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Valentine Penrose

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arranged to create juxtapositions and lack of continuity and become increasingly complex. There are references to Penrose's other, more cohesive, literary work but the novel does not have a singular format. The background for the works is typically of natural scenery or a landscape in which foreign elements are added, sometimes symbolically to create paradoxes. The recurring themes throughout the novel are gender ambiguity, love and prophetic writing. Lesbian love, in particular, is an important theme in much of Penrose's work, but especially in
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within the movement, such as Max Ernst, who was also notable for his use of collage as a medium. Her husband, Roland Penrose, was a primarily visual artist who was a notable figure within the Surrealist movement while associating Valentine Penrose with other Surrealist artists. Much of Valentine Penrose's art was created using traditional art and collage images which were sourced from common publications such as journals, catalogues and books. Her portfolio includes various collages and a collage novel entitled
271:. It is said that her works stem from transgression and the reconstruction of defiance. For a female artist of her time it was unconventional for a woman to illustrate such erotic and violent works. The difference between Ernst and Penrose is that Ernst's work represents an over-dramatic dream sequence with dysfunctional and bizarre relationships whereas Penrose's illustrates the travels of two women and their erotic adventures. 384:. Lesbian love is indeed a crucial theme in the book because it recounts the romantic escape of two women and their dreamlike adventures together. In addition, the author-collagist mentions the city of "Mytilene" to evoke the Sapphic island of Lesbos. This reference to the Mediterranean shows that exoticism is an important theme of the work, but also that Penrose inscribes herself into the Sapphic tradition of 31: 298:(later Alice Rahon). They become very close and their relationship is shown in their poetry from 1936 to about 1945. It is believed that the two had a relationship while in India based on the lesbian attributes present in their work at that time. After their trip in India, they didn't see each other again. 192:. In the same year she joined the workers militia in Spain to defend the revolution. Valentine and Roland had different viewpoints on traditions in India, Eastern thought, and philosophy, which all led to a growing distance between the two. They were divorced in 1937, but met again in London during the 370:
Penrose's collage artwork utilizes formal elements of Surrealism while disapproving of the conceptual aspects of Surrealist art, most often in relation to gender roles. She was most outspoken about the brutality and misogyny sometimes depicted by Surrealists and was highly critical of certain figures
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has been called the "archetypal surrealist book" since it uses compositional elements that are expected of Surrealist art. The format is fragmented and uses bilingual poetry in combination with the visual imagery of the collages to create disorientation and continuous translation. The images are
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Valentine Penrose first encountered surrealism in the late 1920s. Penrose was one of the first of four women to become involved in the surrealist movement. Penrose was involved in the publication of Andre Breton's inaugural issue of
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Penrose was interested in female mysticism, Eastern philosophy, Western mysticism, alchemy and the occult. In 1929, during a trip to Egypt, she met the Spanish archaeologist and professor of philosophy
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Penrose was an independent woman who pushed against the social expectations set on her; as a woman she was expected to be a muse and object for male surrealist artists.
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Beth Fenn Kearney, "'Un dimanche Ă  Mytilène' : topographies de l'exotisme dans Dons des fĂ©minines (1951) de Valentine Penrose", Revue Postures, 2020, URL:
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Humphreys, Karen (December 2006). "Collages Communicants: Visual Representation in the Collage-Albums of Max Ernst and Valentine Penrose".
1329: 1004: 236:; she was one of eight other women who were involved with the journal. Her first publication in the journal was a response to the 1929 1324: 1319: 1304: 949: 843: 674: 535: 474: 281: 1339: 806: 702: 1084: 1344: 232: 759: 276: 294:
in India. She studied Sanskrit while in India. In 1936 she made an extended visit to India with the poet and painter
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Valentine Penrose wrote surrealist poetry, although she is perhaps best known for her biography of the serial killer
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and England. The marriage was never consummated. Valentine and her husband moved to Spain in 1936 during the
196:, after which she lived half her time with her ex-husband and his second wife, the American photojournalist 859:
Humphreys, Karen (2003). "The Poetics of Transgression in Valentine Penrose's "La Comtesse sanglante"".
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Dictionnaire littéraire des femmes de langue française: De Marie de France à Marie NDiaye
385: 333: 584: 416: 389: 317: 260: 181: 170: 113: 59: 448:(Collages and poems by Valentine Penrose. One edition had additional illustrations by 1288: 1106: 923: 832: 798: 649: 449: 1142: 1062: 295: 215: 84: 36: 1154: 907: 302: 211: 197: 154: 146: 80: 1129:
The Other Perspective in Gender and Culture: Rewriting Women and the Symbolic
915: 872: 712: 959: 256: 158: 446:. Éluard, Paul (preface); Penrose, Valentine (illustrator). Les pas Perdus. 1265:"Through an Hour-glass lightly: Valentine Penrose and Alice Rahon Paalen" 1031:"Through an Hour-glass lightly: Valentine Penrose and Alice Rahon Paalen" 356: 332:
were greatly inspired by Alice Rohan. She also knew the surrealist poet
880: 593: 185: 1176:"Pablo Picasso: Valentine Penrose, Dons de Féminines, Les Pas perdus" 291: 268: 184:(1900–1984) and joined the community of surrealists based in Paris, 375:, which incorporated her literary background in its composition. 363:(1951) combines her collages and poetry. One of her collages is 305:, always with the same lovers: Emily and Rubia. This dominates 1005:"Les deux amies / The two girlfriends (Gifts of the Feminine)" 942:
Magnifying mirrors : women, surrealism, & partnership
628:. In Makward Christiane P.; Cottenet-Hage, Madeleine (eds.). 530:. Translated by Edwards, R. Littlehampton Book Services Ltd. 177:, France. The family moved to Paris when she was very young. 180:
In 1925, she married the English artist, historian and poet
1274:. University of Nottingham. pp. 81–112. Archived from 825: 823: 821: 819: 817: 745:
Farewell to the Muse: Love, War and the Women of Surrealism
697:. Caws, Mary Ann. New Haven: Yale University Press. 2004. 760:"Tony Penrose: 'With Picasso, the rule book was torn up'" 286:, knows as Count Galarza de Santa Clara, a master of the 169:
Valentine Boué was born in 1898 to a military family in
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French surrealist poet, author and collagist (1898–1978)
1040:. University of Nottingham. p. 102. Archived from 200:. This arrangement continued for the rest of her life. 693:
The Yale Anthology of Twentieth-Century French Poetry
1083:. Writers History Literature Portal. Archived from 547:
The Bloody Countess: Atrocities of Erzsébet Báthory
251:(1560-1614). Her poetry reflects her experience of 107: 99: 91: 70: 44: 21: 831: 690: 645:"The surreal life – and loves – of Roland Penrose" 549:. Translated by Trocchi, Alexander. Solar Books. 465:— (2001). Colville, Georgiana M. M. (ed.). 153:; 1 January 1898 – 7 August 1978), was a French 1143:http://revuepostures.com/fr/articles/kearney-31 1155:"3388: Penrose, Valentine: Dons des Feminines" 667:Roland Penrose : the life of a surrealist 619: 617: 615: 613: 611: 609: 320:, who wrote prefaces for her first collection 1270:. In King, Russell; McGuirk, Bernard (eds.). 1131:. New York: Irvine Studies in the Humanities. 1036:. In King, Russell; McGuirk, Bernard (eds.). 935: 933: 8: 834:Surrealist Women: An International Anthology 1212:"Essai CinĂ©matographique : La Garoupe" 896:Contemporary French and Francophone Studies 339:She collaborated on a few pieces including 218:, England, in the house of her ex-husband. 1272:Reconceptions Reading Modern French Poetry 1038:Reconceptions Reading Modern French Poetry 255:, collage and painting techniques such as 29: 18: 944:. Lincoln: University of Nebraska Press. 481:(Anthology of works of Valentine Penrose) 632:(in French). Karthala. pp. 463–465. 605: 1003:Roush, Paula; Lusitano, Maria (2013). 998: 996: 718: 574:Penrose acted in the following films: 563:ErzsĂ©bet Báthory la Comtesse sanglante 512:ErzsĂ©bet Báthory la Comtesse sanglante 355:In the 1940s, Penrose made surrealist 1056: 1054: 145: 7: 784: 782: 780: 738: 736: 396:to just a few emblematic figures. 301:From 1937, she started writing on 35:Valentine Penrose photographed by 14: 1315:20th-century French women writers 1310:20th-century French women artists 1263:Colvile, Georgiana M. M. (1996). 1061:Dunwoody, Maitland (2017-05-01). 1029:Colvile, Georgiana M. M. (1996). 758:Kellaway, Kate (22 August 2010). 643:Lambirth, Andrew (25 June 2016). 290:, and made several visits to his 277:Vicente Galarza y PĂ©rez Castañeda 830:Rosemont, Penelope, ed. (1998). 514:. Gallimard / Mercure de France. 129: 125: 799:10.7551/mitpress/6565.003.0068 669:. Edinburgh University Press. 467:Ecrits d'une femme surrĂ©aliste 316:Penrose's work was admired by 1: 838:. University of Texas Press. 791:Surrealist Painters and Poets 520:Works translated into English 225:Literary style and influences 210:She died on 7 August 1978 in 976:Forgotten Women: The Writers 940:Hubert, RenĂ©e Riese (1994). 1127:MacCannell, Juliet (1990). 624:Colvile, Georgiana (1997). 411:Penrose, Valentine (1935). 1361: 1330:People from Mont-de-Marsan 1107:"Roland Penrose Biography" 743:Chadwick, Whitney (2017). 341:London Bulletin, VVV, Dyn, 1325:French surrealist writers 1320:French surrealist artists 1305:20th-century French poets 908:10.1080/17409290601040379 626:"Penrose, Valentine BouĂ©" 242:La RĂ©volution surrĂ©aliste 233:La RĂ©volution surrĂ©aliste 28: 1340:Women surrealist artists 419:(preface). Editions GLM. 979:. Octopus. p. 55. 793:, The MIT Press, 2001, 95:Poet, author, collagist 1345:People from Chiddingly 1281:on September 15, 2012. 1047:on September 15, 2012. 1010:. Fundação EDP, Lisbon 725:: CS1 maint: others ( 469:. Paris: J. Losfeld. 328:(1951). The works in 1081:"Penrose, Valentine" 973:Zing Tsjeng (2018). 789:"Gisèle Prassinos", 665:King, James (2016). 592:(1937), directed by 583:(1930), directed by 528:Poems and Narrations 128: 1925; 460:. Les Mains Libres. 494:Le Nouveau Candide 444:Dons des FĂ©minines 394:Charles Baudelaire 382:Dons des fĂ©minines 377:Dons des FĂ©minines 373:Dons des FĂ©minines 361:Dons des FĂ©minines 330:Dons des fĂ©minines 326:Dons des fĂ©minines 311:Dons des FĂ©minines 157:poet, author, and 986:978-1-78840-115-9 861:The French Review 556:978-0-9714578-2-9 426:Sorts de la lueur 253:automatic writing 249:Elizabeth Báthory 190:Spanish Civil War 142:Valentine Penrose 139: 138: 23:Valentine Penrose 1352: 1335:Surrealist poets 1282: 1280: 1269: 1251: 1250: 1248: 1246: 1235: 1229: 1228: 1226: 1224: 1208: 1202: 1201: 1194: 1188: 1187: 1185: 1183: 1172: 1166: 1165: 1163: 1161: 1151: 1145: 1139: 1133: 1132: 1124: 1118: 1117: 1115: 1113: 1103: 1097: 1096: 1094: 1092: 1077: 1071: 1070: 1058: 1049: 1048: 1046: 1035: 1026: 1020: 1019: 1017: 1015: 1009: 1000: 991: 990: 970: 964: 963: 937: 928: 927: 891: 885: 884: 856: 850: 849: 837: 827: 812: 811: 786: 775: 774: 772: 770: 755: 749: 748: 740: 731: 730: 724: 716: 696: 687: 681: 680: 661: 659: 657: 640: 634: 633: 621: 561:(Translation of 560: 545:— (2006). 541: 526:— (1977). 515: 510:— (1962). 506: 501:— (1945). 497: 492:— (1936). 480: 461: 456:— (1972). 447: 442:— (1951). 438: 433:— (1937). 429: 424:— (1937). 420: 285: 149: 133: 131: 127: 77: 56: 54: 33: 19: 1360: 1359: 1355: 1354: 1353: 1351: 1350: 1349: 1285: 1284: 1278: 1267: 1262: 1260: 1258:Further reading 1255: 1254: 1244: 1242: 1237: 1236: 1232: 1222: 1220: 1217:Centre Pompidou 1210: 1209: 1205: 1196: 1195: 1191: 1181: 1179: 1174: 1173: 1169: 1159: 1157: 1153: 1152: 1148: 1140: 1136: 1126: 1125: 1121: 1111: 1109: 1105: 1104: 1100: 1090: 1088: 1079: 1078: 1074: 1060: 1059: 1052: 1044: 1033: 1028: 1027: 1023: 1013: 1011: 1007: 1002: 1001: 994: 987: 972: 971: 967: 952: 939: 938: 931: 893: 892: 888: 858: 857: 853: 846: 829: 828: 815: 809: 788: 787: 778: 768: 766: 757: 756: 752: 742: 741: 734: 717: 705: 689: 688: 684: 677: 664: 662: 655: 653: 642: 641: 637: 623: 622: 607: 602: 572: 557: 544: 538: 525: 522: 509: 500: 496:. Editions GLM. 491: 488: 477: 464: 455: 441: 437:. Editions GLM. 432: 428:. Editions GLM. 423: 413:Herbe Ă  la lune 410: 407: 402: 353: 322:Herbe Ă  la lune 279: 265:Wolfgang Paalen 238:Inquiry on love 227: 203:She joined the 167: 135: 132: 1937) 123: 119: 116: 79: 75: 58: 52: 50: 49: 40: 24: 17: 12: 11: 5: 1358: 1356: 1348: 1347: 1342: 1337: 1332: 1327: 1322: 1317: 1312: 1307: 1302: 1297: 1287: 1286: 1259: 1256: 1253: 1252: 1230: 1203: 1189: 1167: 1146: 1134: 1119: 1098: 1072: 1067:Masters Theses 1050: 1021: 992: 985: 965: 951:978-0803223707 950: 929: 902:(4): 377–387. 886: 867:(4): 740–751. 851: 845:978-0292770881 844: 813: 807: 776: 750: 732: 703: 682: 676:978-1474414500 675: 635: 604: 603: 601: 598: 597: 596: 587: 571: 568: 567: 566: 555: 542: 537:978-0856352072 536: 521: 518: 517: 516: 507: 503:Martha's OpĂ©ra 498: 487: 484: 483: 482: 476:978-2844120915 475: 462: 453: 439: 430: 421: 406: 403: 401: 398: 390:Natalie Barney 365:The Real Women 352: 349: 307:Martha's OpĂ©ra 226: 223: 182:Roland Penrose 171:Mont-de-Marsan 166: 163: 137: 136: 121: 117: 114:Roland Penrose 112: 111: 109: 105: 104: 101: 97: 96: 93: 89: 88: 78:(aged 80) 72: 68: 67: 60:Mont-de-Marsan 57:1 January 1898 48:Valentine BouĂ© 46: 42: 41: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1357: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1292: 1290: 1283: 1277: 1273: 1266: 1257: 1240: 1234: 1231: 1219: 1218: 1213: 1207: 1204: 1199: 1193: 1190: 1177: 1171: 1168: 1156: 1150: 1147: 1144: 1138: 1135: 1130: 1123: 1120: 1108: 1102: 1099: 1087:on 8 May 2014 1086: 1082: 1076: 1073: 1068: 1064: 1057: 1055: 1051: 1043: 1039: 1032: 1025: 1022: 1006: 999: 997: 993: 988: 982: 978: 977: 969: 966: 961: 957: 953: 947: 943: 936: 934: 930: 925: 921: 917: 913: 909: 905: 901: 897: 890: 887: 882: 878: 874: 870: 866: 862: 855: 852: 847: 841: 836: 835: 826: 824: 822: 820: 818: 814: 810: 808:9780262270076 804: 800: 796: 792: 785: 783: 781: 777: 765: 761: 754: 751: 746: 739: 737: 733: 728: 722: 714: 710: 706: 704:9780300133158 700: 695: 694: 686: 683: 678: 672: 668: 652: 651: 650:The Spectator 646: 639: 636: 631: 627: 620: 618: 616: 614: 612: 610: 606: 599: 595: 591: 588: 586: 582: 581: 577: 576: 575: 569: 564: 558: 552: 548: 543: 539: 533: 529: 524: 523: 519: 513: 508: 504: 499: 495: 490: 489: 485: 478: 472: 468: 463: 459: 454: 451: 450:Pablo Picasso 445: 440: 436: 431: 427: 422: 418: 414: 409: 408: 405:French poetry 404: 399: 397: 395: 391: 387: 383: 378: 374: 368: 366: 362: 358: 350: 348: 346: 342: 337: 335: 331: 327: 323: 319: 314: 312: 308: 304: 299: 297: 293: 289: 283: 278: 272: 270: 266: 262: 258: 254: 250: 245: 243: 239: 235: 234: 224: 222: 219: 217: 213: 208: 206: 201: 199: 195: 191: 187: 183: 178: 176: 172: 164: 162: 160: 156: 152: 148: 143: 115: 110: 106: 102: 98: 94: 90: 86: 82: 74:7 August 1978 73: 69: 65: 61: 47: 43: 38: 32: 27: 20: 1276:the original 1271: 1261: 1243:. 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Fontaine. 345:Free Unions 324:(1935) and 318:Paul Éluard 280: [ 216:East Sussex 205:French Army 100:Nationality 85:East Sussex 37:Eileen Agar 1289:Categories 600:References 590:La Garoupe 580:L'Age d'Or 458:Les Magies 303:lesbianism 212:Chiddingly 198:Lee Miller 155:surrealist 92:Occupation 81:Chiddingly 53:1898-01-01 924:191334868 916:1740-9292 873:0016-111X 721:cite book 713:182530178 257:Max Ernst 207:in 1940. 165:Biography 159:collagist 87:, England 39:(cropped) 960:28182787 367:, 1938. 357:collages 313:(1951). 288:esoteric 261:frottage 244:no. 12. 66:, France 1200:. IMDb. 881:3133083 594:Man Ray 351:Collage 186:Mougins 134:​ 122:​ 118:​ 1241:. 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Index

Valentine Penrose photographed by Eileen Agar (cropped)
Eileen Agar
Mont-de-Marsan
Landes
Chiddingly
East Sussex
Roland Penrose
née
surrealist
collagist
Mont-de-Marsan
Landes
Roland Penrose
Mougins
Spanish Civil War
war
Lee Miller
French Army
Chiddingly
East Sussex
La Révolution surréaliste
Elizabeth Báthory
automatic writing
Max Ernst
frottage
Wolfgang Paalen
fumage
Vicente Galarza y Pérez Castañeda
es
esoteric

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