499:, applauded the novel for its "Tolstoy-televisual detail that gives the novel a naturalistic edge and grounds in the plausible the spectacular excess. But the strongest moments hinge on Jeppesenās talent for dialogue. In lengthy passages of it, he brings humane insight into bit characters, dispatching the reader into the nebulous consequences of contemporary anomie. If there is a moral vision that elevates Jeppesenās farce, itās in these conversations where characters grapple with the meaning of their pain and perseverance before an inevitable crash and burn into catty obscenity. Their inabilities to imagine a path out of their respective quagmires lead to schizo neologisms ā algorithmic colonialism and necro-phallic accelerationism among them ā that propel the plot through dizzying descriptions of Shinjuku sex clubs, harsh noise-rap, and opioid-fueled assault-gun pump frenzy."
458:, where he completed his PhD in 2016. His PhD thesis, āāTowards a 21st Century Expressionist Art Criticismāā, took an activist approach to its subject, arguing for a return to art criticismās roots as an essentially creative, literary discipline. A revised version of the thesis was later published in the form of a collection of essays and āficto-criticism,ā
338:, was published in 2008; subsequently, Jeppesen launched disorientations.com, a "one-man art magazine." As of 2020, Disorientations also includes links to Jeppesen's published art reviews and essays online, as well as miscellaneous poetry, fiction, and essays he has written, much of it previously only available in print form.
361:, Jeppesen re-created sixteen sculptures, from throughout the history of art, in the medium of language. The texts' style range from monologues, dialogues, rants, songs, poems, and epiphanies, among other, more hybrid or inventive forms, all of them evasive of the tropes of traditional art criticism.
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is unable to effectively communicate. The second story centers on the nocturnal wanderings of a former porn star, who may or may not be a serial killer, in an unnamed
Eastern European city. With its morbid themes and depictions of violence, the novel alienated many readers. Others, such as the writer
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in
Ljubljana, and appeared in 2007. The book consists of two separate plot lines that never intersect. One concerns an aging artist suffering from a terminal illness who has removed himself to a small cabin to live out his final days, his sole contact being with a deaf-mute gravedigger with whom he
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Shortly thereafter, Jeppesen began exhibiting his calligraphic work on paper widely in exhibitions throughout Europe and Asia. While this work is presented in traditional art world contexts (galleries and museums), Jeppesen insists that these works are instances of writing "in the expanded field."
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was published. The culmination of eleven or twelve years of work, the novel, at 836 pages, is
Jeppesen's longest book. The novel is a parable of twenty-first century colonialism, and features such inventions as a talking dog, dodgy real estate developers, fugitive rap stars, an infinite release
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manifested in the form of a published book, but also an audio installation, in which visitors to the gallery sat in chairs and put on black glasses that blocked out their vision and listened to audio recordingsāor "evocations"āof the texts on headphones. Early on in the project, Jeppesen also
345:, a new form of writing he invented in response to his feelings of frustration over traditional art criticism. Over the next few years, Jeppesen worked on the development of object-oriented writing as a hybrid creative-critical practice. In its proposition of a metaphysics of art writing,
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in 2016, becoming the first
American in history to ever study at a North Korean university. Between 2012 and 2017, Jeppesen made five visits to North Korea, and was one of the last Americans to visit before the United States instituted a travel ban to the country. Jeppesen wrote a
385:, which consisted of two novellas: "Written in the Sky," an invocation of a plane crashing in slow motion (that Jeppesen allegedly wrote on a red-eye flight from Beijing to Vienna in the fall of 2012); and "White Night," described as a "thoughtscape" of the philosopher
466:. In 2022, Jeppesen announced his resignation from his academic post, following the harsh measures of the COVID-19 lockdown in Shanghai. Jeppesen returned to his long-term home in Berlin in 2023, where his newest play,
214:. It was described by one critic as "synesthetic, kinetic poems hypersaturated with mass culture images, delivered in a tone that manages to sound simultaneously surreal and conversational." A second collection,
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187:, which he researched extensively while working on the book. With its use of multiple narrators, dark absurdist comedy, and what Michael Miller, writing for the
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357:. It locates itself within the work of art, rather than outside, and attempts to infest the inanimate art object with human agency via the act of writing. In
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He has taught as a visiting tutor in the art department at
Goldsmiths University and as a visiting lecturer in Critical Writing in Art and Design at the
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in the moments preceding his suicide on
November 4, 1995. The book was officially published on November 4, 2014, to commemorate Deleuze's death.
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In addition to his object-oriented writing and calligraphic works, Jeppesen continued to write fiction. 2014 saw the publication of
334:. He is the recipient of a 2013 Arts Writers Grant from Creative Capital/the Warhol Foundation. A collection of his art criticism,
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275:. Subsequent to its publication, he performed āmarathon readingsā of the entire novel, lasting eight hours without pause, at the
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191:, deemed its "schizophrenic logic" and "gleefully unique syntax," critics compared the novel's style to authors as diverse as
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255:, is considered by many to be his wildest book, with "writing that can go almost anywhere at any time," in the words of
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intended a limited edition vinyl release consisting of sixteen records, but to date this has not happened. In 2014,
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is an
American novelist, playwright, poet, artist, and art critic. He is known, among other works, for his novels
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In
October 2011, Jeppesen announced that he would be shifting the focus of the website to explore his notion of
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was featured in the
Whitney Biennial and in a solo exhibition at Wilkinson Gallery in London. Excerpts from
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1256:"Travis Jeppesen Explores Object-oriented Writing Installations And Performances In New London Exhibition"
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in 2012. His fascination with the country led him to enroll in a Korean language program at
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1359:""See You Again in Pyongyang: A Journey Into Kim Jong Un's North Korea" by Travis Jeppesen"
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164:, where he studied literature and philosophy. Upon graduation, he moved to Europe in 2001.
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in 2003; a
Russian translation of the novel was published in 2005 by Eksmo. Written in a
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opioid manufactured by North Korea, and a lawyer loosely based on Roy Cohn.
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Jeppesen's critical writings on art, film, and literature have appeared in
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420:, which was published in 2018. He has also written about North Korea for
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259:, though it can also be considered as a 21st-century continuation of the
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1562:"Settlers Landing: Laura Albert in Conversation with Travis Jeppesen"
237:(Twisted Spoon Press), was completed during a residency at the
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vein, the novel is inspired in part by the UFO religious cult
1333:"What North Korea looks like with capitalism "creeping in""
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An itinerant traveler, Jeppesen made his first visit to
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Disorientations: Art on the Margins of the Contemporary
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could be thought of as a parallel creative practice to
1612:"Travis Jeppesen in Conversation with Slava Mogutin"
1307:"Facing the Past: An Interview with Travis Jeppesen"
1027:"Travis Jeppesen: Marathon reading of The Suiciders"
871:"POEMS I WROTE WHILE WATCHING TV BY TRAVIS JEPPESEN"
175:to debut his Little House on the Bowery series for
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473:In 2024, Jeppesen was named Senior Web Editor of
218:, appeared in November 2009. That year, his play
769:(Whitney Museum of American Art, New York, 2014)
949:"Jeppesen explores language in style and story"
1410:"WHERE IS THE AUDIENCE FOR ART CRITICISM NOW?"
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1437:"Travis Jeppesen's Accelerating Perversion"
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1714:21st-century American non-fiction writers
693:was named Nonfiction Book of the Year by
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637:With art by Winston Chimielinski (2017)
1408:Rubinstein, Raphael (1 October 2019).
140:. He also wrote the 2014 feature film
1357:Ford, Alessandro (12 February 2019).
1052:"Travis Jeppesen Reads The Suiciders"
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1435:Kryger, Mathias (6 September 2019).
1154:"Towards an Object-Oriented Writing"
1002:"'The Suiciders' by Travis Jeppesen"
1000:Bontano, Hedley (29 October 2013).
635:an anthology of new horror fiction.
1709:21st-century American male writers
973:Butler, Blake (12 December 2013).
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1719:American male non-fiction writers
1305:Moore, Thomas (27 January 2015).
869:Jones, Jason B. (November 2006).
744:(Wilkinson Gallery, London, 2014)
144:, directed by Christophe Chemin.
947:Cluiss, Signe (28 August 2007).
819:"Twisted Spoon: Travis Jeppesen"
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843:Miller, Michael (3 June 2003).
596:Poems I Wrote While Watching TV
212:Poems I Wrote While Watching TV
1512:"Ghosts of the Landwehr Canal"
1281:"New Writing: Travis Jeppesen"
1234:Whitney Museum of American Art
1102:"Contributor: Travis Jeppesen"
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975:"All the Books I Read in 2013"
742:Travis Jeppesen: 16 Sculptures
495:Miles Pflanz, writing for the
281:Whitney Museum of American Art
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497:Whitney Review of New Writing
210:with a collection of poetry,
1331:Ryssdal, Kai (1 June 2018).
736:Travis Jeppesen: New Writing
468:Ghosts of the Landwehr Canal
464:Shanghai Jiaotong University
239:Slovene Writers' Association
152:Travis Jeppesen was born in
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1659:Travis Jeppesen on Substack
1179:"Grantees: Travis Jeppesen"
896:""Good Grief, It's Daddy!""
757:(Cubitt, London, 2014-2015)
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563:(2014, Publication Studio;
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662:See You Again in Pyongyang
418:See You Again in Pyongyang
416:based on his experiences,
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763:(Toves, Copenhagen, 2014)
233:Jeppesen's second novel,
160:. He attended college at
158:Charlotte, North Carolina
1566:A Shaded View on Fashion
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398:Kim Hyong Jik University
351:object-oriented ontology
266:Gargantua and Pantagruel
249:Jeppesen's third novel,
167:Jeppesen's first novel,
154:Fort Lauderdale, Florida
44:Fort Lauderdale, Florida
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1654:disorientations website
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701:Object-oriented writing
650:(2008, Social Disease;
429:The Wall Street Journal
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1487:"Letter from Shanghai"
561:All Fall: Two Novellas
533:(2007, Twisted Spoon;
1689:The New School alumni
1363:Asian Review of Books
1337:National Public Radio
738:(Exile, Berlin, 2016)
730:Travis Jeppesen: Word
610:Dicklung & Others
549:(2013, Semiotext(e);
216:Dicklung & Others
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612:(2009, BLATT Books;
598:(2006, BLATT Books;
456:Royal College of Art
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845:"Compound Interest"
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487:In 2023, his novel
355:speculative realism
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1637:"3:AM Awards 2008"
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923:"Wolf at the Door"
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