44:
1980:
218:
his edition, Wöss has, in accordance with the choral reforms under Pius X, used the old text of the
Vexilla Regis and took into account the accompaniment of the penultimate and last strophes. He used the appropriate prosody and included the concluding Amen, which Bruckner had not set to music. From then on, the work was considered to be only tri-strophic.
302:, often to rather distant keys and the integration of diverse musical styles: Bruckner biographer Howie remarks that "the remarkable mixture of the old and the new in this strophic piece could perhaps be interpreted as an attempt to sum up life's work". Its "bleaker and uncompromising" close is suited to the Good Friday story.
252:
On the left side of the manuscript, Bruckner notated the work a first time, underscoring the text of strophes 1-3, and wrote down the text of strophes 4-5 without music. On the right side, Bruckner wrote out the score again, underscored by the text of strophes 6-7. Bruckner set the liturgical version
217:
For his 1939 edition of
Bruckner's motets published by Peters, Ludwig Berberich was inspired by the edition that Wöss had published in 1914 with Universal Edition. Wöss had been inspired by the first edition, which contained only the first verse of the motet, and had not consulted the manuscripts. In
310:
Most performances and recordings of the motet contain only three strophes with
Venantius Fortunatus’ ancient text, according to Berberich's edition. Only a few recordings reproduce the score that Bruckner had actually set to music.
202:. In his letter of 7 March 1892 to Bernhard Deubler, Bruckner wrote that he had composed this work "according to a pure impulse of the heart". The work was first performed on
539:
Felix
Diergarten - Bruckner’s Vexilla regis – Aufklärung eines Missverständnisses, p. 101–108 in: Kirchenmusikalisches Jahrbuch 106. Jahrgang 2022, Brill Schöning, Paderborn
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638:, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Hans Bauernfeind and Leopold Nowak (Editors), Vienna, 1984/2001
644:, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Andrea Harrandt et Otto Schneider (†) (Editors), Vienna, 2003
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229:) the motet was re-issued with the seven strophes of Bruckner's original manuscript, with a final four-bar
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of his composition, which was customary at the time. The Nowak edition reflects this correctly.
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Bruckner composed it on 9 February 1892. The work, the manuscrit of which is archived at the
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Ferdinand Habel with the Choir of the St. Stephans-Dom, Vienna (78 rpm: Christschall 130A)
212:
Album der Wiener
Meister. A Reminder of the International Exhibition of Music and Theatre
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52:
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Howie, A. Crawford (2004). "Bruckner and the motet". In
Williamson, John (ed.).
203:
419:
Only a few recent recordings are using the score of the current edition of the
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394:
911:
431:
206:, 15 April 1892, and was published in the same year by Josef Weinberger,
611:
1032:
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Anton
Bruckner – Sämtliche Werke, Band XXIV: Briefe, Band II, 1887-1896
598:
Carver, Antony F. (February 2005). "Bruckner and the
Phrygian Mode".
467:
O crux - Chormusik zur
Passions- und Osterzeit aus fĂĽnf Jahrhunderten
207:
138:
115:
636:
Anton
Bruckner – Sämtliche Werke, Band XXI: Kleine Kirchenmusikwerke
1102:
94:
770:
353:, la Chapelle Royale/Collegium Vocale, Ensemble Musique Oblique,
1506:
150:
774:
455:
Philipp von Steinäcker, Vocalensemble Musica Saeculorum,
221:
In the Nowak-Bauernfeind new edition (Band XXI/29 of the
744:
Cantores Carmeli, Linz on Good Friday (22 April 2011):
151:
1914:
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59:
23:
762:Munich Cathedral on Good Friday (29 March 2024):
459:- CD: Fra Bernardo FB 1501271, 2015 – with final
333:, Bavarian Radio Symphony Orchestra & Choir,
298:the motet is characterized by Bruckner's typical
1937:Versions and editions of Bruckner's symphonies
764:Celebration of the Passion and Death of Christ
786:
452:– CD: ASC Edition 3, issue of the choir, 2008
8:
535:
533:
531:
397:, Tschechischer Philharmonischer Chor Brno,
357:– CD: Harmonia Mundi France HMC 901322, 1989
271:
223:
549:Complete Edition – Small Church Music Works
413:Anton Bruckner & Michael Haydn - Motets
335:Bruckner: Symphony No. 7, Psalm 150, Motets
326:A selection among the about 40 recordings:
1426:
955:
793:
779:
771:
651:, uitg. Thoth, Bussum, Netherlands, 2012.
649:Anton Bruckner 1824–1896 – Leven en werken
577:. Cambridge University Press. p. 62.
487:
485:
483:
20:
753:Student Choir of Utrecht (24 June 2017):
715:International Music Score Library Project
720:Free scores for Vexilla regis (Bruckner)
465:Michael Grohotolsky, Wiener Kammerchor,
479:
241:Bruckner put the seven strophes of the
735:Critical discography by Hans Roelofs
391:– CD: Malmö Kammarkör MKKCD 051, 2004
16:1892 motet composed by Anton Bruckner
7:
1167:Dir, Herr, dir will ich mich ergeben
415:– SACD: Pentatone PTC 5186 868, 2021
355:Bruckner: Messe en mi mineur; Motets
1538:Wie bist du, FrĂĽhling, gut und treu
691:Anton Bruckner. Das geistliche Werk
571:The Cambridge companion to Bruckner
469:– CD : Helbling LC-29714, 2015
1962:Anton-Bruckner-Gymnasium Straubing
314:The first recording of Bruckner's
189:Ă–sterreichische Nationalbibliothek
14:
1947:Anton Bruckner Private University
630:Anton Bruckner als Kirchenmusiker
457:Bruckner: Pange lingua - Motetten
174:written by the Austrian composer
1979:
1978:
1667:Des Dankes Wort sei mir vergönnt
1603:Das Lied vom deutschen Vaterland
494:Anton Bruckner – Leven en Werken
42:
1461:Heil Vater! Dir zum hohen Feste
1922:International Bruckner Society
741:Live performances on YouTube:
1:
1659:Laßt Jubeltöne laut erklingen
575:Cambridge Companions to Music
363:, Netherlands Chamber Choir,
347:– CD: Hyperion CDA66062, 1982
192:, is based on the Latin hymn
991:Messe fĂĽr den GrĂĽndonnerstag
724:Choral Public Domain Library
666:Anton Bruckner. Ein Handbuch
632:, G. Bosse, Regensburg, 1927
1208:In jener letzten der Nächte
492:van Zwol, Cornelis (2012).
450:Anton Bruckner: Tantum ergo
389:Bruckner: Ausgewählte Werke
245:in a motet for mixed choir
2025:
1562:Mein Herz und deine Stimme
496:. Thot. pp. 709–710.
401:– CD: MDG 322 1422–2, 2006
381:– CD: Simax PSC 9037, 1996
367:– CD: Globe GLO 5160, 1995
269:WAB 52, Bruckner used the
1975:
808:
436:Anton Bruckner: Ave Maria
41:
30:
2004:Motets by Anton Bruckner
409:MDR Rundfunkchor Leipzig
1952:Bruckner Orchestra Linz
1337:Salvum fac populum tuum
939:Symphonisches Präludium
525:Briefe, Band II, p. 170
428:Hans-Christoph Rademann
337:– LP: DG 139137/8, 1966
105:15 April 1892
1927:Bruckner Gesamtausgabe
1747:Vaterländisch Weinlied
1691:Du bist wie eine Blume
920:Four Orchestral Pieces
869:; 1874/1878–1880/1888)
446:Arnold Schoenberg Chor
399:Anton Bruckner: Motets
272:
224:
1967:Anton Bruckner Museum
1905:Intermezzo in D minor
1345:Veni Creator Spiritus
1281:Iam lucis orto sidere
1175:O Du liebes Jesu-Kind
1022:Mass No. 3 in F minor
1016:Mass No. 2 in E minor
1010:Mass No. 1 in D minor
932:March in E-flat major
711:Vexilla regis, WAB 51
1787:Zur Vermählungsfeier
1670:(at the latest 1855)
1353:Ecce sacerdos magnus
811:List of compositions
438:– Carus 83.151, 2000
306:Selected discography
200:Venantius Fortunatus
166:(The royal banner),
1835:Der deutsche Gesang
1588:Weltliche Chorwerke
1369:Ave Regina caelorum
1329:Christus factus est
1297:Christus factus est
926:Overture in G minor
845:Symphony in D minor
833:Symphony in F minor
693:, Salzbourg, 2023.
647:Cornelis van Zwol,
387:, Malmö Kammarkör,
351:Philippe Herreweghe
343:, Corydon Singers,
259:Christus factus est
1932:Kitzler Study Book
1827:Träumen und Wachen
998:Requiem in D minor
689:Felix Diergarten,
679:, Salzburg, 1996.
559:M. Auer, pp. 82-83
318:occurred in 1931:
294:Although it is in
287:(bars 41–44), and
2009:1892 compositions
1991:
1990:
1853:
1852:
1479:Sankt Jodok sproĂź
1413:
1412:
1073:Preiset den Herrn
1071:Festive Cantata:
983:Kronstorfer Messe
902:
873:No. 5 in Bâ™ major
863:No. 4 in Eâ™ major
758:– Bruckner | USKO
746:Anton Bruckner –
733:phrygisch, WAB 51
699:978-3-99014-248-6
657:978-90-6868-590-9
612:10.1093/ml/gci004
600:Music and Letters
584:978-0-521-00878-5
516:U. Harten, p. 466
503:978-90-686-8590-9
385:Dan-Olof Stenlund
371:Magnar Mangersnes
170:51, is the final
159:
158:
2016:
1982:
1981:
1915:Related articles
1885:Rondo in C minor
1651:Vor Arneths Grab
1459:Arneth Cantata:
1427:
1024:(1868/1883/1893)
975:Windhaager Messe
956:
900:
897:No. 9 in D minor
891:No. 8 in C minor
885:No. 7 in E major
879:No. 6 in A major
859:(1873/1877/1889)
857:No. 3 in D minor
851:No. 2 in C minor
839:No. 1 in C minor
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1093:
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1069:
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1060:
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1042:
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1038:
1036:
1034:
1030:
1023:
1020:
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988:
985:
984:
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977:
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966:
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961:
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952:
948:
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936:
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782:
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756:Vexilla regis
752:
750:
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748:Vexilla regis
743:
742:
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734:
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731:Vexilla regis
728:
725:
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685:3-7017-1030-9
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421:Gesamtausgabe
414:
410:
406:
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396:
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390:
386:
383:
380:
376:
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369:
366:
362:
361:Uwe Gronostay
359:
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349:
346:
342:
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336:
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329:
328:
327:
321:
320:
319:
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316:Vexilla regis
312:
305:
303:
301:
297:
296:Phrygian mode
292:
290:
286:
282:
279:on the words
278:
276:
275:
274:Dresdner Amen
268:
267:
262:
260:
254:
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248:
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236:
234:
232:
228:
226:
225:Gesamtausgabe
219:
215:
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209:
205:
201:
197:
196:
195:Vexilla Regis
191:
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163:Vexilla regis
154:
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126:
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117:
103:
99:
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85:Vexilla regis
83:
79:
75:
72:
68:
65:
64:Phrygian mode
62:
58:
54:
50:
45:
40:
37:
33:
29:
26:
25:Vexilla regis
22:
19:
1977:
1957:Brucknerhaus
1891:
1842:
1834:
1826:
1818:
1810:
1802:
1794:
1786:
1778:
1770:
1762:
1754:
1746:
1738:
1730:
1723:Trauungschor
1722:
1714:
1706:
1698:
1690:
1682:
1674:
1666:
1657:
1650:
1642:
1634:
1626:
1618:
1610:
1602:
1595:An dem Feste
1594:
1581:Choral works
1569:
1561:
1553:
1546:Herbstkummer
1545:
1537:
1529:
1521:
1494:
1485:
1478:
1477:Festgesang:
1469:
1460:
1451:
1443:
1402:
1376:
1375:
1368:
1360:
1352:
1344:
1336:
1328:
1320:
1312:
1304:
1296:
1288:
1280:
1273:Inveni David
1272:
1265:Pange lingua
1264:
1255:
1248:
1240:
1232:
1224:
1216:
1206:
1199:
1191:
1181:
1173:
1165:
1158:
1150:
1142:
1133:
1125:
1118:Pange lingua
1117:
1072:
989:
981:
973:
951:Sacred works
938:
901:(unfinished)
866:
755:
747:
730:
726:(ChoralWiki)
690:
665:
648:
641:
635:
629:
606:(1): 74–99.
603:
599:
593:
570:
564:
555:
544:
521:
512:
493:
466:
460:
456:
449:
442:Erwin Ortner
435:
420:
418:
412:
398:
388:
378:
364:
354:
344:
341:Matthew Best
334:
331:Eugen Jochum
325:
315:
313:
309:
293:
288:
284:
283:(bars 5–8),
280:
270:
265:
258:
255:
251:
246:
240:
230:
222:
220:
216:
211:
193:
187:
185:
162:
161:
160:
24:
18:
1892:Abendklänge
1875:(1862–1879)
1869:(1850–1868)
1867:Piano works
1779:Abendzauber
1774:(1876–1879)
1755:Mitternacht
1590:(1843–1893)
1517:(1850–1882)
1487:Germanenzug
1439:(1845–1893)
1397:(1835–1890)
1395:Organ works
1388:Other works
1361:Virga Jesse
1284:(1868/1886)
1233:Tantum ergo
1217:Totenlieder
1203:(1846/1888)
1200:Tantum ergo
1195:(1846/1888)
1192:Tantum ergo
1186:(1845–1846)
1178:(1845–1846)
1162:(1845–1846)
1159:Tantum ergo
1151:Tantum ergo
1146:(1844–1845)
1143:Asperges me
1137:(1843–1844)
1134:Asperges me
1088:(1881–1884)
1043:(1852–1892)
1018:(1866/1882)
994:(1844–1845)
970:(1842–1868)
928:(1862–1863)
893:(1887/1890)
853:(1872/1877)
841:(1866/1891)
829:(1863–1896)
737:(in German)
673: [
300:modulations
266:Virga Jesse
204:Good Friday
49:Crucifixion
1998:Categories
1795:Sängerbund
1707:Herbstlied
1643:Die Geburt
1289:Locus iste
1053:Magnificat
912:orchestral
827:Symphonies
819:Symphonies
662:Uwe Harten
628:Max Auer,
474:References
395:Petr Fiala
247:a cappella
109:1892-04-15
1843:Tafellied
1803:Volkslied
1638:(c. 1851)
1630:(c. 1848)
1622:(c. 1847)
1614:(c. 1846)
1611:Ständchen
1606:(c. 1845)
1570:Volkslied
1557:(c. 1865)
1525:(c. 1850)
1495:Helgoland
1455:(c. 1851)
1372:(c. 1886)
1348:(c. 1884)
1321:Ave Maria
1249:Ave Maria
1241:Ave Maria
1236:(c. 1854)
1225:Libera me
1211:(c. 1848)
1170:(c. 1845)
1129:(c. 1843)
1126:Libera me
1092:Psalm 150
1080:Psalm 112
1067:(c. 1856)
1065:Psalm 146
1061:(c. 1852)
1047:Psalm 114
434:Hamburg,
124:Published
101:Performed
70:Catalogue
53:Velázquez
1984:Category
1683:Am Grabe
1554:Im April
1452:Entsagen
1437:Cantatas
1430:Cantatas
1313:Os justi
1059:Psalm 22
1033:Cantatas
867:Romantic
432:NDR Chor
289:Trinitas
281:prodeunt
91:Language
1859:Chamber
1763:Nachruf
1419:Secular
1403:Aequali
1086:Te Deum
899:(1896)
722:in the
623:Sources
210:In the
182:History
130: (
107: (
1907:(1879)
1901:(1879)
1895:(1866)
1887:(1862)
1881:(1862)
1846:(1893)
1838:(1892)
1830:(1890)
1822:(1886)
1814:(1886)
1806:(1882)
1798:(1882)
1790:(1878)
1782:(1878)
1766:(1877)
1758:(1869)
1750:(1866)
1742:(1866)
1734:(1866)
1726:(1865)
1718:(1864)
1710:(1864)
1702:(1862)
1694:(1861)
1686:(1861)
1678:(1857)
1662:(1854)
1654:(1854)
1646:(1852)
1598:(1843)
1573:(1882)
1565:(1868)
1549:(1864)
1541:(1856)
1533:(1851)
1515:Lieder
1507:Lieder
1498:(1893)
1490:(1865)
1482:(1855)
1473:(1855)
1464:(1852)
1447:(1845)
1406:(1847)
1380:(1892)
1364:(1885)
1356:(1885)
1340:(1884)
1332:(1884)
1324:(1882)
1316:(1879)
1308:(1878)
1300:(1873)
1292:(1869)
1276:(1868)
1268:(1868)
1260:(1861)
1252:(1861)
1244:(1856)
1228:(1854)
1220:(1852)
1154:(1845)
1111:Motets
1103:Motets
1094:(1892)
1082:(1863)
1076:(1862)
1055:(1852)
1049:(1852)
1012:(1864)
1006:(1854)
1000:(1849)
986:(1843)
978:(1842)
968:Masses
960:Masses
942:(1876)
934:(1865)
922:(1862)
910:Other
887:(1883)
881:(1881)
875:(1876)
847:(1869)
835:(1863)
697:
683:
655:
581:
500:
261:WAB 11
208:Vienna
139:Vienna
116:Vienna
1422:vocal
1190:Four
677:]
285:unica
237:Music
172:motet
155:choir
147:Vocal
95:Latin
32:Motet
1401:Two
1215:Two
1141:Two
695:ISBN
681:ISBN
653:ISBN
579:ISBN
498:ISBN
461:Amen
263:and
243:text
231:Amen
152:SATB
132:1892
128:1892
81:Text
608:doi
198:by
168:WAB
74:WAB
60:Key
51:by
34:by
2000::
675:de
668:.
664:,
604:86
602:.
573:.
530:^
482:^
448:,
444:,
430:,
423::
411:,
407:,
377:,
373:,
249:.
233:.
214:.
178:.
136::
113::
76:51
865:(
794:e
787:t
780:v
614:.
610::
587:.
506:.
134:)
111:)
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