263:
881:
tiresome. I did a lot of that album by myself, in a very hermit-like state of mind. I was in a technologically obsessed state of mind and I lost sight of what
Godflesh should be. The end result was something very eclectic and ambitious that didn't even sound like a Godflesh album. That album is the sound of an identity crisis and we did it in public. I am glad it wasn't promoted well.
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What was going on at the time of my career with
Godflesh was an identity crisis. I'd spent a lot of time making that album and it almost sounded like it was a remix of a remix album. There were so many changes going on and it was just a regurgitation of what I had done before. It was really fucking
353:
is more indebted to electronics and pure noise. The razor-sharp guitars and sweeping, guttural vocals that fans have come to expect from any
Godflesh record are still intact, but the pair extend the sound with avenues rarely heard on their proper albums." Ian Christe of
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is the same kind of record
Godflesh has been making since its inception... It's just that the duo has pushed the envelope much farther than any of its contemporaries." Chronicles of Chaos critic Paul Schwarz thought: "At 64 minutes,
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is a lot to take in, especially in one sitting, and I find it a little bit of a struggle as an album, but it does have some great tracks and creates a blanket of depressive, atmospheric
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admitted that he "hated" the album as it was the expression of an "identity crisis". Years later, he revised his thoughts, saying that his hatred of
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stated: "Start to finish, this is a beautiful, moody and sincere record from a band most thought had milked its last cow." Ken
Hollings of
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415:"was so informed by the excesses of dance music ... But as we know, dance music moves at fucking light speed relative to rock music."
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The album's closing track, "Live to Lose", was originally recorded in 1995. It was intended to be a vinyl-only bonus track on
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critic John Bush, who described the record as "heavy grindcore with drum machines," wrote: "From the
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on 17 May 1999 in Europe and on 8 June 1999 in North
America. As with Godflesh's 1997 remix album
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was "overstated", and that his main issue in the album lies in its more "cringe-worthy moments."
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341:(1997), driven percussively and relying on thumping drum and bass and hip hop rhythms.
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s Kevin
Stewart-Panko also thought that the track "Internal" "acts as an elegiac,
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wrote, "Out of the masterful, combative collection of rants, songs and beats on
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Hollings, Ken (August 1999). "Soundcheck: Godflesh – Us and Them".
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308:"Endgames" shows the album's focus on hip hop experimentation
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The
Collector's Guide to Heavy Metal: Volume 3: The Nineties
261:
1251:
287:"Nail" shows the album's partial return to industrial metal
1061:"Avalanche: Godflesh Page 1 – New Album: 'Us and Them'"
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Christe, Ian (October 1999). "Godflesh – Us and Them".
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thought that rather than the lurching stomp of 1992's
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1022:"Justify Your Shitty Taste: Godflesh – Us and Them"
898:"Voidhead: Justin Broadrick on the End of Godflesh"
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590:sound which is hard to throw off." Ian Christe of
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426:, Godflesh began work on a proposed remix album,
349:onslaught of the opener though, it's clear that
1221:: CS1 maint: others in cite AV media (notes) (
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763:"Live to Lose" (Bonus track recorded in 1995)
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405:project." In a 2015 retrospective with
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1020:Stewart-Panko, Kevin (14 July 2016).
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449:
194:is the fifth studio album by English
7:
1536:Streetcleaner: Live at Roadburn 2011
861:Bromley, Adrian (14 January 2002).
835:"Ivens interview by Chris Downton"
316:Problems playing these files? See
14:
532:
470:
395:harbinger of what was to come on
18:1999 studio album by Godflesh
551:
546:
541:
536:
531:
513:Collector's Guide to Heavy Metal
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1158:Chainsaw, Billy (15 May 1999).
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1:
1207:(CD liner notes). Godflesh.
1135:Collector's Guide Publishing
328:features a sound similar to
686:"Whose Truth Is Your Truth"
243:release, Godflesh frontman
1708:
1090:Gabler, Pete (July 1999).
613:All tracks are written by
202:. It was released through
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1384:A World Lit Only by Fire
1160:"Godflesh – Us and Them"
1092:"Peeling Back the Flesh"
964:"Us and Them – Godflesh"
931:"Us and Them – Godflesh"
1687:Earache Records albums
1497:F.O.D. (Fuck of Death)
1363:Songs of Love and Hate
863:"Hymns of Progression"
330:Songs of Love and Hate
266:
1065:avalanche.demon.co.uk
788:Credits adapted from
265:
255:Composition and music
1631:Avalanche Recordings
1561:Love and Hate in Dub
1211:. 1999. MOSH 179 CD.
903:Consequence of Sound
445:Professional ratings
408:Consequence of Sound
338:Love and Hate in Dub
209:Love and Hate in Dub
157:Love and Hate in Dub
1604:Loopflesh/Fleshloop
1217:cite AV media notes
1127:Burlington, Ontario
936:Chronicles of Chaos
868:Chronicles of Chaos
501:Chronicles of Chaos
446:
1571:Compilation albums
1554:Slavestate Remixes
1451:Decline & Fall
1248:(list of releases)
444:
440:Critical reception
428:Us and Them in Dub
267:
82:industrial hip hop
1669:
1668:
1144:978-1-894959-62-9
1057:Broadrick, Justin
1034:on 21 August 2016
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411:, Broadrick said
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216:is influenced by
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1614:Related articles
1586:In All Languages
1295:Justin Broadrick
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1067:. Archived from
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1030:. Archived from
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226:oldschool jungle
196:industrial metal
175:In All Languages
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129:Justin Broadrick
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76:Industrial metal
33:
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1137:. p. 172.
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741:"Control Freak"
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1408:Extended plays
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1234:External links
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1119:Popoff, Martin
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896:Suarez, Gary.
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840:Cyclic Defrost
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752:"The Internal"
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1626:List of songs
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1490:Crush My Soul
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1342:Streetcleaner
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1334:Studio albums
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1193:(186): 50–51.
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1071:on 1 May 1999
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772:Total length:
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732:
729:
725:
721:
718:
714:
710:
708:"Bittersweet"
707:
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688:
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681:
677:
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670:
666:
663:
659:
655:
653:"Us and Them"
652:
648:
644:
642:"I, Me, Mine"
641:
637:
624:
621:
620:
616:
608:Track listing
607:
605:
603:
599:
598:
593:
589:
585:
580:
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568:Very positive
567:
565:
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450:Review scores
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241:Us and Them's
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222:drum and bass
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22:
16:
1656:Cable Regime
1646:Napalm Death
1602:
1584:
1579:Life Is Easy
1577:
1559:
1552:
1546:Remix albums
1534:
1449:
1442:
1435:
1428:
1421:
1414:
1396:
1389:
1382:
1375:
1369:
1368:
1361:
1354:
1347:
1340:
1310:Paul Neville
1300:
1293:
1239:
1204:
1199:
1188:
1167:. Retrieved
1153:
1122:
1113:
1101:. Retrieved
1097:Metal Hammer
1095:
1085:
1073:. Retrieved
1069:the original
1064:
1036:. Retrieved
1032:the original
1025:
1015:
998:
992:
971:. Retrieved
962:Bush, John.
940:. Retrieved
934:
907:. Retrieved
901:
879:
872:. Retrieved
866:
856:
844:. Retrieved
838:
828:
792:liner notes
789:
787:
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591:
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523:
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431:
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189:
188:
173:
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155:
39:Studio album
15:
1682:1999 albums
1661:Anti-Social
1621:Discography
1528:Live albums
1370:Us and Them
1325:Ted Parsons
1302:B. C. Green
1241:Us and Them
1205:Us and Them
1103:22 February
909:14 December
846:14 November
810:G. C. Green
790:Us and Them
675:"Witchhunt"
619:G. C. Green
602:Us and Them
584:Us and Them
579:Us and Them
424:Us and Them
420:Us and Them
413:Us and Them
374:and slowed
368:Us and Them
351:Us and Them
347:drum'n'bass
326:Us and Them
249:Us and Them
214:Us and Them
191:Us and Them
166:Us and Them
134:G. C. Green
54:17 May 1999
24:Us and Them
1676:Categories
1651:Painkiller
1430:Cold World
1423:Slavestate
1169:8 November
1075:6 November
820:References
664:"Endgames"
588:industrial
393:shoegazing
318:media help
294:"Endgames"
218:breakbeats
146:chronology
1511:Post Self
1437:Merciless
1391:Post Self
1007:1074-6978
784:Personnel
730:"Descent"
697:"Defiled"
389:post-punk
370:calls on
62:1997–1999
1469:Slateman
1416:Godflesh
1356:Selfless
1283:Godflesh
1190:The Wire
1164:Kerrang!
1121:(2007).
968:Allmusic
597:The Wire
575:AllMusic
563:The Wire
525:Kerrang!
464:AllMusic
401:and the
372:trip-hop
343:AllMusic
230:trip hop
200:Godflesh
144:Godflesh
121:Producer
59:Recorded
51:Released
44:Godflesh
41: by
1483:Xnoybis
1461:Singles
1444:Messiah
1246:Discogs
1038:12 July
1027:Decibel
973:25 June
942:12 July
874:24 June
381:Decibel
234:hip hop
179:(2001)
170:(1999)
161:(1997)
114:Earache
1596:Splits
1504:Ringer
1476:Mothra
1141:
1131:Canada
1005:
1001:: 59.
805:vocals
801:guitar
719:"Nail"
634:Length
506:8.5/10
458:Rating
455:Source
376:jungle
273:"Nail"
92:Length
1398:Purge
1377:Hymns
1320:Brain
776:64:05
631:Title
398:Hymns
385:'
333:'
198:band
109:Label
68:Genre
1641:Loop
1636:Jesu
1518:Nero
1349:Pure
1223:link
1171:2021
1139:ISBN
1105:2018
1077:2018
1040:2017
1003:ISSN
975:2013
944:2017
911:2017
876:2013
848:2017
814:bass
766:5:39
755:6:33
744:5:37
733:5:38
722:4:09
711:4:34
700:5:29
689:5:03
678:5:11
667:4:56
656:5:56
645:5:20
617:and
518:5/10
403:Jesu
363:Pure
232:and
1244:at
994:CMJ
760:12.
749:11.
738:10.
627:No.
592:CMJ
357:CMJ
1678::
1219:}}
1215:{{
1179:^
1162:.
1133::
1129:,
1125:.
1094:.
1063:.
1059:.
1048:^
1024:.
999:74
997:.
983:^
966:.
952:^
933:.
919:^
900:.
888:^
878:.
865:.
837:.
812:–
803:,
799:–
727:9.
716:8.
705:7.
694:6.
683:5.
672:4.
661:3.
650:2.
639:1.
436:.
391:,
378:.
366:,
236:.
228:,
224:,
220:,
212:,
101:05
97:64
1520:"
1516:"
1513:"
1509:"
1506:"
1502:"
1499:"
1495:"
1492:"
1488:"
1485:"
1481:"
1478:"
1474:"
1471:"
1467:"
1275:e
1268:t
1261:v
1225:)
1173:.
1147:.
1107:.
1079:.
1042:.
1009:.
977:.
946:.
913:.
850:.
320:.
99::
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