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85:, noted for his idealized paintings of indigenous (Yumbo people) and Latin American-born people in their native outfits. These paintings display a variety of social classes and information on the clothing of the time. Exploring Latin American identity, his work was commissioned by
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Yumbo Indian from the vicinity of Quito with their feather costumes and fangs of hunting animal that they wear when they are in gala (1783)
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635:"Obras de Vicente Albán se despiden con una vista especializada en el Museo Nacional (MuNa) – Ministerio de Cultura y Patrimonio"
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La Península Ibérica, el Caribe y América Latina : Diálogos a través del
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599:"Strange Fruit: Vicente Albán's Quito Series And Local Ways Of Seeing In The Era Of Colonial Enlightenment"
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Vicente Albán, integrante de la escuela de Quito, gran representante de la ilustración del siglo XVIII
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2018 - National Museum of
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Yndio yumbo de Maynas with his load with flora and fruits of the country by
Vicente Albán
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Yapanga of Quito in a suit that uses this kind of women who try to please (1783) -
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Franadillas tree, Loquat tree, Large
Coconut Palm, Coquitos de Chile tree.
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Machetonas and Berugillas tree, Guabas tree, Fagsos Fruit, Guayabas tree
491:"Latin American art - Latin American art on the eve of independence"
685:"Los cuadros del artista Vicente Albán son huéspedes de la capital"
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Portrait of the Bishop of Quito Manuel Blas Nephew by Vicente Albán
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Portrait of a principal lady with her black slave by Vicente Albán
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mundo, El Telégrafo-Noticias del Ecuador y del (2018-05-10).
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Capulic tree, Custard apple trees, Caymitos, Strawberries
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Portrait of Bisiop of Quito Manuel Blas Nephew (1783)
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