Knowledge (XXG)

User:Nikki311/sandbox3

Source 📝

141: 27: 55:
is that of the entrance theme, a song or piece of instrumental music which plays as a performer approaches the ring. After a match, the entrance theme of the victor will normally be played as they exit the ring. Entrance themes are used to alert the audience to the immediate arrival of a wrestler,
323:
While some wrestlers retain entrance themes when changing promotions or use popular songs, most modern wrestlers use original music. This is due to licensing costs and in order to avoid having to pay royalties. A promotion might also purchase music from
68:(character or personality). It is also used to increase anticipation, as a wrestler's theme can often recognized after only a few seconds. Sometimes the audience participates in the entrance by chanting or singling along; for example during 30:
The most common use of music in professional wrestling is to play while a wrestler, tag team, or stable makes an appearance be it in the ring, on stage, or on the screen. An example seen here with
522: 279: 739: 720: 65: 260:. During the segment, the duo argued, and Lauper challenged Albano to a match between two female wrestlers of their choice. Lauper chose 290: 229: 238:(WWF) featuring cooperation and cross-promotion between the WWF and elements of the music industry. The idea was formed by WWF manager 217: 635: 286: 428: 432: 341: 526: 160: 658: 378: 364: 303: 251: 112: 352:
The following are composers known for composing numerous in-house theme songs for particular wrestling promotions:
370: 191: 439: 384: 270: 195: 52: 470: 176: 184: 708: 265: 124: 88: 84: 64:
Entrance themes are often customized to the wrestler and are used to establish or accentuate their
659:"Rocker Billy Corgan's Impact On TNA Has Only Started, Says Musician Behind Wrestling Theme Songs" 307:, with Lauper and Moolah in their respective corners. Kai won the title with the help of Moolah. 735: 716: 677: 500: 168: 422: 415: 325: 180: 172: 690: 662: 213: 156: 144: 297:", all of which featured WWF wrestlers. Richter later had a match with Moolah's protégé 256: 199: 164: 100: 405: 329: 261: 152: 104: 17: 328:, which is considered to be cheaper than the royalties of commercial music, or use 243: 209: 108: 332:
music, which is available for no fee. Due to less restrictive copyright laws in
285:
The connection between Lauper and the WWF continued with the video for the song "
411: 337: 298: 247: 147:
was one of the few wrestlers in his time to have music accompany his entrances.
356: 239: 140: 116: 69: 31: 26: 344:
used popular music in order to promote a hip, edgy, counter-culture image.
250:. Lauper asked Albano to appear as her father in her video for the single " 204: 294: 167:
has sometimes claimed to have introduced the idea of entrance music to
120: 36: 333: 234:
The "Rock 'n' Wrestling Connection" was a period in the 1980s in the
315:
In the 1990s, the WWF often used stock music for wrestling themes.
254:" in 1983. McMahon later booked Lauper and Albano on a segment of 278:. At the conclusion of the match, Richter defeated Moolah for the 139: 96: 48: 25: 471:"Meet Dale Oliver, TNA Wrestling's architect of a thousand songs" 394: 208:
during their entrances. Subsequently, other wrestlers such the
749:{{WWE Albums}} {{Portalbar|Music|Professional wrestling}} ] ] 398: 388: 374: 360: 275: 235: 92: 77: 187:" as his entrance music in the 1970s in the United Kingdom. 525:. Fighting Spirit Magazine. October 2, 2012. Archived from 713:
The Fabulous Moolah: First Goddess of the Squared Circle
80:, spectators chant "You Suck!" in time with the rhythm. 115:. In practice, modern day entrance themes are normally 220:
also began using music to accompany them to the ring.
47:
serves a variety of purposes. The most common uses of
636:"The greatest WWE entrance music themes of all time" 340:promotions use mostly popular songs. In addition, 268:. The match was scheduled for July 23, 1984, at 103:has often used entrance themes which resemble a 91:(The Blu Brothers) had an entrance theme in the 423:Total Nonstop Action Wrestling/Impact Wrestling 8: 501:"The 50 greatest WWE entrance themes ever!" 179:show in the 1970s. Though British wrestler 494: 492: 490: 488: 421:Sheri Shaw (sstaria) (composed music for 629: 627: 613: 611: 597: 595: 568: 566: 564: 550: 548: 546: 544: 464: 462: 460: 458: 456: 389:World Wrestling Federation/Entertainment 452: 686: 675: 438:Yonosuke Kitamura (composes music for 223: 7: 523:"Greetings, Grapple Fans: Big Daddy" 151:In the early 1950s, female champion 107:, including the ringing of an eerie 619:First Goddess of the Squared Circle 603:First Goddess of the Squared Circle 574:First Goddess of the Squared Circle 556:First Goddess of the Squared Circle 685:Cite has empty unknown parameter: 657:Del Mar, Pollo (August 25, 2016). 634:Richards, Morgan (June 15, 2019). 499:Giannini, Alex (August 30, 2013). 404:Adam Massacre (composes music for 218:World Class Championship Wrestling 24: 734:. World Wrestling Entertainment. 732:Main Event: WWE in the Raging 80s 587:Main Event: WWE in the Raging 80s 45:Music in professional wrestling 433:Extreme Championship Wrestling 155:often entered to theme music. 56:and to increase anticipation. 1: 230:Rock 'n' Wrestling Connection 224:Rock 'n' Wrestling Connection 469:Ali, Reyan (July 20, 2011). 379:World Championship Wrestling 365:World Championship Wrestling 304:The War to Settle the Score 287:The Goonies 'R' Good Enough 252:Girls Just Want to Have Fun 763: 375:World Wrestling Federation 361:World Wrestling Federation 236:World Wrestling Federation 227: 95:that resembled a piece of 93:World Wrestling Federation 34:making his entrance on a 373:(composed music for the 359:(composed music for the 280:WWF Women's Championship 730:Shields, Brian (2006). 271:The Brawl to End it All 196:The Fabulous Freebirds 148: 113:Chopin's Funeral March 53:professional wrestling 41: 264:, while Albano chose 185:We Shall Not Be Moved 177:Madison Square Garden 161:Pomp and Circumstance 159:was associated with " 143: 29: 431:(composed music for 414:(composes music for 397:(composes music for 387:(composed music for 326:production libraries 274:, broadcast live on 529:on November 7, 2016 266:The Fabulous Moolah 198:had promoters play 617:Ellison, Lillian. 601:Ellison, Lillian. 572:Ellison, Lillian. 554:Ellison, Lillian. 348:In-house composers 192:Micheal P.S. Hayes 171:, entered to the " 169:Vincent J. McMahon 149: 42: 741:978-1-4165-3257-6 722:978-0-06-001258-8 242:, who met singer 754: 745: 726: 695: 694: 688: 683: 681: 673: 671: 669: 654: 648: 647: 645: 643: 631: 622: 615: 606: 599: 590: 585:Shields, Brian. 583: 577: 570: 559: 552: 539: 538: 536: 534: 519: 513: 512: 510: 508: 496: 483: 482: 480: 478: 473:. Orlando Weekly 466: 416:Impact Wrestling 183:had been using " 762: 761: 757: 756: 755: 753: 752: 751: 742: 729: 723: 715:. ReaganBooks. 709:Lillian Ellison 707: 704: 699: 698: 684: 674: 667: 665: 663:Huffington Post 656: 655: 651: 641: 639: 633: 632: 625: 616: 609: 600: 593: 584: 580: 571: 562: 553: 542: 532: 530: 521: 520: 516: 506: 504: 498: 497: 486: 476: 474: 468: 467: 454: 449: 350: 321: 313: 291:Time After Time 232: 226: 214:Kerry Von Erich 157:Gorgeous George 145:Gorgeous George 138: 133: 111:and a quote of 62: 60:Entrance themes 22: 21: 20: 12: 11: 5: 760: 758: 747: 746: 740: 727: 721: 703: 700: 697: 696: 649: 623: 607: 591: 578: 560: 540: 514: 484: 451: 450: 448: 445: 444: 443: 436: 426: 419: 409: 402: 392: 382: 368: 349: 346: 320: 319:Original music 317: 312: 309: 228:Main article: 225: 222: 200:Lynard Skynard 190:In the 1970s, 165:Sgt. Slaughter 137: 134: 132: 129: 101:The Undertaker 61: 58: 23: 15: 14: 13: 10: 9: 6: 4: 3: 2: 759: 750: 743: 737: 733: 728: 724: 718: 714: 710: 706: 705: 701: 692: 679: 668:September 12, 664: 660: 653: 650: 637: 630: 628: 624: 621:, p. 176–177. 620: 614: 612: 608: 605:, p. 171–173. 604: 598: 596: 592: 588: 582: 579: 576:, p. 169–170. 575: 569: 567: 565: 561: 558:, p. 166–167. 557: 551: 549: 547: 545: 541: 528: 524: 518: 515: 502: 495: 493: 491: 489: 485: 472: 465: 463: 461: 459: 457: 453: 446: 441: 437: 434: 430: 427: 424: 420: 417: 413: 410: 407: 406:Ring of Honor 403: 400: 396: 393: 390: 386: 383: 380: 376: 372: 371:Michael Hayes 369: 366: 362: 358: 355: 354: 353: 347: 345: 343: 339: 335: 331: 330:public domain 327: 318: 316: 311:1990s–present 310: 308: 306: 305: 300: 296: 292: 288: 283: 281: 277: 273: 272: 267: 263: 262:Wendi Richter 259: 258: 253: 249: 246:on a trip to 245: 241: 237: 231: 221: 219: 215: 211: 207: 206: 201: 197: 193: 188: 186: 182: 178: 174: 173:Marines' Hymn 170: 166: 162: 158: 154: 153:Mildred Burke 146: 142: 135: 130: 128: 126: 122: 118: 114: 110: 106: 102: 99:music, while 98: 94: 90: 86: 83:For example, 81: 79: 75: 71: 67: 59: 57: 54: 50: 46: 39: 38: 33: 28: 19: 18:User:Nikki311 748: 731: 712: 666:. Retrieved 652: 640:. Retrieved 618: 602: 586: 581: 573: 555: 531:. Retrieved 527:the original 517: 505:. Retrieved 475:. Retrieved 385:Jim Johnston 351: 322: 314: 302: 284: 269: 255: 244:Cyndi Lauper 233: 210:Junkyard Dog 203: 189: 150: 82: 73: 63: 44: 43: 35: 429:Harry Slash 412:Dale Oliver 338:lucha libre 299:Leilani Kai 257:Piper's Pit 248:Puerto Rico 136:1950s–1970s 702:References 357:Jimmy Hart 240:Lou Albano 70:Kurt Angle 32:Hulk Hogan 447:Footnotes 181:Big Daddy 72:'s theme 711:(2003). 687:|1= 678:cite web 642:June 28, 638:. Mirror 589:, p. 87. 533:18 March 507:June 28, 477:June 28, 293:", and " 205:Freebird 295:She Bop 175:" at a 131:History 125:R&B 89:Eli Blu 66:gimmick 738:  719:  334:Mexico 503:. WWE 395:CFO$ 123:, or 105:dirge 97:blues 85:Jacob 74:Medal 49:music 40:show. 16:< 736:ISBN 717:ISBN 691:help 670:2017 644:2019 535:2018 509:2019 479:2019 440:NJPW 377:and 363:and 289:", " 212:and 117:rock 109:bell 87:and 399:WWE 342:ECW 301:at 276:MTV 216:of 202:'s 194:of 163:". 121:rap 78:WWE 76:in 51:in 37:Raw 682:: 680:}} 676:{{ 661:. 626:^ 610:^ 594:^ 563:^ 543:^ 487:^ 455:^ 336:, 282:. 127:. 119:, 744:. 725:. 693:) 689:( 672:. 646:. 537:. 511:. 481:. 442:) 435:) 425:) 418:) 408:) 401:) 391:) 381:) 367:)

Index

User:Nikki311

Hulk Hogan
Raw
music
professional wrestling
gimmick
Kurt Angle
WWE
Jacob
Eli Blu
World Wrestling Federation
blues
The Undertaker
dirge
bell
Chopin's Funeral March
rock
rap
R&B

Gorgeous George
Mildred Burke
Gorgeous George
Pomp and Circumstance
Sgt. Slaughter
Vincent J. McMahon
Marines' Hymn
Madison Square Garden
Big Daddy

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.