245:"His new dish is cooked with condiments, with so much flavor, appetite, and relish that he has surpassed everybody with such choice tidbits and a license so great that I am afraid the others will suffer apoplexy in ther true principles, because most painters follow him as if they were famished. They do not stop to reflect of the fire of his talent which is so forceful, nor whether they are able to digest such an impetuous, unheard of, and incompatible technique, nor whether they possess Caravaggio's nimbleness of painting without preparation. Did anyone ever paint, and with so much success, as this monster of genius and talent, almost without rules, without theory, without learning and meditation, solely by the power of this genius and the model in front of him which he simply copied so admirably.? I heard a zealot of our profession say that the appearance of this man mean a foreboding of ruin and end of painting, and how at the close of this visible world the Antichrist, pretending to be the real Christ with false and strange miracles and monstrous deeds would carry with him to damnation a very large number of people moved by his works which seemed so admirable (although they were in themselves deceptive, false, and without truth or permanence).
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with his showy and external copying of nature his admirable technique and liveliness has been able to persuade such a large number of all kinds of people that his is good painting and that his theory and practice are right, that they have turned their backs on the true manner of perpetuating
216:. He thought that decorating one's residence with paintings, books, and perhaps even sculptures, helps the pursuit of critical thinking. By the 18th century artists commonly practiced the advice given in the 1633 treatise.
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The 1633 treatise is written in classical tradition as a dialogue between a master and an apprentice. Following the strict piety of the
Spanish realm, the text urges:
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to decorate their monastery with 54 canvases of historical figures in the great cloister. 27 represent the life of St. Bruno, and 27 are of martyrs.
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cities. For many years he labored in Madrid as a teacher of his art, and among his pupils were
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One or more of the preceding sentences incorporates text from a publication now in the
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and his best pictures are those he executed for him as decorations, now preserved in the
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Dialogues on painting: its defense, origin, essence, definition, styles, and differences
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101:; 1576 or 1578–1638) was an Italian painter who spent his career in Spain.
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Translation for Holt, E.G. by Martin S. Soria, Michigan State
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Carducho also assailed the verism of practiced by some such as
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Jerónimo
Antonio Gil and the Idea of the Spanish Enlightenment
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in Madrid in 1606 and helped decorate the recently rebuilt
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Web oficial of the
Monasterio de Santa María de El Paular
420:"Búsqueda por autor Catálogo digital de pinturas RABASF"
156:He worked a great deal for the subsequent monarch,
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60:The refurbished interior of the cloister of the
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278:owns two paintings of the series made for the
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202:De las Excelencias de la Pintura
41:Self portrait (circa 1633–1638).
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422:. academiacolecciones.com
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30:Not to be confused with
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458:Categories
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405:2020-03-23
286:References
237:Caravaggio
138:Philip III
126:Valladolid
121:as a boy.
233:Velázquez
178:Juan Rizi
130:Escorial
111:Florence
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162:Prado
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