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convinced
Petrillo to allow the union's musicians to make records for the military as long as the discs were not sold and the masters were disposed of. Musicians who had contracts with different record labels were now able to record together for this nonprofit enterprise. A group consisting of
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in
December 1943, introduced a record by saying, "This is Captain Glenn Miller speaking for the Army Air Force's Training Command Orchestra and we hope that you soldiers of the Allied forces enjoy these V-Discs that we're making just for you." The
205:" to refer to whites. In addition to a window into black entertainment styles, the Jubilee series chronicled the development of swing music on the cusp of bebop. V-disc recordings provide important archives of the
224:'s Office confiscated and destroyed V-Discs that servicemen had smuggled home. An employee at a Los Angeles record company served a prison sentence for the illegal possession of over 2,500 V-Discs.
201:, was provided for black servicemen. The banter between Whitman and guests sometimes ventured into risque and racial humor, including the use of the ethnic slur "
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Many V-Discs contained spoken-word introductions by bandleaders and musicians wishing good luck and prayers for the soldiers.
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recorded concerts that were released as V-Discs. Captain
Vincent ran the program from the Special Services Division.
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were destroyed. Leftover V-Discs at bases and on ships were discarded. On some occasions, the FBI and the
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121:) was a record label that was formed in 1943 to provide records for U.S. military personnel. Captain
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in which there was a recording ban on four recording companies. On
October 27, 1943
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213:. The "V" stands for "Victory" although Vincent said the "V" stood for "Vincent".
280:. Vol. 3 (2nd ed.). New York: Grove's Dictionaries Inc. p. 834.
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responsibilities were handled by Steve
Scholes and Walt Heebner, both of
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Many popular singers, big bands, and orchestras recorded V-discs.
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The V-Disc program ended in 1949. Audio masters and
324:. Westport, Connecticut, The Greenwood Press, 1980.
110:", by Glenn Miller and His Orchestra, November 1943
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276:Rye, Howard (2002). Kernfeld, Barry (ed.).
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235:The Columbia Years 1943–1952: The V-Discs
306:V-Disc Records (1943-1949) Victory Music
243:The Real Complete Columbia Years V-Discs
144:, the American Federation of Musicians (
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393:Record labels disestablished in 1949
23:. For the digital virtual disk, see
211:International Sweethearts of Rhythm
322:V-Discs: A History and Discography
19:For the digital media format, see
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388:Record labels established in 1941
278:The New Grove Dictionary of Jazz
349:American Music Research Center
251:V-Disc Recordings, Jo Stafford
125:supervised the label from the
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357:, Florida Atlantic University
329:V-Discs: The First Supplement
197:series, hosted by comedian
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238:– Frank Sinatra collection
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331:. Greenwood Press, 1986.
150:1942–44 musicians' strike
351:, University of Colorado
140:Under the leadership of
403:American Forces Network
355:Recorded Sound Archives
199:Ernie "Bubbles" Whitman
383:American record labels
363:, Collector's database
171:Artists and repertoire
148:) was involved in the
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154:George Robert Vincent
142:James Caesar Petrillo
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246:– Sinatra collection
181:, and Tony Janak of
398:Jazz record labels
327:Sears, Richard S.
320:Sears, Richard S.
209:Orchestra and the
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108:Moonlight Serenade
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159:Louis Armstrong
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30:Record label
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367:Audio files
377:Categories
258:References
175:RCA Victor
129:division.
167:Art Tatum
85:, swing,
21:Videodisc
228:See also
218:stampers
195:Jubilee
136:History
69: (
64:Defunct
56:Founder
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165:, and
115:V-Disc
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79:Genre
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333:ISBN
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203:ofay
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83:Jazz
71:1949
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