304:: "For the thousands of viewers seeing this for the first time, they won't think Ife, they won't think Nigeria. Their young ones will grow up to know this work as Damien Hirst's. As time passes it will pass for a Damien Hirst regardless of his small print caption. The narrative will shift and the young Ife or Nigerian contemporary artist will someday be told by a long nose critic 'Your work reminds me of Damien Hirst's Golden Head'. We need more biographers for our forgotten."
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with homemade clay and charcoal pigments, to watching other villagers mark-making on ancient shrine walls and altars. This has been an enduring feature of his work, which is abstract, symbolic and politically motivated; and influenced by the duality of
African traditional religion and the interception of Western beliefs, memories and nostalgia.
151:
His work is strongly influenced by work done by villagers especially his grandmother. He credits this traditional upbringing as the foundational tenet of his inspiration; from grandmothers weaving cloth with locally dyed thread in her min-loom to observing his mother's meticulous painting/decorating
107:
visual artist, writer, and photographer known for his expansive works that engage with multinational cultural heritage and postcolonial socioeconomics of contemporary black lives. In 2017, he was selected (along with two other artists) to represent
Nigeria at the
163:, he showed an installation titled "The Wealth of Nations". Ehikhamenor was invited to Art Dubai in March 2018. In July 2018, he was also one of the Nigerian artists selected to meet and exhibit work for visiting French President
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Ehikhamenor has held numerous solo art exhibitions across the world. In 2016, he was one of 11 Nigerian artists invited to join 23 Indonesian artists in the grand exhibition at the
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293:, featured a variety of sculptures meant to be viewed as debris rescued from a shipwreck. However, one of the displayed artefacts was a copy of "Ori Olokun", a famous
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136:, known for its historical bronze-casting tradition. He was educated in Nigeria and in the United States. He returned from the United States in 2008 to work in
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in Lagos draped with wall murals, stained glasses, and beautiful lighting, making for a stunning visual and immersive experience." The space, also used for
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He has published numerous fiction and critical essays with academic journals, mainstream magazines and newspapers from around the world including
221:(2012), a satirical creative non-fiction view of life as an African both at home and abroad, is a recommended text in two Nigerian universities.
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175:. His work has also been shown in solo and group exhibitions at museums and galleries across the world, including Tyburn Gallery (London),
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area of Lagos state and contains a ‘multidisciplinary room,' used for "workshop, training, book reading, experimental or conceptual art
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He was once described as "undeniably one of Africa's most innovative contemporary artists" and one of "42 African
Innovators to Watch".
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His grandmother was a cloth weaver, his uncle a photographer, his maternal grandfather a blacksmith, and his mother a local artist.
112:, the first time Nigeria would be represented in the event. His work has been described as representing "a symbol of resistance" to
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179:(Lagos, Nigeria), Jennings Gallery (Washington, DC), the 5th Meditationa Biennale (Poznan, Poland), the 12th Dak'art Biennale (
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1102:"125 Years After the Benin Bronzes Were Looted, Artist Victor Ehikhamenor Has Installed a Symbol of Resistance at St. Paul's"
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1076:"Meet Peju Alatise, Qudus Onikeku & Victor Ehikhamenor – Artists at Nigeria's Debut at the 57th Venice Biennale"
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Ehikhamenor's art and photographs have been used for editorials as well as cover art on books by authors such as
1753:"Victor Ehikhamenor on the first Nigerian Pavilion at Venice Biennale and Damien Hirst's cultural appropriation"
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standing beside a monument to
Admiral Rawson, who led the Punitive Expedition to the Kingdom of Benin in 1897.
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1702:"ArtDependence | Victor Ehikhamenor's Installation Work 'Still Standing' at St Paul's Cathedral in London"
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250:. His short story "The Supreme Command" won the Association of Commonwealth Broadcasters Award in 2003.
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1309:"Nigerians Express Outrage as British Artist, Damien Hirst, Copies Ife Sculpture Without Giving Credit"
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1598:"Nigerian Gallery Retro Africa Stages Seasonal Exhibition at Lehmann Maupin – News – Lehmann Maupin"
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1387:"Victor Ehikhamenor's Latest Work Explores Controversy Through the Lens of Bini Spirituality"
1727:"Biennial of Contemporary African Art, Dak'Art 2018, underway in Senegal – The Nerve Africa"
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210:. They have also been illustrated on fabric and exhibited at international fashion parades.
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1361:"5 Reasons It's Important That Victor Ehikhamenor is Calling Out Damien Hirst's Plagiarism"
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1224:"ART X Lagos exhibits contemporary Nigerian art for President Macron – Vanguard News"
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1166:"The ‘Natural' Artist: Amatoritsero Ede in conversation with Victor Ehikhamenor"
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His words brought the issue to the forefront on local and international media.
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1676:"Victor Ehikhamenor's new work 'Still Standing' on show at London cathedral"
1624:"'This has never been so much fun!': Royal Academy Summer Exhibition review"
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335:, among other usages." The project was featured on the 10th episode of the
1336:"Damien Hirst Accused Of Appropriating Nigerian Art, Whitewashing History"
1134:"Victor Ehikhamenor: The Innovative Maverick of Contemporary African Art"
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402:, Anthology of Caine Prize winners and shortlisted writers, published by
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1522:"Victor Ehikhamenor at 1:54 Contemporary African Art Fair London 2016"
1573:"The Work of Time: Victor Ehikhamenor's In the Kingdom of This World"
802:, The Brazilian-American Cultural Institute Gallery, Washington, D.C.
385:, Journal of the English Department, Rhodes University, South Africa
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Markets of
Memories; Between the Postcolonial and the Transnational
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837:, Howard University A J Blackburn Center Gallery, Washington, D.C.
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bronze art from the 14th century now described as "Golden heads".
180:
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Reshaping
Cultural Policies: Advancing Creativity for Development
1649:"The Nigerian artwork challenging British history in St Paul's"
1027:, Nigerian Pavilion, 57th Venice Biennale, Venice, Italy with
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from the article and its talk page, especially if potentially
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Africa in
Fragments: Essays on Nigeria, Africa and Africanity
281:, Ehikhamenor first called attention to what he describes as
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2016: Nirox
Foundation Residency, Johannesburg, South Africa
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1780:"First ever Nigerian Pavilion opens at the Venice Biennale"
1250:"The Art of Victor Ehikhamenor, Discovered Through Fashion"
1178:"Victor Ehikhamenor: Shaped by memory and tribal tradition"
816:, Monroe Gallery, Arts Club of Washington, Washington, D.C.
87:
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2020: National Artist in
Residence, Neon Museum, Las Vegas
265:"Still Standing", a monument by Ehikhamenor, displayed at
1413:"Angels and Muse | Artsy Co-working Space Opens in Lagos"
1198:"Three Nigerian artists, 47 countries for Art Dubai 2018"
1191:
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2015: Biennale Jogja XIII, Equator No. 3 2015, Indonesia
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Nigerian artist Victor Ehikhamenor's canvas sculptures
1439:"Ehikhamenor opens artist residency, Angels and Muse"
1484:"Announcing Bellagio Center Residency Award Winners"
1050:, Stellenbosch Triennale, Stellenbosch, South Africa
1571:Iduma – BOMB Magazine, Emmanuel (23 January 2018).
654:
2016: Rockefeller Foundation Bellagio Fellow, Italy
82:
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989:, Museum of Science and Industry, Chicago, IL, USA
898:Entrances & Exits: In search of not forgetting
651:2016: Greatmore Residency, Cape Town, South Africa
171:took place at the Afrika Shrine, the nightclub of
1854:"Victor Ehikhamenor: Confronting an Empty Canvas"
921:, Ake Arts and Books Festival, Abeokuta, Nigeria.
539:New Generation African Poets: A chapbook box set
527:2015: Literature and Arts in the African Dispora
300:Of the appropriation, Ehikhamenor had posted on
187:), Biennale Jogja XIII (Yogyakarta, Indonesia).
965:2021: The Royal Academy Summer Show curated by
289:. The exhibition of the British artist, titled
919:In The Lion's Lair: Photographing Wole Soyinka
1020:2016: Dakart Biennale, curated by Simon Njami
515:– (Movie Edition) by Chimamanda Ngozi Adichie
8:
291:Treasures From the Wreck of the Unbelievable
1885:University of Maryland, College Park alumni
1805:"ReSignifications: The Black Mediterranean"
1460:"Amazing Interiors | Netflix Official Site"
996:, Center of Contemporary Art, Torun, Poland
955:2021: "Facebook HQ Open Art", in Dubai, UAE
438:, Anthology of three stories and a play by
1129:
1127:
1125:
1123:
975:, at St. Paul's Cathedral, London, England
709:about living persons that is unsourced or
467:Christopher Okigbo: Thirsting for Sunlight
427:, Anthology of short stories published by
277:On 8 May 2017, while participating in the
217:, was published in 2002. His second book,
31:
20:
1057:, Museum Am Rothenbaum, Hamburg, Germany.
1039:ReSignifications: The Black Mediterranean
780:Learn how and when to remove this message
938:2016: 1:54 Contemporary African Art Fair
884:Roforofo Fight: Painting to Fela's Music
260:
1067:
879:, Terra Kulture Gallery, Lagos, Nigeria
865:, Victoria Crown Plaza, Lagos, Nigeria.
124:Ehikhamenor was born in Udomi-Uwessan,
285:'s cultural appropriation of Nigerian
1622:Jones, Jonathan (16 September 2021).
657:2018: Civitella Ranieri Fellow, Italy
315:In February 2018, Ehikhamenor opened
7:
844:, Utopia Art/Grill, Washington, D.C.
830:, BB&T Bank, NW Washington, D.C.
821:Songs and Stories: Moonlight Delight
809:, Utopia Art/Grill, Washington, D.C.
872:, Jennings Gallery, Washington, D.C
851:, Grenada Embassy, Washington, D.C.
78:Visual artist, writer, photographer
1196:Sowole, Tajudeen (11 March 2018).
823:, Utopia Gallery, Washington, D.C.
14:
1674:Oduah, Henry (17 February 2022).
1048:Tomorrow there will be more of us
962:, Lehman Maupin Gallery, New York
935:, Constant Capital Gallery, Lagos
926:Chronicles of the Enchanted World
269:in February 2022. It depicts the
1292:"42 African Innovators to Watch"
1150:"Musing with Victor Ehikhamenor"
928:, Gallery of African Art, London
676:
1842:"The Art of Victor Ehikhamenor"
1334:Frank, Priscilla (9 May 2017).
886:, Bloom Gallery, Lagos, Nigeria
645:2015: Casa Zia Lina, Elba Italy
532:Caine Prize for African Writing
474:Shahid Reads His Own Palm Poems
429:New Internationalist Publishers
167:. The exhibition, organised by
1856:. Interview with Sola Osofisan
1547:"In the Kingdom of this World"
858:, Didi Museum, Lagos, Nigeria.
400:Jambula Tree and Other Stories
319:, described as "a multi-modal
257:Comments on Damien Hirst piece
1:
1778:Idowu, Torera (12 May 2017).
1486:, Africa Center. 11 May 2016.
213:His debut poetry collection,
1025:A Biography of the Forgotten
943:In the Kingdom of this World
687:biography of a living person
571:(English and French Version)
447:Songs of Absence and Despair
714:must be removed immediately
553:The Sound of Things to Come
530:2015: Story Collection for
524:by Chimamanda Ngozi Adichie
436:Of Friends, Money and Greed
1901:
893:, Whitespace, Ikoyi, Lagos
1844:. Essay by Emmanuel Iduma
933:Paperwork: Works on paper
660:2018: Art Dubai Residency
459:, collection of poems by
449:, collection of poems by
415:Dreams, Miracles and Jazz
30:
945:, Tyburn Gallery, London
476:by Reginald Dwayne Betts
367:Chimamanda Ngozi Adichie
120:Early life and education
67:Ambrose Ali University,
960:Do This in Memory of Us
1875:Nigerian photographers
907:, Bloom Gallery, Lagos
701:Please help by adding
640:Awards and residencies
404:Cassava Republic Press
274:
132:, part of the ancient
69:University of Maryland
16:Nigerian visual artist
1706:www.artdependence.com
1602:www.lehmannmaupin.com
1551:www.tyburngallery.com
1168:MTLS. September 2014.
952:, Rele Gallery, Lagos
900:, CCA, Lagos, Nigeria
856:Labyrinth of Memories
564:Under the Udala Trees
264:
161:Jogja National Museum
1268:"Victor Ehikhamenor"
1005:56th Venice Biennale
914:, Temple Muse, Lagos
814:Discovering the gods
729:"Victor Ehikhamenor"
707:Contentious material
512:Half of a Yellow Sun
457:Salutes without Guns
417:by Helon Habila and
327:, is located in the
267:St. Paul's Cathedral
1501:www.akefestival.org
1256:. 25 February 2015.
877:Mirrors and Mirages
870:Invasion of Privacy
835:Divine Intervention
800:Spirits in Dialogue
356:by Jonathan Luckett
1850:Feature on the BBC
1655:. 20 February 2022
1419:. 20 February 2018
1108:. 17 February 2022
950:Daydream Esoterica
807:Beyond The Surface
685:This section of a
541:(TATU); edited by
440:Hodders Publishers
347:Book cover designs
325:artist residencies
275:
227:The New York Times
192:Chimamanda Adichie
101:Victor Ehikhamenor
25:Victor Ehikhamenor
1393:. 6 February 2018
1254:Black Fabulousity
980:Group exhibitions
905:Crossing the Line
891:Artist Experience
863:Rocks & Roses
790:
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690:needs additional
635:by Buchi Emecheta
626:by Buchi Emecheta
617:by Buchi Emecheta
608:by Buchi Emecheta
599:by Buchi Emecheta
584:The Rape of Shavi
569:Chinelo Okparanta
488:A Splash of Glory
469:, by Obi Nwakanma
383:English in Africa
341:Amazing Interiors
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1183:. March 27, 2015
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912:Amusing The Muse
849:Beyond The River
793:Solo exhibitions
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703:reliable sources
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623:Head above Water
483:, by Malik Nwosu
321:co-working space
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1082:. 27 March 2017
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1015:A Place in Time
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499:by Helon Habila
490:by Angela Nwosu
390:Measuring Times
362:Purple Hibiscus
349:
317:Angels and Muse
313:
311:Angels and Muse
279:Venice Biennale
259:
233:Washington Post
165:Emmanuel Macron
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147:Art and writing
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110:Venice Biennale
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44:Udomi-Uwessan,
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1497:"THE FESTIVAL"
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215:Sordid Rituals
204:Chude Jideonwo
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1367:. 29 May 2017
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770:August 2021
668:Exhibitions
605:Double Yoke
578:2018 UNESCO
547:Chris Abani
543:Kwame Dawes
377:Unoma Azuah
333:exhibitions
169:ART X Lagos
114:colonialism
54:Nationality
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1080:BellaNaija
1062:References
740:newspapers
521:Americanah
461:Ikeogu Oke
287:Yoruba art
219:Excuse Me!
90:.victorehi
1204:. Nigeria
692:citations
425:One World
410:, Nigeria
302:Instagram
173:Femi Kuti
159:. At the
126:Edo State
64:Education
48:, Nigeria
46:Edo State
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329:Ikoyi
181:Dakar
138:Lagos
103:is a
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