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132:, whom she married in 1876. She collaborated with him on his floral paintings, but also produced works under her own name that she signed "V Dubourg". Dubourg has been critiqued as an artist whose work lacks originality, simply reproducing the styles of her well known husband. However, a careful review of her early work shows that Dubourg began producing still life two years prior to meeting Fantin-Latour.
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extraordinary powers of assimilation. I am thinking now of the ladies who marry painters, and who, after few years of married life, exhibit work identical in execution with that of their illustrious husbands - Mrs E.M. Ward, Madame Fantin-Latour, Mrs Swan, Mrs Alma-Tadema. In a word, what Manet used to call la peinture a quatre mains.
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Dubourg was born in 1840, and her parents recognized her when they married in 1843. She had one sister, Charlotte
Dubourg (1850–1921). Dubourg's maternal family was originally from Orne. Her mother Françoise Bienvenu was born in Sées, where her parents lived. Her father Philippe Bienvenu then lived
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Nor do the facts support Moore's argument. Fantin and
Dubourg first met in 1866, when they both belonged to the circle around Manet. Dubourg, however, had produced her first still life two years previously, and Fantin did not exhibit his first still life at the Salon until 1866, so it would appear
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Victoria
Dubourg’s early works displayed a style close to Fantin-Latour, such as a portrait of her sister, Charlotte, from 1870. However, after exhibiting portraits in the late 1860s, she diverged from styles similar to Fantin-Latour and created only still-lives of fruit and flowers. After her
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The Irish Writer George Moore, who had trained as a painter in Paris in the 1870s, examined the issue of sexual difference in his book Modern
Painting (1893). He suggested that woman painters have tended to parody men: astonish us as much by their want of originality as they do by their
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Victoria
Dubourg exhibited at the Salon in Paris from 1869, then at the Salon of French artists and at the Royal Academy in London, of which she was a member like her husband. In Paris, she obtained an honorable mention in 1894 and a medal in 1895. She was named Chevalier of the
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Back in Paris, Dubourg was trained by Fanny Chéron (born 1830), a woman painter originally from
Mortagne who opened a workshop for young girls. A music lover and pianist, Dubourg also studied painting and copied the major works of artists such as
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in Buré and bequeathed her the house located at a place called La Croix on his death on March 28, 1878. Fantin-Latour represents the
Dubourg family bereaved after the disappearance of the old man.
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that
Doubourg discovered the genre independently. The two did not marry until 1876, by which time Dubourg had already exhibited still lifes at eight Salons.
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had lived. Dubourg both collaborated on her husband's floral paintings and produced personal work that she signed "V Dubourg". She is part of the circle of
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Following the death of Fantin-Latour in 1904, she organized a major retrospective of his work and devoted several years to the development of a
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husband’s death
Victoria continued to paint with a supple, freer brushstroke. Her colors were more vibrant, as seen in her 1908 painting,
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During their marriage, Fantin-Latour and
Dubourg lived at rue de l'Université n°19 in Paris, in the building where Marie and
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E. Hardouin-Fugier and E. Grafe: French Flower Painters of the Nineteenth Century: A Dictionary (London, 1989), p. 179.
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169:. There, she met Henri Fantin-Latour, who painted his first portrait of her in 1873. They later married in 1876.
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The family lived for a few years in Frankfurt where Victor Dubourg trained in medicine after teaching Letters.
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Fantin-Latour: Une Famille de peintres au XIXe siècle (exh. cat., Grenoble, Mus. Peint. & Sculp., 1977).
405:, by Walter Shaw Sparrow, The Art and Life Library, Hodder & Stoughton, 27 Paternoster Row, London, 1905
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Women painters of the world, from the time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the present day
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Elizabeth Kane. “Victoria Dubourg: The Other Fantin-Latour.” Woman’s art journal 9, no. 2 (1988): 15–21.
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Victoria Dubourg Fantin-Latour, Still-Life, 1884. Oil on canvas, 20 1/4 x 24 1/4 in. Musée de Grenoble
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In 1921, she bequeathed the photographic body of her husband to the
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372:. Chicago, Illinois: Fitzroy Dearborn Publishers. p.
335:. Chicago, Illinois: Fitzroy Dearborn Publishers. p.
416:"Musée d'Orsay: Henri Fantin-Latour Charlotte Dubourg"
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113:(1 December 1840 – 30 September 1926) was a French
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364:Lesley Stevenson (1997). Gaze, Delia (ed.).
327:Lesley Stevenson (1997). Gaze, Delia (ed.).
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568:Victoria Dubourg Fantin-Latour (1840-1926)
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478:10.1093/gao/9781884446054.article.T027517
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558:1 artwork by or after Victoria Dubourg
440:"Le portrait de Madame Fantin-Latour"
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574:Victoria Fantin-Latour (née Dubourg)
203:, to the detriment of her own work.
35:Portrait of Victoria by her husband
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800:20th-century French women artists
790:19th-century French women artists
585:Women Artists in Paris, 1850-1900
533:magazine, Le Point (2017-03-18).
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583:,” in Laurence Madeleine, ed.,
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291:Portrait of Charlotte Dubourg
128:. There, she met the painter
795:20th-century French painters
775:19th-century French painters
293:(1870), sister of the artist
815:19th-century women painters
810:20th-century women painters
722:Horace Lecoq de Boisbaudran
663:A Studio at Les Batignolles
368:Dictionary of women artists
331:Dictionary of women artists
142:Women Painters of the World
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314:Victoria Dubourg in the
124:and trained with artist
671:The Corner of the Table
464:Bajou, Valérie (2003).
466:"Fantin-Latour Family"
111:Victoria Fantin-Latour
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780:French women painters
688:Roses in a Glass Vase
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576:by Oxford Art Online
444:museeduluxembourg.fr
259:Portrait of Victoria
120:Dubourg was born in
805:Still life painters
770:Painters from Paris
646:Homage to Delacroix
631:Henri Fantin-Latour
231:A Basket of Flowers
137:A Basket of Flowers
130:Henri Fantin-Latour
570:by Galerie Ary Jan
509:"Victoria Dubourg"
420:www.musee-orsay.fr
216:Museum of Grenoble
201:catalogue raisonné
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487:978-1-884446-05-4
470:Oxford Art Online
182:FĂ©lix Bracquemond
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62:30 September 1926
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679:The Reading
654:The Reading
541:(in French)
515:(in French)
446:(in French)
263:Edgar Degas
194:Edgar Degas
163:Willem Kalf
89:Nationality
754:Categories
545:2021-03-12
519:2021-03-12
513:Matrimoine
450:2021-03-12
425:2021-03-12
299:References
277:Still-life
115:still life
66:1926-10-01
739:Symbolism
638:Paintings
493:March 12,
211:in 1920.
149:Biography
117:painter.
724:(master)
656:(Lisbon)
539:Le Point
734:Realism
715:Related
245:Flowers
165:at the
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730:(wife)
707:(1885)
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691:(1879)
683:(1877)
681:(Lyon)
674:(1872)
666:(1870)
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562:Art UK
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167:Louvre
92:French
82:France
52:France
122:Paris
48:Paris
564:site
495:2021
482:ISBN
378:ISBN
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192:and
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