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Vexta

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110:, Vexta is now considered to be one of Australia's most popular and renowned Australian artists working within both urban environments and gallery spaces. Much of her work surrounds the concepts of death, rebirth and the duality of the sexes (an area which she has much to comment on as one of the few famous female street artists in operation), can be seen on walls and galleries all over Australia, America, London, mainland Europe, Mexico and South America, and most recently the Contemporary Art Biennale of India. Vexta has been called "one of Australia's few female stencil artists to have achieved wide recognition" by Lois Stavsky, author of the seminal 246: 1285: 260: 274: 232: 166:
Vexta has an interest in creating geometric triangle shapes which she has likened to sub-atomic particles that makes up all matter. She likes to leave a small amount of blank space in her street art so the viewer can apply their own viewpoint to the work of art. She creates works of art through a
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and was prominently featured in the gallery's first-ever street and stencil art exhibition, "Space Invaders", which toured Australian art institutions for two years. She has also completed large-scale commissioned pieces on walls around the world internationally, been included in dozens of group
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She participated in "The "F" Word: Feminism in Art" show which took place at the Untitled Space in New York City between 21 October 2015 and 28 October 2015. The event was created to celebrate the GirlPower issue of Untitled magazine and is part of a "Women in Art" series taking place at the
130:, and Ha-Ha, she began cutting and spraying her own stencils. Her colourful, neon-drenched images of fallen figures with feathered wings and her iconic kissing skeletons took over Melbourne's streets and cemented her place within the burgeoning scene, of which she is now a main figure. 154:"As an artist you take whatever it is you have around you to construct this thing that's important but perhaps can't be expressed in language. My paintings examine these intangible aspects of our lives such as dreams and transient states; the world around us and our place in it." 117:
When Vexta moved from her home town of Sydney to Melbourne in the mid-2000s, she was exposed to much of the thriving underbelly of the local stencil culture, which had been gaining notoriety for close to a decade. Studying and working alongside infamous stencil artists such as
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Also internationally, Vexta was one of twelve Australian artists to be chosen to exhibit as part of Young & Free, the largest-ever Australian street art exhibition outside of Australia. This took place in September 2011 at White Walls Gallery in
1358: 1353: 786: 162:"I want to find and capture what it is that makes us human, the soul of the individual that is at once personal but at the same time deeply universal." 1328: 1318: 188:, the world's most infamous street artist, to participate in the "Cans Festival", an all-stencil underground event that also featured the likes of 1323: 349: 777: 731: 1338: 1160: 847: 321: 1368: 1106: 287: 754: 302: 612: 167:
psychedelic lens often juxtaposing humans and animals exploring themes of life/death, physics, cosmology and the feminine culture.
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Beginning her career as an artist predominately working on the streets of Melbourne and
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Vexta was one of the few street artists around the world to be personally invited by
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Her main aim in her work is to connect with the public on an emotional level:
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Vexta: the story behind one of the world's biggest names in street art
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The May's Retrospective – May Lane Street Art 2005–2006
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Vexta's motivation for stencil art is both artistic and
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Uncommissioned Art: An A to Z of Australian Graffiti
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She has been documented as saying: 7: 743:Stencil Graffiti Capital – Melbourne 741:Smallman, Jake; Nyman, Carl (2005). 1107:Hong Kong (Free Ai Weiwei campaign) 812:Melbourne: Stencil Graffiti Capital 439:Stencil Graffiti Capital: Melbourne 133:Her work has been purchased by the 787:Stencil Revolution Member Gallery. 613:"Cans Festival location announced" 465:"Stencil art world draws the line" 288:List of 20th-century women artists 14: 764:Dean, Bec; Shimada, Hana (2006). 303:List of Australian street artists 1284: 1283: 272: 258: 244: 230: 1329:21st-century Australian artists 1319:20th-century Australian artists 1324:20th-century Australian people 1: 720:Uncommissoned Art – Melbourne 436:Smallman & Nyman (2005). 298:List of people from Melbourne 135:National Gallery of Australia 1217:Sarajevo Street Art Festival 1339:Australian graffiti artists 1385: 1369:Australian women muralists 1176:Palestine (West Bank Wall) 1101:São Paulo (Beco do Batman) 724:Melbourne University Press 665:"Young & Free opening" 322:"Our colourful underbelly" 293:List of Australian artists 1281: 355:The Sydney Morning Herald 1222:Sarasota Chalk Festival 1212:Pasadena Chalk Festival 718:Dew, Christine (2007). 1349:Women graffiti artists 1334:Artists from Melbourne 808:, her official website 252:New South Wales portal 164: 156: 1161:Sydney (Newtown area) 1093:Southeastern Brazil ( 521:"Knock Knock Issue 2" 160: 152: 1364:Australian muralists 1290:Category: Street art 1087:Berlin (Berlin Wall) 747:Mark Batty Publisher 444:Mark Batty Publisher 1344:Artists from Sydney 1314:20th-century births 500:The Miegunyah Press 671:. 9 September 2013 645:. 8 September 2011 617:Wooster Collective 358:. 6 September 2007 280:Visual arts portal 1296: 1295: 1238:Built environment 1197:The Cans Festival 779:978-0-646-46429-9 770:Graphic Art Mount 745:. 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