263:, who is known as the Father of the Blues, gave her the nickname "Queen of the Trumpet." Contemporary critics Krin Gabbard and Will Friedwald have commented on her approach to playing like Armstrong. Gabbard said she developed a "distinctly Armstrongian style" and Friedwald said she "mimicked" Armstrong. In a 1928 performance in Chicago at the Sunset Café, Snow played the trumpet, sang. Then seven pairs of shoes were placed in a row at the front of the stage, and she danced in each pair for one chorus. The dances and shoes to match were: soft-shoe, adagio shoes, tap shoes, Dutch clogs, Chinese straw sandals, Turkish slippers, and the last pair, Russian boots. "When Louis Armstrong saw the show one night, he continued clapping after others had stopped and remarked, 'Boy I never saw anything that great'." Despite her talent, she had fewer opportunities to hold residencies as a bandleader at clubs in New York or Chicago, like many of her male peers. Instead, she predominantly toured, playing concerts throughout the US, Europe, and China. In 1926, she toured London and Paris with
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escape the violence that was taking place in Europe. It is unclear why or what exactly took place but both
Sutcliff and Snow remained in Copenhagen. According to Brown, Snow had another chance to leave Europe, but again refused. Instead, her manager was forced to leave due to drug-related charges; upon arriving in New York he was the first one to state that Snow was allegedly being held in a Nazi concentration camp, where he had nearly escaped.
357:, "The unfortunate thing about her legacy is that she wasn't recorded as much as many of her peers, but she was a greatly respected musician on the vaudeville circuit, and even amongst male jazz musicians themselves." This quote was from a phone interview by Giovanni Russonello, who on February 22, 2020, published her belated obituary in
146:-educated music teacher and her father, John, was a minister who was the leader of the Pickaninny Troubadours, a group mainly consisting of child performers. Raised on the road in a show-business family, where starting from the age of five, she began performing with her father's group. By the time she was 15, she learned to play
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Valaida Snow appears as a fictional character who threw herself on top of the protagonist when he was a child to shield him from a beating at the hands of the Nazis in a concentration camp. Snow is depicted as a strong, generous woman who proudly recalls that "They beat me, and fucked me in every
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Historian Jayna Brown studied the controversy over Snow's alleged rumor regarding being detained in a Nazi concentration camp, and concluded that she had not been in a concentration camp. According to Brown, on
September 15, 1939, Snow's manager Earl Sutcliff was advised to leave the country to
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Dr. Kernodle also said that Snow's legacy is important as she helped "shift the context of jazz away from the early
Dixieland style" and "she important in terms of helping us gain an understanding of the spread of jazz to Europe, particularly after World War I."
340:
after eloping with her fiancé Ananias John W. Berry, Jr. Snow had 3 sisters
Lavaida, Alvaida, and Hattie all of who were professional singers. She also had a brother named Arthur Bush. In the year 1934 Valaida married Ananias Berry who was a member of the
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According to a jazz radio show that aired on
October 28, 2017, Snow said she was arrested in Europe, apparently going to jail for theft and illegal drugs. While later touring Denmark in 1941, she said she was arrested by Nazis and most likely kept at
223:
In the year 1922, when she was 18 years old she gained national recognition, leading her to travel all over the U.S. to perform as a dancer, musician (Trumpet player), and singer. The following year, Valaida appeared in the black musical
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that was run by the Nazis, before being released on a prisoner exchange in May 1942. It was rumored that her friendship with a
Belgian police official helped her to board a ship carrying foreign diplomats. According to jazz historian
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To add to the confusion and controversy, many have been unable to place Snow's whereabouts between
February and October 1941. In October of 1941, Snow was living under some sort of surveillance in
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in New York City, she revisited Europe and the Far East for more shows and films. She was imprisoned in a
Copenhagen jail during WWII when Nazi soldiers took over Denmark, where she was touring.
363:, as part of the "Overlooked No More" series. There are no commercial recordings of Snow as trumpeter made in the United States, all were recorded in Europe. Before her obituary was published,
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Valaida Snow died aged 51 of a brain hemorrhage on May 30, 1956, in New York City, backstage during a performance at the Palace
Theater. Her death came three days before her 52nd birthday.
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Her most successful period was in the 1930s when she became the toast of London and Paris. Around this time she recorded her hit song "High Hat, Trumpet, and Rhythm". She performed in the
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hole I had. I was their whore. Their maid. A stool they stood on when they wanted to reach a little higher. But I never sang in their cage, Bobby. Not one note" (p. 28).
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Many recordings of Snow performances still exist, including audio recordings and audiovisual recordings of her on stage or in films. According to musicology professor
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Biography. Both the Allen and Miller books contradict the assertion that Snow was held by the Nazis and instead place her in Danish custody at a
Copenhagen prison.
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398:. Brown indicates that this period was used to treat Snow's alleged drug addiction, and as a way to ensure that she would be able to return to the U.S.
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musician and entertainer who performed internationally. She was also known as "Little Louis" and "Queen of the Trumpet," a nickname given to her by
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Hitler's Black Victims: The Historical Experiences of Afro-Germans, European Blacks, Africans, and African Americans in the Nazi Era
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Hitler's Black Victims: The Historical Experience of Afro-Germans, European Blacks, Africans and African Americans in the Nazi Era
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After focusing on the trumpet, Snow quickly became so famous at the instrument that she was nicknamed "Little Louis" after
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In interviews after returning from Europe during World War II, Snow claimed she had been in a Nazi concentration camp.
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revue and then from 1926 to 1929, she toured with Jack Carter's Serenaders in Shanghai, Singapore,
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wrote about her only once in a paragraph-long review about a 1949 Song Recital at New York's
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March 11, 1933; Earl Hines and Snow performed in Madrid ballroom in Harrisburg, PA.
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Inspired by Valaida's life, but it is more fictitious than strictly biographical.
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448:(with Stanley Dance) includes several vignettes of Snow by her intimate friend.
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until she was detained with no criminal charges on March 12, 1942, and sent to
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Vaudeville, Old & New: An Encyclopedia of Variety Performers in America
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Babylon Girls : Black Women Performers and the Shaping of the Modern
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1016:"Overlooked No More: Valaida Snow, Charismatic 'Queen of the Trumpet'"
679:"Overlooked No More: Valaida Snow, Charismatic 'Queen of the Trumpet'"
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September 23, 1945; First Cavalcade of Jazz concert in Los Angeles at
345:. In 1943 Valaida married Earle Edwards who later became her manager.
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315:, "she never emotionally recovered from the experience". She married
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Snow appeared in a Swedish advertisement when she toured Scandinavia
966:"Hot Snow: Valaida Snow (Queen of the Trumpet Sings & Swings)"
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630:. Other presumed birth years are 1900, 1901, 1903, 1905, and 1907
1139:"Big Name Bands, Singers in 'Cavalcade of Music' September 23",
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High Hat, Trumpet and Rhythm: The Life and Music of Valaida Snow
167:
123:
92:
777:
Hot Snow: Valaida Snow (Queen of the Trumpet Sings and Swings
319:. In the 1950s, she was unable to regain her former success.
202:
Her solo career began when she joined a popular revue called
859:"Valaida Snow, Sunset Royal Ork And Alan Courtney at Apollo"
569:, comic strip, BDMusic, Paris, coll. " BDJazz ", 2012.
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Women & Performance: A Journal of Feminist Theory
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336:in 1933, Snow was arrested and later acquitted of
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1125:"Nite Club Orchestra at Madrid Tomorrow Nite".
779:. Black American Literature Forum. p. 158.
837:"Snow, Valaida [Valada, Little Louis]"
122:(June 2, 1904 – May 30, 1956) was an American
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1009:
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907:"Valaida Snow Biography, Songs, & Albums"
8:
1185:20th-century African-American women singers
1127:The Evening News (Harrisburg, Pennsylvania)
503:A novel based on Valaida Snow's life story.
1014:Russonello, Giovanni (February 22, 2020).
677:Russonello, Giovanni (February 22, 2020).
646:The Guinness Encyclopedia of Popular Music
238:revue. By 1924 she became a key figure in
214:, a follow-up to the enduring hit musical
31:
20:
230:. In the year 1923, she also appeared in
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330:According to an article posted in the
883:Jazz on Record: The First Sixty Years
142:, Tennessee. Her mother, Etta, was a
7:
794:. New York: Oxford University Press.
1200:20th-century American women singers
539:. Marseille: Editions Parenthèses.
1205:The Washboard Rhythm Kings members
715:"'Dat Var Negressen Walaida Snow'"
294:dancing troupe. After playing the
14:
1215:African-American women musicians
592:Until The Real Thing Comes Along
444:Earl Hines' oral autobiography,
970:Black American Literature Forum
942:. December 23, 1933. p. 16
885:. Backbeat Books. p. 228.
1051:"Song Recital by Valaida Snow"
594:(Monk – MK343 LP, Compilation)
515:. Toronto: The Mercury Press.
379:Concentration Camp Controversy
244:a broadway musical along with
1:
1190:20th-century American singers
1175:American women jazz musicians
934:"Valaida and Bros. Are Back"
835:Rye, Howard. L. Macy (ed.).
186:. She also sang and danced.
37:Snow in a 1945 advertisement
950:– via Newspapers.com.
713:Brown, Jayna (March 2006).
1231:
612:Hackman, Florence (2007).
1096:. Duke University Press.
760:Lusane, Clarence (2003).
731:10.1080/07407700500515894
586:Queen of Trumpet and Song
30:
1170:American jazz trumpeters
1195:20th-century trumpeters
964:Reitz, Rosetta (1982).
775:Reitz, Rosetta (1982).
446:The World of Earl Hines
939:The Pittsburgh Courier
535:Pascal Rannou (2008).
426:, The Peters Sisters,
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43:Background information
16:American jazz musician
1180:Chess Records artists
1143:, September 13, 1945.
1090:Brown, Jayna (2009).
790:Devlin, Paul (2008).
459:. Henry Holt and Co.
457:Fever: Twelve Stories
306:, a Danish prison in
241:The Chocolate Dandies
192:
102:Musician, entertainer
1141:The California Eagle
839:. Grove Music Online
814:. Psychology Press.
618:. Psychology Press.
509:Mark Miller (2007).
204:Holiday in Dixieland
651:Guinness Publishing
455:(1989). "Valaida".
1056:The New York Times
1021:The New York Times
684:The New York Times
649:(First ed.).
489:. London: Virago.
453:John Edgar Wideman
365:The New York Times
360:The New York Times
333:Pittsburgh Courier
195:
1103:978-0-8223-9069-5
867:. April 10, 1943.
821:978-0-415-93295-0
625:978-0-415-93853-2
546:978-2-86364-648-9
522:978-1-55128-127-8
496:978-1-84408-172-1
466:978-0-8050-1184-5
424:The Honeydrippers
355:Tammy L. Kernodle
288:Rhapsody in Black
144:Howard University
138:Snow was born in
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1210:Women trumpeters
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1129:. March 3, 1933.
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653:. p. 2317.
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77:(1956-05-30)
75:May 30, 1956
58:June 2, 1904
25:Valaida Snow
18:
1165:1956 deaths
1160:1904 births
918:October 11,
879:Scott Yanow
588:(DRG, 1999)
574:Discography
567:Maël Rannou
420:Count Basie
418:along with
313:Scott Yanow
261:W. C. Handy
232:Will Mastin
212:In Bamville
140:Chattanooga
128:W. C. Handy
61:Chattanooga
1154:Categories
1112:1058525699
599:References
582:(Classics)
432:Joe Turner
392:Copenhagen
308:Copenhagen
269:Blackbirds
265:Lew Leslie
134:Early life
107:Instrument
54:1904-06-02
1065:0362-4331
1030:0362-4331
990:0148-6179
843:March 18,
747:191585520
739:0740-770X
698:March 15,
693:0362-4331
580:1940–1953
369:Town Hall
236:Follow Me
184:saxophone
172:accordion
65:Tennessee
912:AllMusic
881:(2003).
808:(2003).
483:(2004).
273:Calcutta
176:clarinet
164:mandolin
998:2904225
946:May 17,
486:Valaida
277:Jakarta
180:trumpet
110:Trumpet
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349:Legacy
338:bigamy
275:, and
198:Career
182:, and
160:violin
89:Genres
84:, U.S.
67:, U.S.
994:JSTOR
743:S2CID
561:, by
286:show
156:banjo
148:cello
1108:OCLC
1098:ISBN
1072:2020
1061:ISSN
1037:2020
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986:ISSN
948:2018
920:2021
887:ISBN
845:2008
816:ISBN
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700:2020
689:ISSN
655:ISBN
620:ISBN
565:and
541:ISBN
517:ISBN
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461:ISBN
430:and
248:and
168:harp
152:bass
124:jazz
93:Jazz
72:Died
48:Born
978:doi
727:doi
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234:’s
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