213:
rarely white) and has three main groups of reasons: the geometric (points, lines, triangles, ringing, etc..), the peculiar, Finally, those who are remote references to the figurative (anthropomorphic and zoomorphic). His technique is based on the physical act, a bill currently maintaining a surprising, however, presents us with incredibly enigmatic. The most significant deposits are located in Lleida Cogul, Valley and Eat Balma Points (Albi), shelters the French and
Barranco de Vila-seca (Os de Balaguer) and Tarragona Cueva del Pi (Tivissa), and the Grand Mas Portell Letters (Montblanc), and the station near of Cueva Pintada (Alfara Charles).
104:, with links to Spain and the succession of economic crises and cultural, art has declined, and the Renaissance and Baroque styles not considered to be particularly remarkable in the history of Catalan art. Finally, since the nineteenth century, the economic and cultural revitalization, floral art again, being the modernist one of the most splendid periods of Catalan art. However, the twentieth century is the updating of various styles produced by Catalan artists, connecting with international trends, offering even leading figures worldwide as
178:
most mimetic of reality, very expressive with details (for example, the hooves and horns), the human figure reflects an aesthetic concept very unique: individuals elongated body and narrow waist with triangular chest, coming to create images designed for a single line, equipped with a dynamic characteristic that shows action and movement. The pictorial compositions of archers and animals are extremely attractive to those approaching human groups, there is always taken as paradigmatic examples of the prehistoric world.
337:
380:
the coast of
Tarragona, possibly of Greek origin, representing scenes from the myth of Hippolytus and Phaedra. Also noteworthy in the decoration of houses Cities and the mosaic , which has a large development at this time, as found in the ruins of Empuries, with a scene with Agamemnon and Iphigenia , the Roman Villa of Bell-place ( fourth century ), with a race quadrigues; in the village of Lots (Altafulla) with a representation of the muses, or the village of Almond in Tossa de Mar (siglos IV-V).
870:, but here are transformed and adapted to a style. In a more international exchanges are frequent stylistic artists travel from one country to another, incorporating techniques and styles that are spread everywhere. The architecture undergoes a profound transformation, shaped lighter, more dynamic, with improved structural analysis that allows most stylish buildings, with more openings and, therefore, better illumination. New types appear as the
27:
989:, author of the tombs of Peter the ceremonious and Teresa de Entenza Poblet; Cascalls James, who also worked at the Royal Pantheon of Poblet, as well as the Girona Cathedral (San Charlemagne) and the altarpiece from Conflent Cornella, and George of God, also present in Poblet, author of the altarpieces of Vallfogona Riucorband Santa Coloma de Queralt, and works in the cathedral and the Casa City Barcelona.
217:
like the Cross in
Cobertella (Roses) and Mas Bousarenys (Santa Cristina Aro), or covered galleries, like the Moors Cemetery (Torrent, Baix EmpordĂ ), and Cova d'en Daina (Selva). Later, in about 1000 BC , come the first burial , in which the deceased was cremated and placed in urns pottery , found several of these cemeteries Can Missert (Terrace), Can Low-Peak (Agullana) and La Pedrera (Vallfogona Balaguer).
364:
several cities in
Catalonia with a population mostly from Roman legionaries graduates: Baetulo (Badalona), Iluro (Mataro) Iesso (Stern) Aeso ( Isona, etc.). However, the Roman city of Empuries becomes the creation of a new facility next to the Greek Neapolis. So began a process of assimilation of Roman culture and language, of which we are heirs as the Latin left the Catalan language to the Middle Ages.
201:
389:
125:
415:
architecture is the church, heir to the Roman basilica, incorporating new forms as the plant in the form of a Latin cross, symbol of Jesus , and types as the baptistery . We thus set
Paleochristian and high-medieval Santa Maria de Terrassa (V-VII centuries), the church of Sant Feliu in Girona , Tarragona and Santa Jerusalem and the Holy Cross in Barcelona.
308:
goddess Athena
Mitigating the . Greek art can be seen also in the Iberian Indian villages , thanks to trade relations between Greek and indigenous peoples in Catalonia: A good example is the treasure found in the Iberian settlement of Castellet de Banyoles of Tivissa , which are some hooks of silver gilt with representations mythological.
445:
by the
Visigothic art and influences Mozarabic and Carolingian. Stand the whole Terrace (San Pedro, Santa Maria and San Miguel), Visigothic influence, the churches of Sant JuliĂ de Boada and San Quirze Pedret, Mozarabic influence on the use of the horseshoe arch, and St. Peter of Puelles (Barcelona), Carolingian influence.
56:. Art has always been a major means of expression of the human being, through which one expresses their ideas, feelings and their relation to the world. Its role may differ from the more practical to the more ornamental, it can have a religious content or be simply aesthetic, it can be lasting or ephemeral.
376:
as the meticulous sculptural decoration with numerous marble statues representing members of the imperial family. The remodeling of
Tarraco culminates in the second half-century with the creation of provincial forum , with a large temple dedicated to the worship of the emperor and a circus horse racing.
181:
The stations of
Catalonia best known are: the aforementioned shelter Cogul of the Cave of Vilasos (Os de Balaguer), the Balma Points (Albi), Lleida, and Feixet Cabra (El Perello), Cave Cingle, the herd (Tivissa), the Mas y Mas by Ramon Llort (Montblanc), Cave of the Escoda, Corner PerdigĂł and Charles
444:
The first style produced in the field of medieval art is called Pre-Romanesque (or "First
Romanesque" according to the classification of Joseph Puig), located between the fall of the Roman Empire and the creation of the Hispanic March. In Catalonia, as in the rest of the peninsula, the Pre is marked
375:
In the first century of our era, the city of Tarraco, which has become the new capital of the province Tarraconensis has a period of great development, with the remodeling of the forum and the legal construction of the church and the theater. These buildings stand out for its monumental architecture
367:
As the first major examples of Roman art in Catalonia have in the field of architecture, the temple and the forum EmpĂşries Baetulo and terms, while in sculpture there are several findings in the cities of Tarraco and Baetulo statues of male or female figures, probably works for funerary monuments of
359:
In the third century BC , through the Second Punic War between Rome and Carthage , the Romans arrived in the Iberian Peninsula, beginning a colonizing process which will culminate with the incorporation of all Hispania to the Roman Empire . In 218 BC the general Scipio founded Tarraco ( Tarragona ),
158:
In 1964 a cave was discovered in a shop in Cartagena Moleta (now Sant Carles de la Rapita). It depicted the image of a bull rampant, siluetejat executed by a stroke, black, attributed to the period Upper Paleolithic. A few years this cave was plundered and even today continues to constitute the only
143:
The first manifestations occur in Catalonia around 30,000 B.C.E, time of occurrence of the named man CromanyĂł. The first inhabitants of the territory were small groups of hunter-gatherers, who usually lived in caves and shelters of the land. These settlers developed the so-called rock art, paintings
992:
The International Gothic figure we Ça Peter Anglada, author of Heart of Barcelona Cathedral, Pere Oller, author of the tomb of Ferdinand I in Poblet and altarpiece in the cathedral of Vic, Peter John, figure prominently, author of façade of the Palau Sant Jordi of the Generalitat and the altarpiece
968:
The sculpture is still framed within the architectural and Gothic forms together achieved a more realistic and detailed than the Romanesque sculpture, as well as portals, sculpture develops tombs, altars, choir and altars. French influence is evident, especially in the early years of the Gothic and
371:
In the first century BC was founded Barcino ( Barcelona ), a small walled city already planned to air entry monuments, emphasizing the area of the forum with the Temple of Augustus. The creation of the Empire and the pacification of peninsula achieved by August generated a long period of prosperity
177:
These events are always in the open air cavities are figurative, in meticulous detail, flat and monochrome images. Use as a tool to Pictorial feather, getting called "Levantine pen stroke. His iconographic elements essential in animal and human figures, receive differential treatment: first are the
173:
During the Epipaleolithic periods (10,000 to 6500 years B.C.E), hunter-gatherers groups expressed their world of beliefs through a purely pictorial art, the Levantine art, of which Catalonia has excellent examples, particularly in Lleida and Tarragona, and an unobtrusive presence in the province of
379:
The sculpture of the imperial era gains in realism, particularly in portraiture, with a large domain of physiognomy by artists of this period, we have numerous examples found in the walls of Barcino. From the second century stand of the sarcophagi decorated like that of Hippolytus found at sea off
261:
The Iberian settlements were the first stable settlements on our land, with villages drawn with mapping urban , surrounded by walls for defense, usually located in high places. They emphasize the remains found in the Puig de Castellet ( Lloret de Mar ), Puig de Sant Andreu ( balloon ), Dark Castle
257:
Despite the settlement of peoples Iberian Catalan territory around the seventh century BC , in Catalonia there are few relevant examples of Iberian art, but some everyday objects or a small piece rudimentĂ riament decorated as a small bronze representing a pair of oxen , of Castellet de Banyoles of
212:
The other major prehistoric artistic style is called schematic art, the expression of groups of producers creencial Neolithic (6500-1000 years before present), the first beginning to dominate the agriculture and live in villages. It is an art that is based on the abstract , monochrome (red, black,
185:
The values ​​so singular and unique art Levantine determined to UNESCO in its declaration as a World Heritage Site in 1998 , and with him all the manifestations that are prehistoric in its territory, both as Paleolithic art schematic under the conventional administrative designation of rock art in
418:
Another significant work of art is Paleochristian Centcelles mausoleum in Constantine , the fourth century, sepulchral building with a large room covered with dome and decorated with a polychrome mosaic with scenes from the Bible as well as hunting and four stations. In art charge Paleochristian
363:
The Romans were great experts in architecture and civil engineering, and contributed to our country roads, bridges, aqueducts and cities with a rational layout and basic services such as sewers, in addition to temples, baths, circuses, theaters, etc.. In a slow process of colonization are founded
220:
However, the so-called Bronze Age (1500 BC-1000 BC) began the manufacture of various utensils and objects crafted by hand, especially ceramics and the silver , emphasizing the production of so-called bell-glasses . In the bronze happens the Iron Age , which coincides with the arrival of people in
216:
During the Neolithic begin to occur early architectural manifestations dedicated to funeral rites or religious, generally related to the so-called megalithic culture . The main monuments include: the menhir , such as Palaces (Agullana, Alt EmpordĂ ) and Murtra (San Clemente Sescebes), the dolmen ,
448:
The sculpture is developed mainly in the architectural field, usually limestone, with survival of classical art from Paleochristian that will gradually evolve into a more original and indigenous. It is apparent in the sculptural decoration of the churches of San Miguel de Terrassa, Sant JuliĂ de
414:
With the establishment of Christianity as the official religion in the fourth century, artistic production is developed around religious themes, which have been defined as Paleochristian art . This art is based on Roman forms and types, but with a new content based on Christian iconography. The
307:
In EmpĂşries developed considerably Greek ceramics, highlighting the vessels penthouses painted with scenes of different types, with a style naturalist high quality: we mention, for example, a cup found in the Neapolis EmpĂşries, dated about the sixth century BC with a representation of the Greek
67:
has hosted different cultures and civilizations that have contributed their concept of art and left their legacies. Each historical period has had concrete and definable characteristics common to other regions and cultures, or unique and separate, that have evolved over time. From here artistic
452:
The mural painting is generally pre-Romanesque and as sculpture, decorative serving the architectural work. During this time live two distinct stylistic lines: the first heir of classical forms, especially Paleochristian art, and other streams in contact with outsiders, such as the Carolingian
303:
The Greeks were the first great civilization in the Mediterranean to settle in Catalonia: the sixth century BC was founded the city of Empuries (Empòrion), one of the first cities built on land the Iberian Peninsula , which became an important trade center and gateway to the Greek culture. The
311:
EmpĂşries are also the first examples of sculpture found in the Catalan region, including the famous statue of the god Asclepius , found sanctuary in the south of Neapolis in 1909 , works great naturalism and superb execution, or bust the goddess Aphrodite , of the fourth century BC , period
99:
was the start of the Catalan culture when it defined itself as an entity with its own language, heir to the Latin and the formation of the first Catalan state. This was a glorious period for Catalan art, and the Romanesque and Gothic periods very fruitful for the artistic development of the
739:, the work of a master of Italian origin as possible. Apart from these centers develops Episcopal nuclei, such as Barcelona, ​​Girona and Vic , a painting related miniature and illumination of manuscripts, as the sets of Sant Pere de La Seu d'Urgell and Santa Eulalia Estaon.
144:
on rocks and walls of the caves, which represent the first medium of expression used by humans before the invention of writing. These paintings are usually linked to religious rites, and represent the expression in a symbolic language of thought amongst the first humans.
1053:
419:
relevance sarcophagi, usually marble, decorated with Christian themes, often imported from Roman workshops or northern Africa . A good example are the church of Sant Feliu de Girona and the "prayer of the sarcophagus, found in early Christian necropolis of Tarragona.
453:
represented by sets of San Miguel and Santa Maria Terrace, the second represents the local artisans, away from classical forms and no contact with other styles, reflected in the decorations of St. Peter's Terrace, St Quirze Pedret and CampdevĂ nol.
372:
that promotes art and public works. Two examples are the Arc de Bera and the aqueduct of Ferreres to Tarraco. The Vic is the 1882 perfectly preserved remains of a temple, where façade with six columns of Corinthian order topped by a tympanum.
258:
Tivissa , a glass ceramic with a small gray landscape, hill Bosch ( Badalona ), or a sculptural remains of a tomb of Saint Martin Sarroca (Alt Penedès) the third century BC, with the figure of a possible Iberian king sitting on a throne.
1054:
http://translate.googleusercontent.com/translate_c?hl=en&rurl=translate.google.com&sl=auto&tl=en&u=http://whc.unesco.org/en/list/874/multiple%3D1%26unique_number%3D1026&usg=ALkJrhieJcrpntr266BcwU9vqOU08s7eSg%7CRock
999:
174:
Barcelona. Catalonia has the honor of being the first region to find a station, the Rock of the Moors of the Cogul (Lleida), in 1908 - appearing on painted the human figure, as was not known in western prehistory.
641:. It is characterized by the use of stone more accurately planimetries more complicated, with some pointing to the vaults, and greater use of sculpture to decorate architectural spaces. This is emphasised in the
793:
The painting is developed around the so-called "style 1200", central European origin , where the Byzantine influence is particularly important, from the mural done on the table, especially in front of the
304:
so-called Greek Neapolis EmpĂşries built around the port, with a highly developed urban mapping, which highlights the major public buildings, mainly the temple dedicated to the god of medicine , Asclepius.
360:
which is the first important Roman city in Catalonia. The first artwork found in a Roman relief of a tower on the wall of Tarraco, representing the goddess Minerva with spear and shield, two meters high.
1000:
http://translate.googleusercontent.com/translate_c?hl=en&rurl=translate.google.com&sl=auto&tl=en&u=http://ca.wikipedia.org/Art_de_Catalunya&usg=ALkJrhhY-icq89BIIqO6Hdxw_nMj-b46HQ
71:
Catalan art is the result of a diverse social and cultural amalgamation provided by various peoples who have inhabited its territory: The priginal inhabitants of the area are the prehistoric
368:
wealthy families. These early works show traces common to Hellenistic art prevailing at the time along the Mediterranean, with particular influence of models from Narbo Martius ( Narbonne ).
858:, any expansion in the Mediterranean- and consolidation of the Catalan-Aragon Crown. It is a period of great splendor for Catalan art. Again we received foreign influences, especially
68:
styles emerge, which may have a geographic origin or temporary, or even reduced to the work of a particular artist, as long as they occur within clearly defining artistic forms.
766:. The sculpture called the force receives College of Lleida influence Toulouse, where the covers are works such as the Annunciation and Fillols Office Vella de Lleida, of
750:. It is an art more urban, with expansion of civil architecture, although the achievements are even religious: Chapel of St. Lucia and the Episcopal Palace in Barcelona, ​​
221:
Catalan lands Celts from central Europe, of which we have received various objects found in burial grounds (weapons, clothes ornaments, pottery), who buried the deceased.
731:, Italian-influenced, possible work of a teacher abroad. Further examples are the magnificent TaĂĽll and Vall de Boi, highlighting the famous Pantocrator from
87:- first the Greeks, and then the Romans who turned in a Catalonia province into a part of its empire. After the fall of this empire, Catalonia was part of the
1204:
Josep Guitart i Duran: Arquitectura civil i urbanisme a Catalunya a l'època romana . A Art de Catalunya. Urbanisme, arquitectura civil i industrial , p. 46.
1186:
Josep Guitart i Duran: Arquitectura civil i urbanisme a Catalunya a l'època romana . A Art de Catalunya. Urbanisme, arquitectura civil i industrial , p. 34.
168:
528:. It is a religious art, developed mainly in churches in the Christian-themed architecture and the arts. In Catalonia, the main influences come from the
1240:
Xavier Barral i Altet: L'Arquitectura religiosa d'època preromà nica i romà nica . A Art de Catalunya. Arquitectura religiosa antiga i medieval , p. 63-64.
950:
946:
1092:
NarcĂs Soler: Arquitectura i urbanisme prehistòrics de Catalunya . A Art de Catalunya. Urbanisme, arquitectura civil i industrial , p. 34.
409:
35:
1213:
Josep Guitart i Duran: L'Arquitectura religiosa d'època romana . A Art de Catalunya. Arquitectura religiosa antiga i medieval , p. 44-46.
1101:
Josep Guitart i Duran: L'Arquitectura religiosa d'època romana . A Art de Catalunya. Arquitectura religiosa antiga i medieval , p. 37-38.
439:
973:, though they develop a number of local schools that will be reaching its own style. The first notable examples have to altarpieces
1065:
NarcĂs Soler: L'Arquitectura religiosa a la Prehistòria . A Art de Catalunya. Arquitectura religiosa antiga i medieval , p. 16-23.
712:, notable for its virtuosity and precision of detail. Also of note are works such as the image of the Virgin of Montserrat in the
1017:
Ramon Viñas i Vallverdú i Josep Castells i Camp: Art prehistòric . A Art de Catalunya. Pintura antiga i medieval , p. 12-13.
993:
in the cathedral of Tarragona, and Guillem Sagrera, who worked in Majorca, Gerona, La Seu d'Urgell, Perpignan and Naples.
1035:
Ramon Viñas i Vallverdú i Josep Castells i Camp: Art prehistòric . A Art de Catalunya. Pintura antiga i medieval , p. 17.
1044:
Ramon Viñas i Vallverdú i Josep Castells i Camp: Art prehistòric . A Art de Catalunya. Pintura antiga i medieval , p. 15.
1026:
Ramon Viñas i Vallverdú i Josep Castells i Camp: Art prehistòric . A Art de Catalunya. Pintura antiga i medieval , p. 14.
851:
855:
433:
594:
The technical Lombard noted for the use of small proportions of chipped stone, large areas covered with round, with
954:
462:
1110:
GraciĂ , Oriol. «En el paĂs dels ilercavons». SĂ piens , nĂşm. 86 data = desembre 2009, p. 68-69. ISSN 1695-2014.
941:, etc.. also developed remarkably civil architecture, especially the palaces and public buildings such as the
938:
815:
182:
Cave (Vandellòs), Cave of Caparrella (Rasquera) and the core of the Sierra of Mercy (Ulldecona) in Tarragona.
31:
831:
771:
544:
that allow one to speak authentically Catalan Romanesque. The Romanesque architecture emphasizes the use of
1249:
Xavier Barral i Altet: PreromĂ nic i RomĂ nic . A Art de Catalunya. Escultura antiga i medieval , p. 100-105.
930:
787:
755:
705:
556:
934:
654:
619:
336:
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713:
696:. The most important works are the portals of the Vic, Ripoll and Sant Pere de Rodes and the cloisters of
650:
560:
229:
732:
568:
564:
195:
1083:
Josep Guitart i Duran: De l'art rupestre a la romanitat . A El llibre d'or de l'art catalĂ , p. 10-11.
962:
728:
642:
1222:
Josep Guitart i Duran: De l'art rupestre a la romanitat . A El llibre d'or de l'art catalĂ , p. 16-17.
986:
646:
494:
276:
978:
541:
331:
468:
1177:
Josep Guitart i Duran: De l'art rupestre a la romanitat . A El llibre d'or de l'art catalĂ , p. 11.
922:
867:
819:
751:
584:
133:
53:
1119:
Josep Guitart i Duran: De l'art rupestre a la romanitat . A El llibre d'or de l'art catalĂ , p. 9.
958:
697:
926:
743:
634:
615:
580:
490:
482:
666:
137:
1231:
Isabel RodĂ de Llanza: L'Antiguitat . A Art de Catalunya. Escultura antiga i medieval , p. 75.
1195:
Isabel RodĂ de Llanza: L'Antiguitat . A Art de Catalunya. Escultura antiga i medieval , p. 23.
1168:
Isabel RodĂ de Llanza: L'Antiguitat . A Art de Catalunya. Escultura antiga i medieval , p. 15.
1142:
977:
and St. John the Abadesas, and the tombs of the Cathedral of Santa Eulalia de Barcelona, ​​of
942:
717:
658:
599:
502:
84:
775:
727:
Start to develop the painting, especially wall as decorations made ​​in Santa Maria Wall and
630:
486:
113:
105:
721:
52:, following the many different trends have been occurring in the context of art throughout
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in Pedralbes and Joan of Aragon in its Tarragona. The first known names are those of the
603:
498:
153:
345:
341:
298:
286:
26:
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to sustain the structure of the building, enabling wider interiors and decorated with
887:
545:
894:. The mural painting is no longer to pass altar placed on the altars of churches.
891:
871:
847:
843:
811:
803:
674:
327:
290:
17:
200:
109:
524:. Typologically is heir to the Roman ways, while reaching new influences such as
611:
588:
521:
349:
282:
96:
708:. In the sculpture stands free image Lady of the Cloister of the cathedral of
629:
In a second Romanesque, named "International Romance", generated from the late
388:
883:
837:
693:
681:
638:
623:
540:, although new types are created in the use of stone and cover large areas at
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401:
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and formers to enhance laps and walls. The Lombard influence reaches the
779:
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537:
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478:
397:
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129:
88:
497:, assuming the creation of the first state Catalan culminating with the
970:
918:
914:
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709:
689:
517:
236:
92:
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60:
83:, who dweeled with colonists from other civilizations from across the
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25:
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In sculpture workshops highlighted the influence of Toulouse and
736:
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It should be noted however the quality of the great Romanesque
746:
Romanesque was evolving into forms that point to the new style
555:
The first Romanesque Lombard influence include the churches of
489:, which were gradually gaining independence with regard to the
685:
49:
850:, is a time of economic development, geographic expansion -
312:
Hellenistic , which accuses a major influence praxiteliana.
806:, with splendid work in tapestry, embroidery, reliquaries,
477:
Catalan is the first fully developed in the area above the
159:
example of this art that has appeared in that territory.
822:, or the banner of St. Ot (MNAC), the twelfth century.
798:, stands the whole of St. Stephen of Andorra la Vella.
1056:
Art of the Mediterranean Basin on the Iberian Peninsula
614:. There are also examples of Lombard influence far as
508:
The Romanesque is a European movement, developed from
684:, while workshops will be important as local Ripoll,
633:, changes are generated by the religious reforms as
1074:
Jordi Galofré: Historia de Catalunya , p. XII-XIII.
724:), image of Jesus crucified in polychrome wood.
186:the Mediterranean Basin on the Iberian Peninsula.
45:has had a parallel evolution in the rest of the
754:, churches of San MartĂn and San Lorenzo and
208:Tomb of the Cova d'en Daina, located in Selva
8:
235:City Iberian Ullastret, a settlement of the
169:Rock art of the Iberian Mediterranean Basin
1010:
332:History of Catalonia § Roman times
1151:
1140:
814:, etc.. A magnificent example we have
262:(Palamos) and Mas Castellar (Pontos).
225:External Influences on Catalonian Art
7:
481:, from around 1000 C.E up until the
410:Early Christian art and architecture
852:conquest of the Kingdom of Valencia
440:Pre-Romanesque art and architecture
897:It built great cathedrals such as
24:
505:​​, among which figure Catalan.
485:. Is tied to the creation of the
231:File:Excavation at Ullastret.jpg
598:and arches for decoration, and
434:Pre-Romanesque Art in Catalonia
91:kingdom, and later suffered an
493:, while gaining ground in the
449:Boada, Saint Benedict, etc..
1:
921:, etc..; large churches like
278:File:Ampuries-city-griega.JPG
396:as the Good Shepherd in the
79:settlers who arrived in the
463:Romanesque Art in Catalonia
1267:
951:Hospital of the Holy Cross
835:
829:
520:to all central Europe and
501:. However, developing the
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947:Palace of the Generalitat
704:, San Miguel de Cuxa and
100:Principality. During the
939:Santa Maria de Pedralbes
816:Tapestry of the Creation
937:, the the monastery of
832:Gothic Art in Catalonia
788:Santa Coloma de Queralt
772:Santa Maria Castle Bins
669:and the monasteries of
571:and the monasteries of
931:Vilafranca Santa Maria
842:Developed between the
756:La Seu Vella de Lleida
706:Saint Peter Galligants
651:Santa Eugenia de Berga
587:works promoted by the
561:Sant Pere de Casserres
557:San Vicente de Cardona
405:
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243:
209:
140:
38:
935:San Juan de Perpignan
733:Sant Climent de Taull
655:San Nicolás de Girona
620:Holy Serni Tavèrnoles
391:
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281:
234:
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196:Iberian schematic art
127:
32:Sant Climent de TaĂĽll
29:
979:Elisenda de Montcada
760:Church of Sant Cugat
714:Montserrat Monastery
665:), the cathedral of
923:Santa Maria del Mar
848:sixteenth centuries
820:Cathedral of Girona
752:Tarragona Cathedral
927:Santa Maria del Pi
744:thirteenth century
616:Sant Pere de Rodes
581:San Miguel de Cuxa
569:St James Frontanya
565:St Pons de Corbera
491:Carolingian Empire
483:thirteenth century
406:
384:Paleochristian Art
357:
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244:
210:
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39:
943:Palau Reial Major
878:, and the use of
866:, as well as the
729:San Quirze Pedret
659:Sant Pau del Camp
643:Abadesas St. John
600:transverse arches
503:Romance languages
128:Cave painting at
85:Mediterranean Sea
30:Pantocrator from
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987:Aloi of Montbrai
969:the Italian and
929:in Barcelona, ​​
856:Balearic Islands
647:St. Peter BesalĂş
631:eleventh century
495:Islamic kingdoms
487:Catalan counties
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43:Art of Catalonia
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965:in Barcelona.
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667:La Seu d'Urgell
606:in places like
604:twelfth century
499:Crown of Aragon
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154:Paleolithic Art
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148:Paleolithic Art
138:Vallès Oriental
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59:Throughout its
54:Western history
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830:Main article:
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735:currently the
718:BatllĂł Majesty
469:Romanesque Art
461:Main article:
458:
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432:Main article:
429:
428:Pre-Romanesque
426:
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408:Main article:
385:
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346:triumphal arch
320:Main article:
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299:Ancient Greece
270:Main article:
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888:stained glass
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868:Mudejar style
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585:Cathedral Vic
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546:barrel vaults
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392:The image of
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190:Schematic art
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163:Levantine Art
162:
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155:
147:
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139:
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134:Les Garrigues
131:
126:
119:
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114:Antoni TĂ pies
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107:
106:Salvador DalĂ
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1131:. Retrieved
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998:
995:
991:
967:
896:
892:rose windows
872:pointed arch
841:
812:wrought iron
804:applied arts
800:
792:
741:
726:
698:Ripoll LluçĂ
679:
675:Santes Creus
628:
593:
554:
532:and schools
507:
472:
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328:Ancient Rome
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70:
58:
42:
40:
18:User:Coin945
635:cluniacenca
612:Vall de Boi
589:Abbot Oliva
522:Scandinavia
423:Middle Ages
350:Via Augusta
342:Arc de BerĂ
247:Iberian Art
97:Middle Ages
1152:|url=
1005:References
963:Town House
884:buttresses
844:thirteenth
838:Gothic Art
836:See also:
694:Sant Cugat
682:Roussillon
639:Cistercian
624:Alt Urgell
475:Romanesque
467:See also:
457:Romanesque
438:See also:
326:See also:
297:See also:
120:Prehistory
102:Modern Age
1133:April 14,
975:Anglesola
955:Shipyards
903:Tarragona
899:Barcelona
663:Barcelona
596:pilasters
526:Byzantine
402:Domitilla
398:catacombs
354:Tarragona
322:Roman Art
316:Roman Art
272:Greek Art
266:Greek Art
241:Indigetes
239:tribe of
110:Joan MirĂł
81:Metal Age
65:Catalonia
34:, in the
1143:cite web
961:and the
854:and the
768:Agramunt
764:Vallbona
618:and the
538:Toulouse
534:Provence
530:Lombardy
479:Pyrenees
283:EmpĂşries
253:Iberians
130:El Cogul
89:Visigoth
47:European
1154:value (
985:artist
971:Flemish
919:Tortosa
915:Solsona
911:Manresa
818:of the
776:Guimerá
742:In the
710:Solsona
690:Solsona
518:England
404:in Rome
352:, near
237:Iberian
93:Islamic
77:Iberian
61:history
1150:Check
983:Norman
959:Market
957:, the
953:, the
949:, the
945:, the
907:Girona
860:France
826:Gothic
808:silver
748:Gothic
702:Girona
671:Poblet
573:Ripoll
550:arches
206:Dolmen
73:Celtic
880:spurs
876:vault
864:Italy
796:altar
784:Waldo
780:VerdĂş
722:MN AC
716:, or
608:TaĂĽll
577:Breda
542:valts
514:Italy
510:Spain
394:Jesus
293:city
291:Roman
287:Greek
16:<
1156:help
1135:2011
925:and
890:and
882:and
874:and
862:and
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786:and
762:and
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536:and
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340:The
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