407:
378:
393:
20:
363:
52:. His father was passionate about art and was himself a painter. Sent to Paris with a pension for some years, Victor was recalled due to the poor state of his father's finances and his studies were cut short. He followed courses at the École de dessin in Lille and worked under the direction of his father and his father's painter friends such as
83:
in 1830 came as a catastrophe to them. Victor was again recalled to Lille by his father and married shortly afterwards. From there he made many trips, of which the longest and most notable was that to Italy and he came to consider its old masters as the absolute masters of painting. In Rome he met
96:) date to this era. Also on this trip to Italy he became hugely interested in fresco art—Mottez painted his wife Julie in this medium and, showing Ingres the end result, pulled it off the wall at Ingres' request (it was later given to the
406:
127:. However, the clergy's hostility to them, the materials used, the saltpeter walls and their situation all meant that they were already deteriorated by the end of the 19th century and are now largely lost (except for
158:
salons. He was an excellent portraitist throughout his career and it was that which mainly occupied him in the last years of his career. He returned to France in 1853 and worked with
Delacroix at the
470:
61:
377:
528:
518:
116:
508:
194:
and through her mother related to a
Belgian family of artists - she is known via Mottez's portraits in oil and the Italian fresco in Lille
93:
150:
Mottez set out for the United
Kingdom, where he produced several portraits of British nobles and personalities and the exiled minister
120:
209:
478:
175:
107:, especially turning more and more towards the neglected genre of frescoes, notably religious ones. He also translated the
513:
162:, at the start of the 1860s, where their highly opposed styles clearly showed the struggle between the neo-classical and
65:
503:
258:
208:(1866–1942), who became director of the fleet's military personnel, commander of the Mediterranean schools and sous-
362:
245:
147:
523:
273:
252:
159:
450:
191:
53:
498:
493:
392:
217:
124:
57:
205:
151:
198:
139:
329:
76:
69:
24:
112:
80:
142:, alongside the main writers and artists of the time (a sketch of his for a portrait of
197:
Georgiana Page, whom Mottez married in the United
Kingdom, and with whom he had a son (
115:
and learned from his techniques. His most remarkable works are those for churches (at
487:
328:
For stained-glass windows, in collaboration with the Lille-born master glass-stainer
299:
167:
155:
19:
146:
survives). He produced two frescoes for this salon, destroyed in 1854. After the
303:
163:
143:
104:
279:
Portrait of Henry Mottez as a child, 1865 Salon, musée
Vivenel de Compiègne
263:
for his former brother-in-law Mr Page's salon in his country house (c 1865)
204:
Madeleine Joséphine
Bonnasier, with whom he had another son, contre-amiral
103:
Returning to France in 1838, he set up shop in Paris and exhibited at the
84:
Ingres again - Ingres liked him very much and often gave him advice. His
276:, the decor of Amaury-Duval's château, the château de Linières (c 1880).
132:
266:
Decor for the salon of Urbain le
Thierry, at Lille (destroyed in war).
235:
97:
37:
174:) as "unforgettable". He designed the stained glass windows at the
49:
75:
The Mottez family was highly religious and devoted to the
318:, Victor's sisters (c. 1833-1834) (private collection)
201:, who also worked as a painter but died without issue)
60:. He returned to Paris from 1828 to 1829 to enter the
88:(now in the Ă©glise Sainte-Catherine de Lille) and
170:considered these frescoes at St-Sulpice (another
138:During the same years he frequented the Bertins'
241:Frescoes of saint Germain l'Auxerrois" (1839–47)
123:in the 1850s), which were admired by Ingres and
36:(13 February 1809 – 7 June 1897) was a French
8:
131:at St-Germain l'Auxerrois), though Mottez's
64:and at first studied under the direction of
190:Julie Odevaere, a relation of the painter
479:Site on Mottez by one of his descendants
316:Maria, known as Lilie, and Louise Mottez
18:
442:
358:
111:by the 14th century Florentine painter
216:Victor Mottez died on 7 June 1897 in
234:Fresco portrait of Julie, now in the
210:chef d'État-Major général of the Navy
129:Saint Martin cutting his cloak in two
7:
244:Chapel of saint François de Salles,
40:painter, painter and portraitist.
14:
529:19th-century French male artists
451:"Geneanet, Jean Victor, Pierfit"
405:
391:
376:
361:
117:Église Saint-Germain-l'Auxerrois
212:, and who had many descendants
154:, which were exhibited at the
90:The Martyrdom of Saint Stephen
1:
176:Ă©glise Saint-Maurice de Lille
94:église Saint-Étienne de Lille
509:19th-century French painters
384:The Resurrection of the Dead
342:The Resurrection of the Dead
68:, then as a free student of
519:École des Beaux-Arts alumni
306:(1853) (private collection)
100:by Mottez's two children).
545:
16:French painter (1809–1897)
369:Portrait of Madame Mottez
296:François Guizot in London
290:Portrait of Madame Mottez
119:in the 1840s, and at the
251:Chapel of saint Martin,
186:He married three times:
238:(painted in Rome, 1837)
471:Works by Victor Mottez
413:Ulysses and the sirens
354:Ulysses and the sirens
66:François-Édouard Picot
30:
192:Joseph Denis Odevaere
22:
514:French male painters
253:Ă©glise Saint-Sulpice
246:Ă©glise Saint-SĂ©verin
160:Église Saint-Sulpice
62:École des Beaux-Arts
269:Decor for M. Bayard
260:Hunting and Fishing
58:Jacques-Louis David
34:Victor-Louis Mottez
27:choosing his models
504:Artists from Lille
312:(1843), 1845 salon
182:Marriage and issue
135:for them survive.
86:Christ in the Tomb
31:
310:Mme Armand Bertin
199:Henri-Paul Mottez
536:
477:
469:
455:
454:
447:
427:
409:
395:
380:
365:
330:Charles Gaudelet
77:House of Bourbon
70:Dominique Ingres
544:
543:
539:
538:
537:
535:
534:
533:
524:Fresco painters
484:
483:
475:
467:
464:
459:
458:
449:
448:
444:
439:
425:
422:
415:
410:
401:
396:
387:
381:
372:
366:
338:
336:Other paintings
325:
286:
231:
226:
184:
152:François Guizot
148:1848 Revolution
113:Cennino Cennini
81:July Revolution
54:Édouard Liénard
48:He was born in
46:
17:
12:
11:
5:
542:
540:
532:
531:
526:
521:
516:
511:
506:
501:
496:
486:
485:
482:
481:
473:
463:
462:External links
460:
457:
456:
441:
440:
438:
435:
434:
433:
421:
418:
417:
416:
411:
404:
402:
397:
390:
388:
382:
375:
373:
367:
360:
357:
356:
351:
345:
337:
334:
333:
332:
324:
321:
320:
319:
313:
307:
302:salon (1849),
293:
285:
282:
281:
280:
277:
270:
267:
264:
256:
249:
242:
239:
230:
227:
225:
222:
214:
213:
202:
195:
183:
180:
45:
42:
15:
13:
10:
9:
6:
4:
3:
2:
541:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
495:
492:
491:
489:
480:
474:
472:
466:
465:
461:
452:
446:
443:
436:
432:, Lille, 1934
431:
430:Victor Mottez
424:
423:
419:
414:
408:
403:
400:
394:
389:
385:
379:
374:
370:
364:
359:
355:
352:
349:
346:
343:
340:
339:
335:
331:
327:
326:
322:
317:
314:
311:
308:
305:
301:
300:Royal Academy
297:
294:
291:
288:
287:
283:
278:
275:
271:
268:
265:
262:
261:
257:
254:
250:
247:
243:
240:
237:
233:
232:
228:
223:
221:
219:
211:
207:
203:
200:
196:
193:
189:
188:
187:
181:
179:
177:
173:
169:
168:Maurice Denis
165:
161:
157:
156:Royal Academy
153:
149:
145:
141:
136:
134:
130:
126:
122:
121:Saint-SĂ©verin
118:
114:
110:
106:
101:
99:
95:
91:
87:
82:
79:, and so the
78:
73:
71:
67:
63:
59:
56:, student of
55:
51:
43:
41:
39:
35:
28:
26:
21:
445:
429:
428:René Giard,
420:Bibliography
412:
398:
383:
368:
353:
347:
341:
315:
309:
295:
289:
274:Amaury Duval
259:
215:
185:
172:Saint Martin
171:
137:
128:
108:
105:Paris Salons
102:
92:(now in the
89:
85:
74:
47:
33:
32:
23:
499:1897 deaths
494:1809 births
476:(in French)
468:(in French)
426:(in French)
304:Paris Salon
255:(1859–1863)
248:(1853–1857)
206:Jean Mottez
144:Victor Hugo
488:Categories
437:References
284:Portraits
166:visions.
125:Delacroix
323:Cartoons
298:(1849),
229:Frescoes
164:romantic
133:cartoons
109:Treatise
218:Bièvres
386:(1870)
371:(1837)
344:(1870)
292:(1837)
236:Louvre
98:Louvre
38:fresco
29:(1858)
25:Zeuxis
399:Medea
348:Medea
272:With
224:Works
140:salon
50:Lille
44:Life
490::
220:.
178:.
72:.
453:.
350:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
