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209:(volume) of the variation. The minimum depth (fully anticlockwise) is typically (but not always) zero, that is no effect on the sound at all; The maximum depth does not normally cut the sound off completely at the cycle minimum, but may reduce it by as much as 6 dB, virtually a cut off to the ear.
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position bypasses the unit. In the case of an amplifier mounted unit where both switches are supplied, the unit is bypassed if the pull-on switch is off, regardless of the pedal. If the pedal is not plugged in, the unit is turned on and off by the pull-on switch; If the pedal is plugged in, then it
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But the terms that became established were "tremolo arm" and "vibrato unit", both contrary to standard usage, with the result that electric guitarists traditionally use the terms "vibrato" and "tremolo" in the opposite senses to all other musicians when describing these hardware devices and the
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In sales literature, Magna called the vibrato "F.M. Vibrato" for full modulation vibrato). Whereas most other companies incorrectly labeled volume modulation as vibrato, Magnatone's vibrato was true pitch shifting
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a "vibrato unit". In fact he was using the terms interchangeably. The first Fender vibrato unit (1954) was called "tremolo", and some later Fender tremolo arms were called "vibrato tailpieces" or similar.
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and some subsequent guitars. The "synchronised tremolo" became the most copied of these three basic patterns of "tremolo arm", although both of the others continue to have some following.
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of the variation, typically from a maximum (fully clockwise) of five to ten hertz to a minimum which may be as slow as one cycle taking several seconds.
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model 5E9, had been introduced in the previous year. Despite the different names, the effects circuits were similar, and the effects almost identical.
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A few guitar amplifiers do feature true pitch shifting vibrato, notably some models offered in the late 1950s and into the 60s by
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554:, Don L. Bonham, "Vibrato circuit comprising a bridge having non-linear impedance elements", issued 1961-06-13
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72:, and in that sense the unit is incorrectly named. The guitaring tradition of using the term "vibrato" to refer to a
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440:, that are able to modulate the pitch rather than just the volume. Some manufacturers also produce vibrato pedals.
308:, often simply called a "Bigsby". In 1958, Fender reinforced his usage with the "Fender floating tremolo" on the
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in the 1950s, starting with the
Vibrolux amplifier in 1956, in the same period in which what is now called a "
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effect involving tremolo & vibrato simultaneously; possibly one origin of confusions of
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guitar not fitted with a tremolo arm, normally with the right hand. This is particularly a
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all produced guitar amplifiers with built-in amplitude modulation units in the late 1940s.
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In common with all other musicians, all guitarists from classical to rock use the term
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By use of moving loudspeaker and/or moving loudspeaker baffle systems such as the
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Guitarists do also produce true vibrato in many different ways, including:
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provided (by whatever name) on many electric and some acoustic guitars.
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Fender '65 Princeton Reverb
Reissue | Guitar reviews | MusicRadar.com
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was first applied to the effect in 1956 with the introduction of the
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or built into multi-effects units, but are traditionally built into
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The "synchronised tremolo" was introduced in 1954 on the first
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similar to that produced by movement of the left hand on the
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guitar. The only previously successful "tremolo arm" was the
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a "synchronised tremolo", and a device that produced true
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In both the case of the "tremolo arm" and "vibrato unit",
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Guitar tremolo effect (changing volume) as
Vibrato unit
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to the sound of an electric instrument, most often an
286:The term "vibrato unit" was introduced on high-end
123:was one of the earliest electronic guitar effects.
421:. This is particularly used on open strings of a
327:. That is, he called a device that produced true
146:. Fender's first amplifier with this effect, the
319:had reversed the established usage of the terms
216:control, traditionally a pull-on switch on the
364:effect pedal, varying the pitch of the signal.
228:controls the unit when the pull-on switch is
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184:A vibrato unit normally has three controls:
57:. Vibrato units are particularly used in
413:By manipulating the strings between the
68:is contrary to normal usage of the term
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297:" was introduced on Fender guitars.
174:Volume, Treble, Bass, Reverb, Speed
49:. Vibrato units may be individual
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80:'s use of the term in naming the
454:tailpiece built into some early
428:By use of effects units such as
277:Problems playing this file? See
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162:The vibrato/reverb channel of a
29:Diamond Pedals VIB1 Vibrato unit
382:and other stringed instruments.
223:, a foot switch, or both. The
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466:to describe finger vibrato.
458:guitars, and similar units.
450:By use of the motor-driven
172:, from left to right, read
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494:Vibrato systems for guitar
76:effect began in 1956 with
306:Bigsby vibrato tailpiece
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340:effects they produce.
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552:US patent 2988706
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119:What is now called a
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394:By manipulating the
166:Vibrolux amplifier.
574:Vibrato or Tremolo?
360:Demonstration of a
237:Vibrato or tremolo?
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105:Juke Amplification
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532:Magnatoneamps.com
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291:guitar amplifiers
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103:and presently by
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90:rather than
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39:effects unit
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423:bass guitar
388:vibrato arm
295:tremolo arm
51:stomp boxes
500:References
480:pipe organ
478:— a
410:technique.
317:Leo Fender
310:Jazzmaster
279:media help
125:Danelectro
78:Leo Fender
59:surf music
476:Tremulant
396:tailpiece
207:amplitude
203:intensity
193:frequency
178:Intensity
138:The term
101:Magnatone
64:The name
583:Category
538:vibrato.
470:See also
430:flangers
415:head nut
154:Controls
488:vibrato
484:tremolo
464:vibrato
434:phasers
400:archtop
362:vibrato
333:tremolo
329:vibrato
325:tremolo
321:vibrato
140:vibrato
133:Premier
115:History
109:tremolo
93:vibrato
87:tremolo
74:tremolo
70:vibrato
43:vibrato
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398:of an
380:violin
288:Fender
214:on/off
164:Fender
131:, and
129:Gibson
408:blues
218:depth
199:Depth
189:Speed
436:and
417:and
406:and
404:jazz
323:and
176:and
168:The
372:As
225:off
212:An
201:or
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