376:"Although frail-looking, Khan Saheb maintained excellent health through regular exercises, disciplined habits, and frugal living. His photographs show him as a tall, slim person dressed immaculately in a black 'achkan', a cane in hand, a typical moustache and a red gold-bordered turban, and most striking of all, his dreamy eyes."
294:"One of the most melodious classical musicians we have had, Abdul Karim Khan's music always created a sublime atmosphere. The soothing quality of his specially cultivated voice, and his repose style of singing were such that the singer as well as his listeners forgot themselves in a sort of 'trance'."
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into a family with music tradition which traced its roots to musician brothers Ghulam Ali and Ghulam Maula. His father, Kale Khan, was the grandson of Ghulam Ali. Abdul Karim Khan received training from his uncle
Abdullah Khan and father Kale Khan. He also received guidance from another uncle, Nanhe
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style he developed is also quite different from the 'Poorab ang' or 'Punjabi ang'. His thumri progresses in a leisurely slow pace with ample abandonment. He was also the first
Hindustani musician to seriously study the Carnatic system and probably the first to be invited to sing all over the South.
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player, but decided to switch to vocals because of low status of sarangi players at that time. In his early years, he used to sing with his brother Abdul Haq. They appeared before
Murtaza Khan of the "Maula Bakhsh Khandan", then all appeared before the Maharaja (king). They were all influenced by
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when he experienced severe pain in the chest at
Chingleput. On 27 October 1937, he died peacefully on the platform at Singaperumalkoil railway station. He spent the last few hours of his life remembering God, offering
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This is where he met
Tarabai Mane, who was the daughter of Sardar Maruti Rao Mane, a member of the royal family. When they decided to get married, they were ousted from Baroda. The couple settled in
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till his death on 27 October 1937, when returning from a concert tour of the South. Every year in August, commemorative music concerts are held in Miraj in his honour.
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laya (slow tempo) was the most characteristic aspect of his music. He worked hard to maintain his voice to be sweet and melodious which shaped his music. The
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The innovations he brought to his vocal style distinguishes Kirana style from others. The slow melodic development of the raga in
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and adopted the direct style of presentation. "The ustad was an expert on many musical instruments, especially the
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https://web.archive.org/web/20080513060851/http://music.calarts.edu/~bansuri/pages/abdulkarim.html
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Abdul Karim's disciples include Pandit
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Bandish in Raag
Jhinjhoti – "Piya bin nahi aawat chain, kaa se kahoon jee ke bain"
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was a direct influence of
Carnatic practice. He became a frequent visitor to
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Karim Khan's first wife, Gafooran, was the sister of another Kirana master
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masters who also influenced his music. In particular the singing of his
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Khan. Abdul Karim Khan was musically influenced by Ustad Rahmat Khan of
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was impressed by this singing duo and made them the court musicians.
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The Wire website, Published 27 May 2016. Retrieved 9 January 2022
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to teach music to the students. He finally settled down in
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Abdul Karim Khan recordings available on www.sarangi.info
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Indian
Hindustani classical music vocalist (1872 - 1937)
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Profile of Ustad Abdul Karim Khan on weebly.com website
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Profile of Ustad Abdul Karim Khan on veethi.com website
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Abdul Karim Khan's singing a bandish in Raag
Jhinjhoti
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530:Profile of Abdul Karim Khan on calarts.edu website
511:Updated 19 February 2014. Retrieved 9 January 2022
209:Abdul Karim Khan was born on 11 November 1872 in
532:Archived 13 May 2008. Retrieved 9 January 2022
189:) (11 November 1872 – 27 October 1937) was an
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474:"Tribute to a Maestro – Abdul Karim Khan"
241:According to a story, he was initially a
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602:The Musical Legacy of Abdul Karim Khan
321:. In 1900, for eight months he taught
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297:Abdul Karim Khan was invited to the
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439:Great Masters of Hindustani Music
313:which conferred on him the title
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549:K D Dixit (22 October 2017).
246:Murtaza's style. The king of
483:. 4 May 2007. Archived from
479:ITC Sangeet Research Academy
357:. He was also influenced by
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181:: उस्ताद अब्दुल करीम ख़ान,
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700:Singers from British India
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425:and reciting Kalma in the
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109:hindustani classical music
32:Abdul Karim Khan (Yarkand)
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205:Early life and background
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89:27 October 1937 (aged 64)
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577:Retrieved 9 January 2022
222:. Apart from vocals and
30:Not to be confused with
350:He has even recorded a
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62:Background information
18:Ustad Abdul Karim Khan
628:20 April 2009 at the
416:He was on his way to
394:Vishwanathbuwa Jadhav
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197:, the founder of the
187:اُستاد عبدُالکریم خان
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359:Rehmat Khan
639:Categories
455:References
352:Thyagaraja
263:meditative
179:Devanagari
107:Singer of
104:Occupation
560:9 January
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380:Disciples
337:His style
626:Archived
400:was the
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286:disciple
481:website
443:page 78
371:sarangi
361:of the
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224:sarangi
183:Persian
128:Awards:
79:Kairana
665:Thumri
355:Krithi
347:thumri
307:sargam
299:Mysore
276:Career
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211:Kirana
125:Labels
94:Genres
75:Origin
423:Namaz
412:Death
367:veena
331:Miraj
327:Poona
236:tabla
232:sitar
173:Ustad
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