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shows, in slow, plodding motion, an Orange walk (as the parades are properly known to those who take part in them). The marchers appeared to disappear into a mirror, and the sound was distorted so that drumbeats sounded out suddenly like shots, and voices were slowed down to groans. In the end, the
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For the artist these photographs functioned as a type of preliminary 'sketchbook', shaping the distinctive style and thematics he would later become known for. Viewed together as an exhibition they represent Sloan's significant contribution to the tradition of
Northern Irish documentary practice.
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In preparation for this exhibition, Sloan rekindled his friendship with Ka Fue Lay, who was a teenager when he settled in
Craigavon in 1979 and now lives in Salisbury, England. Sloan made a video in which Ka Fue Lay discusses his life in Vietnam, displays family photographs and fondly recalls his
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time in
Craigavon. The exhibition also includes Sloan's black and white photographs of Craigavon from the late 1970s and early 1980s, contemporary images that he created by scratching, painting and bleaching photographic prints, and recent work including large colour photographs of Moyraverty.
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from 1985. It is a silver gelatin print. In it we see dead centre, splitting the image, a uniformed police officer with a peaked cap. He is in profile, staring tight-lipped at the parade, feet apart in a rooted stance, symbol of law-and-order but also unusually for the North, of impartiality,
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gallery, Belfast, 2017, revealed an excerpt from an extensive but little-seen body of archival photographs that Sloan made in the 1970s and 80s in
Northern Ireland. The images document the activities and characters that populated Sloan's daily life; the urban development of his hometown of
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describes it when first exhibited in the Old Museum Arts Centre, Belfast: "...a noisy trundling projector surrounded by four large prints at which one strains to peer through the blacked-out gloom. Staring back in time and this dingy light are the eyes of
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Employing primarily the medium of photography, he manipulates his negatives and reworks his prints with paints, inks, toners and dyes. In addition to photography, he also uses video, and printmaking techniques.
232:, curated by Dr Riann Coulter, Curator of the F.E. McWilliam Gallery & Studio and Feargal O'Malley, Curator at the University of Ulster, explored a related though distinct area, tracing the story of the
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397:(28 minutes, 2004.), has been shown in Berlin and Augsburg, Germany; Belfast, Portadown and Dublin, Ireland; Pretoria, South Africa; Bialystok, Poland; Madrid, Spain; Paris, France, and Damascus, Syria.
363:,(1930s), which destroys itself and catches fire. This was shown in the Gastag in Munich and in Toskanische Saulenhalle, Augsburg, Germany, 2004 as part of his installation Stadium. Gavin Weston in
1830:
390:, the Führer's gravest embarrassment, but flickering through this laden environment, archive footage of white children allowing a black child to draw the short straw, serves as an indicator".
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Brian McAvera (1986), Directions Out - An investigation into a selection of artists whose work has been formed by the post 1969 situation in
Northern Ireland. Dublin: Douglas Hyde Gallery.
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target with its concentric circles of black, white, black and white again for the heart of the target. The paradox is that the police officer who has often been seen, in the eyes of
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Muschter, Gabriele and Warnke, Uwe (2019), Victor Sloan in "Of People and Walls: 30 Years After the Fall of the Berlin Wall", Lukas Verlag für Kunst und
Geistesgeschichte,
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32:
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Gallagher, William (2006). Sloan, Victor in The
National Self-Portrait Collection of Ireland – volume 2, 1989–1999. Limerick, Ireland: University of Limerick Press.
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1484:, Context Gallery, Derry; Old Museum Arts Centre, Belfast; galerie + edition caoc/Walden Kunstausstellungen, Berlin and Gasteig München, Munich, Germany, 1998–99
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Gabriele
Muschter and Uwe Warnke, (2019), "Of People and Walls: 30 Years After the Fall of the Berlin Wall", Lukas Verlag für Kunst und Geistesgeschichte,
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319:-like drum-stick, indicates not only the wardrum call, but also the potential of the drum-stick as a weapon. On another level the drum is like a
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Long, Declan, (2017), Sloan, Victor in "Ghost-haunted land: Contemporary art and post-Troubles
Northern Ireland", Oxford University Press,
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Crangle, Jack, (2023), Sloan, Victor in "Migrants, Immigration and
Diversity in Twentieth-century Northern Ireland", Palgrave Macmillan,
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1332:, Touring exhibition curated by Colin Osman, Creative Camera, London. Peacock Gallery, Craigavon, Arts Council Gallery, Belfast, 1984-85
2004:
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Directions Out – An investigation into a selection of artists whose work has been formed by the post 1969 situation in Northern Ireland
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Graham, Colin (2013), Sloan, Victor in Northern Ireland: 30 years of Photography, Belfast Exposed/The MAC, Belfast, Northern Ireland,
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1380:– A Sense of Ireland, curated by Declan McGonagle and James Coleman, Riverside Studios, London and Arnolfini Gallery, Bristol, 1988
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Sloan's works are a response to political, social and religious concerns. He is perhaps best known for his works investigating the
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Murray, Ann, (2018), Sloan, Victor in "Constructing the Memory of War in Visual Culture since 1914: The Eye on War", Routledge,
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On one level this drum functions as a musical instrument, the rhythmic 'keeper of the beat'. But the unhinged arm, wielder of a
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Legg, George, (2018), Sloan, Victor in "Northern Ireland and the Politics of boredom", Manchester University Press, England,
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1804:, curated by Clare Gormley and Anna Liesching, Ulster Museum, Belfast, Northern Ireland, (Belfast Photo Festival), 2022.
1738:, F E McWilliams Gallery and Studio, curated by Dr Riann Coulter and Feargal O'Malley, Banbridge, Northern Ireland, 2014
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1466:, Gallery of Photography, Dublin, Centre Nationale de la Photographie, Paris, France and touring Europe, 1995–98
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Joseph McBrinn, "Portadown: Orange Segments and Seeing Orange", Circa , Belfast, No. 113, Autumn, pp. 84-86.
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Sverakova, Slavka (2014), Sloan, Victor in "The Faraway Nearby", F.E. McWilliam Gallery, Northern Ireland,
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294:"Belfast Zoo III", silver gelatin print, toner, oil pastel and torn paper, 25 cm x 25 cm, 1983
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1774:, Highlanes Gallery, Drogheda, Ireland and F.E. McWilliam Gallery, Banbridge, Northern Ireland 2018–19.
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last shiny black shoe has marched into the mirror leaving an empty street. It is a melancholy piece".
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1404:, National Museum of Photography, Film and Television (now the National Media Museum), Bradford, 1989
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Icons of the North: Collective Histories of Northern Irish Art, Socio-Political Art from 1969 -1994
1478:, Kunstamt Kreuzberg/Künstlerhaus Bethanien, Berlin. and Kunstverein Ludwigshafen, Germany, 1997–98
1417:
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1223:
Atkinson, Craig (ed.) (2016), "Northern Ireland One: Victor Sloan", series of three publications.
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McAvera, Brian (1989). Marking The North-The Work of Victor Sloan. Dublin: Gill & Macmillan.
1666:, Art and Design Academy, LJMU, Look International Photography Festival, Liverpool, England, 2011
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1578:, Diversions Festival, Gallery of Photography, Dublin (Projection, Meeting House Square), 2007
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Aidan Dunne, (2001), Victor Sloan: Selected Works 1980-2000. Belfast: Ormeau Baths Gallery.
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Dunne, Aidan (2001). Victor Sloan: Selected Works 1980–2000. Belfast: Ormeau Baths Gallery.
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Dunne, Aidan (2001). Victor Sloan: Selected Works 1980–2000. Belfast: Ormeau Baths Gallery.
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1502:, curated by Wayne Bearwaldt, Plug In Institute of Contemporary Art, Winnipeg, Canada, 2001
37:"Self-Portrait", silver gelatin print, with coloured pencils, 60 cm x 50 cm, 1993
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Belinda Loftus (1986), Drumming: Victor Sloan. Belfast: Arts Council of Northern Ireland.
3663:"Island Life: Photographs from the Martin Parr Foundation | Bristol Photo Festival"
2643:
1708:, Billboard Project, Creative Exchange, various locations, Belfast (invited artist) 2013
2206:"| RENCONTRES INTERNATIONALES PARIS/BERLIN | new cinema and contemporary art"
1560:, Théâtre Paris-Villette, Paris, France (Rencontres Internationales Paris/Berlin), 2006
1983:
1798:, Centenary exhibition, Curated by Shan McAnena, Golden Thread Gallery, Belfast, 2021.
3855:
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157:
133:
63:
3519:
3009:"Icons of the North: Collective Histories of Northern Irish Art - Indymedia Ireland"
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Jamshid Mirfenderesky (1988), Ulster Art in the 80s. Dublin: RHA Gallagher Gallery.
2469:
Declan McGonagle, James Coleman (1988), Selected Images. London: Riverside Studios.
1624:, curated by Zoë Lippett, Wolverhampton Art Gallery, Wolverhampton, England, 2009/10
2850:
C International Contemporary Art, Winnipeg, Canada, No. 72, Winter 2002, pp. 44-45.
379:
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Bosi, Lorenzo, Demetriou, Chares, Malthaner, Stefan, eds (2014), Sloan, Victor in
439:. Ireland America Arts Exchange, Wisconsin and Williams College Museum of Art, US
338:
2297:"Victor Sloan: Drift". Banbridge, Northern Ireland: F E McWilliam Gallery, 2014.
1816:, Belfast Exposed Gallery, Belfast, (Belfast International Arts Festival), 2023.
1618:, curated by Feargal O'Malley and Liam Kelly, Ormeau Baths Gallery, Belfast, 2009
1612:, curated by Dermot Keogh and Ruth Osborne, Lewis Glucksman Gallery, Cork, 2008/9
3677:"Portrait of Northern Ireland Centenary exhibition | Golden Thread Gallery"
2709:
Jürgen Schneider, (1995), Victor Sloan: Borne Sulinowo. Derry: Orchard Gallery.
1690:, the City Factory, Derry, Northern Ireland, as part of UK City of Culture, 2013
1421:
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202:. He won the Academy's Conor Prize in 1988 and the Gold Medal in 1995 and 2008.
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1810:, The Paintwork's, Dublin Castle, Dublin, Ireland. PhotoIreland Festival, 2022.
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Mawhinney, Kim, (2023), Sloan, Victor in "Troubled Art", National Museums, NI,
1880:
1584:, curated by Peter Richards, Golden Thread Gallery, Switch Room, Belfast, 2008
1566:, curated by Peter Richards, Golden thread Gallery, Switch Room, Belfast, 2007
1310:
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1792:, Bristol Museum and Art Gallery, part of Bristol Photography Festival, 2021.
3615:"Crossing Lines | Group Exhibition at FE McWilliam Gallery, Bandbridge"
3597:"Group tour | A building full of stories | Tropenmuseum Amsterdam"
2315:
356:
153:
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59:
878:
Governing the Tongue in Northern Ireland: The Place of Art/The Art of Place
1596:, curated by Peter Richards, Museum of the Heilongjiang Daily, China, 2008
1476:
Zeitgenössische britische Fotografie, Neue Gesellschaft für Bildende Kunst
1147:
Johnston, Sandra (2013), Sloan, Victor in "Beyond Reasonable Doubt", LIT,
3451:"The Engine Room Gallery: Creative Exchange presents Art in the Eastside"
1630:, curated by Brian Kennedy, Kao Yuan Arts Centre, Kaohsiung, Taiwan, 2010
1077:
444:
316:
3804:
2611:
David Mellor, Nancy Wood (1992), I-D Nationale. Edinburgh: Portfolio.
2195:
Gavin Weston, "Victor Sloan: Stadium", The Sunday Times, 9 August 1998
1033:, Troubles Archive Essays. Belfast: Arts Council of Northern Ireland,
914:
The National Self-Portrait Collection of Ireland – volume 2, 1989–1999
3704:
1091:
Maigron, Maryline, Salati, Marie-Odile, eds (2010). Sloan, Victor in
256:; and the constant and pervasive presence of the political conflict.
1181:
Marshall, Catherine and Murray, Peter, eds (2014), Sloan, Victor in
3373:
2682:. Dublin, Ireland: Association of Artists in Ireland. p. 196.
1338:, curated by Lucy Lippard, touring US, Finland and Ireland, 1985–86
3101:
1828:
1760:
Conflicting Images: Photography during the Northern Irish Troubles
1309:
337:
289:
3133:
A Shout in the Street: Collective Histories of Northern Irish Art
2110:, published by Belfast Exposed, Belfast, Northern Ireland, 2017,
1600:
A Shout in the Street: Collective Histories of Northern Irish Art
985:
A Shout in the Street: Collective Histories of Northern Irish Art
3334:"Registration Form ‹ Baltic Triangle Liverpool — WordPress"
2770:
On The Bright Side Of Life: Zeitgenössische Britische Fotografie
1784:
Of people and walls – 30 years after the fall of the Berlin Wall
1430:, Mannheimer Kunstverein, Germany, as part of Kunst Europa, 1991
932:
Sympathetic Ink: Intertextual Relations in Northern Irish Poetry
677:
On The Bright Side Of Life: Zeitgenössische Britische Fotografie
3152:
Aidan Dunne, "Attacking the subject of 20th century conflict",
1833:"Route III (Lurgan)", silver gelatin print, toners and gouache.
1374:, Orchard Gallery, Derry and Impressions Gallery, York, 1987–88
2988:
Icons of the North: Collective Histories of Northern Irish Art
2065:
1796:
Portrait of Northern Ireland: neither an elegy nor a manifesto
1744:, Wolverhampton Art Gallery, Wolverhampton, England, 2014-2015
1696:, the MAC and Belfast Exposed, Belfast, Northern Ireland, 2013
1654:, Wolverhampton Art Gallery, Wolverhampton, England, 2010–2011
1552:
Icons of the North: Collective Histories of Northern Irish Art
1436:, Portfolio Gallery and 369 Gallery, Edinburgh, Scotland, 1992
896:
Icons of the North: Collective Histories of Northern Irish Art
152:
Colleges of Art, the latter in England. He lives and works in
3844:
3790:
1520:, Long Gallery, Parliament Buildings, Stormont, Belfast, 2002
3278:
2940:"Using arts to explore Protestantism: [1st Edition]"
1616:
Arts Council of Northern Ireland Troubles Archive Exhibition
1183:
Art and Architecture of Ireland, Volume V, Twentieth Century
1073:
A shout in the street: Reflections on another way of looking
1822:, Belfast Exposed Gallery, Belfast, Northern Ireland. 2024.
1594:
Drawing a Line: A Contemporary Survey of Northern Irish Art
3406:"Picturing Derry | Derry~Londonderry City of Culture 2013"
3297:"Portrait of the North - Wolverhampton Arts & Culture"
1895:
Museum of International Contemporary Art, Salvador, Brazil
1892:
The Northern Ireland Collection, Wolverhampton Art Gallery
1842:
Sloan's work is held in the following public collections:
1756:, Belfast Exposed Gallery, Belfast, Northern Ireland, 2017
1198:
Banbridge, Northern Ireland: F E McWilliam Gallery, 2014.
1019:, Craigavon: Arts Development: Craigavon Borough Council,
531:
Watkins, Jonathan; Burns, Gerry; Strather, Martin (1991).
503:
McGonagle, Declan; James Odling-Smee; Gerry Burns (1989).
308:
indicated by his dead centre stance. From the left a huge
303:
A typical image from the Northern Irish works of Sloan is
3498:"Craigavon: 50 years of Modernity | British Council"
2515:
Declan McGonagle, James Odling-Smee, Gerry Burns (1989),
2157:
2155:
1610:
An Eye for an Eye: Representations of Conflict in Ireland
1344:, Arts Council of Northern Ireland Gallery, Belfast, 1986
120:(born 1945) is a Northern Irish photographer and artist.
3560:"Art of the Troubles - Wolverhampton Arts & Culture"
3467:
1726:, curated by PLACE, Golden Thread Gallery, Belfast, 2014
1442:, Gallery of Photography, Dublin and touring UK, 1992–95
1336:
Divisions, Crossroads, Turns of Mind: Some New Irish Art
627:
Thinking Long – Contemporary Art In The North Of Ireland
591:
Selected Errors, Writings on Art and Politics, 1981–1990
437:
Divisions, Crossroads, Turns of Mind; Some New Irish Art
2590:
Jonathan Watkins, Gerry Burns, Martin Strather (1991),
1512:
The Public Eye: 50 years of the Arts Council Collection
1350:, Cambridge Darkroom and Kettle's Yard, Cambridge, 1986
1047:, Volume 10, Issue 2. Oxfordshire, England: Routledge,
3183:, Wolverhampton Arts & Heritage, 15 November 2008.
1780:, Nerve Visual Gallery, Derry, Northern Ireland, 2019.
1702:, F E McWilliams Gallery & Studio, Banbridge, 2014
1678:, curated by Feargal O'Malley, Platform, Belfast, 2012
1490:, Royal Festival Hall, South Bank Centre, London, 1999
1123:, Belfast Exposed/The MAC, Belfast, Northern Ireland,
761:
Kiang, Tanya; McCabe, Martin; Wilson, Michael (2001).
335:
people (the police being a largely Protestant force).
3691:"Against The Image: Photography. Media. Manipulation"
3348:"Voices from the Levant | CCA Derry~Londonderry"
3181:"The Northern Ireland Collection: Fresh Perspectives"
1898:
Department of Finance and Personnel, Northern Ireland
1660:, with Brian Kennedy, Naughton Gallery, Belfast, 2011
1095:, Éditions de l'université de Savoie, Paris, France,
862:. "Every Passer-by a Culprit?", Kala/Black Umbrella.
657:
in Paul Brennan and Catherine de Saint Phalle (eds),
3485:"Voices Travel: A Conversation Between Two Harbours"
3135:. Belfast, Northern Ireland: Golden Thread Gallery.
2081:
2079:
355:
Sloan's video work includes a 44-minute video of an
236:
who settled in Craigavon, Northern Ireland in 1979.
3750:"Search our collection | Imperial War Museums"
1802:
Against The Image: Photography. Media. Manipulation
1622:
The Northern Ireland Collection: Fresh Perspectives
1185:, Royal Irish Academy/Yale University Press, 2014,
916:. Limerick, Ireland: University of Limerick Press.
104:
93:
79:
71:
42:
23:
3171:(The New Review), London, 14 June 2009, pp. 12-15.
2632:, Dublin, published by the Gallery of Photography.
1718:Voices Travel: A Conversation Between Two Harbours
1672:, Context Gallery, Derry, with Brian Kennedy, 2011
1532:, Toskanische Saulenhalle, Augsburg, Germany, 2004
1454:, Baltic Gallery of Contemporary Art, Poland, 1994
1206:. With essays by Carville, Justin and Grant, Ken.
1003:Crossroads: Performance Studies and Irish Culture
733:. Syracuse, New York: Syracuse University Press.
386:of 1936. There is no further direct reference to
3937:21st-century photographers from Northern Ireland
3932:20th-century photographers from Northern Ireland
2772:. Berlin: Neue Gesellschaft für Bildende Kunst.
1714:, Ulster Museum, Belfast, Northern Ireland, 2014
679:. Berlin: Neue Gesellschaft für Bildende Kunst.
3579:"The Baron Hotel - Photographs by Victor Sloan"
2305:. With essays by Justin Carville and Ken Grant.
1995:
1993:
1786:, Schloss Biesdorf, Berlin, Germany, 2019–2020.
1750:, Belfast Print Workshop Gallery, Belfast, 2015
1572:, Millennium Court Arts Centre, Portadown, 2007
1538:, Millennium Court Arts Centre, Portadown, 2005
1356:, Fung Ping Shan Museum, Hong Kong, China, 1987
1031:Visual Art and the Conflict in Northern Ireland
695:The Dictionary of Artists in Britain Since 1945
331:tradition, has now become a target for his own
209:, Belfast held a major exhibition of his work (
3449:Gallery, The Engine Room (10 September 2013).
2242:"The sooner Love Ulster disappears the better"
1554:, Solstice Arts Centre, Navan, Co. Meath, 2006
1230:Hickey, Ciara (2017), "Victor Sloan: Before".
3892:People educated at the Royal School Dungannon
1720:, Kaohsiung Museum of Fine Arts, Taiwan, 2014
1061:, Kaohsiung, Taiwan: Kao Yuan Arts Centre,
1015:Sloan, Victor and Donnelly, Ann, eds (2009).
8:
2676:Colman, Eamon; Coffey, Stella, eds. (1994).
2571:Marking The North - The Work of Victor Sloan
2176:Marking The North – The Work of Victor Sloan
1911:National Self-Portrait Collection of Ireland
3423:"Northern Ireland: 30 Years of Photography"
3193:Ireland, Culture Northern (30 March 2010).
3165:James Morrison, "The Troubles we've seen",
3071:. Portadown: Millennium Court Arts Centre.
2648:. Bristol: Art Dictionaries. p. 1115.
2645:Dictionary of Artists in Britain since 1945
2356:Marking the North: The Work of Victor Sloan
1642:, Mid Antrim Museum, Northern Ireland, 2010
1636:, Galeria Arsenale, Białystok, Poland, 2010
1582:Victor Sloan: History, Locality, Allegiance
1071:McGonagle, Declan (2010). Sloan, Victor in
1001:Brady, Sara and Walsh, Fintan, eds (2009).
983:McGonagle, Declan (2008). Sloan, Victor in
966:. Portadown: Millennium Court Arts Centre.
767:Blackwell Companion to Modern Irish Culture
3912:Members of the Order of the British Empire
3907:Contemporary artists from Northern Ireland
3392:"11th Aleppo International Photo Festival"
2550:A New Tradition: Irish Art of the Eighties
2165:. Augsburg, Germany: Kulturbüro der Stadt.
1972:. 14 June 2002 – via news.bbc.co.uk.
1648:, AllArtNow Gallery, Damascus, Syria, 2010
1105:Carville, Justin (2011), Sloan, Victor in
833:. Augsburg, Germany: Kulturbüro der Stadt.
555:A New Tradition: Irish Art of the Eighties
519:Marking The North-The Work of Victor Sloan
31:
20:
3122:. Museum of the Heilongjiang Daily, China
2968:. Augsburg, Germany: Kulturbüro der Stadt
2102:
2100:
1724:Craigavon New Town: 50 Years of Modernity
1694:Northern Ireland: 30 Years of Photography
1682:Aleppo International Photography Festival
1121:Northern Ireland: 30 years of Photography
980:. China, Museum of the Heilongjiang Daily
976:Richards, Peter (2008). Sloan, Victor in
934:. Liverpool: Liverpool University Press.
3882:Multimedia artists from Northern Ireland
2316:"Limerick Exhibition of Visual Art 1981"
1871:Martin Parr Foundation, Bristol, England
1768:, Tropenmuseum, Amsterdam, Holland, 2017
1590:, Imperial War Museum, London, 2008–2010
1472:, Baszty Czarownic, Slupsk, Poland, 1996
1133:Barber, Fionna (2013), Sloan, Victor in
1057:Kennedy, Brian (2010). Sloan, Victor in
3516:"Victor Sloan — University Art Gallery"
3462:
3460:
3436:"Visit Armagh - F.E. McWilliam Gallery"
2536:
2419:
2407:
2395:
1927:
1732:, The University Gallery, Belfast, 2014
1526:, Old Museum Arts Centre, Belfast, 2004
1119:Graham, Colin (2013), Sloan, Victor in
815:in Allen, Nicholas; Kelly, Aaron (eds)
263:Books about Sloan and his work include
3787:"The Arts Council of Northern Ireland"
3263:: CS1 maint: archived copy as title (
3256:
2887:"Picture this: [CITY EDITION]"
2751:. Poland: Biuro Wystaw Artystycznych.
2283:: CS1 maint: archived copy as title (
2276:
1984:"Victor sloan | Troubles Archive"
1506:Victor Sloan: Selected Works 1980–2000
781:Victor Sloan: Selected Works 1980–2000
643:. Poland: Biuro Wystaw Artystycznych.
211:Victor Sloan: Selected Works 1980–2000
16:Northern Irish photographer and artist
1514:, Ormeau Baths Gallery, Belfast, 2002
1508:, Ormeau Baths Gallery, Belfast, 2001
1392:, RHA Gallagher Gallery, Dublin, 1988
1326:, City Gallery of Art, Limerick, 1981
1209:Bevan, Sara (2015), Sloan, Victor in
751:. New York: Oxford University Press.
190:in 2002. He is an academician of the
7:
1859:The Arts Council of Northern Ireland
1762:. Ulster Museum, Belfast, 2017–2018.
1488:Revealing Views: Images from Ireland
1410:, Douglas Hyde Gallery, Dublin, 1990
1368:, Douglas Hyde Gallery, Dublin, 1987
1093:La Surface: accidents et altérations
177:The Walk, the Platform and the Field
3917:Members of the Royal Ulster Academy
2885:White, Victoria (31 January 2002).
1883:Arts Centre, Georgia, United States
1470:Victor Sloan: Poza Bornym Sulinowem
1362:, Fenderesky Gallery, Belfast, 1987
1234:, Belfast, Northern Ireland, 2017,
1081:, Oxfordshire, England: Routledge,
567:Mellor, David; Wood, Nancy (1992).
400:Susan McKay describes the video in
382:– designed stadium that hosted the
213:) in 2001. In 2008, the exhibition
3120:Contemporary Art: Northern Ireland
2990:. Belfast: Golden Thread Gallery.
2730:. Dublin: Gallery of Photography.
2339:David Brett, "Views from Ulster",
1005:. Basingstoke, England: Palgrave,
978:Contemporary Art: Northern Ireland
898:. Belfast: Golden Thread Gallery.
611:. Dublin: Gallery of Photography.
279:, by Jürgen Schneider (2004), and
14:
2791:In Context, Victor Sloan: Stadium
2789:JamesKerr, Mairin Murray (1998),
1500:Recent Work from Northern Ireland
1448:, Cartwright Hall, Bradford, 1993
880:. Newcastle: Cambridge Scholars.
783:. Belfast: Ormeau Baths Gallery.
475:. Dublin: RHA Gallagher Gallery.
2573:. Dublin: Gill & Macmillan.
2552:. Dublin: Douglas Hyde Gallery.
2359:. Dublin: Open Air. p. 86.
2178:. Dublin: Gill & Macmillan.
1386:, Orpheus Gallery, Belfast, 1988
557:. Dublin: Douglas Hyde Gallery.
521:. Dublin: Gill & Macmillan.
493:. Dublin: Gill & Macmillan.
457:. Dublin: Douglas Hyde Gallery.
3897:Alumni of Leeds Arts University
3043:"Golden Thread Gallery Belfast"
2912:Hill, Ian (29 September 2002).
2806:. London: Royal Festival Hall.
2001:"Golden Thread Gallery Belfast"
1602:, curated by Declan McGonagle,
1414:Victor Sloan: Marking the North
1213:, Imperial War Museum, London,
715:. London: Royal Festival Hall.
467:Mirfenderesky, Jamshid (1988).
88:Leeds College of Art and Design
3805:"About - Royal Ulster Academy"
3030:Les Rencontres Internationales
2938:Young, David (24 April 2004).
2861:"Victor Sloan: Selected Works"
2679:Irish Visual Artists' Handbook
2341:British Journal of Photography
1970:"Honours for Northern Ireland"
1496:, Orchard Gallery, Derry, 2000
1460:, Orchard Gallery, Derry, 1995
1398:, Orchard Gallery, Derry, 1989
1324:EV+A, Exhibition of Visual Art
1211:Art from Contemporary Conflict
1169:Dynamics of Political Violence
926:Alcobia-Murphy, Shane (2006).
872:Alcobia-Murphy, Shane (2005).
801:. Dublin: Gill and Macmillan.
1:
3769:"Imperial War Museum, London"
3705:"PhotoIreland Festival, 2022"
3629:"Troubles Art | Nerve Centre"
3195:"A View From Napoleon's Nose"
2224:"A different show of colours"
1863:State Art Collection, Ireland
987:. Belfast, Northern Ireland:
374:, bolstered by images of the
215:History, Locality, Allegiance
2824:Darke, Colin (Winter 2000).
1730:Victor Sloan: Borne Sulinowo
1458:Victor Sloan: Borne Sulinowo
661:. Paris, France: Actes Sud.
269:Victor Sloan: Selected Works
3887:Alumni of Ulster University
3767:Society, Contemporary Art.
3577:LensCulture, Victor Sloan.
3564:www.wolverhamptonart.org.uk
3502:nireland.britishcouncil.org
3301:www.wolverhamptonart.org.uk
3156:, Dublin, 11 February 2009.
2630:Acts of Faith: Victor Sloan
2489:. Belfast: Octagon Gallery.
1628:A View From Napoleon's Nose
1440:Victor Sloan: Acts of Faith
1059:A View From Napoleon's Nose
908:Gallagher, William (2006).
842:Space: Architecture for Art
799:The Encyclopedia of Ireland
422:(2006) Ka Fue Lay. (2014).
3953:
3927:Artists from County Armagh
3922:Artists from County Tyrone
3809:www.royalulsteracademy.org
2628:Michael McCaughan (1992),
2519:. Derry: Orchard Gallery.
2452:. Derry: Orchard Gallery.
2161:Schneider, Jürgen (2004).
1428:Victor Sloan: Force Fields
829:Schneider, Jürgen (2004).
765:in W. J. McCormack (ed.),
507:. Derry: Orchard Gallery.
414:Other video works include
200:Royal Photographic Society
128:Sloan was born in 1945 in
3131:Declan McGonagle (2008),
2964:Jürgen Schneider (2004),
2826:"Concrete Manifestations"
2793:. Derry: Context Gallery.
2747:Jürgen Schneider (1996),
2487:The Birches: Victor Sloan
1564:Things We May Have Missed
1446:Bradford Print Exhibition
1408:Irish Art of the Eighties
1384:Victor Sloan: The Birches
1135:Art in Ireland since 1910
1045:Visual Culture in Britain
962:Patterson, Glenn (2007).
731:Contemporary Irish cinema
639:Schneider, Jürgen (1996)
491:Art, Politics and Ireland
431:Lippard, Lucy R. (1985).
327:, as the defender of the
267:by Brian McAvera (1989),
30:
3773:Contemporary Art Society
3487:, Golden Thread Gallery.
3314:"Syrian Artists Talking"
3199:Culture Northern Ireland
3067:Glenn Patterson (2007),
2548:John Hutchinson (1990),
1017:My country is where I am
725:MacKillop, James (1999)
603:O'Toole, Finton (1995).
575:. Edinburgh: Portfolio.
549:Hutchinson, John (1990)
359:looped film fragment of
75:British (Northern Irish)
3546:www.irishartsreview.com
3323:, The Naughton Gallery.
3118:Peter Richards (2008),
2726:Finton O'Toole (1995),
2642:Buckman, David (1998).
2353:McAvera, Brian (1990).
1748:Victor Sloan: The Baron
1640:The Art of the Troubles
1494:Victor Sloan: Portadown
1424:, Manchester, 1990 – 92
1107:Photography and Ireland
890:McAvera, Brian (2006).
858:in Cotter, Lucy (ed.),
819:. Dublin: Four Courts.
793:Clancy, Martin (2002).
749:Encyclopedia of Ireland
707:McCabe, Martin (1999).
689:Buckman, David (1998).
517:McAvera, Brian (1989).
485:McAvera, Brian (1989).
449:McAvera, Brian (1986).
142:Royal School, Dungannon
3719:"Victor Sloan: Beyond"
3102:"Imperial War Museums"
2986:Brian McAvera (2006),
2946:. No. 12. Belfast
2944:The Belfast Newsletter
2802:Martin McCabe (1999),
2569:Brian McAvera (1989),
2448:Brian McAvera (1987),
2174:Brian McAvera (1989),
1915:University of Limerick
1867:Dublin City University
1834:
1808:Images Are All We Have
1670:Voices from the Levant
1658:Syrian Artists Talking
1524:Blue Skies, Grey Mists
1452:Victor Sloan: Initials
1342:Victor Sloan: Drumming
1319:
1043:Graham, Colin (2009),
952:. Cambridge Scholars.
944:Szabó, Carmen (2007).
854:Graham, Colin (2005).
836:Tipton, Gemma (2005).
811:Graham, Colin (2003).
797:in Brian Lalor (ed.),
743:Brady, Ciaran (2000).
671:Williams, Val (1997).
585:Roberts, John (1992).
347:
295:
234:Vietnamese boat people
198:, and a Fellow of the
84:Belfast College of Art
3877:People from Portadown
3872:People from Dungannon
3468:"National Museums NI"
2954:– via ProQuest.
2901:– via ProQuest.
2768:Val Williams (1997),
2106:Ciara Hickey (2017),
2027:"Victor Sloan: Drift"
1901:North West Arts Trust
1887:National Media Museum
1832:
1684:, Aleppo, Syria, 2012
1652:Portrait of the North
1604:Golden Thread Gallery
1546:Golden Thread Gallery
1482:Victor Sloan: Stadium
1390:Ulster Art in the 80s
1313:
1029:Long, Declan (2009),
989:Golden Thread Gallery
817:The Cities of Belfast
779:Dunne, Aidan (2001).
769:. Oxford: Blackwell.
473:Ulster Art in the 80s
341:
293:
223:Golden Thread Gallery
196:Royal Society of Arts
186:Sloan was awarded an
160:in Northern Ireland.
3412:on 27 February 2013.
3394:. 28 September 2012.
3319:26 June 2015 at the
3106:Imperial War Museums
3026:"Victor Sloan: Walk"
2865:Photo Museum Ireland
2108:Victor Sloan, Before
1905:Royal Ulster Academy
1814:Victor Sloan: Beyond
1754:Victor Sloan: Before
1664:Images: Victor Sloan
1634:Elective Perspective
1227:, Southport, England
1196:Victor Sloan: Drift.
1171:, Ashgate, England,
1137:, Reaktion, London,
1109:, Reaktion, London.
653:Kelly, Liam (1996).
621:Kelly, Liam (1996).
207:Ormeau Baths Gallery
192:Royal Ulster Academy
144:, County Tyrone and
140:. He studied at the
97:Photography, Video,
3617:. 14 November 2018.
3601:www.tropenmuseum.nl
2517:Victor Sloan: Walls
2485:Liam Kelly (1988),
2248:, 7 September 2005.
1889:, Bradford, England
1877:Collection, Belfast
1847:Imperial War Museum
1742:Art of the Troubles
1736:Victor Sloan: Drift
1712:Art of the Troubles
1706:Art in the Eastside
1700:The Far Away Nearby
1576:Victor Sloan: Walk:
1570:Victor Sloan: Luxus
1558:Victor Sloan: Walk:
1464:The Lie of the Land
1418:Impressions Gallery
1396:Victor Sloan: Walls
950:Clearing the Ground
505:Victor Sloan: Walls
243:Sloan's exhibition
230:Victor Sloan: Drift
171:in series such as:
3542:"Down: Art adrift"
3425:, Belfast Exposed.
2966:Victor Sloan: Walk
2210:www.art-action.org
2163:Victor Sloan: Walk
1835:
1646:Victor Sloan: Walk
1530:Victor Sloan: Walk
1518:Revealed Treasures
1320:
1318:video installation
831:Victor Sloan: Walk
629:. Dublin: Gandon.
361:The Little Rascals
348:
296:
277:Victor Sloan: Walk
194:, a Fellow of the
66:, Northern Ireland
3902:Political artists
3651:978-3-86732-344-4
3283:www.allartnow.com
3213:"Galeria Arsenał"
3141:978-0-9557469-2-5
3089:"Diversions 2007"
3077:978-0-9549816-5-5
2918:Belfast Telegraph
2689:978-0-9517983-5-5
2655:978-0-9532609-0-4
2366:978-1-872496-01-6
2320:EVA International
2303:978-1-908455-13-0
2116:978-0-9561766-2-2
2034:Ulster University
1957:978-0-9561766-1-5
1875:Ulster Television
1330:Views From Ulster
1290:978-3-031-18820-6
1280:978-3-86732-344-4
1270:978-1-5261-2886-7
1240:978-0-9561766-2-2
1204:978-1-908455-13-0
1191:978-0-300179-23-1
1177:978-1-4094-4351-3
1163:978-1-908455-11-6
1129:978-0-9561766-1-5
1067:978-986-6755-28-6
1025:978-0-9564403-1-0
1011:978-0-230-21998-4
997:978-0-9557469-2-5
972:978-0-9549816-5-5
844:. Dublin: Circa.
593:. London: Pluto.
265:Marking the North
112:
111:
3944:
3848:
3847:
3845:Official website
3830:
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3813:
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3793:on 8 April 2000.
3789:. Archived from
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1143:978 1 78023 0368
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138:Northern Ireland
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3321:Wayback Machine
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1688:Picturing Derry
1606:, Belfast, 2008
1548:, Belfast, 2006
1402:Sun Life Awards
1378:Selected Images
1360:Critics' Choice
1308:
1232:Belfast Exposed
713:Revealing Views
609:Lie of the Land
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403:The Irish Times
393:The video work
384:Berlin Olympics
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249:Belfast Exposed
228:His exhibition
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1890:
1884:
1878:
1872:
1869:
1864:
1861:
1856:
1850:
1839:
1836:
1824:
1823:
1817:
1811:
1805:
1799:
1793:
1787:
1781:
1775:
1772:Crossing Lines
1769:
1763:
1757:
1751:
1745:
1739:
1733:
1727:
1721:
1715:
1709:
1703:
1697:
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1679:
1673:
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1661:
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1649:
1643:
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1443:
1437:
1431:
1425:
1411:
1405:
1399:
1393:
1387:
1381:
1375:
1372:Magnetic North
1369:
1366:Directions Out
1363:
1357:
1351:
1348:Next: Tomorrow
1345:
1339:
1333:
1327:
1307:
1304:
1303:
1302:
1292:
1282:
1272:
1262:
1252:
1242:
1228:
1221:
1207:
1193:
1179:
1165:
1155:
1153:978-3643904409
1145:
1131:
1117:
1103:
1089:
1069:
1055:
1041:
1027:
1013:
999:
981:
974:
960:
942:
924:
906:
888:
870:
852:
834:
827:
809:
791:
777:
759:
741:
723:
705:
687:
669:
651:
637:
619:
601:
583:
565:
547:
539:. H. Schmidt.
529:
515:
501:
483:
465:
447:
427:
424:
352:
349:
300:
297:
219:Peter Richards
125:
122:
110:
109:
106:
102:
101:
95:
94:Known for
91:
90:
81:
77:
76:
73:
69:
68:
58:
44:
40:
39:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
3949:
3938:
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3900:
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3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3867:Living people
3865:
3863:
3860:
3859:
3857:
3846:
3841:
3840:
3836:
3828:
3827:0-946846-33-2
3824:
3818:
3815:
3810:
3806:
3800:
3797:
3792:
3788:
3782:
3779:
3774:
3770:
3763:
3760:
3755:
3751:
3745:
3742:
3738:
3737:0-9540086-0-X
3734:
3728:
3725:
3720:
3714:
3711:
3706:
3700:
3697:
3692:
3686:
3683:
3678:
3672:
3669:
3665:. 5 May 2021.
3664:
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3424:
3419:
3416:
3411:
3407:
3401:
3398:
3393:
3387:
3384:
3379:
3378:platform arts
3375:
3369:
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3349:
3343:
3340:
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3329:
3326:
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3318:
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3307:
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3284:
3280:
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3244:
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3208:
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3196:
3189:
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3035:
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3022:
3019:
3014:
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3004:
3001:
2997:
2996:0-9549633-3-4
2993:
2989:
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2980:
2974:
2971:
2967:
2961:
2958:
2945:
2941:
2934:
2931:
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2915:
2908:
2905:
2892:
2888:
2881:
2878:
2866:
2862:
2856:
2853:
2847:
2844:
2832:. No. 25
2831:
2827:
2820:
2817:
2813:
2812:1-85332-194-X
2809:
2805:
2799:
2796:
2792:
2786:
2783:
2779:
2778:3-926796-50-2
2775:
2771:
2765:
2762:
2758:
2757:83-903457-9-X
2754:
2750:
2744:
2741:
2737:
2736:0-9526741-0-6
2733:
2729:
2723:
2720:
2716:
2715:0-907797-82-2
2712:
2706:
2703:
2691:
2685:
2681:
2680:
2672:
2669:
2657:
2651:
2647:
2646:
2638:
2635:
2631:
2625:
2622:
2618:
2617:0-9520608-0-9
2614:
2608:
2605:
2601:
2600:3-87439-240-6
2597:
2593:
2587:
2584:
2580:
2579:1-872496-01-6
2576:
2572:
2566:
2563:
2559:
2558:0-907660-37-1
2555:
2551:
2545:
2542:
2539:, p. 69.
2538:
2533:
2530:
2526:
2525:0-907797-52-0
2522:
2518:
2512:
2509:
2505:
2504:1-871630-00-2
2501:
2495:
2492:
2488:
2482:
2479:
2476:
2475:1-870172-40-X
2472:
2466:
2463:
2459:
2458:0-907797-35-0
2455:
2451:
2445:
2442:
2438:
2437:0-907660-20-7
2434:
2428:
2425:
2422:, p. 58.
2421:
2416:
2413:
2410:, p. 46.
2409:
2404:
2401:
2398:, p. 16.
2397:
2392:
2389:
2383:
2380:
2368:
2362:
2358:
2357:
2349:
2346:
2342:
2336:
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2321:
2317:
2311:
2308:
2304:
2300:
2294:
2291:
2286:
2280:
2264:
2260:
2254:
2251:
2247:
2243:
2240:Susan McKat,
2237:
2234:
2229:
2225:
2219:
2216:
2211:
2207:
2201:
2198:
2192:
2189:
2185:
2184:1-872496-01-6
2181:
2177:
2171:
2168:
2164:
2158:
2156:
2152:
2149:
2148:0-9540086-0-X
2145:
2139:
2136:
2133:
2132:1-872496-01-6
2129:
2123:
2120:
2117:
2113:
2109:
2103:
2101:
2097:
2092:
2088:
2082:
2080:
2076:
2071:
2067:
2061:
2058:
2053:
2049:
2043:
2040:
2035:
2028:
2022:
2019:
2006:
2002:
1996:
1994:
1990:
1985:
1979:
1976:
1971:
1965:
1962:
1958:
1954:
1948:
1945:
1941:
1940:0-9540086-0-X
1937:
1931:
1928:
1921:
1916:
1912:
1909:
1906:
1903:
1900:
1897:
1894:
1891:
1888:
1885:
1882:
1879:
1876:
1873:
1870:
1868:
1865:
1862:
1860:
1857:
1854:
1853:Ulster Museum
1851:
1848:
1845:
1844:
1843:
1837:
1831:
1827:
1821:
1818:
1815:
1812:
1809:
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1797:
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1782:
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1776:
1773:
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1764:
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1716:
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1701:
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1677:
1674:
1671:
1668:
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1662:
1659:
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1647:
1644:
1641:
1638:
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1632:
1629:
1626:
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1617:
1614:
1611:
1608:
1605:
1601:
1598:
1595:
1592:
1589:
1586:
1583:
1580:
1577:
1574:
1571:
1568:
1565:
1562:
1559:
1556:
1553:
1550:
1547:
1543:
1540:
1537:
1536:Seeing Orange
1534:
1531:
1528:
1525:
1522:
1519:
1516:
1513:
1510:
1507:
1504:
1501:
1498:
1495:
1492:
1489:
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1480:
1477:
1474:
1471:
1468:
1465:
1462:
1459:
1456:
1453:
1450:
1447:
1444:
1441:
1438:
1435:
1434:I-D Nationale
1432:
1429:
1426:
1423:
1419:
1415:
1412:
1409:
1406:
1403:
1400:
1397:
1394:
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1382:
1379:
1376:
1373:
1370:
1367:
1364:
1361:
1358:
1355:
1352:
1349:
1346:
1343:
1340:
1337:
1334:
1331:
1328:
1325:
1322:
1321:
1317:
1312:
1305:
1301:
1300:0 900761 67 9
1297:
1293:
1291:
1287:
1283:
1281:
1277:
1273:
1271:
1267:
1263:
1261:
1260:9781351360203
1257:
1253:
1251:
1250:9781784991449
1247:
1243:
1241:
1237:
1233:
1229:
1226:
1222:
1220:
1216:
1212:
1208:
1205:
1201:
1197:
1194:
1192:
1188:
1184:
1180:
1178:
1174:
1170:
1166:
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1160:
1156:
1154:
1150:
1146:
1144:
1140:
1136:
1132:
1130:
1126:
1122:
1118:
1116:
1115:1-86189-871-1
1112:
1108:
1104:
1102:
1101:2-915797-63-3
1098:
1094:
1090:
1088:
1084:
1080:
1079:
1074:
1070:
1068:
1064:
1060:
1056:
1054:
1050:
1046:
1042:
1040:
1039:0-903203-20-0
1036:
1032:
1028:
1026:
1022:
1018:
1014:
1012:
1008:
1004:
1000:
998:
994:
990:
986:
982:
979:
975:
973:
969:
965:
961:
959:
958:1-84718-180-5
955:
951:
947:
946:Sloan, Victor
943:
941:
940:1-84631-032-6
937:
933:
929:
928:Sloan, Victor
925:
923:
922:0-946846-33-2
919:
915:
911:
910:Sloan, Victor
907:
905:
904:0-9549633-3-4
901:
897:
893:
892:Sloan, Victor
889:
887:
886:1-904303-60-9
883:
879:
875:
874:Sloan, Victor
871:
869:
865:
861:
857:
856:Sloan, Victor
853:
851:
850:0-9550319-0-7
847:
843:
839:
838:Sloan, Victor
835:
832:
828:
826:
825:1-85182-771-4
822:
818:
814:
813:Sloan, Victor
810:
808:
807:0-7171-3000-2
804:
800:
796:
795:Sloan, Victor
792:
790:
789:0-9540086-0-X
786:
782:
778:
776:
775:0-631-16525-8
772:
768:
764:
763:Sloan, Victor
760:
758:
757:0-19-521685-7
754:
750:
746:
745:Sloan, Victor
742:
740:
739:0-8156-0568-4
736:
732:
728:
727:Sloan, Victor
724:
722:
721:1-85332-194-X
718:
714:
710:
709:Sloan, Victor
706:
704:
703:0-9532609-0-9
700:
696:
692:
691:Sloan, Victor
688:
686:
685:3-926796-50-2
682:
678:
674:
673:Sloan, Victor
670:
668:
667:2-7427-0748-4
664:
660:
656:
655:Sloan, Victor
652:
650:
649:83-903457-9-X
646:
642:
638:
636:
635:0-946641-66-8
632:
628:
624:
623:Sloan, Victor
620:
618:
617:0-9526741-0-6
614:
610:
606:
605:Sloan, Victor
602:
600:
599:0-7453-0498-2
596:
592:
588:
587:Sloan, Victor
584:
582:
581:0-9520608-0-9
578:
574:
573:I-D Nationale
570:
569:Sloan, Victor
566:
564:
563:0-907660-37-1
560:
556:
552:
551:Sloan, Victor
548:
546:
545:3-87439-240-6
542:
538:
534:
533:Sloan, Victor
530:
528:
527:1-872496-01-6
524:
520:
516:
514:
513:0-907797-52-0
510:
506:
502:
500:
499:1-872496-00-8
496:
492:
488:
487:Sloan, Victor
484:
482:
481:1-871630-00-2
478:
474:
470:
469:Sloan, Victor
466:
464:
463:0-907660-20-7
460:
456:
452:
451:Sloan, Victor
448:
446:
442:
438:
434:
433:Sloan, Victor
430:
429:
425:
423:
421:
417:
412:
409:
405:
404:
398:
396:
391:
389:
385:
381:
377:
373:
368:
367:
362:
358:
350:
345:
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270:
266:
261:
257:
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246:
241:
237:
235:
231:
226:
224:
220:
217:, curated by
216:
212:
208:
203:
201:
197:
193:
189:
184:
182:
178:
174:
170:
165:
161:
159:
158:County Armagh
155:
151:
147:
143:
139:
135:
134:County Tyrone
131:
124:Life and work
123:
121:
119:
118:
115:Victor Sloan
107:
103:
100:
96:
92:
89:
85:
82:
78:
74:
70:
65:
64:County Tyrone
61:
55:(age 79)
45:
41:
34:
29:
22:
19:
3817:
3808:
3799:
3791:the original
3781:
3772:
3762:
3753:
3744:
3727:
3713:
3699:
3685:
3671:
3657:
3641:
3633:the original
3623:
3609:
3600:
3591:
3582:
3572:
3563:
3554:
3545:
3536:
3524:. Retrieved
3520:the original
3510:
3501:
3492:
3480:
3472:www.nmni.com
3471:
3444:
3430:
3418:
3410:the original
3400:
3386:
3377:
3368:
3356:. Retrieved
3352:the original
3342:
3328:
3309:
3300:
3291:
3282:
3273:
3247:. Retrieved
3243:the original
3233:
3221:. Retrieved
3217:the original
3207:
3198:
3188:
3176:
3166:
3161:
3153:
3148:
3132:
3127:
3119:
3114:
3105:
3096:
3084:
3068:
3063:
3051:. Retrieved
3047:the original
3037:
3029:
3021:
3012:
3003:
2987:
2982:
2973:
2965:
2960:
2948:. Retrieved
2943:
2933:
2921:. Retrieved
2917:
2907:
2895:. Retrieved
2890:
2880:
2868:. Retrieved
2864:
2855:
2846:
2834:. Retrieved
2829:
2819:
2803:
2798:
2790:
2785:
2769:
2764:
2749:Victor Sloan
2748:
2743:
2727:
2722:
2705:
2693:. Retrieved
2678:
2671:
2659:. Retrieved
2644:
2637:
2629:
2624:
2607:
2592:Kunst Europa
2591:
2586:
2570:
2565:
2549:
2544:
2537:McAvera 1990
2532:
2516:
2511:
2494:
2486:
2481:
2465:
2449:
2444:
2427:
2420:McAvera 1990
2415:
2408:McAvera 1990
2403:
2396:McAvera 1990
2391:
2382:
2370:. Retrieved
2355:
2348:
2340:
2335:
2323:. Retrieved
2319:
2310:
2293:
2267:. Retrieved
2263:the original
2253:
2245:
2236:
2227:
2218:
2209:
2200:
2191:
2175:
2170:
2162:
2138:
2122:
2107:
2090:
2069:
2066:"Ka Fue Lay"
2060:
2051:
2048:"Ka Fue Lay"
2042:
2033:
2021:
2009:. Retrieved
2005:the original
1978:
1964:
1947:
1930:
1841:
1825:
1820:Now and Then
1819:
1813:
1807:
1801:
1795:
1789:
1783:
1778:Troubles Art
1777:
1771:
1765:
1759:
1753:
1747:
1741:
1735:
1729:
1723:
1717:
1711:
1705:
1699:
1693:
1687:
1681:
1675:
1669:
1663:
1657:
1651:
1645:
1639:
1633:
1627:
1621:
1615:
1609:
1599:
1593:
1588:Breakthrough
1587:
1581:
1575:
1569:
1563:
1557:
1551:
1541:
1535:
1529:
1523:
1517:
1511:
1505:
1499:
1493:
1487:
1481:
1475:
1469:
1463:
1457:
1451:
1445:
1439:
1433:
1427:
1413:
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310:Lambeg drum
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