435:
remarks, which have little use in an objective article. The last, was directly from the Grammy.org association itself, but apparently inserted a less reliable surce. AG WAS NOMINATED IN 2001 not 2002 according to "The
Recording Academy" BTW -- so it made no sense to replace my footnote with a less reliable source. I took the trouble to TALK to someone there regarding that fact BTW, and can supply his email address if you doubt that. As matters sound, the article is still an obvious fluff/gush piece by a FAN rather than an objective article. I appreciate your interest, but I will escalate the problems with your overly complimentary comments, if you continue in such a biased manner. I also had nearly THREE years of correspondence with AG, from which I can draw information and material that can be documented. And, if you doubt any of my assertions, check with operchic.typead.com, or Norman Lebrecht, who have been observers of AG for many years, and know much more about her in most ways than I.
294:. I normally do something like that if there are both footnote citations and works that were generally used for background information in writing up the article. If there are no footnotes yet, I normally use a bulleted list either labeled "Sources" or '"References". I save "External links" for official web sites, or online information that isn't in the article yet. I did see the discussion on OP. It might be good idea to write some guidelines re this. I especially dislike inline references that don't go as footnotes, just external links inside the article text. It's sort of a deprecated practice now because if the link breaks, no one can tell what the reference/source actually was and when it was accessed. Apart from that, I must admit, I don't get too fussed one way or another as long as the sources are clear. Best,
703:
my part as the 'editor/author'. I am new to WIKIPEDIA, I have never written an article. When I started working on his article, it was simply to enhance what was already there (very scant and out-of-date) with more historical, relevant, and current information. I have been consulting with
Michael to be sure that what I add is correct and valid (obtaining more biographical information and photos) and I looked at other composers' pages for ideas of what was stylistically appropriate (repertoire, categories, additional links).
46:
628:. In most cases the lead paragraph is plagiarised too. He has no independent references at all to establish notability. He is notable undoubtedly, and these compositions probably are too, but he doesn't seem to get the point. All of the articles merely link to the front page of his web site (which also contains purchase links to his recordings) and given his COI, it also qualifies as spamming. Interestingly,
891:) 06:01, 17 July 2008 (UTC)Thanks for your note. I 'cleaned up' the paragraphs and other sections of the complete biography of the MD site. In addition, I deleted the note on the MD discussion chapter (on his page), which stated that paragraphs were too detailed and were written in a personal tone. Thanks for the updates on the opera and the link/footnote addition, too. Will continue.
998:
deleted. From my point of view they are not a priority (like CotM, SotM, Can you help? and items raised on the talk page) and not usually worth taking time to repair. Should I assume that you think differently - that they are worth saving? If so, maybe I should not mark them up - but instead refer them to you for rescue treatment? What do you think? Best. --
340:
sections for "Notes" and "References", or if the list of notes is relatively short, to combine the two into "Notes and references". I chose the latter. But feel free to separate them. The more I think about it, the better it might be to re-word the OP page on article and formats. I'll put my thinking cap on. Re your new sig... I'm sort of
1189:
Hi, thank you for your interesting in the page of David Giménez
Carreras. As you noticed I changed few little things: the name (without Ramiro), the year in which he was born and changed the phrase "the nephew of". I made that change not because the information is not correct, but because Mr. Giménez
1158:
Thank you for your notes. I am leaving a note on the project's talk page so that people will have an idea what I'm up to. I agree that the article title isn't the obvious one to choose, but I wanted the list to include all Mozart's works of an operatic nature, not just the acknowledged operas, and I
825:
Thanks for your comments above. I will be able to make the changes you suggest before the end of July. Again, my effort was/is to enhance MDs pre-existing article, and the links to the selected pieces were added to provide the reader information on the piece (date, premiere, conductor and ensemble)
702:
Hello there. This is a message from
Ethreinen. I am the one that has been working on the Michael Daugherty site. Ethreinen is NOT Michael Daugherty himself, as someone above suggested. Please do not continue to make that assertion. All of the issues you have discussed above are simply mistakes on
1294:
Hi, in regards to your edit of the Opera
Carolina article and deletion of the Opera Carolina Chorus article, you state that you removed copyrighted material from the site OperaCarolinaChorus.org. There is no copyright notice on that site. There's not one there because I did not add one when creating
1023:
The fact that an article was created 'disingenuously' and/or is a copy/paste job isn't automatically a good reason to completely delete it. I'd say to tag them for notability, referencing, cut/paste, etc. where relevant, and then give me a shout. If I think they're worth rescuing, I can fix them. If
751:
The thing about independent references is that the web site, or the autobiography of a subject will always be slanted to a particular point of view and the material needs to be balanced with that from sources which are independent of the subject. It also needs to be written in an encyclopedic style,
706:
The dialogue above suggests negative intentions that are certainly not mine (or the composers). I am simply trying to add relevant material to the article. I did read the 5 pillars before editing and tried to follow the rules as they are listed. I honestly didn't realize that using direct program
1088:
Yep. That's the curse of
Knowledge (XXG). Seriously though, every once in a while there is a nugget amidst the dross, so I try not to be too hasty about getting rid of stuff. Besides AfDs are also time-consuming, if they're done properly. Letting some opera articles of dubious notability lie around
997:
You've done a great job recreating this article. Perhaps I should explain my thinking on this and similar articles that have been created by 'single purpose accounts' as adverts/copy and paste etc? I'm tagging and prodding them in the expectation that either the creators will fix them or they'll be
798:
is not "his site", it's an encycylopedia article than anyone can and will edit. The absolute requirement for verifiable reliable sources is for his protection as well. As for conflict of interest, you still have to be careful, even though you are not
Michael Daughterty himself. If you are a friend,
582:. I can’t find anywhere these things have been copy pasted from, but it seems likely that it is the composer who is writing them. They seem to always be written in the first person. Shall we revert these sections? It seems to me that regardless of other concerns they are not in any way Wikipedic.--
339:
I see what you mean about the implications. I've now re-formatted per the MoS. I've discovered they use "bibliography" is a very idiosyncratic sense, i.e. basically synonymous with "Further reading" and not for texts actually used to support the article. The MoS suggests either having two separate
312:
Yes I agree that clarity should be the objective. My only reservation about the way you've done the Günther article now is that it implies the refs are perhaps a bit more important than the 'other sources'. Re 'Asperta' I think that was another typo of mine. Grove have
Asberta. As for history - or
855:
been permanently deleted. It is available in each article's history as explained in the copyright enfringement notices. Simply go the page, click on the history tab and then click on the last version you edited. Please read the instructions and information on the copyright ingringement notices on
717:
The bottom line is simple, I am just trying to add information that I thought would enhance the MD article (which was already on WIKIPEDIA). Obviously, I have come across some issues that will have to be changed or erased. If anyone can provide more direct advice or suggestions for work that is
537:
talk page reflects the non-negotiable policy which must be followed in all
Knowledge (XXG) articles about biographies of living persons. Any edits to that or any other biography of a living person on Knowledge (XXG) (or on Knowledge (XXG) talk pages) that violate that policy will be reverted. Any
952:
right now, but I did have a quick look at it. It looks rather copy/pasted to me and needs to have all that 'advert' phrasing removed. Better to have a short matter-of-fact stub that's in encyclopedic style plus some good references so that others can expand it. Otherwise, it just risks deletion.
710:
Please know that there is no malice in writing/editing the article/s, only inexperience. I read the 'how to cite living people' article on WIKIPEDIA and tried to follow the guidelines, but I admit, I was a bit confused by how to properly site the information, and clearly I have failed. After I
434:
Apropos Angela
Gheorghiu and your changes to my additions: I have aimed to improve the piece by toning down the original article which apparently was dictated by her PR department. All of my writings have been from documented and reliable sources. There still remain several completely gratuitous
623:
Yes, the composer notes aren't in any way Wikipedic and should go in their present form even if they weren't copyright. As for the copy vio, I've found all the specific URLs - they're all from pages on his web site, each of which carries the © sign. I've now put the "big" copyright infringement
438:
BTW There is one other little tidbit at this time about AG: "The Recording Academy" (Grammys) verified that AG was never nominated other than in 2001. and, that she never won. Howver, for several years, she/Rolex have claimed a Grammy win on her homepage -- www.angelagheorghiu.com/en -- and The
370:
A two part ref section looks good. I agree about the idiosyncratic WP terminology, but I suppose it's not a huge problem. Re. project guidelines, I've just done a big switch around/consolidation and I'd be grateful for your opinion. Maybe a first step towards a possible Opera MoS? And adding a
457:
I did not create that article. Nor did I write the "gush" you are referring to. Please take any concerns that you have about the article to the appropriate place - the article's talk page. However, note that your personal opinions of and speculations about the article's subject have no place
1013:
Well, my thinking is that we shouldn't neglect or necessarily give low priority to articles that deal with opera today (in its various manifestations). Otherwise, it gives the impression that the artform is completely fossilized. It also helps raise the profile of opera (and the
1325:. But, the direct copy from the OCC web site, even if released under free license was basically written like an advert or PR, not an encyclopedia article, and as such was unsuitable. Also, there was no evidence of the subject's notability provided in the article. (See
799:
student, colleague, relative, employee of him or his publisher, etc. this also constitutes a conflict of interest when editing articles about him or his compositions, and you need to make sure you follow the various guidelines very carefully when you edit. Best wishes,
741:
Hi Ethreinen, I'm sure you didn't have any bad intent. A lot of new editors don't realize how strict Knowledge (XXG) is about copying material from copyright web sites. Also, simply putting quotes around the material doesn't make it OK. Direct quotes can be used under
1502:
Ah I see what you mean. Given the table's format it's not obvious that a blank date means it's the same as the one above to someone viewing it who's unfamiliar with the rationale. It just looks like the date is missing But I've taken them out again. Best,
1333:
for guidance about editing in those circumstances.). If you do undo the redirect, without remedying the advert tone and without providing evidence of the OCC's notability, you run the risk of other editors proposing it for complete deletion. Best wishes,
864:
has been completely rewritten. There is no copyright enfringement notice on it all. There is now a link in the footnotes to the exact page on Michael's Daugherty's site were the composer notes appear. The links to the other articles are on your talk page
836:) 05:08, 16 July 2008 (UTC)Another question: Is there any way to get the information back (in any kind of format) that has been deleted, ie, the links to the various pieces (Dead Elvis, Jackie O, Metropolis Symphony, etc.)? If so, please advise.
268:
Thanks for spotting my mistake and for expanding the article. It looks good. One question - I thought we were having separate sections for (inline, specific, reflisted) references and general sources? This came up recently on the project page
458:
whatsoever in the article, on its talk page, or on the talk pages of any of its editors. Nor does your alleged correspondence with either the article's subject or anyone else belong there. Claims which cannot be verified by
752:
not one with a personally invested tone. The other thing is, Knowledge (XXG) is not a primary source. Thus, unpublished information which is claimed to have come from the article's subject or editor is inappropriate. (See
538:
persistant restoration will be reported to the Administrators' Incidents Noticeboard. Please confine any further comments on this matter to the article's talk page and please direct any further enquiries or comments to
826:
with the exact Program Note that is given on the inside of each score (always in first person narrative). Updates will be incorporated. Thanks again for your suggestions and examples provided above.
500:
I place my trust in the majority of serious critics and musicologists -- and they have many times said in print, that which the nonobjective, narrow-minded, and emotional fan would consider libelous.
1423:. If you have time, could you have a look at it and see if it's more than than the "start" class. I think it probably is, but since I basically wrote it, I don't think I should self-rate. Best,
636:
removed it and replaced it with the generic link to the home page of his site. By the way, judging from the contributions and identical style of edit summaries, he also edits anonymously as
1475:'s, I deleted the “repeated year” after fixing the frame about 1/2 hour ago, like how I did to all other recordings frame (Including all the “Selected recordings” + Discographies such as
707:
notes from the score ("Note from the Composer" in first person--as this is how they are written in the cover) was considered plagarizm. This is simply a misunderstanding on my part.
676:
was all about the composer. No mention of the singers who created the roles, the stage director, or the librettist's input into the project, apart from naming him in the lead. Best,
539:
774:
I'm going to be away for the next week or so, and opera is more my cup of tea. So I'd suggest you look at some of these contemporary composer's biographies for models to aim for:
1445:
and have put it provisionally/nominally at B. Next month I'm going to suggest we start doing written assessment of B class articles and will be in touch about this soon. Reg. --
439:
Recording Academy is proceeding accordingly -- probably a "cease and desist" order.. I'll let you be the judge of what to say about that, if anything, in the wiki article.
929:
Thank you for your additions to this page. It is a much better article now. If this is a particular interest of yours, you may be interested in working on the article on
1329:
for guidance.) In addition, if you created the OCC site, you have a conflict of interest both in writing the article in the first place and in linking to the site. (See
1102:
I keep forgetting about the OP "To Do" list. Once I get back in late April, go ahead and start reminding me of stuff you'd like me to take a look at if I miss it. Best,
756:
for more.) The article needs to reference published, verifiable, good quality secondary sources, such as books or journal or newspaper articles about the subject. (See
746:
but only very short ones and the number of quotations from a single source should be strictly limited and form only a small proportion of the total text in the article.
462:
will be removed from both the article and the talk page in accordance with Knowledge (XXG)'s policies on the biographies of living persons. I strongly suggest you read
869:. Note that for those articles, an administrator may at any time reduced them to stubs or completely delete them depending on the extent of the copyright violation.
767:
491:"An untruthful statement about a person, published in writing or through broadcast media, that injures the person's reputation or standing in the community."
948:
Well, contemporary opera is not a particular interest of mine, but I think this aspect of the subject shouldn't be neglected. I haven't got time to work on
668:. I'll leave him a message on his talk page, maybe he'll put in the work himself, since the instrumental pieces only relate to him. Before I got my hands on
764:
1046:
being the (possibly/probably) worthwhile exception in this case. Most of these articles are created in minutes and we subsequently spend days on them . . .
783:
791:
1596:. Be aware that the page may be outdated and that the user in whose space this page is located may have no personal affiliation with any site other than
72:
463:
761:
1129:
1313:
and you can undo the re-direct at any time. Re copyright. It's not sufficient for there to be no copyright notice on the OCC site. You must have an
1190:
Carreras asked me to. I think that it is a very small change and in respect to Mr. Giménez request I think it would be not a problem to change it.
860:
of this is explained there as well as what you should do if you want to re-write the articles without copyright violations using a temporary page.
503:
Furthermore, an "injury" must be proven, and in the case at hand, it is quite impossible to do so, given the SRO situations, etc that prevail.
1476:
1397:
384:
12:02, 20 May 2008 (UTC) P.S. Is your present signature minimal - or can we expect something something even more reduced in the future? --
837:
829:
637:
1060:
1056:
271:
275:. I'd be interested in your thoughts on this. We might write a new guideline on it, though i don't know if it should be a priority. --
261:
1055:
Having said that I'd be delighted to work with you on them as you suggest. I'm hope that we - and others - can get used to using the
787:
1197:
240:
234:
230:
224:
218:
212:
206:
200:
194:
188:
184:
178:
172:
166:
160:
154:
148:
142:
136:
132:
126:
120:
1576:
718:
about a living person and hasn't been formally published (beyond program notes and internet sites) yet, that would be appreciated.
518:
252:
246:
114:
108:
102:
96:
84:
78:
1059:. Perhaps if I go through the sections and then hand them on to you after I've worked on them? For example I can have a look at
1582:
This is not an encyclopedia article or the talk page for an encyclopedia article. If you find this page on any site other than
1487:
and many other). I do not see why we should have the same year one after another unless if they are not in the frame format. -
1480:
733:
1593:
1484:
1015:
714:
From above... "He has no independent references at all to establish notability...but he doesn't seem to get the point."
1251:
I know. But since the pranksters removed your prod, I thought you might want to reiterate your views at the AFD.;-). Best,
922:
711:
received a 'citation/reference flag', I added the reference category. However, from what is stated, this isn't enough.
1310:
Hi, the article isn't deleted, it's merely merged and redirected. The original article is still available in the history
743:
645:
485:
579:
1321:, or you need to explicitly email the Knowledge (XXG) Foundation to that effect. There's more about this process at
1318:
1544:
Hi. You raised doubts about the notability of this article in May. I have just nominated it for deletion. Thanks.
1269:
Ahh I see - you mean before those delightful little scamps decided to remove it :-) Thanks - views reiterated :-)
1182:
1018:) to have articles on relevant festivals and schools, companies specializing in contemporary or new operas, etc.
1128:
Right. Incidentally there are some faster deletions procedures we can use. In addition to 'speedy delete' (see
625:
571:
484:
Nolo is a universally recognized source of information on American (and probably, UK and worldwide common law.
632:
was created by another editor and they actually had the link to the specific page where his "Notes" were, but
841:
833:
648:, with an external link to the specific page on his web site with more info about that piece and tagged with
1382:
949:
930:
652:
1193:
721:
506:
45:
1508:
1428:
1339:
1274:
1256:
1241:
1221:
1172:
1107:
1029:
990:
976:
958:
874:
804:
681:
547:
471:
408:
349:
299:
36:
17:
1089:
for a while doesn't do any real harm compared to the mountains of real dross there is on Knowledge (XXG).
613:
587:
313:
deviation from it - I'm not sure. The Grove article is quite short. Best with new (over the top?) sig. --
1528:
1236:
Thanks for letting me know, but my only contribution to the article was to 'prod' it. Delete away ! :-)
1213:
1201:
1419:
Hand away.;-) Actually, I already started checking them today and ended up writing a veritable tome on
1300:
1043:
514:
444:
908:
900:
892:
884:
814:
725:
691:
633:
609:
598:
583:
497:
Granted, it is the responsibility of the speaker to provide reliable sources for their assertions.
1538:
1452:
1407:
1355:
1137:
1068:
1003:
938:
912:
904:
896:
888:
866:
818:
729:
695:
662:
629:
575:
563:
391:
378:
320:
291:
280:
1549:
1378:
1176:
1504:
1442:
1424:
1420:
1335:
1270:
1252:
1237:
1217:
1168:
1103:
1025:
972:
954:
870:
800:
795:
677:
602:
567:
543:
467:
404:
345:
295:
1326:
1322:
1524:
1492:
1363:
1164:
1160:
861:
669:
534:
428:
1330:
1042:
Yes, but a lot of the articles are dross and after lengthy processing are deleted anyway -
760:
for more.) There's plenty of good quality independent stuff on Michael Daugherty out there
644:
The articles can be re-written as stubs by following the link on the Copy Vio notice, e.g.
530:
1472:
1296:
510:
440:
1086:"Most of these articles are created in minutes and we subsequently spend days on them..."
757:
753:
1607:
1553:
1532:
1512:
1496:
1458:
1432:
1413:
1386:
1367:
1343:
1304:
1278:
1260:
1245:
1225:
1205:
1141:
1111:
1072:
1033:
1007:
980:
962:
942:
916:
878:
845:
822:
808:
699:
685:
617:
591:
551:
522:
475:
448:
412:
397:
353:
326:
303:
284:
1447:
1402:
1377:
Good day to you. I have replied to your message, please check here: . Best regards, --
1290:
Copyright violation in Opera Carolina Chorus...show me a copyright notice on that page.
1133:
1064:
999:
934:
386:
373:
315:
276:
867:
User_talk:Ethreinen#Copyright_violation_in_Jackie_O_.28the_opera.29_and_other_articles
1545:
344:
in those sorts of things.;-) I'm about to send you an email on another matter. Best,
1159:
needed a title to reflect that. It was always my intention to use redirects so that
486:
http://www.nolo.com/definition.cfm/Term/7613C25C-8E5D-47A5-9E0D93B952DE16E7/alpha/L/
779:
1488:
1359:
1317:
notice there saying that all content on the pages concerned is released under a
775:
35:
If you wish to start a new discussion or revive an old one, please do so on the
341:
907:) 06:19, 17 July 2008 (UTC)By the way, the Jackie O article is really great.
971:
too many red links. They just make the subject look even more non-notable.
1396:
Hi. Welcome back if you are back. I've been watching the new articles at
290:
Actually, I just forgot to add the sub-heading. This is the way it is
794:
on their talk pages. And one thing to always keep in mind, is that
1400:
but perhaps I can hand the baton back to you now if that's OK? --
494:"Untruthful" is obviously an essential part of the definition.
58:
1560:
44:
540:
Knowledge (XXG):Biographies of living persons/Noticeboard
488:
They are a reliable source of the definition of "Libel":
1024:
they seem hopelessly non-notable, I'll PROD them. Best,
1311:
673:
606:
28:
1167:
would reach the article. Thank you for your interest.
69:
1132:) there is also the 'Prod2' or double prod. --
464:Knowledge (XXG):Biographies of living persons
371:reference section would certainly be good. --
8:
1130:Knowledge (XXG):Criteria for speedy deletion
1232:AfD nomination of Melanie the Mezzo-Soprano
784:Variations for Winds, Strings and Keyboards
1350:Question about photos in Singer articles
29:This is an archive of past discussions.
1605:. The original talk page is located at
786:. You can always ask for help from the
782:. And perhaps this for a composition:
1063:and then let you know. Is that OK? --
31:Do not edit the contents of this page
7:
1398:User:AlexNewArtBot/OperaSearchResult
562:“Notes by Composer” still exists in
1615:ki/User_talk:Voceditenore/Archive_5
646:Talk:Dead Elvis (composition)/Temp
24:
1061:Articles needing expert attention
788:Knowledge (XXG) Composers Project
1477:Pelléas et Mélisande discography
1481:The Flying Dutchman discography
1554:21:34, 19 September 2008 (UTC)
1:
1533:09:17, 9 September 2008 (UTC)
923:Center for Contemporary Opera
624:notice on all of them, e.g.
342:a Mies van der Rohe follower
1513:16:49, 31 August 2008 (UTC)
1497:16:37, 31 August 2008 (UTC)
1485:Plácido Domingo discography
1459:16:58, 30 August 2008 (UTC)
1433:03:29, 30 August 2008 (UTC)
1414:02:20, 30 August 2008 (UTC)
899:) 06:01, 17 July 2008 (UTC)
580:Niagara Falls (composition)
1636:
1319:GNU General Public License
1142:02:58, 28 March 2008 (UTC)
1112:15:53, 27 March 2008 (UTC)
1073:14:21, 27 March 2008 (UTC)
1034:11:07, 27 March 2008 (UTC)
1008:23:26, 26 March 2008 (UTC)
981:11:21, 27 March 2008 (UTC)
967:PS. That article also has
963:11:13, 27 March 2008 (UTC)
943:14:40, 26 March 2008 (UTC)
792:Contemporary Music Project
1387:09:30, 28 July 2008 (UTC)
1368:13:24, 26 July 2008 (UTC)
1344:06:35, 25 July 2008 (UTC)
1305:21:16, 24 July 2008 (UTC)
1279:21:18, 10 July 2008 (UTC)
1261:20:37, 10 July 2008 (UTC)
1246:20:33, 10 July 2008 (UTC)
1212:I have replied to you at
1177:15:24, 23 June 2008 (UTC)
917:06:19, 17 July 2008 (UTC)
879:11:03, 16 July 2008 (UTC)
846:05:08, 16 July 2008 (UTC)
823:22:38, 13 July 2008 (UTC)
809:15:41, 13 July 2008 (UTC)
700:06:27, 13 July 2008 (UTC)
686:08:39, 11 July 2008 (UTC)
618:02:10, 11 July 2008 (UTC)
592:01:44, 11 July 2008 (UTC)
552:10:46, 16 July 2008 (UTC)
523:07:47, 16 July 2008 (UTC)
476:00:04, 11 June 2008 (UTC)
449:23:11, 10 June 2008 (UTC)
402:Hmmm, it's a thought.;-)
1226:14:58, 7 July 2008 (UTC)
1206:11:20, 7 July 2008 (UTC)
950:American Opera Projects
931:American Opera Projects
626:Dead Elvis (composition)
572:Dead Elvis (composition)
529:Once again, please read
466:before further editing.
413:12:27, 20 May 2008 (UTC)
398:12:06, 20 May 2008 (UTC)
354:10:08, 20 May 2008 (UTC)
327:22:58, 19 May 2008 (UTC)
304:14:36, 19 May 2008 (UTC)
285:23:31, 18 May 2008 (UTC)
60:even more past topics...
262:Günther von Schwarzburg
1183:David Giménez Carreras
1153:
991:Opera Theater of Lucca
533:. What I wrote on the
257:
49:
18:User talk:Voceditenore
1214:User talk:81.39.9.129
736:) 06:27, 13 July 2008
48:
851:The information has
1356:User talk:Kleinzach
630:Bells for Stokowski
576:Metropolis Symphony
564:Bells for Stokowski
481:Regarding "Libel":
1592:you are viewing a
1471:About the year in
1354:I have replied in
64:
50:
40:
1623:
1622:
1523:for the reminder
1208:
1196:comment added by
796:Michael Daugherty
737:
724:comment added by
603:Michael Daugherty
601:does claim to be
568:UFO (composition)
558:Notes by Composer
525:
509:comment added by
460:published sources
415:
255:
231:Past Topics XXVII
207:Past Topics XXIII
179:Past Topics XVIII
74:ABOUT MY ARCHIVES
56:
37:current talk page
27:
1627:
1619:
1616:
1613:
1610:
1604:
1603:
1600:
1591:
1589:
1586:
1575:
1574:
1571:
1561:
1455:
1450:
1410:
1405:
1191:
1165:Operas by Mozart
862:Jackie O (opera)
719:
670:Jackie O (opera)
667:
661:
657:
651:
535:Angela Gheorghiu
504:
429:Angela Gheorghiu
403:
394:
389:
381:
376:
323:
318:
264:- quick question
253:Resolved notices
225:Past Topics XXVI
213:Past Topics XXIV
201:Past Topics XXII
173:Past Topics XVII
149:Past Topics XIII
121:Past Topics VIII
71:
62:
39:
1635:
1634:
1630:
1629:
1628:
1626:
1625:
1624:
1614:
1611:
1609:https://en.wiki
1608:
1606:
1601:
1598:
1597:
1587:
1584:
1583:
1572:
1569:
1568:
1542:
1521:
1473:Kathleen Battle
1469:
1453:
1448:
1408:
1403:
1394:
1392:Baton handover?
1375:
1352:
1292:
1234:
1216:. Best wishes,
1187:
1161:Mozart's operas
1156:
1154:Mozart's operas
995:
927:
665:
659:
655:
649:
560:
432:
392:
387:
379:
374:
321:
316:
266:
258:
256:
219:Past Topics XXV
195:Past Topics XXI
185:Past Topics XIX
167:Past Topics XVI
155:Past Topics XIV
143:Past Topics XII
115:Past Topics VII
91:Past topics III
63:
55:
22:
21:
20:
12:
11:
5:
1633:
1631:
1621:
1620:
1581:
1577:user talk page
1564:
1558:
1541:
1536:
1520:
1517:
1516:
1515:
1468:
1465:
1464:
1463:
1462:
1461:
1443:Ángela Peralta
1436:
1435:
1421:Ángela Peralta
1393:
1390:
1374:
1371:
1351:
1348:
1347:
1346:
1291:
1288:
1286:
1284:
1283:
1282:
1281:
1264:
1263:
1233:
1230:
1229:
1228:
1186:
1180:
1155:
1152:
1151:
1150:
1149:
1148:
1147:
1146:
1145:
1144:
1119:
1118:
1117:
1116:
1115:
1114:
1095:
1094:
1093:
1092:
1091:
1090:
1078:
1077:
1076:
1075:
1050:
1049:
1048:
1047:
1037:
1036:
1020:
1019:
994:
987:
986:
985:
984:
983:
926:
920:
882:
881:
856:each article.
812:
811:
771:
770:
748:
747:
689:
688:
653:primarysources
641:
640:
599:User:Ethreinen
594:
559:
556:
555:
554:
479:
478:
431:
426:
425:
424:
423:
422:
421:
420:
419:
418:
417:
416:
361:
360:
359:
358:
357:
356:
332:
331:
330:
329:
307:
306:
265:
259:
233:
189:Past Topics XX
187:
161:Past Topics XV
137:Past Topics XI
135:
127:Past Topics IX
109:Past Topics VI
97:Past topics IV
85:Past topics II
77:
70:
68:
66:
57:
54:
52:
42:
34:
26:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
1632:
1617:
1595:
1580:
1578:
1565:
1563:
1562:
1559:
1556:
1555:
1551:
1547:
1540:
1539:Carola Darwin
1537:
1535:
1534:
1530:
1526:
1518:
1514:
1510:
1506:
1501:
1500:
1499:
1498:
1494:
1490:
1486:
1482:
1478:
1474:
1467:Repeated year
1466:
1460:
1457:
1456:
1451:
1444:
1440:
1439:
1438:
1437:
1434:
1430:
1426:
1422:
1418:
1417:
1416:
1415:
1412:
1411:
1406:
1399:
1391:
1389:
1388:
1384:
1380:
1379:Luis Miguel31
1372:
1370:
1369:
1365:
1361:
1357:
1349:
1345:
1341:
1337:
1332:
1328:
1324:
1320:
1316:
1312:
1309:
1308:
1307:
1306:
1302:
1298:
1289:
1287:
1280:
1276:
1272:
1268:
1267:
1266:
1265:
1262:
1258:
1254:
1250:
1249:
1248:
1247:
1243:
1239:
1231:
1227:
1223:
1219:
1215:
1211:
1210:
1209:
1207:
1203:
1199:
1195:
1184:
1181:
1179:
1178:
1174:
1170:
1166:
1162:
1143:
1139:
1135:
1131:
1127:
1126:
1125:
1124:
1123:
1122:
1121:
1120:
1113:
1109:
1105:
1101:
1100:
1099:
1098:
1097:
1096:
1087:
1084:
1083:
1082:
1081:
1080:
1079:
1074:
1070:
1066:
1062:
1058:
1054:
1053:
1052:
1051:
1045:
1041:
1040:
1039:
1038:
1035:
1031:
1027:
1022:
1021:
1017:
1016:Opera Project
1012:
1011:
1010:
1009:
1005:
1001:
992:
988:
982:
978:
974:
970:
966:
965:
964:
960:
956:
951:
947:
946:
945:
944:
940:
936:
932:
924:
921:
919:
918:
914:
910:
906:
902:
898:
894:
890:
886:
880:
876:
872:
868:
863:
859:
854:
850:
849:
848:
847:
843:
839:
838:24.127.89.110
835:
831:
830:24.127.89.110
827:
824:
820:
816:
810:
806:
802:
797:
793:
789:
785:
781:
777:
773:
772:
768:
765:
762:
759:
755:
750:
749:
745:
740:
739:
738:
735:
731:
727:
723:
715:
712:
708:
704:
701:
697:
693:
687:
683:
679:
675:
671:
664:
654:
647:
643:
642:
639:
638:69.209.56.100
635:
631:
627:
622:
621:
620:
619:
615:
611:
607:
604:
600:
597:
593:
589:
585:
581:
577:
573:
569:
565:
557:
553:
549:
545:
541:
536:
532:
528:
527:
526:
524:
520:
516:
512:
508:
501:
498:
495:
492:
489:
487:
482:
477:
473:
469:
465:
461:
456:
453:
452:
451:
450:
446:
442:
436:
430:
427:
414:
410:
406:
401:
400:
399:
396:
395:
390:
383:
382:
377:
369:
368:
367:
366:
365:
364:
363:
362:
355:
351:
347:
343:
338:
337:
336:
335:
334:
333:
328:
325:
324:
319:
311:
310:
309:
308:
305:
301:
297:
293:
289:
288:
287:
286:
282:
278:
274:
273:
263:
260:
254:
251:
248:
245:
242:
239:
236:
232:
229:
226:
223:
220:
217:
214:
211:
208:
205:
202:
199:
196:
193:
190:
186:
183:
180:
177:
174:
171:
168:
165:
162:
159:
156:
153:
150:
147:
144:
141:
138:
134:
133:Past Topics X
131:
128:
125:
122:
119:
116:
113:
110:
107:
104:
103:Past topics V
101:
98:
95:
92:
89:
86:
83:
80:
79:Past topics I
76:
75:
67:
61:
53:
47:
43:
38:
32:
25:
19:
1612:pedia.org/wi
1566:
1557:
1543:
1522:
1505:Voceditenore
1470:
1446:
1425:Voceditenore
1401:
1395:
1376:
1353:
1336:Voceditenore
1314:
1293:
1285:
1271:CultureDrone
1253:Voceditenore
1238:CultureDrone
1235:
1218:Voceditenore
1188:
1169:Brianboulton
1157:
1104:Voceditenore
1085:
1044:The Dreamers
1026:Voceditenore
996:
973:Voceditenore
968:
955:Voceditenore
933:. Thank you.
928:
883:
871:Voceditenore
857:
852:
828:
813:
801:Voceditenore
780:Philip Glass
716:
713:
709:
705:
690:
678:Voceditenore
596:Edit to add.
595:
561:
544:Voceditenore
502:
499:
496:
493:
490:
483:
480:
468:Voceditenore
459:
454:
437:
433:
405:Voceditenore
385:
372:
346:Voceditenore
314:
296:Voceditenore
270:
267:
249:
243:
237:
227:
221:
215:
209:
203:
197:
191:
181:
175:
169:
163:
157:
151:
145:
139:
129:
123:
117:
111:
105:
99:
93:
90:
87:
81:
73:
65:
59:
51:
41:
30:
1594:mirror site
1525:Victuallers
1358:. Thanks -
1295:that site.
1198:81.39.9.129
1192:—Preceding
776:Steve Reich
720:—Preceding
674:his version
505:—Preceding
1567:This is a
1441:I enjoyed
1297:WaxonWaxov
1057:To do list
744:'fair use'
663:importance
511:Sidney orr
441:Sidney Orr
235:Schoolwork
1134:Kleinzach
1065:Kleinzach
1000:Kleinzach
989:Rescuing
935:Nrswanson
909:Ethreinen
901:Ethreinen
893:Ethreinen
885:Ethreinen
815:Ethreinen
726:Ethreinen
692:Ethreinen
634:Ethreinen
610:S.dedalus
605:himself.
584:S.dedalus
277:Kleinzach
247:DYKs etc.
1546:Jack1956
1315:explicit
1194:unsigned
734:contribs
722:unsigned
519:contribs
507:unsigned
1327:WP:NOTE
1323:WP:IOWN
1331:WP:COI
953:Best,
578:, and
531:WP:BLP
1602:pedia
1588:pedia
1573:pedia
1449:Klein
1404:Klein
1373:Hello
758:WP:RS
754:WP:OR
455:Reply
388:Klein
375:Klein
317:Klein
16:<
1599:Wiki
1585:Wiki
1570:Wiki
1550:talk
1529:talk
1509:talk
1493:talk
1454:zach
1429:talk
1409:zach
1383:talk
1364:talk
1340:talk
1301:talk
1275:talk
1257:talk
1242:talk
1222:talk
1202:talk
1173:talk
1138:talk
1108:talk
1069:talk
1030:talk
1004:talk
993:etc.
977:talk
959:talk
939:talk
913:talk
905:talk
897:talk
889:talk
875:talk
842:talk
834:talk
819:talk
805:talk
790:and
778:and
730:talk
696:talk
682:talk
658:and
614:talk
588:talk
548:talk
515:talk
472:talk
445:talk
409:talk
393:zach
380:zach
350:talk
322:zach
300:talk
281:talk
272:here
1519:thx
1489:Jay
1360:Jay
1163:or
969:way
858:All
853:not
292:now
241:AfC
1552:)
1531:)
1511:)
1495:)
1483:,
1479:,
1431:)
1385:)
1366:)
1342:)
1303:)
1277:)
1259:)
1244:)
1224:)
1204:)
1175:)
1140:)
1110:)
1071:)
1032:)
1006:)
979:)
961:)
941:)
915:)
877:)
844:)
821:)
807:)
766:,
763:,
732:•
698:)
684:)
672:,
666:}}
660:{{
656:}}
650:{{
616:)
608:--
590:)
574:,
570:,
566:,
550:)
542:.
521:)
517:•
474:)
447:)
411:)
352:)
302:)
283:)
1618:.
1590:,
1579:.
1548:(
1527:(
1507:(
1491:(
1427:(
1381:(
1362:(
1338:(
1299:(
1273:(
1255:(
1240:(
1220:(
1200:(
1185:
1171:(
1136:(
1106:(
1067:(
1028:(
1002:(
975:(
957:(
937:(
925:
911:(
903:(
895:(
887:(
873:(
840:(
832:(
817:(
803:(
769:.
728:(
694:(
680:(
612:(
586:(
546:(
513:(
470:(
443:(
407:(
348:(
298:(
279:(
250:·
244:·
238:·
228:·
222:·
216:·
210:·
204:·
198:·
192:·
182:·
176:·
170:·
164:·
158:·
152:·
146:·
140:·
130:·
124:·
118:·
112:·
106:·
100:·
94:·
88:·
82:·
33:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.