189:) tags are translated into a set of dance movements, thus making the web code visible and physical. Endlicher writes, "I first had the idea to 'perform' HTML in 2006, when I discovered a parallel between HTML tags (the language the Web is written in) and Butoh (a Japanese dance technique, which is based on 'becoming an image' in the performance)." In
208:, a collection of wigs whose structure replicates the sitemap of websites belonging to Apple, Google, Intel, Microsoft, and other entities of the digital era. The sites' hyperlinks are represented through braiding, beading, and color banding, resulting in a three-dimensional form of data visualization.
141:
Endlicher has created technology-based performances and installations that use live
Internet data. A recurring theme in her work is the "nature" of the web and the behavior of its users, addressed through exploitation of the Internet’s inherent architecture, the web’s HTML language, and user behavior
223:
Biennial, as well as at galleries and museums such as
Postmasters Gallery (New York), Jersey City Museum (New Jersey), Beral Madra Contemporary Art (Istanbul, Turkey), and the Center for Contemporary Art, UjazdĂłw Castle (Warsaw, Poland). She has collaborated on several occasions with other artists,
526:
536:
531:
516:
496:
521:
290:
198:
159:
511:
118:
54:
501:
449:
143:
506:
233:
130:
59:
356:
114:
146:
Vienna bulletin board in 1994. Her internet art works have been since been commissioned for the
229:
220:
98:
374:
110:
94:
33:
479:
artist's commission for the
Whitney Museum of American Art Sunrise/Sunset net art series
334:
163:
147:
490:
122:
212:
126:
90:
312:
236:
Artbase, and the Rose
Goldsen Archive of New Media Art at Cornell University.
142:
on social media sites. Endlicher’s earliest
Internet artwork was presented at
470:
399:
232:. Her work is in the collections of the Whitney Museum of American Art, the
86:
125:
in 1993. In 1995, she received a Master of Fine Arts, with an emphasis in
216:
44:
424:
193:
these movements are recodified into a database of small video clips.
185:
code as the basis of a movement language. That is, HTML (and later
264:
291:"Space and Cyberspace: Ursula Endlicher's Internet in the Round"
182:
211:
Endlicher's performances have been hosted in festivals such as
186:
228:
from 2006 to 2009), Anke
Zimmermann, Annie Abrahams, and the
478:
204:
Endlicher has also physicalized the web through her project
72:
465:
89:
multi-media artist who creates works in the fields of
66:
50:
40:
28:
21:
224:including Ela Kagel (with whom she ran the blog
8:
175:Website Impersonations: The Ten Most Visited
173:Two of her projects—the performance series
452:. Pittsburgh Tribune-Review, Feb. 1, 2007.
18:
527:Austrian expatriates in the United States
245:
379:The Internet as Playground and Factory
121:in 1991. She relocated permanently to
7:
400:"Website Annotations/Impersonations"
350:
348:
328:
326:
306:
304:
259:
257:
255:
253:
251:
249:
537:21st-century Austrian women artists
532:20th-century Austrian women artists
289:Hodges, Mary Love (November 2009).
517:Academy of Fine Arts Vienna alumni
14:
311:Boutros, Alexandra (2007-05-10).
201:, Light Industry, and elsewhere.
197:has been hosted at SIGGRAPH, the
199:Center for Performance Research
355:Thalmair, Franz (2008-01-14).
1:
497:Austrian contemporary artists
160:New Radio and Performing Arts
109:Ursula Endlicher was born in
522:School of Visual Arts alumni
357:"Tanze das Netz: html_butoh"
119:Academy of Fine Arts Vienna
55:Academy of Fine Arts Vienna
553:
85:is a New York City based
425:"Website Portraits/Wigs"
333:Wu, Irene (2007-01-17).
375:"Ursula Endlicher: Bio"
152:Light and Dark Networks
195:Website Impersonations
131:School of Visual Arts
60:School of Visual Arts
450:"Review of 'Thread'"
512:Artists from Vienna
156:Famous for One Spam
133:in New York City.
115:Master of Fine Arts
113:. She received her
105:Life and education
502:New media artists
474:on turbulence.org
295:The Brooklyn Rail
230:Plaintext Players
80:
79:
544:
466:artist's website
453:
446:
440:
439:
437:
435:
429:Ursula Endlicher
421:
415:
414:
412:
410:
404:Ursula Endlicher
396:
390:
389:
387:
385:
371:
365:
364:
352:
343:
342:
330:
321:
320:
308:
299:
298:
286:
280:
279:
277:
275:
269:Ursula Endlicher
261:
158:, 2004) and for
99:installation art
83:Ursula Endlicher
76:
75:
73:Official website
23:Ursula Endlicher
19:
552:
551:
547:
546:
545:
543:
542:
541:
487:
486:
484:
462:
457:
456:
447:
443:
433:
431:
423:
422:
418:
408:
406:
398:
397:
393:
383:
381:
373:
372:
368:
354:
353:
346:
332:
331:
324:
310:
309:
302:
288:
287:
283:
273:
271:
263:
262:
247:
242:
226:curating netart
139:
111:Vienna, Austria
107:
95:performance art
71:
70:
58:
51:Alma mater
36:
34:Vienna, Austria
24:
17:
16:Austrian artist
12:
11:
5:
550:
548:
540:
539:
534:
529:
524:
519:
514:
509:
504:
499:
489:
488:
482:
481:
476:
468:
461:
460:External links
458:
455:
454:
441:
416:
391:
366:
344:
322:
300:
281:
244:
243:
241:
238:
164:Turbulence.org
148:Whitney Museum
138:
135:
106:
103:
78:
77:
68:
64:
63:
52:
48:
47:
42:
38:
37:
32:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
549:
538:
535:
533:
530:
528:
525:
523:
520:
518:
515:
513:
510:
508:
507:Living people
505:
503:
500:
498:
495:
494:
492:
485:
480:
477:
475:
473:
469:
467:
464:
463:
459:
451:
445:
442:
430:
426:
420:
417:
405:
401:
395:
392:
380:
376:
370:
367:
362:
358:
351:
349:
345:
340:
336:
329:
327:
323:
318:
314:
307:
305:
301:
296:
292:
285:
282:
270:
266:
260:
258:
256:
254:
252:
250:
246:
239:
237:
235:
231:
227:
222:
218:
214:
209:
207:
202:
200:
196:
192:
188:
184:
180:
176:
171:
169:
165:
161:
157:
153:
150:’s artport (
149:
145:
136:
134:
132:
128:
124:
123:New York City
120:
116:
112:
104:
102:
100:
96:
92:
88:
84:
74:
69:
65:
61:
56:
53:
49:
46:
43:
39:
35:
31:
27:
20:
483:
471:
448:Shaw, Kurt.
444:
432:. Retrieved
428:
419:
407:. Retrieved
403:
394:
382:. Retrieved
378:
369:
361:Der Standard
360:
339:Rhizome News
338:
335:"Dance Code"
317:Furtherfield
316:
313:"html_butoh"
294:
284:
272:. Retrieved
268:
225:
213:transmediale
210:
206:Website Wigs
205:
203:
194:
190:
178:
174:
172:
167:
155:
151:
140:
127:computer art
108:
91:internet art
82:
81:
144:the Thing's
129:, from the
41:Nationality
491:Categories
472:html_butoh
240:References
191:html_butoh
179:html_butoh
168:html_butoh
166:website (
117:from the
434:17 April
409:17 April
384:17 April
274:17 April
217:SIGGRAPH
154:, 2012;
87:Austrian
45:Austrian
234:Rhizome
162:Inc.’s
67:Website
219:, and
62:(1993)
57:(1991)
265:"Bio"
221:ZERO1
181:—use
436:2015
411:2015
386:2015
276:2015
183:HTML
177:and
137:Work
97:and
29:Born
187:XML
170:).
493::
427:.
402:.
377:.
359:.
347:^
337:.
325:^
315:.
303:^
293:.
267:.
248:^
215:,
101:.
93:,
438:.
413:.
388:.
363:.
341:.
319:.
297:.
278:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.