never Want an Easy Life If Me and He Were Ever to Get There" 1567:"I Never Want an Easy Life If Me and He Were Ever to Get There" 1076:

For the frontcover artwork, they wanted to recreate a photo by

926:, discusses "getting into somebody's mind". It was inspired by 439:. The pair had been out drinking, and Collins drove them to an 242:"I Never Want an Easy Life If Me and He Were Ever to Get There" 3938: 3862:"British album certifications – Charlatans – Up to Our Hips" 3358: 1420: 1344: 1113: 874: 864:"Autograph" is an acoustic ballad anchored by a hand-clapping 608:

of possessing a firearm was dropped, and Collins altered his

404:, "Weirdo" reached the highest, charting at number 19 on the 1828: 1711: 790:, which saw members of that band go in and out of court for 350:

in January 1994; the band promoted it with an appearance on

910:. In the book, the protagonist Tyler is obsessive with his 3102: 3100: 991:, which was "looking for 1960s-tinged pop made by post- 794:. This, in turn, inspired him to write smarter lyrics. 531:, a long-time engineer who had previously worked with 3623:(sleeve). Beggars Banquet Records. 2019. BBQ2155SXE. 3512:(booklet). Beggars Banquet Records. 1998. BBQCD 198. 3475:(sleeve). Beggars Banquet Records. 2017. BBQLP 147E. 3405:(sleeve). Beggars Banquet Records. 1994. BBQ 32 CD1. 3192:(sleeve). Beggars Banquet Records. 1994. BBQ 32 CD2. 3136:(sleeve). Beggars Banquet Records. 1994. BBQ 31 CD1. 2607:"Britpop is 20: ten 1994 albums that started it all" 752:

Robb, meanwhile, heard influences from the works of

4683: 4609: 4584: 4482: 1542: 1531: 346:"Can't Get Out of Bed" was released as the album's 216: 167: 143: 131: 115: 94: 66: 58: 50: 37: 23: 3730:"10 terrible Britpop albums with one classic song" 3588:(booklet). Then Records. 2021. thenCD1/then1CD _1. 3326: 3324: 3322: 3320: 3310: 3308: 3306: 3304: 3302: 3300: 2651: 2649: 2579: 2577: 2575: 2573: 829:. The keyboard parts were reminiscent of those by 729:, saying Burgess' vocals sat between the likes of 543:. The Charlatans toyed with the idea of enlisting 374:The Charlatans released their second studio album 2399: 2397: 2387: 2385: 2383: 2381: 2379: 2377: 2375: 2373: 2371: 2369: 2341: 2339: 2337: 2335: 2139: 2137: 2135: 2133: 2131: 2129: 2127: 2125: 431:cassette recorder. In December 1992, keyboardist 325:album that has retroactively been referred to as 2088: 2086: 2064: 2062: 1507:All songs written by Martin Blunt, Jon Brookes, 3913:"Official Scottish Singles Sales Chart Top 100" 3887:"Official Scottish Singles Sales Chart Top 100" 3090: 3088: 1947:Shipments figures based on certification alone. 3794:"Charlatans U.K., Up To OurHips- Bob Gajarsky" 3687: 3685: 2260: 2258: 2256: 2254: 940:, while the music was inspired by the work of 881:Wonderland Avenue: Tales of Glamour and Excess 878:when she was 16. Some of the lyrics allude to 725:(2006), invoked this comparison in regards to 419:The Charlatans rehearsed at the Greenhouse in 301:was drafted in to produce their next album at 4418: 2411: 2409: 8: 3340: 3338: 3336: 3078: 3076: 2519: 2517: 2209: 2207: 1312: 1274: 1226: 868:. Burgess said he wrote it about journalist 4068:"Atlantic Brings The Charlatans Up To Date" 3653: 3651: 3248: 3246: 2663: 2661: 2591: 2589: 2188: 2186: 2184: 2076: 2074: 2013: 2011: 2009: 2007: 2005: 1708:Personnel per booklet, except where noted. 872:, who was the youngest person to write for 709:; it has retroactively been referred to as 697:acted as lyrical inspiration for the album. 567:of Airstream. Hillage had been a member of 555:as producers, both of whom had worked with 4425: 4411: 4403: 3057: 3055: 3053: 3051: 3049: 3039: 3037: 3035: 2955: 2953: 2934: 2932: 2930: 2762: 2760: 2758: 2739: 2737: 2735: 2733: 2723: 2721: 2719: 2700: 2698: 2696: 2677: 2675: 2673: 2019:"Charlatans / full Official Chart History" 1906: 1837: 1201: 918:and a bass part akin to the one heard in " 806:-esque keyboard work against a 1960s-like 285:. They released their second studio album 29: 20: 3856: 3854: 1061:had. This name came about in 1990 when a 3961:"Official Scottish Albums Chart Top 100" 3833:"Official Scottish Albums Chart Top 100" 3184: 3182: 1796:Tom Sheehan – booklet, cover photography 1522: 4366:The Charlatans – Northwich Country Boys 4103:"Familiar, flawless sounds from Boston" 3977:"Charlatans | Artist | Official Charts" 1974: 1943: 1021:"Can't Get Out of Bed" was released to 957:Initial promotion and first two singles 837:. The song's bridge portion references 18:1994 studio album by the Charlatans 4343:The Charlatans: The Authorised History 3637: 3626: 3602: 3591: 3567: 3556: 3526: 3515: 3489: 3478: 3419: 3408: 3206: 3195: 3150: 3139: 2776:Wolfe, Danielle de (1 December 2010). 2286: 2275: 764:, in his biography of the Charlatans, 671:The Charlatans: The Authorised History 511:Recording and Collins' prison sentence 4660:Just When You're Thinkin' Things Over 4341:Wills, Dominic; Sheehan, Tom (1999). 3893:from the original on 11 November 2021 3839:from the original on 25 November 2021 3267:from the original on 27 February 2021 1799:Kim Tonelli – front cover photography 1207: 1087:The band played one-off shows at the 396:scene. It peaked at number 21 on the 273:is the third studio album by British 7: 4719:The Charlatans (English band) albums 3919:from the original on 14 January 2022 906:and had obtuse lyrics that recalled 281:, released on 21 March 1994 through 896:. "Jesus Hairdo" was influenced by 427:, where they recorded ideas with a 4674:You're So Pretty – We're So Pretty 4066:Cummings, Jon (19 February 1994). 2617:from the original on 10 March 2022 2029:from the original on 21 April 2022 690:Burgess said Collins' stay at the 14: 4302:from the original on 19 July 2022 4265:from the original on 29 June 2022 4217:The New Rolling Stone Album Guide 4163:from the original on 19 July 2022 4142:The Encyclopedia of Popular Music 4088:from the original on 27 June 2022 3670:from the original on 29 June 2022 3660:"Up to Our Hips – The Charlatans" 2605:Trendell, Andrew (8 April 2014). 1314: 1307:The New Rolling Stone Album Guide 1276: 1269:The Encyclopedia of Popular Music 1228: 4734:Albums produced by Steve Hillage 4123:from the original on 5 July 2022 3773:from the original on 5 July 2022 3383:Wills; Sheehan 1999, pp. 103–104 3227:. The Charlatans. Archived from 3110:. The Charlatans. Archived from 1383:was met with mixed reviews from 1333: 1328: 1323: 1318: 1313: 1295: 1290: 1285: 1280: 1275: 1247: 1242: 1237: 1232: 1227: 1053:Album promotion and third single 625:and at least a hundred hours of 4281:The A to X of Alternative Music 2628:Click on the right arrow until 1029:in the US on 14 February 1994. 783:Their Satanic Majesties Request 723:The A to X of Alternative Music 336:Their Satanic Majesties Request 4729:Beggars Banquet Records albums 4399:(streamed copy where licensed) 4101:Iverson, Doug (19 June 1994). 3728:Hill, Stephen (23 July 2023). 3361:. 17 June 1997. Archived from 2272:. 1994. BBQCD 147/031.2147.20. 2119:Wills; Sheehan 1999, pp. 92–93 2047:Wills; Sheehan 1999, p. 84, 88 1743:– organ, piano, backing vocals 1532: 652:; here, he was able to have a 510: 370:Background and Collins' arrest 1: 3866:British Phonographic Industry 1497:British Phonographic Industry 1159:Reissues and related releases 1119:Late Night with Conan O'Brien 884:(1989), the autobiography of 575:, as well as his writing on " 3792:Gajarsky, Bob (1 May 1994). 3437:Burgess, Tim (2 May 2020). 3004:Burgess, Tim (2 May 2020). 2969:Burgess, Tim (2 May 2020). 2895:Burgess, Tim (2 May 2020). 2860:Burgess, Tim (2 May 2020). 2807:Burgess, Tim (2 May 2020). 2778:"Lennon's legacy (part two)" 2542:Burgess, Tim (2 May 2020). 2486:Burgess, Tim (2 May 2020). 2451:Burgess, Tim (2 May 2020). 2416:Burgess, Tim (2 May 2020). 2304:Burgess, Tim (2 May 2020). 2223:Burgess, Tim (2 May 2020). 2153:Burgess, Tim (2 May 2020). 1893: 1878: 1863: 1676:"Another Rider Up in Flames" 1186:(2021). As part of the 2019 1007:. The track was released to 362:received mixed reviews from 4243:. In Buckley, Peter (ed.). 4181:The Charlatans: We Are Rock 3915:. Official Charts Company. 3889:. Official Charts Company. 3835:. Official Charts Company. 3330:Wills; Sheehan 1999, p. 103 3314:Wills; Sheehan 1999, p. 104 2655:Wills; Sheehan 1999, p. 100 2583:Wills; Sheehan 1999, p. 101 766:The Charlatans: We Are Rock 4750: 4239:Sutherland, James (2003). 3998:Anon. (11 February 1994). 3983:. Retrieved 19 July 2022. 3967:. Retrieved 19 July 2022. 3761:Gibson, Kevin (May 1994). 3253:Brod, Doug; Robbins, Ira. 2403:Wills; Sheehan 1999, p. 96 2391:Wills; Sheehan 1999, p. 99 2345:Wills; Sheehan 1999, p. 94 2201:Wills; Sheehan 1999, p. 70 2143:Wills; Sheehan 1999, p. 93 2110:Wills; Sheehan 1999, p. 92 2092:Wills; Sheehan 1999, p. 90 2068:Wills; Sheehan 1999, p. 89 1990:Wills; Sheehan 1999, p. 80 1981:Wills; Sheehan 1999, p. 83 1790:The Charlatans – producer 1012:"Can't Get Out of Bed" on 4440: 4202:Stewart, Allison (2004). 1944: 1929: 1921: 1918: 1915: 1883: 1868: 1856: 1824:Charts and certifications 1771:Steve Hillage – producer 1686: 1672: 1658: 1644: 1619: 1605: 1591: 1577: 1563: 1547: 1539: 1536: 1215: 1212: 814:" (1967). Discussing the 262: 236:Released: 24 January 1994 227: 212: 175: 28: 4145:(5th concise ed.). 1811:Alison Fielding – sleeve 1063:US band of the same name 1035:executive vice president 701:Musically, the sound of 4245:The Rough Guide to Rock 3965:Official Charts Company 3285:Sutherland 2003, p. 184 2841:Burgess 2013, pp. 94–95 2270:Beggars Banquet Records 2023:Official Charts Company 1759:John Collins – keyboard 583:. Hillage's solo album 386:Beggars Banquet Records 283:Beggars Banquet Records 4364:Wilson, Susan (1997). 4278:Taylor, Steve (2006). 3949:– via Imgur.com. 2752:Wilson 1997, pp. 25–26 2363:Robb 1998, pp. 187–188 1839:Chart performance for 1808:Hunter Anders – sleeve 1581:"Can't Get Out of Bed" 1027:college radio stations 983:, and Bristol-centred 968:Modern Life Is Rubbish 826:Ogdens' Nut Gone Flake 705:has been described as 698: 677:Composition and lyrics 592:Recording was held at 523: 380:in March 1992 through 254:Released: 20 June 1994 245:Released: 7 March 1994 233:"Can't Get Out of Bed" 4498:Between 10th and 11th 4368:. London: UFO Music. 4043:Burgess, Tim (2019). 4018:Burgess, Tim (2013). 3767:Louisville Music News 3691:Thompson 2000, p. 252 1780:– engineer, producer 1766:Production and design 1442:Louisville Music News 1116:and an appearance on 963:Between 10th and 11th 961:Since the release of 689: 518: 497:Between 10th and 11th 477:Between 10th and 11th 414:Between 10th and 11th 377:Between 10th and 11th 369: 288:Between 10th and 11th 182:Between 10th and 11th 4600:Forever. The Singles 4324:Miller Freeman Books 4222:Simon & Schuster 4007:Rock Airplay Monitor 3709:Stewart 2004, p. 153 3586:A Head Full of Ideas 3546:Forever: The Singles 3294:Cummings 1994, p. 16 3094:Cummings 1994, p. 15 2643:Burgess 2013, p. 102 1805:Giselle – cover star 1802:Michael – cover star 1773:(all except track 6) 1748:Additional musicians 1690:"Inside-Looking Out" 1203:Professional ratings 1184:A Head Full of Ideas 1179:Forever: The Singles 1136:Glastonbury Festival 1098:US Embassy in London 778:slacker connotations 602:Stafford Crown Court 594:Monnow Valley Studio 303:Monnow Valley Studio 4618:The Only One I Know 4286:Bloomsbury Academic 3629:cite AV media notes 3594:cite AV media notes 3559:cite AV media notes 3518:cite AV media notes 3481:cite AV media notes 3411:cite AV media notes 3365:on 9 September 2022 3344:Burgess 2013, p. 99 3198:cite AV media notes 3142:cite AV media notes 3082:Burgess 2013, p. 94 2947:Burgess 2019, p. 51 2850:Burgess 2013, p. 95 2532:Burgess 2019, p. 47 2523:Burgess 2013, p. 98 2278:cite AV media notes 2213:Burgess 2013, p. 97 2080:Burgess 2013, p. 89 1912: 1908:Certifications for 1857:Australian Albums ( 1843: 1725:Jon Brookes – drums 1722:Martin Blunt – bass 1551:"Come in Number 21" 1528: 1204: 618:Character witnesses 388:subsidiary. It was 3718:Iverson 1994, p. 4 3700:Larkin 2007, p. 70 3636:Unknown parameter 3621:Everything Changed 3601:Unknown parameter 3566:Unknown parameter 3525:Unknown parameter 3488:Unknown parameter 3418:Unknown parameter 3392:Wilson 1997, p. 26 3205:Unknown parameter 3149:Unknown parameter 2788:on 22 October 2011 2667:Taylor 2006, p. 62 2595:Wilson 1997, p. 25 2285:Unknown parameter 2192:Wilson 1997, p. 21 1907: 1838: 1523: 1202: 1192:Everything Changed 1166:was re-pressed on 929:Buhloone Mindstate 788:the Rolling Stones 699: 695:(pictured in 2009) 631:custodial sentence 623:suspended sentence 524: 341:the Rolling Stones 4706: 4705: 4554:You Cross My Path 4258:978-1-84353-105-0 4204:"Charlatans U.K." 4156:978-0-85712-595-8 4058:978-1-4721-3031-0 4035:978-0-241-97196-3 3822:Robb 1998, p. 208 3798:Consumable Online 3445:). Archived from 3255:"Charlatans (UK)" 3176:Robb 1998, p. 198 3167:Robb 1998, p. 197 3061:Robb 1998, p. 219 3043:Robb 1998, p. 206 3012:). Archived from 2977:). Archived from 2959:Robb 1998, p. 212 2938:Robb 1998, p. 218 2907:). Archived from 2868:). Archived from 2815:). Archived from 2766:Robb 1998, p. 217 2743:Robb 1998, p. 211 2727:Robb 1998, p. 210 2713:Robb 1998, p. 196 2704:Robb 1998, p. 195 2690:Robb 1998, p. 207 2681:Robb 1998, p. 216 2550:). Archived from 2494:). Archived from 2459:). Archived from 2424:). Archived from 2354:Robb 1998, p. 187 2312:). Archived from 2231:). Archived from 2161:). Archived from 2101:Robb 1998, p. 186 2056:Robb 1998, p. 177 1999:Robb 1998, p. 168 1960: 1959: 1953: 1952: 1948: 1898: 1897: 1820: 1819: 1793: 1787: 1783: 1774: 1700: 1699: 1483:and the latter's 1459:Consumable Online 1378: 1377: 1067:distribution deal 979:, London-focused 946:Crosstown Traffic 819:started out as a 808:chord progression 692:Shrewsbury Prison 635:Shrewsbury Prison 627:community service 549:Andrew Weatherall 400:; out of its two 266: 265: 208: 207: 4741: 4684:Related articles 4427: 4420: 4413: 4404: 4379: 4360: 4337: 4320:Alternative Rock 4311: 4309: 4307: 4274: 4272: 4270: 4241:"The Charlatans" 4235: 4220:(4th ed.). 4212:Hoard, Christian 4208:Brackett, Nathan 4198: 4172: 4170: 4168: 4132: 4130: 4128: 4097: 4095: 4093: 4062: 4039: 4014: 4004: 3984: 3974: 3968: 3958: 3952: 3950: 3948: 3946: 3935: 3929: 3928: 3926: 3924: 3909: 3903: 3902: 3900: 3898: 3883: 3877: 3876: 3874: 3872: 3858: 3849: 3848: 3846: 3844: 3829: 3823: 3820: 3814: 3813: 3811: 3809: 3800:. Archived from 3789: 3783: 3782: 3780: 3778: 3763:"Up to Our Hips" 3758: 3752: 3751: 3749: 3747: 3738:. Archived from 3725: 3719: 3716: 3710: 3707: 3701: 3698: 3692: 3689: 3680: 3679: 3677: 3675: 3655: 3646: 3645: 3639: 3634: 3632: 3624: 3617: 3611: 3610: 3604: 3599: 3597: 3589: 3582: 3576: 3575: 3569: 3564: 3562: 3554: 3553:. 2006. 1712411. 3541: 3535: 3534: 3528: 3523: 3521: 3513: 3504: 3498: 3497: 3491: 3486: 3484: 3476: 3469: 3463: 3462: 3456: 3454: 3434: 3428: 3427: 3421: 3416: 3414: 3406: 3399: 3393: 3390: 3384: 3381: 3375: 3374: 3372: 3370: 3351: 3345: 3342: 3331: 3328: 3315: 3312: 3295: 3292: 3286: 3283: 3277: 3276: 3274: 3272: 3250: 3241: 3240: 3238: 3236: 3225:"Up to Our Hips" 3221: 3215: 3214: 3208: 3203: 3201: 3193: 3186: 3177: 3174: 3168: 3165: 3159: 3158: 3152: 3147: 3145: 3137: 3130: 3124: 3123: 3121: 3119: 3104: 3095: 3092: 3083: 3080: 3071: 3070:Anon. 1994, p. 3 3068: 3062: 3059: 3044: 3041: 3030: 3029: 3023: 3021: 3001: 2995: 2994: 2988: 2986: 2966: 2960: 2957: 2948: 2945: 2939: 2936: 2925: 2924: 2918: 2916: 2901:I like that too" 2892: 2886: 2885: 2879: 2877: 2857: 2851: 2848: 2842: 2839: 2833: 2832: 2826: 2824: 2804: 2798: 2797: 2795: 2793: 2784:. 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Author 1437: 1409: 1334: 1329: 1324: 1319: 1296: 1291: 1286: 1281: 1248: 1243: 1238: 1233: 1200: 1161: 1106:the Cranberries 1055: 1015:Top of the Pops 959: 954: 812:I Am the Walrus 800: 684: 679: 638: 513: 465:Brighton Centre 457: 398:UK Albums Chart 372: 353:Top of the Pops 258: 253: 250: 249: 244: 241: 240: 235: 232: 231: 222:Up to Our Hips 203: 194: 185: 138:Beggars Banquet 124: 120: 119: 46: 19: 12: 11: 5: 4747: 4745: 4737: 4736: 4731: 4726: 4721: 4711: 4710: 4704: 4703: 4701: 4700: 4693: 4687: 4685: 4681: 4680: 4678: 4677: 4670: 4667:One to Another 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4613: 4611: 4607: 4606: 4604: 4603: 4596: 4588: 4586: 4582: 4581: 4579: 4578: 4575:Different Days 4571: 4564: 4557: 4550: 4543: 4540:Up at the Lake 4536: 4529: 4526:Us and Us Only 4522: 4515: 4512:The Charlatans 4508: 4505:Up to Our Hips 4501: 4494: 4486: 4484: 4480: 4479: 4477: 4476: 4473: 4467: 4466: 4461: 4454: 4447: 4441: 4438: 4437: 4434:The Charlatans 4432: 4430: 4429: 4422: 4415: 4407: 4401: 4400: 4392:Up to Our Hips 4386: 4385:External links 4383: 4381: 4380: 4374: 4361: 4355: 4338: 4332: 4316:Thompson, Dave 4312: 4294: 4275: 4257: 4236: 4230: 4199: 4193: 4173: 4155: 4133: 4098: 4063: 4057: 4040: 4034: 4015: 4000:"New releases" 3994: 3986: 3985: 3969: 3953: 3930: 3904: 3878: 3850: 3824: 3815: 3784: 3753: 3720: 3711: 3702: 3693: 3681: 3658:Raggett, Ned. 3647: 3612: 3577: 3551:Island Records 3536: 3499: 3473:Up to Our Hips 3464: 3429: 3403:"Jesus Hairdo" 3394: 3385: 3376: 3346: 3332: 3316: 3296: 3287: 3278: 3242: 3216: 3190:"Jesus Hairdo" 3178: 3169: 3160: 3125: 3096: 3084: 3072: 3063: 3045: 3031: 2996: 2981:on 15 May 2020 2961: 2949: 2940: 2926: 2887: 2852: 2843: 2834: 2799: 2768: 2754: 2745: 2729: 2715: 2706: 2692: 2683: 2669: 2657: 2645: 2636: 2630:Up to Our Hips 2597: 2585: 2569: 2534: 2525: 2513: 2478: 2443: 2405: 2393: 2365: 2356: 2347: 2331: 2296: 2266:Up to Our Hips 2250: 2215: 2203: 2194: 2180: 2145: 2121: 2112: 2103: 2094: 2082: 2070: 2058: 2049: 2040: 2001: 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Retrieved 1995: 1986: 1977: 1968: 1967: 1954: 1945: 1909: 1840: 1814: 1778:Dave Charles 1765: 1764: 1747: 1746: 1735:Mark Collins 1716: 1715: 1707: 1630:Dave Charles 1595:"Feel Flows" 1524: 1513:Mark Collins 1506: 1492: 1491: 1484: 1480: 1479:, Robb said 1477:Beastie Boys 1472: 1462: 1458: 1452: 1447:Melody Maker 1445: 1441: 1432: 1425: 1419: 1418: 1414:Depeche Mode 1404: 1397: 1390: 1389: 1380: 1379: 1367: 1355: 1343: 1305: 1267: 1257: 1191: 1183: 1177: 1171: 1163: 1162: 1151:" (1992) by 1124: 1117: 1086: 1078:Lewis Morley 1075: 1057: 1056: 1043:Steve Lamacq 1020: 1013: 1000: 966: 962: 960: 942:David Crosby 927: 897: 879: 873: 870:Emma Forrest 863: 853:" (1971) by 824: 801: 781: 774:Generation X 770: 765: 758:Jimi Hendrix 751: 726: 722: 702: 700: 694: 670: 643: 614: 591: 584: 579:" (1992) by 529:Dave Charles 525: 496: 481: 476: 458: 418: 413: 375: 373: 359: 358: 351: 345: 334: 333:, alongside 318: 297: 286: 269: 268: 267: 221: 198: 190: 189: 180: 157:Dave Charles 39:Studio album 15: 4724:1994 albums 4691:Discography 4639:Me. In Time 4632:Over Rising 4593:Melting Pot 4475:Jon Brookes 4471:Rob Collins 4464:Tony Rogers 4451:Tim Burgess 4185:Ebury Press 3549:(booklet). 3509:Melting Pot 3369:9 September 2268:(booklet). 1741:Rob Collins 1729:Tim Burgess 1609:"Autograph" 1517:Rob Collins 1509:Tim Burgess 1173:Melting Pot 1153:Flowered Up 1147:video for " 1138:, due to a 1023:modern rock 1009:modern rock 997:lead single 993:Stone Roses 989:lad culture 981:mod revival 938:David Lynch 916:Deep Purple 839:John Lennon 821:Small Faces 754:the Beatles 646:open prison 565:Johnny Male 541:Edwin Starr 441:off-licence 433:Rob Collins 348:lead single 331:Tim Burgess 4713:Categories 4533:Wonderland 4345:. London: 4247:. London: 4183:. London: 4177:Robb, John 4047:. London: 4024:. London: 1964:References 934:De La Soul 932:(1993) by 924:patrolling 902:(1992) by 888:publicist 859:Parliament 804:Stranglers 792:drug busts 786:(1967) by 747:Funkadelic 493:heavy rock 445:Wednesbury 429:four-track 412:nature of 410:electronic 394:Madchester 390:critically 339:(1967) by 171:chronology 81:The Mill, 4547:Simpatico 4117:1068-624X 4108:The Blade 4082:0006-2510 4073:Billboard 4049:Constable 3640:ignored ( 3605:ignored ( 3570:ignored ( 3529:ignored ( 3492:ignored ( 3422:ignored ( 3209:ignored ( 3153:ignored ( 3108:"Singles" 2782:ShortList 2289:ignored ( 1969:Citations 1885:UK Albums 1852:position 1792:(track 6) 1786:(track 4) 1784:, mixing 1782:(track 6) 1704:Personnel 1406:The Blade 1198:Reception 1149:Weekender 1082:bass drum 1047:Jo Whiley 912:hair care 886:the Doors 851:Surf's Up 831:Al Kooper 762:John Robb 731:Bob Dylan 707:funk rock 667:Berkshire 577:Blue Room 425:Stockport 323:funk rock 315:Berkshire 103:Funk rock 87:Berkshire 4318:(2000). 4300:Archived 4263:Archived 4214:(eds.). 4179:(1998). 4161:Archived 4139:(2007). 4121:Archived 4086:Archived 3917:Archived 3891:Archived 3837:Archived 3771:Archived 3668:Archived 3664:AllMusic 3265:Archived 2615:Archived 2027:Archived 1737:– guitar 1731:– vocals 1662:"Patrol" 1540:Producer 1454:AllMusic 1222:AllMusic 1194:(2019). 985:trip hop 908:the Fall 866:backbeat 843:Yoko Ono 835:the Band 816:pop rock 776:and its 658:sampling 650:Redditch 598:Monmouth 573:System 7 537:the La's 307:Monmouth 145:Producer 77:Monmouth 59:Recorded 51:Released 41: by 4610:Singles 4397:YouTube 4306:19 July 4269:29 June 4167:19 July 4127:19 July 4092:19 July 3991:Sources 3945:28 July 3923:19 July 3897:19 July 3871:19 July 3843:19 July 3777:18 July 3746:24 July 3459:Twitter 3453:19 July 3235:19 July 3118:19 July 3026:Twitter 3020:19 July 2991:Twitter 2985:19 July 2921:Twitter 2915:19 July 2882:Twitter 2876:19 July 2829:Twitter 2823:19 July 2632:appears 2621:18 July 2611:Gigwise 2564:Twitter 2558:19 July 2508:Twitter 2502:19 July 2473:Twitter 2467:19 July 2438:Twitter 2432:19 July 2326:Twitter 2320:19 July 2245:Twitter 2239:19 July 2175:Twitter 2169:19 July 2033:30 June 1940:60,000 1937:Silver 1925:/sales 1916:Region 1693:Hillage 1679:Hillage 1665:Hillage 1651:Hillage 1612:Hillage 1598:Hillage 1584:Hillage 1570:Hillage 1005:B-sides 952:Release 847:bed-ins 711:Britpop 663:Cookham 654:Walkman 581:the Orb 547:and DJ 501:Farnham 455:Writing 402:singles 327:Britpop 311:Cookham 218:Singles 204:(1995) 195:(1994) 186:(1992) 108:Britpop 83:Cookham 4646:Weirdo 4372: 4353: 4330: 4292: 4255: 4228: 4191: 4153: 4115: 4080: 4055: 4032: 3941:. 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