Knowledge (XXG)

VxV

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681:, yet still does not understand if the band is operating at "the peak of their potential, it is clearly evident that they are at least one step closer to reaching it" Rice indicates how "Every song is absolutely enjoyable, high-quality, and great fun to listen to just by themselves." Fryberger remarks how "Nothing really sticks out after repeat listens, but those listens are still rather enjoyable." 615: 579: 545: 517: 421: 371: 366: 321: 643: 638: 633: 628: 623: 610: 605: 600: 595: 574: 569: 564: 559: 540: 535: 530: 525: 512: 507: 502: 497: 489: 484: 479: 474: 469: 455: 450: 445: 440: 435: 416: 411: 406: 401: 361: 356: 351: 316: 311: 306: 301: 667:
of raw writing focused on our desperate need for a desperately loving Savior." Brody B. of Indie Vision Music rated the album a perfect five stars, saying how the release "finds them more focused and spiritual than ever", and calls "The combination of powerful lyrics and intricate musicianship is a reckoning force." Katie Evans, writing for
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is theologically dense and gospel-centric, emphasizing calls to repentance and redemption, frequently using strong scriptural imagery and voice overs to achieve an even stronger presentation." In addition, Nikkel observes how "The album's strength lies in its urgency, setting scruples aside in favor
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The music has been referred to as "post-hardcore and metal goodness", and "competent metalcore and post-hardcore." Also, some reviewers note the religiosity to the material on the album because "The conviction that the group brings out in their spiritual lyrics invigorates all other aspect of their
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Wolves at the Gate made a pretty big splash in the industry when they released Captors in 2012. Now, less than a month shy of 2 years later, the band is releasing their second full-length record with Solid State. Five by Five, stylized as VxV, shows some strong improvements for this Ohio based
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rated the album four stars out of five, writing how "Wolves at the Gate has put together a worthy blend of melodic songs with heart-pounding jammers for a stellar release." At New Release Tuesday, Mary Nikkel rated the album four stars out of five, saying how
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At Jesus Freak Hideout, main reviewer Michael Weaver rated the album four-and-a-half stars, Mark Rice in his second opinion and Scott Fryberger in the 2 Cents review rated the album four stars out of five. Weaver states how the band have surpassed their debut
38: 688:, Tim Dodderidge rated the album four-and-a-half stars, explaining how "passion invades every cell" of the band that "represents their faith being loud and clear, depicts the musicians as they as they are on the record; unyielding 706:, Bradley Zorgdrager rated the album a six out of ten, indicating how the band with respect to the music are "certainly not surpassing them yet; it's a solid state, but not an impenetrable one." The three star review by 692:
followers". In addition, Dodderidge notes that "VxV is loud and clear in everything it does, and with substantiality comes a standout release for the metal players." Anthony Glaser of
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rated the album three-and-a-half stars out of five, and according to him even though "it includes a clever allegory involving a shortsighted bird and a manipulative snake, much of
673:, rated the album an eight out of ten, for its enormity as "an album which sticks around way longer the stereo plays out" calling it a "certified deal clincher." 1615: 238:. Speaking with Reel Gospel, vocalist Steve Cobucci explained the album title is based on a military rating on signal strength and clarity, with a 713:
s Matt Conner was rationalized as "The latest album from Solid State staple Wolves at the Gate shows impressive growth since the band's last LP."
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rating being the best. He went on to state that they believe the gospel message to be the "five by five" that the band can give.
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because the music contains "intricate guitars and anthemic choruses." Furthermore, the music might be appealing to some
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is standard religious fare", which "is largely a reiteration of beliefs expressed by the devout worldwide." At
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was met with generally positive reception from music critics. Anthony Bryant of
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Some have even went as so far as to say, the band are comparable to
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Dodderidge, Tim (2014). "REVIEW: Wolves at the Gate – 'VxV'".
1063:"Interview: Steve Cobucci from Wolves at the Gate talks VxV" 266:
fans due to the "post-hardcore leanings" of the material.
1545:"Wolves at the Gate Chart History (Top Hard Rock Albums)" 1388:"Wolves at the Gate, "VxV" Review: Second Staff Opinion" 1563:"Wolves at the Gate Chart History (Independent Albums)" 1527:"Wolves at the Gate Chart History (Christian Albums)" 750:
the album sold enough to chart at No. 13, and in the
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market, and it sold enough to chart at No. 41 on the
1581:"Wolves at the Gate Chart History (Top Rock Albums)" 779: 771: 143: 126: 114: 98: 72: 57: 44: 30: 754:segment of the music market it charted at No. 25. 1160:. June/June 214 (40). Substream Music Press: 63. 1416:"Wolves at the Gate, "VxV" Review: JFH Staff's 620: 592: 466: 298: 228:The album is the follow-up to the debut album 1240: 1238: 8: 746:chart. In addition, the subgenre rock chart 556: 522: 494: 432: 398: 348: 1409: 1407: 1405: 25:2014 studio album by Wolves at the Gate 1118: 1116: 1114: 1112: 1110: 933: 273: 36: 27: 1381: 1379: 1377: 1360:"Wolves at the Gate – VxV | Reviews" 1151: 1149: 1147: 1145: 201:) is the second studio album by American 1086: 1084: 1082: 1080: 768: 1211:(169). Big Cheese Publishing Ltd.: 92. 1040: 915: 1441: 1439: 1437: 1353: 1351: 213:. The album charted at No. 134 on the 209:. It was released on June 10, 2014 by 1310: 1308: 1278:Zorgdrager, Bradley (June 10, 2014). 916: 279: 7: 1273: 1271: 1125:"REVIEW: Wolves at the Gate – 'VxV'" 731:charted at No. 134 according to the 1505:"Wolves at the Gate Chart History ( 622: 594: 468: 300: 1093:"Wolves at the Gate, "VxV" Review" 14: 1414:Fryberger, Scott (June 2, 2014). 1123:Glaser, Anthony (June 17, 2014). 558: 524: 496: 434: 400: 350: 1616:Wolves at the Gate (band) albums 1315:Bryant, Anthony (June 1, 2014). 1091:Weaver, Michael (May 30, 2014). 727:charting week of June 28, 2014, 641: 636: 631: 626: 621: 613: 608: 603: 598: 593: 577: 572: 567: 562: 557: 543: 538: 533: 528: 523: 515: 510: 505: 500: 495: 487: 482: 477: 472: 467: 453: 448: 443: 438: 433: 419: 414: 409: 404: 399: 369: 364: 359: 354: 349: 319: 314: 309: 304: 299: 1446:Nikkel, Mary (June 16, 2014). 1245:Conner, Matt (July 15, 2014). 1061:Sam Robinson (June 12, 2014). 772: 1: 1171:Monger, Timothy (June 2014). 738:. It charted at No. 6 in the 18:Five by Five (disambiguation) 1386:Rice, Mark (June 15, 2014). 1027: 1009: 991: 973: 955: 1589:. Retrieved June 21, 2014. 1571:. Retrieved June 21, 2014. 1553:. Retrieved June 21, 2014. 1535:. Retrieved June 21, 2014. 1517:. Retrieved June 21, 2014. 1329:. HM Publications LLC: 98. 1632: 1611:Solid State Records albums 1280:"Wolves At the Gate – VxV" 1201:Evans, Katie (July 2014). 1173:"VxV - Wolves at the Gate" 763:All tracks are written by 15: 1247:"Wolves At The Gate: VxV" 1203:"Wolves at the Gate: VxV" 905: 894: 883: 872: 861: 850: 839: 828: 817: 806: 795: 784: 776: 287: 284: 234:that released in 2012 by 151: 35: 1358:Brody B (June 6, 2014). 843:"The Bird and the Snake" 61:June 10, 2014 1448:"Anthems of Atonement" 1317:"Wolves at the Gate – 909:"The Father's Bargain" 717:Commercial performance 16:For other topics, see 1474:– Wolves at the Gate" 1450:. New Release Tuesday 1422:. Jesus Freak Hideout 1390:. Jesus Freak Hideout 1095:. Jesus Freak Hideout 1362:. Indie Vision Music 981:Top Hard Rock Albums 275:Professional ratings 898:"Majesty in Misery" 553:New Release Tuesday 463:Jesus Freak Hideout 276: 236:Solid State Records 211:Solid State Records 176:Types & Shadows 1158:Substream Magazine 1129:Substream Magazine 1048:Wolves at the Gate 999:Independent Albums 765:Wolves at the Gate 752:Independent Albums 694:Substream Magazine 686:Substream Magazine 588:Substream Magazine 429:Indie Vision Music 274: 207:Wolves at the Gate 145:Wolves at the Gate 51:Wolves at the Gate 1032: 1031: 926: 925: 650: 649: 188: 187: 184: 183: 1623: 1590: 1578: 1572: 1560: 1554: 1542: 1536: 1524: 1518: 1502: 1496: 1495: 1493: 1491: 1466: 1460: 1459: 1457: 1455: 1443: 1432: 1431: 1429: 1427: 1411: 1400: 1399: 1397: 1395: 1383: 1372: 1371: 1369: 1367: 1355: 1346: 1345: 1343: 1341: 1312: 1303: 1302: 1300: 1298: 1275: 1266: 1265: 1263: 1261: 1242: 1233: 1232: 1230: 1228: 1219:. 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Reel Gospel 1064: 1057: 1054: 1049: 1044: 1041: 1034: 1024: 1023: 1018: 1014: 1013: 1006: 1005: 1000: 996: 995: 988: 987: 982: 978: 977: 970: 969: 964: 960: 959: 953: 951: 946: 945: 939: 937:Chart (2014) 936: 935: 929: 921: 918:Total length: 911: 908: 904: 900: 897: 893: 889: 886: 882: 878: 875: 871: 867: 864: 860: 856: 853: 849: 845: 842: 838: 834: 831: 827: 823: 820: 816: 812: 809: 805: 801: 798: 794: 790: 787: 783: 770: 767: 766: 758:Track listing 757: 755: 753: 749: 745: 741: 737: 735: 730: 726: 725: 716: 714: 712: 710: 705: 704: 699: 695: 691: 687: 682: 680: 674: 672: 671: 665: 660: 659: 654: 591: 589: 586: 585: 555: 552: 551: 465: 462: 461: 431: 428: 427: 397: 395: 394: 390: 389: 385: 383: 382: 378: 377: 347: 345: 344: 340: 339: 335: 333: 332: 328: 327: 297: 295: 292: 291: 283: 280:Review scores 278: 269: 267: 265: 261: 257: 252: 245: 243: 241: 237: 233: 232: 223: 221: 219: 217: 212: 208: 204: 200: 199: 194: 193: 178: 177: 173: 169: 168: 164: 160: 159: 155: 154: 150: 146: 142: 137:Randy LeBoeuf 136: 133: 132: 131: 129: 125: 122: 119: 117: 113: 101: 97: 92: 89: 87: 86:post-hardcore 84: 82: 79: 78: 77: 75: 71: 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 1585: 1576: 1567: 1558: 1549: 1540: 1531: 1522: 1513: 1506: 1500: 1488:. 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Index

Five by Five (disambiguation)

Studio album
Wolves at the Gate
Genre
Christian metal
post-hardcore
metalcore
Label
Solid State
Producer
Wolves at the Gate
Captors
Types & Shadows
metalcore
Wolves at the Gate
Solid State Records
Billboard 200
Captors
Solid State Records
five by five
Underoath
Thrice
Thursday
Allmusic
Big Cheese
CCM Magazine
Exclaim!
HM Magazine
HM Magazine

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