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84:(1984) bustles with a restless urban energy but, like fast-moving people in a modern city, each element knows precisely where it is heading. It's one of Torke's harshest scores, close in spirit to the aggressive European minimalism of Louis Andriessen"
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80:"In nearly all of Torke's music there's an implicit tension between a kind of free-form spontaneity and the tight structural control that he likes to impose on his material. An early work, the jazz-inspired
152:, where Torke was studying at the time, dismissed the material as "dangerously close to the corruption that's happening to all American music." The piece represents the freer approach of
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While the piece has received critical acclaim, Torke's ideas for the piece were opposed by the musical establishment at the time he composed it. The guest composer at the
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notes (bars 3 to 22). Later sections continue with dynamically contrasting material. The piece ends with the synthesizers rising in crescendo to a final blast at
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111:. While the keyboards produce the chord all at once, the other instruments have it as a center for their
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has been described as instantiating a "metallic sound world", similar in character to the work of the
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was composed in 1984 while Torke was still a student. Published in 1986, the piece is scored for a
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See liner notes for Argo
Records ARGO 430 209–2, and liner notes for Ecstatic Records ER092299.
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145:(bars 353 & 354). The piece has been described as "a romp for student chamber orchestra".
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is Torke's first example of this approach, and the composer has consistently used it since.
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Vanada; by Torke, Michael (composer); Boosey and Hawkes (publisher); published 1986; 89pp
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Wierzbicki, James, "Torke: Adjustable Wrench; Rust; Slate; Vanada; the Yellow Pages" in
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time which is normal for
Babbitt's system. Torke was also influenced by pop musician
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of twelve musicians using a mix of acoustic and electric instruments.
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Alexander Street Press – Music Online: Classical Scores
Library –
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266:. This recording was re-released by Ecstatic Records in 2004.
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Minor, the piece is based around an eight-note chord with a
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Torke, "Composer's Note" and "Instrumentation", p. i.
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19:For the community in the United States, see
467:Ecstatic Collection: Music by Michael Torke
175:'s time-point system in his composition of
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451:Fiatow, Sheryl "A New Collaboration" in
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94:While written in the key of B Major/G
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133:section punctuated with contrasting
16:Musical composition by Micheal Torke
476:, 5th Edition (Rough Guides, 2010).
31:is an early musical composition by
474:The Rough Guide to Classical Music
469:ER092299 (Ecstatic Records, 2004).
250:A performance of the piece by the
59:This chord serves as the basis of
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156:as compared to the austerity of
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740:Compositions by Michael Torke
304:, played by a single musician
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750:20th-century classical music
479:Torke, Michael (composer),
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656:L'incoronazione di Poppea
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125:, only to restart with a
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171:Torke was influenced by
121:begins with two bars in
324:polyphonic synthesizers
150:Eastman School of Music
243:, minimalist composer
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487:/Hendon Music, 1986).
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551:List of compositions
472:Staines, Joe (ed.),
338:Auxiliary percussion
197:, rather than using
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143:fortississississimo
378:Wierzbicki, p. 91.
252:London Sinfonietta
89:– Staines, p. 588.
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745:1984 compositions
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582:Adjustable Wrench
485:Boosey and Hawkes
264:Argo Records (UK)
233:self-titled album
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494:(4) (Jul 1991).
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302:Glockenspiel
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577:(1984–1988)
574:Color Music
399:Oteri, p. 3
326:, one with
256:Kent Nagano
51:Information
734:Categories
298:Vibraphone
162:minimalism
127:pianissimo
123:fortissimo
328:glissando
293:Xylophone
158:serialism
113:phrasings
105:bass note
63:harmony.
685:Category
453:Playbill
288:Trombone
231:'s 1983
97:♯
61:Vanada's
698:Portals
648:Related
590:Javelin
465:of the
308:Marimba
282:Trumpet
229:Madonna
109:natural
102:non-key
39:piece,
37:chamber
636:(1991)
628:(1989)
620:(1988)
612:(1987)
593:(1994)
585:(1987)
569:(1984)
566:Vanada
481:Vanada
260:London
237:Vanada
177:Vanada
166:Vanada
119:Vanada
82:Vanada
41:Vanada
28:Vanada
724:Music
558:Works
348:Notes
313:Piano
241:Dutch
139:fffff
135:forte
131:piano
107:of D
625:Echo
463:Five
322:Two
300:and
284:in C
278:in F
276:Horn
160:and
129:and
69:Play
35:. A
633:Ash
340:or
212:or
141:or
736::
404:^
392:^
247:.
220:16
164:.
115:.
700::
534:e
527:t
520:v
483:(
205:8
187:4
23:.
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