105:) is the Saydisc group of labels. I have been collecting these since the 1970s, and seriously researching/documenting the label since around 2002. I am now in the odd situation that, if Saydisc wants to know something about items no longer on catalogue, it asks me. I am, however, independent of, and not connected to, the company or to either of the owners (other than probably making myself a pest every now and then with various trivial questions about records they have long since forgotten releasing). I have tried to make the Saydisc article as objective as possible.
78:. I have also contributed to various CD releases, including translation of inlay booklet notes to English, sourcing and digitisation of rare vinyl records for authorized reissue projects, proofreading, and filling information gaps in record labels' own archives.
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Other work includes freelance business analysis and marking postgraduate professional exams in business analysis, risk, ethics, governance and related areas. All of these areas are ones in which I consider myself competent to contribute to
Knowledge.
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My main area of interest (when not writing) is record collecting (with the emphasis on original vinyl releases) and documenting record labels. In terms of collecting, my main interest (apart from a fascination with the covermounts distributed with
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Several recorded music history books have been nominated for international academic awards for research excellence by the
93:, is currently amongst the finalists for the 2021 excellence awards. I don't suppose for one minute that it will win.
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89:, won awards in 2017 for both myself as author/researcher, and as publisher. My 2020 publication,
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Heritage Trust's in-house magazine), the proceedings for the 51st Annual
Meeting of the
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The
British Classical Record Industry, 1945 to 1959: Fidelity and Formats
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16:I am a freelance author with books published on
70:International Society for the Systems Sciences
87:The Immediate Discography: the First 20 Years
8:
83:Association for Recorded Sound Collections
28:, British railway recording history, and
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58:Somerset & Dorset Railway Trust
32:. Work has also been published by
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18:recorded music history
56:(the bulletin of the
66:Avon Valley Railway
103:BBC Music Magazine
75:Student Accountant
43:BBC Music Magazine
24:and development,
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49:Record Collector
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38:Rough Guides
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52:magazine,
62:Semaphore
26:biography
85:(ARSC).
30:fiction
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64:(the
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