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Uski Roti

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his friends and spending time with his mistress, and comes home only once a week. However, he expects his wife to play the traditional role. The narrative is non-linear, hence we can attest to incidents but not be certain of sequence. One day Balo is delayed as she endeavors to save her sister from the advances of a lecherous villager. Sucha Singh is angry, drives away without his food, declares his freedom to come home when he chooses. The ending is indeterminate.
31: 352:, and also distributed in DVD form. A reviewer for Channel 4 writes: "Mani Kaul takes us on a moving journey into the internal life of his protagonist, and KK Mahajan's cinematography will linger long in the viewer's mind." In a 2009 book on Indian cinema by Ashish Rajadhyaksha, an entire chapter is devoted to 196:
The film depicts the life of a bus driver Sucha Singh (Gurdeep Singh) and his wife Balo (Garima). Balo has to get Sucha Singh's food ready every day, walk a long distance through the fields and wait for him on the highway as he drives past the village. He leads an independent life, playing cards with
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marked a major departure from the conventions of narrative cinema, dispensing altogether with plot in the usual sense. Kaul also did not use any established film actors. There is little dialogue in the film. The dialogue is delivered in undramatic monotones, somewhat reminiscent of the films of
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village. Still photographer Navroze Contractor helped Mani Kaul in his search for the right location. During this time, they also had long discussions on black-and-white, lenses, light, etc. Later, Contractor was to be Kaul's cinematographer for his third film
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Due to its radical departures from the prevalent cinematic norms, the film did not get commercial theatrical release. However, it did win the debutant director the 1970 Filmfare Critics Award for Best Movie, and also won Mahajan his second
322:, whom Kaul acknowledged as a major influence. The camera, wielded by K. K. Mahajan, dwells on faces, hands and exteriors - mud walls, a windswept highway, a guava orchard. The emphasis on hands is particularly Bressonian. In the words of 521: 530: 366: 335: 330:, I wanted to completely destroy any semblance of a realistic development, so that I could construct the film almost in the manner of a painter." 867: 584: 181: 877: 872: 326:, "The film is not an orthodox narrative, dealing instead with silence, mood and imagery." In a 1994 interview, Kaul said, "When I made 672: 481: 348:". In recent years, it has received renewed appreciation, being screened at retrospectives, aired on television channels such as 607: 389: 702: 338:. Subsequently, it has been recognised as "one of the key films of the New Indian Cinema or the Indian New Wave". 552: 736: 665: 299: 274: 411: 750: 574: 857: 256: 440: 658: 525: 800: 792: 646: 580: 816: 764: 344: 185: 302:, who subsequently became known as a filmmaker, started his career by assisting Kaul on 808: 319: 851: 339: 323: 265: 86: 784: 238: 177: 54: 176:. It was Kaul's first feature film, based on a short story of the same name by 650: 30: 506: 682: 349: 247: 229: 173: 59: 44: 863:
Films whose cinematographer won the Best Cinematography National Film Award
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Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
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Mani Kaul received the 1970 Filmfare Critics Award for Best Movie.
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A Critical Cinema 3: Interviews With Independent Filmmakers
390:"Interview with Navroze Contractor - Film Education" 141: 133: 123: 100: 92: 82: 74: 66: 50: 40: 23: 482:"Mani Kaul: Versatile, genre-hopping film-maker" 666: 412:"Will the real John Abraham please stand up?" 8: 367:National Film Award for Best Cinematography 336:National Film Award for Best Cinematography 673: 659: 651: 184:, and is considered a seminal work of the 29: 20: 434: 432: 381: 215:Savita Bajaj − Sucha Singh's mistress 182:Filmfare Critics Award for Best Movie 7: 342:considers it "as much a landmark as 724:A Historical Sketch of Indian Women 285:The film was shot on location in a 410:Gaekwad, Manish (1 October 2015). 14: 469:. University of California Press. 439:Malcolm, Derek (14 July 2011). 1: 608:Directorate of Film Festivals 573:Rajadhyaksha, Ashish (2009). 520:Ghosh, Avijit (7 July 2011). 868:Films based on short fiction 772:A Desert of a Thousand Lines 878:Films directed by Mani Kaul 873:Films shot in Punjab, India 601:"18th National Film Awards" 480:Hunt, Ken (3 August 2011). 365:K. K. Mahajan received the 206:Gurdeep Singh − Sucha Singh 57:(original story, dialogue) 894: 212:Richa Vyas − Balo's sister 689: 465:MacDonald, Scott (1998). 28: 718:Puppeteers of Rajasthan 553:"Uski Roti - Channel 4" 751:Satah Se Uthata Admi 78:Gurdeep Singh, Garima 441:"Mani Kaul obituary" 836:A Monkey's Raincoat 533:on 6 September 2012 96:Ratan Lal (santoor) 681:Films directed by 526:The Times of India 271:Assistant Director 845: 844: 830:Ik Ben Geen Ander 586:978-0-253-22048-6 509:. upperstall.com. 172:film directed by 156:(English titles: 149: 148: 885: 817:Naukar Ki Kameez 765:The Mind of Clay 737:Ghashiram Kotwal 703:Ashadh Ka Ek Din 675: 668: 661: 652: 619: 618: 616: 614: 605: 597: 591: 590: 570: 564: 563: 561: 559: 549: 543: 542: 540: 538: 529:. 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K. Mahajan 263: 260: 258: 257:Rochak Pandit 254: 251: 249: 245: 242: 240: 236: 233: 231: 227: 224: 223: 219: 214: 211: 209:Garima − Balo 208: 205: 204: 200: 198: 191: 189: 187: 183: 179: 175: 171: 167: 166:A Day's Bread 163: 162:His/her bread 159: 158:Other's bread 155: 154: 144: 140: 136: 132: 128: 122: 108: 107: 105: 99: 95: 91: 88: 87:K. K. Mahajan 85: 81: 77: 73: 70:Rochak Pandit 69: 65: 61: 56: 53: 49: 46: 43: 39: 32: 27: 22: 16: 835: 829: 823: 815: 807: 799: 791: 785:Siddheshwari 783: 777: 771: 763: 757: 749: 743: 735: 729: 723: 717: 709: 701: 694: 693: 641: 639: 613:26 September 611:. Retrieved 595: 575: 568: 556:. Retrieved 547: 535:. Retrieved 531:the original 524: 515: 501: 489:. Retrieved 485: 475: 466: 460: 448:. Retrieved 445:The Guardian 444: 419:. Retrieved 415: 405: 393:. Retrieved 384: 353: 343: 332: 327: 314: 313: 303: 300:John Abraham 298: 291: 284: 275:John Abraham 270: 261: 252: 243: 239:Mohan Rakesh 234: 225: 195: 178:Mohan Rakesh 168:) is a 1969 165: 161: 157: 152: 151: 150: 125:Running time 102:Release date 62:(screenplay) 55:Mohan Rakesh 15: 730:Chitrakathi 129:110 minutes 67:Produced by 41:Directed by 858:1969 films 852:Categories 558:14 January 491:14 January 450:13 January 395:28 January 376:References 281:Production 244:Screenplay 51:Written by 695:Uski Roti 683:Mani Kaul 642:Uski Roti 537:9 January 507:"Profile" 416:Scroll.in 354:Uski Roti 350:Channel 4 315:Uski Roti 310:Reception 304:Uski Roti 248:Mani Kaul 230:Mani Kaul 174:Mani Kaul 153:Uski Roti 60:Mani Kaul 45:Mani Kaul 24:Uski Roti 253:Producer 226:Director 192:Synopsis 142:Language 93:Music by 75:Starring 758:Dhrupad 744:Arrival 711:Duvidha 293:Duvidha 134:Country 111: ( 35:A still 838:(2005) 832:(2002) 826:(2000) 820:(1999) 812:(1995) 804:(1992) 796:(1991) 788:(1989) 780:(1989) 774:(1986) 768:(1985) 760:(1982) 754:(1980) 746:(1980) 740:(1976) 732:(1977) 726:(1975) 720:(1974) 714:(1973) 706:(1971) 698:(1969) 583:  421:8 June 360:Awards 287:Punjab 801:Idiot 793:Nazar 604:(PDF) 235:Story 170:Hindi 145:Hindi 137:India 824:Bojh 647:IMDb 615:2011 581:ISBN 560:2013 539:2013 493:2013 452:2013 423:2018 397:2013 220:Crew 201:Cast 113:1969 109:1969 645:at 854:: 606:. 484:. 443:. 431:^ 414:. 356:. 306:. 296:. 273:– 264:– 255:– 246:– 237:– 228:– 188:. 164:, 160:, 674:e 667:t 660:v 617:. 589:. 562:. 541:. 495:. 454:. 425:. 399:. 115:)

Index


Mani Kaul
Mohan Rakesh
Mani Kaul
K. K. Mahajan
Hindi
Mani Kaul
Mohan Rakesh
Filmfare Critics Award for Best Movie
Indian New Wave
Mani Kaul
Mohan Rakesh
Mani Kaul
Rochak Pandit
K. K. Mahajan
John Abraham
Punjab
Duvidha
John Abraham
Robert Bresson
Derek Malcolm
National Film Award for Best Cinematography
Shyam Benegal
Pather Panchali
Channel 4
National Film Award for Best Cinematography
"Interview with Navroze Contractor - Film Education"
"Will the real John Abraham please stand up?"

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