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with
Richter, he continued his experiments with "picture rolls". These scrolls were sequences of painted images on long rolls of paper that investigate the transformation of geometrical forms and could be up to 15 meters in length. As they were to be "read" from left to right, this soon evolved into
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and works on
Diagonal-Symphonie, a synthesis of image, rhythm, movement and music, created from series of black sheets of paper with cut-out geometrical shapes. This film was completed in 1924 and shown for the first time in November the same year. Its first public screening was in Berlin in May
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Louise O'Konor, Viking
Eggeling, 1880–1925, Artist and Filmmaker: Life and Work, translated by Catherine G. Sundström and Anne Libby, Stockholm, Almqvist and Wiksell, 1971 (pdf)
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from 1901 to 1907, supporting himself with work as a bookkeeper. From 1907 to 1911, he taught Art at the
Hochalpines Lyceum in Zuoz/Institut Engiadina (today
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of
Survage, he started making sketches on scrolls, or "picture rolls" as he would call them, that he later made into his abstract films
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At the age of sixteen, the orphaned
Eggeling moved to Germany to pursue an artistic career. He studied art history in
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1925, at the film program "Der absolute Film", arranged by the
Novembergruppe. 16 days later, Eggeling died of
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cinematographic experimentation on film stock. In 1920, Eggeling began producing his first film,
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315:("November Group"), a radical political group that featured many artists connected to Dada,
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Sandqvist, p.95-97, 190, 264, 342-343; Van der Berg, p.139, 145-147. See also Cernat,
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European
Culture in a Changing World: Between Nationalism and Globalism
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and other artists of the time. At this point his art was influenced by
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Daniel
Robbins, Grove Art Online, Oxford University Press, MoMA, 2009
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Viking
Eggeling, 1880–1925, Artist and Filmmaker: Life and Work
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279:. In the same year Eggeling was co-founder of the similar group
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in 1918, he re-connected with Hans Arp and took part in several
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453:"Basse générale de la peinture. Extension" Lithography (1919)
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In Germany his first stop was Berlin, where he met with
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and featured Marcel Janco, Hans Arp, Sophie Taeuber,
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De Stijl, vol. 4, nr. 7 (July 1921): facing p. 112.
309:and other radical artists. He here also joined the
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117:(21 October 1880 – 19 May 1925) was a Swedish
545:Sandqvist, p.96. See also Van der Berg, p.147
271:ideals and Constructivist aesthetics. In its
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554:Van der Berg, p.147-148. See also Cernat,
249:, and the other dadaists connected to the
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163:Eggeling was born on 21 October 1880 in
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332:. In 1923 he instead collaborates with
110:Four frames from "Diagonal-Symphonie"
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319:and Constructivism. After moving to
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121:artist and filmmaker connected to
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617:Watch "Diagonal Symphonie" online
599:Works by or about Viking Eggeling
502:, Cambridge Scholars Press, 2004
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498:Daniel Meyer-Dinkgräfe,
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147:is one of the seminal
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243:Richard Huelsenbeck
181:Lyceum Alpinum Zuoz
153:experimental cinema
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657:Abstract animation
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151:in the history of
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185:Amedeo Modigliani
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603:Internet Archive
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307:Hannah Höch
119:avant-garde
67:19 May 1925
626:Categories
459:References
277:capitalism
48:1880-10-21
556:Avangarda
534:Avangarda
269:socialist
159:Biography
77:, Germany
189:Hans Arp
58:, Sweden
601:at the
345:Gallery
317:Bauhaus
123:dadaism
369:(1924)
297:Berlin
231:ZĂĽrich
197:Cubism
129:, and
75:Berlin
36:, 1918
441:1923.
429:1921.
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405:1918.
261:Basel
177:Milan
652:Dada
612:IMDb
235:Dada
165:Lund
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42:Born
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